A Tree Grows in Brooklyn [75th Anniversary Ed] (Perennial Classics)
A Tree Grows in Brooklyn [75th Anniversary Ed] (Perennial Classics) book cover

A Tree Grows in Brooklyn [75th Anniversary Ed] (Perennial Classics)

Paperback – November 6, 2018

Price
$9.39
Format
Paperback
Pages
493
Publisher
Harper Perennial Modern Classics
Publication Date
ISBN-13
978-0060736262
Dimensions
7.9 x 5.3 x 1.3 inches
Weight
13.6 ounces

Description

“A poignant and deeply understanding story of childhood and family relationships....[Smith’s] book has light and air in it, comedy and pathos, and an underlying rhythm pulsing to the surge and flow of humanity itself. No matter what happens to the Nolans, they never lose their awareness of the sweetness and wonder of life.” — Orville Prescott, New York Times “Betty Smith was a born storyteller.” — USA Today “One of the books of the century.” — New York Public Library “A profoundly moving novel, and an honest and true one. It cuts right to the heart of life. . . . If you miss A Tree Grows in Brooklyn you will deny yourself a rich experience.” — New York Times “ A Tree Grows in Brooklyn deserves to be thought of as one of the greatest American novels.” — The New Yorker “One of the most cherished of American novels….It is the Dickensian novel of New York that we didn’t think we had.” — New York Times The American classic about a young girl's coming-of-age at the turn of the century. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more. Betty Smith (1896–1972) was a native of Brooklyn, New York. Her novels A Tree Grows in Brooklyn , Tomorrow Will Be Better , Joy in the Morning , and Maggie-Now continue to capture the hearts and imaginations of millions of readers worldwide. Excerpt. © Reprinted by permission. All rights reserved. A Tree Grows in Brooklyn By Smith, Betty Perennial ISBN: 0060736267 Chapter One Serene was a word you could put to Brooklyn, New York. Especially in the summer of 1912. Somber, as a word, was better. But it did not apply to Williamsburg, Brooklyn. Prairie was lovely and Shenandoah had a beautiful sound, but you couldn't fit those words into Brooklyn. Serene was the only word for it; especially on a Saturday afternoon in summer. Late in the afternoon the sun slanted down into the mossy yard belonging to Francie Nolan's house, and warmed the worn wooden fence. Looking at the shafted sun, Francie had that same fine feeling that came when she recalled the poem they recited in school. This is the forest primeval. The murmuringpines and the hemlocks,Bearded with moss, and in garments green,indistinct in the twilight,Stand like Druids of eld. The one tree in Francie's yard was neither a pine nor a hemlock. It had pointed leaves which grew along green switches which radiated from the bough and made a tree which looked like a lot of opened green umbrellas. Some people called it the Tree of Heaven. No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts. You took a walk on a Sunday afternoon and came to a nice neighborhood, very refined. You saw a small one of these trees through the iron gate leading to someone's yard and you knew that soon that section of Brooklyn would get to be a tenement district. The tree knew. It came there first. Afterwards, poor foreigners seeped in and the quiet old brownstone houses were hacked up into flats, feather beds were pushed out on the window sills to air and the Tree of Heaven flourished. That was the kind of tree it was. It liked poor people. That was the kind of tree in Francie's yard. Its umbrellas curled over, around and under her third-floor fire-escape. An eleven-year-old girl sitting on this fire-escape could imagine that she was living in a tree. That's what Francie imagined every Saturday afternoon in summer. Oh, what a wonderful day was Saturday in Brooklyn. Oh, how wonderful anywhere! People were paid on Saturday and it was a holiday without the rigidness of a Sunday. People had money to go out and buy things. They ate well for once, got drunk, had dates, made love and stayed up until all hours; singing, playing music, fighting and dancing because the morrow was their own free day. They could sleep late -- until late mass anyhow. On Sunday, most people crowded into the eleven o'clock mass. Well, some people, a few, went to early six o'clock mass. They were given credit for this but they deserved none for they were the ones who had stayed out so late that it was morning when they got home. So they went to this early mass, got it over with and went home and slept all day with a free conscience. For Francie, Saturday started with the trip to the junkie. She and her brother, Neeley, like other Brooklyn kids, collected rags, paper, metal, rubber, and other junk and hoarded it in locked cellar bins or in boxes hidden under the bed. All week Francie walked home slowly from school with her eyes in the gutter looking for tin foil from cigarette packages or chewing gum wrappers. This was melted in the lid of a jar. The junkie wouldn't take an unmelted ball of foil because too many kids put iron washers in the middle to make it weigh heavier. Sometimes Neeley found a seltzer bottle. Francie helped him break the top off and melt it down for lead. The junkie wouldn't buy a complete top because he'd get into trouble with the soda water people. A seltzer bottle top was fine. Melted, it was worth a nickel. Francie and Neeley went down into the cellar each evening and emptied the dumbwaiter shelves of the day's accumulated trash. They owned this privilege because Francie's mother was the janitress. They looted the shelves of paper, rags and deposit bottles. Paper wasn't worth much. They got only a penny for ten pounds. Rags brought two cents a pound and iron, four. Copper was good -- ten cents a pound. Sometimes Francie came across a bonanza: the bottom of a discarded wash boiler. She got it off with a can opener, folded it, pounded it, folded it and pounded it again. Soon after nine o'clock of a Saturday morning, kids began spraying out of all the side streets on to Manhattan Avenue, the main thoroughfare. They made their slow way up the Avenue to Scholes Street. Some carried their junk in their arms. Others had wagons made of a wooden soap box with solid wooden wheels. A few pushed loaded baby buggies. Francie and Neeley put all their junk into a burlap bag and each grabbed an end and dragged it along the street; up Manhattan Avenue, past Maujer, Ten Eyck, Stagg to Scholes Street. Beautiful names for ugly streets. From each side street hordes of little ragamuffins emerged to swell the main tide. On the way to Carney's, they met other kids coming back empty-handed. They had sold their junk and already squandered the pennies. Now, swaggering back, they jeered at the other kids. "Rag picker! Rag picker!" Francie's face burned at the name. No comfort knowing that the taunters were rag pickers too. No matter that her brother would straggle back, empty-handed with his gang and taunt later comers the same way. Francie felt ashamed. Continues... Excerpted from A Tree Grows in Brooklyn by Smith, Betty Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. Read more

Features & Highlights

  • A PBS Great American Read Top 100 Pick
  • A special 75th anniversary edition of the beloved American classic about a young girl's coming-of-age at the turn of the twentieth century.
  • From the moment she entered the world, Francie Nolan needed to be made of stern stuff, for growing up in the Williamsburg slums of Brooklyn, New York demanded fortitude, precocity, and strength of spirit. Often scorned by neighbors for her family’s erratic and eccentric behavior―such as her father Johnny’s taste for alcohol and Aunt Sissy’s habit of marrying serially without the formality of divorce―no one, least of all Francie, could say that the Nolans’ life lacked drama. By turns overwhelming, heartbreaking, and uplifting, the Nolans’ daily experiences are raw with honestly and tenderly threaded with family connectedness. Betty Smith has, in the pages of
  • A
  • Tree Grows in Brooklyn
  • , captured the joys of humble Williamsburg life―from “junk day” on Saturdays, when the children traded their weekly take for pennies, to the special excitement of holidays, bringing cause for celebration and revelry. Smith has created a work of literary art that brilliantly captures a unique time and place as well as deeply resonant moments of universal experience. Here is an American classic that "cuts right to the heart of life," hails the
  • New York Times
  • . "If you miss
  • A Tree Grows in Brooklyn
  • , you will deny yourself a rich experience."

Customer Reviews

Rating Breakdown

★★★★★
60%
(9.4K)
★★★★
25%
(3.9K)
★★★
15%
(2.4K)
★★
7%
(1.1K)
-7%
(-1099)

Most Helpful Reviews

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My Favorite Book of All Time

Every word of A Tree Grows in Brooklyn was a treat. I have never come across such a beautifully sculpted book before in my entire life. This was a book I would be one hundred percent content never finishing; I could keep reading it forever and ever. There’s no true plot to it in the way that life has no true plot. For that’s what this is, the story of someone’s life, the author’s really. It’s all of these vignettes which weave her life together in the most poetic way. But it isn’t annoying or clunky or just plain irritating like other books which try to do the same thing (A House on Mango Street, anyone? Ugh….) It doesn’t feel like mini stories until you go back at the end and try to say what exactly it was about. Only then do you realize the spider web the author wove, full of holes and yet strong, and beautiful, and complete. It’s stunning and heart wrenching but not sappily sentimental. It’s the kind of book and the kind of writing which will never die. If you haven’t already guessed, I recommend this book. Highly.
47 people found this helpful
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A disappointment

I love classic books for young people, but this book is a disappointment. I've read 57 pages and nothing very interesting has happened. I thought the story would be a beautiful and touching story about a little girl growing up. It may be, but most of these first 57 pages have been the life stories of the adults. The writing style is deceptively simple and childlike, but the story constantly, constantly references sex - creepy men pinching little girls in exchange for favors, music teachers ogling their students' bare feet, women chasing men, men making love and dodging marriage. An aunt of the main character, who is a slut, is held up as a positive example. There are references to bare backsides and scenes of her aunt making out with a man with whom she's cheating on her husband. The male characters so far are all either pathetic or cruel and nasty. Who ever thought this was good literature for kids?
24 people found this helpful
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Looks Boring/ Reads Brilliantly

I love to read the classics but I resisted this one for years because: 1. I don't usually like "coming of age' novels narrated by children 2. I don't usually like books that paint a portrait but offer no plot/no suspense/little action/ little in the way of dramatic juice. 3. Portraits of abject poverty rather depress me That being said, I opened this book with dread that it would be a slog to get through. I was wrong. Betty Smith pulled a literary hat trick and wrote a book that makes you care about its central character, a girl (who I assume to be based on Ms. Smith herself) dealing with her family and others in their Brooklyn neighborhood at the brink of a world war. The book never grabs you by the neck but seduces you subtly and surely as you turn its pages. Nothing much happens.... except for LIFE. And that is its beauty. The writing is not flowery or showy. This is a book that reads like butter. It seems on the surface like a "womany" book but its not that either... just a very vivid portrait with a few dark elements. Let's face it: life is full of characters. Dickens knew that, and so did Betty Smith. Are you a fidgety reader reliant upon high drama or nail-biting suspense? You will find neither in this classic. It's the literary equation of Roberta Flack's "Killing Me Softly With His Song". And a well-deserved classic. Glad I read it.
18 people found this helpful
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Nothing I could say would be good enough for this book.

A Tree grows in Brooklyn is a rare jewel. I fell in love with this book at age twelve, and have read it maybe one hundred times since (and i am not all that old) I am an avid reader, and usally finish five books a week. But the first time I read A Tree Grows in Brooklyn, something changed. It broke my heart while filling me with pure joy. I never cry at the end of books, but the last page of my copy is stained from all the years of reading and loving. I love it so much that sometimes when I get to the end, I flip to the first page, because I never wanted to hear the end of Francie Nolan.
A Tree Grows In Brooklyn is a book about life. Nothing more. It fills you with a love and a saddness that almost no other books can. This is my favorite book, and as a huge reader and an editor of a literary magazine that is not said lightly. The ideas posed in this book will stick with you until your death, and maybe longer. You will never forget Francie Nolan.
This book deserves much more than I can say. This book is amazing feeling, and maybe not more than that. Nothing really happens in this book, and that is perhaps the beauty of this book. If you read nothing else, read this book. I know you'll love it.
10 people found this helpful
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More than a coming-of-age story

I don't know how many times I've read A Tree Grows in Brooklyn. My parents had a copy in the house where I grew up in Queens, and it was among the books I read again and again as a young teen. Perhaps that was because it was about a young girl growing up in New York, perhaps it was because it was among the few books (in the ramshackle, eclectic collection of my parents' house, which a friend once described as "decorated in Late Brooklyn Depression") that was clearly about the joys of being a kid. But I think it was really a lot more than that.

The movies they made from this book are TERRIBLE, or at least they don't reflect any of the magic I found here, so please don't let them set your expectations.

What Smith did so well -- and why this book has remained a classic -- is show the shabbiness and the innocence, simultaneously. The story, which you probably know is about Francie Nolan and her family in Brooklyn's tenement neighborhoods from the early 1900s, treats the poor with respect but without romanticism. It's nostalgic for the joys that children find -- in the flowers at a library checkout counter, in the opportunity to choose the best candy from the penny store -- without painting such a rosy glow that you ever want to go back there.

Another reason that this book works so incredibly well is the author's marvelous ability to show each main character's viewpoint. Francie and her mother argue; instead of showing just Francie's side, you also know exactly what is going through Katie's mother's mind, and you know that BOTH of them are right. That's an important message, especially for teenagers, and I distinctly remember deciding to adopt some of the attitudes I saw in this book. How many books did you read as a child that had that kind of influence on you?

Smith never shied away from issues of sex and drink, either, so if you're considering this book as a present for a child of, say, under ten, you might want to read through it first yourself. (Not that this will be a hardship; I just re-read it last night, at the grand old age of 48, and I obviously still love this book.)

On the other hand, this might be a good book for a pre-teen, as the sex and substance abuse are treated with clear eyes and a kind heart. If you want to talk to kids about the choices that people make ("Could Francie's father have stopped drinking?" you might ask the kid), this would be a great vehicle for doing so.

But heck -- you don't have to get that serious about it. This is a great story, wonderfully written, and the time-and-place comes alive.
8 people found this helpful
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Didn't finish

My bookclub picked this book as every once in a while we do a classic and many in my club had fond memories of this book. Unfortunately, I couldn't finish it. I got about half through and was never engaged in it. I found myself skimming much of it and finally decided that I'd move on to something else. I think if you enjoy lots of detailed description, this might be a good book for you. It moved too slowly for me, though.
7 people found this helpful
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A masterpiece

A Tree Grows in Brooklyn has been on my "to read" list since girlhood, but I never got around to it, until this week, at age 29. Now I almost cannot believe I lived so long without reading it. Smith's novel is a written masterpiece of storytelling, characterization, and narration. Never have I so longed to be back in college with a professor and fellow English majors, to be sure I hadn't overlooked a single morsel of a book. Though Smith writes in the third person, it IS "Francie's book" and the narrator describes the world beautifully through her eyes. Over and over, a single, simple sentence expressing a fleeting, naive thought by young Francie manages to make more of a poignant and sometimes humorous social commentary than what other authors might take entire chapters to describe. As Francie grows, so does the narration-- becoming more direct, less naive, and more self-aware. Francie is one of the most lovingly drawn and memorable characters I've ever encountered-- she is a timeless picture of every curious young girl who has ever grown up in a poor family, dreaming of more, working hard in school and writing her way to a better life. A century later, I know that I was that girl, and thousands of other women over time have been "that girl," yet Francie manages at the same time to be both every-girl and a unique little jewel all her own. Smith's book not only provides an intriguing description of life of the American urban poor at the turn of the century, but also grapples with social issues still existing in modern America. This is a book to be read over and over; even while reading it, I was aware of how much I was missing by not pausing to relish and deconstruct particular passages. However, it is also a novel so well-written and so packed with life that it deserves to be savored between readings. So, as I finished the book, I had to stop myself from turning back to page 1 and starting again-- at least for a while.
6 people found this helpful
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When You Feel The Need to Read a GOOD Classic

"A Tree Grows in Brooklyn," is named as one of the Century's Best Books by the New York Public Library for a reason. Originally published some 60 years ago, even to jaded readers of modern contemporary fiction, it remains highly readable. Every word.

This was my mother's favorite book. I remember watching the movie with her when I was a child and for these two reasons, reading was slow. I couldn't help but reflect on the story as if they were MY memories rather than the main character's, a young girl named "Francie," growing up in poverty in the early twentieth century. It reads like a series of both heartbreaking and entertaining anecdotes about life among first and second-generation immigrants in Brooklyn, New York. And while you can sense the starvation and the continual worry over making ends meet, through the eyes of the children, Francie and her brother, Neely, and also through their Aunt "Sissy," who absolutely takes a bite out of life, it's difficult to feel sorry for them. They are prideful and make the most of all that they have. There's a scene where the children manage to stay standing as the tree vendor chucks a giant Christmas tree at them on Christmas Eve, which I will never forget. What will also stay with me are the feelings Francie discovers while growing up, about the different kinds of love she had for her family.

I savored each page and didn't want it to end. For all the days I read, it was like spending time with my mom.

Michele Cozzens is the author of [[ASIN:1932172300 It's Not Your Mother's Bridge Club]].
5 people found this helpful
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Not for everyone, but a great classic

I really enjoyed this book, but I understand why many would not. This is a historical novel and one where if you don't understand the language and descriptions used, you will not get much out of it. Also, this book requires a lot of reading in between the lines and critical thinking. This is why "A Tree Grows In Brooklyn" is so often required reading material and also why most adolescents don't like or understand it. This novel is about a girl living in poverty in the early 1900s. Simply put, this is about her life and the observations she makes about why people behave the way they do.
There are many historical aspects to the story. There are references made to the Triangle Shirtwaist fire, and frankly, if you don't know much about the history of the country during this time, you will miss even more still. If you do not have at least some background and interest in reading 'classic literature' and even history, this probably isn't the book for you.
But if you do enjoy reading good literature, then this is definately the book for you. I thoroughly enjoyed this book, and got a lot out of it. The characters are interesting, and it's an interesting look into human behavior which, despite the times of the novel, still hold true today.
5 people found this helpful
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Great book quality

I love the book and its quality. Packaging was great and it came to me brand new. Would order more books!
3 people found this helpful