A Small Town in Germany
A Small Town in Germany book cover

A Small Town in Germany

Paperback – February 26, 2002

Price
$100.19
Format
Paperback
Pages
338
Publisher
Scribner
Publication Date
ISBN-13
978-0743431712
Dimensions
5.25 x 1 x 8.25 inches
Weight
10.3 ounces

Description

The New York Times Exciting, compulsively readable, and brilliantly plotted. New Statesman Brilliant, unforgettable...a masterpiece. The Sunday Times (U.K.) John le Carré is at the peak of his form. John le CarrÉ was born in 1931. His third novel, The Spy Who Came in From the Cold, secured him a worldwide reputation, which was consolidated by the acclaim for his trilogy: Tinker, Tailor, Soldier, Spy; The Honorable Schoolboy, and Smiley's People. His novels include The Little Drummer Girl, A Perfect Spy, The Russia House, Our Game, The Taileor of Panama, and Single & Single. John le CarrÉ lives in Cornwall. Excerpt. © Reprinted by permission. All rights reserved. Chapter One: Mr. Meadowes and Mr. Cork "Why don't you get out and walk? I would if I was your age. Quicker than sitting with this scum." "I'll be all right," said Cork, the albino cypher clerk, and looked anxiously at the older man in the driving seat beside him. "We'll just have to hurry slowly," he added in his most conciliatory tone. Cork was a cockney, bright as paint, and it worried him to see Meadowes all het up. "We'll just have to let it happen to us, won't we, Arthur?" "I'd like to throw the whole bloody lot of them in the Rhine." "You know you wouldn't really." It was Saturday morning, nine o'clock. The road from Friesdorf to the Embassy was packed tight with protesting cars, the pavements lined with photographs of the Movement's leader, and the banners were stretched across the road like advertisements at a rally: "The West has deceived us; Germans can look East without shame." "End the Coca-Cola culture now!" At the very centre of the long column sat Cork and Meadowes, becalmed while the clamour of horns rose all round them in unceasing concert. Sometimes they sounded in series starting at the front and working slowly back, so that their roar passed overhead like an aeroplane sometimes in unison, dash dot dash, K for Karfeld our elected leader; and sometimes they just had a free for all, tuning for the symphony. "What the hell do they want with it then? All the screaming? Bloody good haircut, that's what half of them need, a good hiding and back to school." "It's the farmers," Cork said, "I told you, they're picketing the Bundestag." "Farmers? This lot? They'd die if they got their feet wet, half of them. Kids. Look at that crowd there then. Disgusting, that's what I call it." To their right, in a red Volkswagen, sat three students, two boys and a girl. The driver wore a leather jacket and very long hair, and he was gazing intently through his windscreen at the car in front, his slim palm poised over the steering wheel, waiting for the signal to blow his horn. His two companions, intertwined, were kissing deeply. "They're the supporting cast," Cork said. "It's a lark for them. You know the students' slogan: 'Freedom's only real when you're fighting for it.' It's not so different from what's going on at home, is it? Hear what they did in Grosvenor Square last night?" Cork asked, attempting once again to shift the ground. "If that's education, I'll stick to ignorance." But Meadowes would not be distracted. "They ought to bring in the National Service," he declared, glaring at the Volkswagen. "That would sort them out." "They've got it already. They've had it twenty years or more." Sensing that Meadowes was preparing to relent, Cork chose the subject most likely to encourage him. "Here, how did Myra's birthday party go, then? Good show was it? I'll bet she had a lovely time." But for some reason the question only cast Meadowes into even deeper gloom, and after that Cork chose silence as the wiser course. He had tried everything, and to no effect. Meadowes was a decent, churchy sort of bloke, the kind they didn't make any more, and worth a good deal of anybody's time; but there was a limit even to Cork's filial devotion. He'd tried the new Rover which Meadowes had bought for his retirement, tax free and at a ten per cent discount. He'd admired its build, its comfort and its fittings until he was blue in the face, and all he'd got for his trouble was a grunt. He'd tried the Exiles Motoring Club, of which Meadowes was a keen supporter; he'd tried the Commonwealth Children's Sports which they hoped to run that afternoon in the Embassy gardens. And now he had even tried last night's big party, which they hadn't liked to attend because of Janet's baby being so near; and as far as Cork was concerned, that was the whole menu and Meadowes could lump it. Short of a holiday, Cork decided, short of a long, sunny holiday away from Karfeld and the Brussels negotiations, and away from his daughter Myra, Arthur Meadowes was heading for the bend. "Here," said Cork trying one more throw, "Dutch Shell's up another bob." "And Guest Keen are down three." Cork had resolutely invested in non-British stock, but Meadowes preferred to pay the price of patriotism. "They'll go up again after Brussels, don't you worry." "Who are you kidding? The talks are as good as dead aren't they? I may not have your intelligence but I can read, you know." Meadowes, as Cork was the very first to concede, had every excuse for melancholy, quite apart from his investments in British steel. He'd come with hardly a break from four years in Warsaw which was enough to make anyone jumpy. He was on his last posting and facing retirement in the autumn, and in Cork's experience they got worse, not better, the nearer the day came. Not to mention having a nervous wreck for a daughter: Myra Meadowes was on the road to recovery, true enough, but if one half of what they said of her was to be believed, she'd got a long way to go yet. Add to that the responsibilities of Chancery Registrar -- of handling, that is, a political archive in the hottest crisis any of them could remember -- and you had more than your work cut out. Even Cork, tucked away in Cyphers, had felt the draught a bit, what with the extra traffic, and the extra hours, and Janet's baby coming on, and the do-this-by-yesterday that you got from most of Chancery; and his own experience, as he well knew, was nothing beside what old Arthur had had to cope with. It was the coming from all directions, Cork decided, that threw you these days. You never knew where it would happen next. One minute you'd be getting off a Reply Immediate on the Bremen riots, or tomorrow's jamboree in Hanover, the next they'd be coming back at you with the gold rush, or Brussels, or raising another few hundred millions in Frankfurt and Zurich; and if it was tough in Cyphers, it was tougher still for those who had to track down the files, enter up the loose papers, mark in the new entries and get them back into circulation again...which reminded him, for some reason, that he must telephone his accountant. If the Krupp labour front was going on like this, he might take a little look at Swedish steel, just an in-and-outer for the baby's bank account... "Hullo," said Cork brightening. "Going to have a scrap, are we?" Two policemen had stepped off the kerb to remonstrate with a large agricultural man in a Mercedes Diesel. First he lowered the window and shouted at them; now he opened the door and shouted at them again. Quite suddenly, the police withdrew. Cork yawned in disappointment. Once upon a time, Cork remembered wistfully, panics came singly. You had a scream on the Berlin corridor, Russian helicopters teasing up the border, an up-and-downer with the Four Power Steering Committee in Washington. Or there was intrigue: suspected German diplomatic initiative in Moscow that had to be nipped in the bud, a suspected fiddle on the Rhodesian embargo, hushing up a Rhine Army riot in Minden. And that was that. You bolted your food, opened shop, and stayed till the job was done; and you went home a free man. That was that; that was what life was made of; that was Bonn. Whether you were a dip like de Lisle, or a non-dip behind the green baize door, the scene was the same; a bit of drama, a lot of hot air, then tickle up the stocks and shares a bit, back to boredom and roll on your next posting. Until Karfeld. Cork gazed disconsolately at the posters. Until Karfeld came along. Nine months, he reflected -- the vast features were plump and lifeless, the expression one of flatulent sincerity -- nine months since Arthur Meadowes had come bustling through the connecting door from Registry with the news of the Kiel demonstrations, the surprise nomination, the student sit-in, and the little bit of violence they had gradually learnt to expect. Who caught it that time? Some Socialist counter-demonstrators. One beaten to death, one stoned...it used to shock them in the old days. They were green then. Christ, he thought, it might have been ten years ago; but Cork could date it almost to the hour. Kiel was the morning the Embassy doctor announced that Janet was expecting. From that day on, nothing had ever been the same. The horns broke wildly into song again; the convoy jerked forward and stopped abruptly, clanging and screeching all different notes. "Any luck with those files then?" Cork enquired, his mind lighting upon the suspected cause of Meadowes' anxiety. "No." "Trolley hasn't turned up?" "No, the trolley has not turned up." Ball-bearings, Cork thought suddenly: some nice little Swedish outfit with a get-up-and-go approach, a firm capable of moving in fast...two hundred quid's worth and away we all go... "Come on Arthur, don't let it get you down. It's not Warsaw you know: you're in Bonn now. Look: know how many cups they're shy of in the canteen, just on the last six weeks alone? Not broken, mind, just lost: twenty-four." Meadowes was unimpressed. "Now who wants to pinch an Embassy cup? No one. People are absent-minded. They're involved. It's the crisis, see. It's happening everywhere. It's the same with files." "Cups aren't secret, that's the difference." "Nor's file trolleys," Cork pleaded, "if it comes to that. Nor's the two-bar electric fire from the conference room which Admin are doing their nut about. Nor's the long-carriage typewriter from the Pool, nor -- listen Arthur, you can't be blamed, not with so much going on; how can you? You know what dips are when they get to drafting telegrams. Look at de Lisle, look at Gaveston: dreamers. I'm not saying they aren't geniuses but they don't know where they are half the time, their heads are in the clouds. You can't be blamed for that." "I can be blamed. I'm responsible." "All right, torture yourself," Cork snapped, his last patience gone. "Anyway it's Bradfield's responsibility, not yours. He's Head of Chancery; he's responsible for security." With this parting comment, Cork once more fell to surveying the unprep... Read more

Features & Highlights

  • John le Carré's classic novels deftly navigate readers through the intricate shadow worlds of international espionage with unsurpassed skill and knowledge, and have earned him unprecedented worldwide acclaim.
  • A man is missing. Harting, refugee background, a Junior Something in the British Embassy in Bonn. Gone with him are forty-three files, all of them Confidential or above.
  • It is vital that the Germans do not learn that Harting is missing, nor that there's been a leak. With radical students and neo-Nazis rioting and critical negotiations under way in Brussels, the timing could not be worse -- and that's probably not an accident.
  • Alan Turner, London's security officer, is sent to Bonn to find the missing man and files as Germany's past, present, and future threaten to collide in a nightmare of violence.

Customer Reviews

Rating Breakdown

★★★★★
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Most Helpful Reviews

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A Cold War Spy Novel that Remains Starkly Relevant

When Leo Harting, a German employee of the British Embassy in Bonn (the titular small town in Germany), goes missing with confidential files, London sends Alan Turner to investigate. With anti-British sentiment at a fever pitch in Cold War West Germany, Harting's disappearance takes on significant importance. Is Harting a communist? A neo-Nazi? As Turner pursues his investigation, it soon becomes clear that Harting was a fixture about the embassy, known to all and yet completely unknown. Moreover, Turner comes to the realization that Rawley Bradfield, head of the embassy, is not interested in helping Turner, despite his assurances to the contrary.

"A Small Town in Germany" is my first John Le Carre novel. It won't be my last. Le Carre's reputation as a master of the spy-thriller is well-founded. Publically, writing as the "anti-Ian Fleming," Le Carre concentrates on plausibility (in fairness, Fleming's early books were more plausible than the films). The plot of this book is single-minded: Turner's tenacious search for Harting and his conflict with Bradfield even as events are straining German domestic stability and international relations. Indeed, instead of a lengthy chase novel with Turner trading shots with Harting through the streets of Bonn, Le Carre writes of Turner's more realistic battle with a distracted bureaucracy as he pieces together just who Harting is, and why Bradfield felt compelled to keep him around for so long. Le Carre is quite careful to obscure the truths of his plot. The answer as to why Harting has vanished and how this relates to the unrest in West Germany is surprising, and speaks to Le Carre's gift for misdirection.

While this novel is plot driven, Le Carre allows his characters to grow. Turner, Harting and Bradfield come to us as complete unknowns. We have some vague notions of Turner's past, but Le Carre doesn't simply give us traumatic events in his life to define him. Rather, he uses Turner's speech and actions to show us that Turner is decent, but driven, and with a limited capacity to relate to people. We sympathize with Turner's need to find Leo, not only because it is his job, but because he's naturally inquisitive. He MUST know what makes Leo tick. We also sympathize with Turner as he runs into multiple brick-walls set up by Bradfield and his personnel. We also realize that in any other circumstance, Turner's qualities might make him less likable. The final plot resolution in fact rests on revelations of the protagonists true nature: Harting isn't truly sinister, and Turner isn't so dogged and without true emotion.

Le Carre wears his politics on his sleeve. He's obviously cynical about the foreign relations and intelligence communities, and, in this book, expresses a dim view (mostly, but not completely, dated) of the German people. He admits in his 1991 introduction that he may have fallen into the trap of Germans = Nazis. In a way, this is ironic, as up until the last 40 or so pages of the book, the German setting seems incidental. Only at the end of the book do the anti-British nationalists take a central role. While Le Carre admits to being anti-German in his intro, his central anti-diplomacy theme is his focus, as evidenced by Bradfield's own cynicism, the embassy's incompetence, and the general unwillingness to admit to failure on anyone's part.

While perhaps dated in its details-the Cold War is over, its not hard to see "A Small Town in Germany" as relevant in today's War on Terror, where so much rides on the actions of a few on both sides, and where old wounds from time immemorial motivate ongoing hatreds and violence. In this way, Le Carre has produced something akin to a classic. If nothing else, he's written a nifty and engaging character study.
32 people found this helpful
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BORING.

I'm a huge LeCarre fan, and this effort is so boring I stopped reading half-way thru. Its not his finest book. I wouldnt list it in his best 10.
10 people found this helpful
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great for a first taste of LeCarrè

A delicately woven plot of political power, personal power, and national pride make a thick blanket behind which the powers of the nation-state operate.
The British embassy in Bonn is depicted as a reflection of the Empire. Each character displayed, pinned to a board as one might an insect collection: to be completely examined and scrutinized for flaws, defects, and identifying characteristics. Perhaps most appealing is not being innundated with detail at the beginning. We find the strings along with Alan Turner, secrutiy expert, wondering where they will lead us. A missing man, Leo Harting, Harting Leo, a German war refugee who returned to his Fatherland, is also a mystery man: spy, patriot, or simply a nobody? Nobody seems to know the same version of the man.
A skillful display of the politics and social up-heaval in early 60s Germany as a mighty nation struggled to determine its own future once again. Le Carrè's experience working in the very same Embassy in the early 60s no doubt provides the truly realistic vision he paints so skillfully with words. The entire profession of diplomacy is not painted in a particularly flattering light - the supremecy of the nebulous national goals reigns over the reality of the individual's life.
As a first taste of his writing, I am eagerly looking forward to more.
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New Meaning to the Term "Dated"!

I can't imagine that this is the sort of novel that has made John LeCarré rich and famous. It has beautiful flashes of style, heart-stopping moments of either suspense or epiphany, but as a narrative it's deadly dull. Turgid. Inchoate. Meandering. None of those flaws amount to literary catastrophe. Hey, some of my favorite novels are turgid and meandering! But "A Small Town in Germany" is a depiction of a specific moment in modern history, the moment when the UK was desperately seeking admission to the Common Market and in eventuality to the 'European Community'. The novel is set within the operations of the British Embassy in Bonn. The diplomatic staff is a plausible mash-up of ineptitude, duplicity, and bungling propriety, all overmatched by the ruthless intensity of their German and Russian counterparts. But the novel is in essence an oracle, an ominous foreshadowing of the 'fate of England and Europe' in the near future. And LeCarré was as faulty a 'prophet' as any fundamentalist preacher in America, announcing the end of the world in Y2K or the Rapture last June. His portrayal of German society in the 1960s is nonsensical and his prevision of the course of the Cold War could hardly have been less accurate. In short, he got it all wrong, and the resulting narrative is confusingly misaligned with what anyone might know of modern history. If the book were a complete fiction set in an unnamed place and time, it might be less confusing. As it stands, it's annoyingly dated.
9 people found this helpful
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Of Slight Interest Here and Now

John LeCarre's "A Small Town in Germany,"first published in 1969,is one of his stand alone cold war spy thrillers. It concerns doings in the British Embassy in Bonn, then the capital of West Germany, and takes place in the "recent future." Britain faces interlocking problems: it's struggling to get into the Common Market, which Germany can prevent; and a new anti-British demagogue, Karfeld, is arising in Germany to further torment the Brits. At that fraught moment, an Embassy quasi-staffer--Second Secretary Leo Harting, ethnic German-- goes missing, taking along damaging files, a document trolley, somebody's fan, somebody else's tea maker. So an un-Smiley, Alan Turner, is sent from London to search him out. We know Turner is an un-Smiley because he's from the Midlands, meaning he's rude, loses his temper, and dresses badly.

This book makes an extremely long, slow start, although it opens with a brief cameo of where LeCarre intends to go. But if you are not interested -- were never that interested--in internal German politics back then, or in Britain's gaining admission to the Common Market, you will have a very long slog indeed to get to the good part: approximately 300 of approximately 380 pages. Furthermore, this book shares some of the problems of its author's post cold war writing: LeCarre labors to make mountains from molehills, and to interest his readers in the dull. However, his writing is always witty and concise, and he does finally manage to generate some heat in the end: some readers may come to care a bit about Harting and Turner. LeCarre has always had that knack for bang-up beginnings and endings.
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Two Stars

VERY VERY STRONG MOLD SMELL
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A Harder-Boiled le Carré

Perhaps John le Carré's most hard-boiled novel, "A Small Town In Germany" features an investigator so bull-headed in search of the truth that he angers most of the people he interviews, including one woman he slaps around for needed information. It's a bracingly unusual effort from the urbane le Carré, but generally a positive-enough read until it falls apart at the end.

Alan Turner, we are told, was "a big, lumbering man" who moved "with the thrusting slowness of a barge, a broad, aggressive policeman's walk, willfully without finesse." You can say the same of "A Small Town In Germany." For a time it makes for a terrific read, le Carré creating an atmosphere of unrest and petty gamesmanship around the British embassy in Bonn, then the capital of West Germany. At the heart of the book is a mystery, a very absorbing one as it develops, involving a German employee of the embassy named Leo Harting who has disappeared along with key embassy files.

Everyone in the embassy saw what they wanted to see in Harting, and trusted him in all the wrong ways. To some he was a lover, others a confidante, others a scrounger. He even played the organ at church despite not being a believer. "He'd have charmed you into bed for half a crown," Turner explodes, and you marvel with him at how clever Harting was and wonder for what purpose he employed such cleverness.

The problem with too many mystery novels is they have to solve the mystery at the end. This mystery eventually falls victim to some dated and stretched points le Carré wanted to make about West Germany and its political inclinations, and Great Britain's likely blind eye to same, circa 1968. Describing the rise of an apparent neo-Nazi whose more Nazi than neo, he makes several references to a place in Bonn where Neville Chamberlain stayed while giving away Czechoslovakia. This becomes a central element to the novel at about the same time the nastily wonderful Mr. Turner becomes a sidelines observer. The result is frustrating, as le Carré lumbers on to a typically downbeat finish.

This is otherwise an atypical outing for the writer, not only in being his first not to feature George Smiley but also for the rougher tone it takes from its lead protagonist. Turner works, and so does the "Payton Place"-like setting he is plunged into. The latter comes to life in a series of long conversations which may be a le Carré hallmark but here carry a special liveliness as they advance the Harting story in sundry curious ways, the author doing as much to tease out the setting as the character. He also offers piquant observations of Bonn, a city where he once worked as a spy, as "an island cut off by fog" that "may be a democracy but is frightfully short of democrats."

If he had left it there, I think this book would stand higher in the le Carré pantheon. As it is, a forced ending and some excess negativism is balanced off by a unique central character and a clever set up.
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Great Cold War novel

Le Carré's fifth book is situated in and around the British embassy in Bonn, the post-WW II capital of West Germany, during the second half of the 1960s. The political context of the book is rather contrived: The United Kingdom (UK) has lost its empire and is bankrupt. In West Germany anti-British feeling is running high with violent demonstrations. A populist politician urges people to turn their back on the three former occupying nations and chart a new course for the nation, block UK-entry into the Common Market (precursor to the EU: the UK succeeded only in 1973), and support a trade alliance with Moscow.
While the Bonn embassy is preparing for the worst (mass demonstrations and a possible attack on its premises), a lowly diplomat, who is a temp and a former refugee with 20 years of service, fails to turn up for work. The embassy's most secret file is gone too, along with sundry other items, ranging from cups and saucers to an entire trolley loaded with files. Has he defected, run off to Moscow?
London sends one of its security hard men, Alan Turner, to sort out the mess. He confronts and offends everybody he speaks with in his search for truth, and he moves on and on, uncovering small and big secrets. Meanwhile, he is furious about his wife's infidelity with an upper class type, who tend to man and staff foreign embassies.
The book is memorable for several reasons: how large embassies went about their business operationally and socially during the Cold War; the memorable cast of diplomats and support staff; the significance of class in a British context, and the alleged shiftiness of German high-level contacts.
Finally, this complicated book is an experiment of not sending George Smiley (he is not mentioned at all), but Alan Turner to do battle. Unfaithful wives is what they have in common, and passion for truth and justice in an environment full of hypocrisy, indifference and lethargy. Highly recommended.
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Back to the Cold War; Into the War on Terror

A Small Town in Germany

This must have been my weekend for the good, the bad, and the ugly in books. Because it has been oppressively hot in Southern California (105-110 degrees) I've been closeted inside with the air conditioning and beer.
So I tackled all four of the books I have out from the library -- three fictional and one non-fiction. I liked one very much, a couple somewhat, and the fourth hardly at all.

Beginning with John Le Carre, I read both "A Small Town in Germany" and "A Most Wanted Man." Although "A Small Town" was written forty years ago, in some ways it is more contemporary and relevant than "Most Wanted Man." It is a novel of the cold war, more precisely the political and diplomatic maneuvering that followed World War II and the introduction of a multi-national defense policy (NATO) and the Common Market. Britain is caught in the middle - its traditional dominance during the Empire is declining, its economy moribund, and its leadership incompetent. (Somehow, that does sound contemporary). A nationalist demagogue, Karfield, has emerged in Germany and is making overtures toward the East. Critical talks are underway in Brussels and Britain's future is on the line.
A long-time, "Temporary" employee of the British Embassy in Bonn has gained the confidence of his superiors and access to critical diplomatic and intelligence information, and defected. The story follows a Special Agent of MI-6, Turner, as he wrestles both with the bureaucracy of the Embassy and the disappearance of the spy.
LeCarre's familiarity with the ins and outs of diplomacy and intelligence work, and his personal knowledge of the area (he had been posted there previously) keep this story moving along. It is John Le Carre at his best.

The same can't be said for Le Carre's "A Most Wanted Man," based on a more modern version of the spy game with the terrorist element thrown in. I really couldn't get into it, finding the characters shallow and not well developed, and pace languid, and the writing not what I expect of John Le Carre. (Two other books... "Maximum City: Bombay Lost and Found", and "The Alienist," are reviewed separately.)
I give "A Small Town" four stars and "A Most Wanted Man" two.
[[ASIN:1416596097 A Most Wanted Man]]

[[ASIN:0375703403 Maximum City: Bombay Lost and Found]]
[[ASIN:0812976142 The Alienist]]
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a spy novel based in the past

A spy story set in the past in germany during the time of the wall and their actions affecting the future in england's future.