Dale Stewart's life has become a shadow of what it once was. A respected college professor and successful novelist, he sabotaged his career and his marriage with an obsessive love affair that ended badly.
With darkness closing in on him, Dale decides to return to his boyhood home in Illinois. Drawn by a recurring nightmare that has plagued him since his youth -- and a troubling certainty that something is waiting for him there -- he hopes to exorcise his demons.
In the last hours of Halloween, he reaches the outskirts of the dying town of Elm Haven. There, he moves into the abandoned farmhouse that was once the home of his closest boyhood friend, the strange and brilliant Duane McBride, who lost his young life in a grisly "accident" back in the terrible summer of 1960. Hoping to find peace in isolation, he settles in for the long, harsh winter.
But Dale is not alone. Soon after he arrives, cryptic messages begin appearing mysteriously on his computer screen while he struggles to work on his novel. He sees black dogs roaming the grounds. And an old enemy has reemerged, a bully who seems as determined to persecute Dale as he was in childhood.
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Most Helpful Reviews
★★★★★
5.0
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More than just a sequel
I think that Stephen King tried to do this in "It," and I think he and Peter Straub tried it again in "Black House." Whether this is true or not, neither book succeeds in the way that "A Winter Haunting" succeeds. Here, Simmons gives us what we so rarely see in horror fiction - the psychological and emotional aftermath of a horrific experience.
Simmons also takes the standard genre elements and turns them on their collective head, all the while telling a good story that keeps you reading. "A Winter Haunting" is an admirable novel, and I can't imagine a more fitting continuation of its predecessor, "Summer of Night."
I re-read "Summer of Night" just prior to this book, to have the story fresh in my head. I don't think that it's strictly necessary to read the older book to appreciate "A Winter Haunting," but I would have to say that knowing what happens in "Summer of Night" definitely adds several important perspectives to the events of the later book.
Dan Simmons has made a career out of writing excellent novels in multiple genres, and "Summer of Night" was no exception; one of the great modern horror novels. As in most such books, the story ends when the evil is defeated. "A Winter Haunting" reminds us that, in real life, the story never really ends there. Those who endure after suffering loss and trauma have to live with what has happened, have to deal with it as best they can.
Dale Stewart, in "A Winter Haunting," has dealt with the horrific events of his childhood by not dealing with them - by shutting them out, by refusing to even remember them. A writer now, as well as a college professor, Dale is also the survivor of a failed marriage and a failed affair with one of his students. The books he has written thus far are formulaic adventure stories. He is visiting the town where he grew up, living in the house of his friend who died in the summer of 1960, in order to try and gain something intangible that he feels he has lost, and to write a new sort of story about that long-lost summer that he cannot remember.
In returning to Elm Haven, the town where he grew up, Dale confronts a few of his old childhood fears as well as many of his new, "adult," ones. What is really interesting about this is that we come to see that many of the troubles he has suffered as an adult are at least partially a result of that terrible summer in 1960, which he has never faced and dealt with directly. In "A Winter Haunting" we get to see what most horror novels never show us: we see what happens to someone who confronts evil and lives to tell the tale. There are no pat conclusions or pithy observations in "A Winter Haunting" - just an implied truth that sometimes memories are too terrible to be relived, and that some stories take a long time to tell.
Though "A Winter Haunting" is a sequel to "Summer of Night," as I read it I got more of a feeling of remembrance from the book. It builds upon the events of the earlier story, but it also deviates from them quite dramatically in tone and theme. It's not a nostalgic novel at all. In fact, it's almost anti-nostalgia. As Dale tries desperately hard to create memories of a summer he can't remember, even as he confronts new terrors both real and spiritual, we are led to the conclusion that some things simply cannot - or should not - be recalled with fondness.
In "A Winter Haunting" we are reminded that horrible events have consequences beyond the events themselves. They can exact a psychological toll that can take a lifetime or more to overcome. Once again Simmons has given me a pleasant surprise; not because he has written yet another fine novel (that's an expectation by now), but because he has explored original territory in the horror genre. And he has staked his claim well.
51 people found this helpful
★★★★★
5.0
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Summer of Night becomes chilling Winter of mind games.
Forty years, a failed marriage, affair, and suicide attempt later, Dale Stewart returns to his hometown and rents out the farm where of his childhood friend Duane had lived. He hopes to write a novel about the mysterious events of the almost forgotten summer of 1960, when Duane died. But strange and disturbing phenomenon, black dogs, neo-nazis, and old friends and enemies continually distract him. Unlike some reviewers, I love what Simmons has done in A Winter Haunting - which is write a classic, literate ghost story that both plays by the rules while intellectually reinventing them without breaking or denying them. Simmons has both Dale Stewart and the reader wondering about Dale's sanity. What exactly does Dale's failed affair with Clare Two Hearts have to do with the events at the farmhouse? Is Dale leaving himself notes? Is any of this really happening at all? And just who is haunting who? Questions a pedestrian and special effects laden spook story would not have the reader asking as the events unfold. A Winter Haunting is a classic chiller that expands on the psychological complexity of Shirley Jackson's The Haunting of Hill House with stunning power. Highly recommended.
18 people found this helpful
★★★★★
3.0
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A short winter....
Like other reviewers, I was happy to see Dan Simmons revisit characters from Summer of Night. Having read Children of the Night and Fires of Eden both, which have adult incarnations of characters from Summer of Night, I enjoyed seeing another variation of that. As was the case with so many others, Summer of Night was a book that touched me in a wonderfully nostalgic way, even for a horror tale.
A Winter Haunting strives to bring us back to the horrors of Elm Haven, or at least a small corner of it. The McBride farm was the home of Duane McBride, childhood chum of the protagonist of this novel, Dale Stewart. Duane, a quasi-narrator for this tale, was murdered in Elm Haven when just 11 years old. Now Dale, 51, author and English professor, has returned to his hometown to rent Duane's home to write his latest novel, and revisit the horrors of Elm Haven. Freshly separated from his wife and daughters in Montana; abandoned by his decamped mistress Clare; Dale is depressed and suicidal...and in revisiting the horrors of Elm Haven, Dale finds a few new ones joining them upon his return.
However, an intriguing premise very quickly becomes a paradox here. Dale has visions of a soldier in a cemetery; black dogs appear from nowhere to stalk him, metaphorically referring to his depression, as Winston Churchill termed his own the 'Black Dog'; childhood acquaintances come back to 'haunt' Dale; a room in the McBride house produces 'amorous' desires in a man suffering from medication-induced impotence; a group of skinheads threatens Dale time and again over a series of articles he published; and a voice from beyond seems to guide him in his quest to retain his sanity as the horrors of Elm Haven are once again unleashed upon him at a fever-pitch.
But don't get too excited...only a few of these riddles are answered by the end of the book. Only the tangible elements of this conundrum are explained.
I enjoyed revisiting Elm Haven with Dan Simmons as the tour guide. However, there are lengthy passages of this book that really don't fit, and are wasted space in a 300 page novel. Too much is left to imagination, or just plain unexplained, by the time the end of the tale is reached. Perhaps Mr. Simmons wanted it that way...that the events are just as unexplainable to the reader as they were to the character...perhaps a publishing deadline overshadowed the fleshing out of the details...or perhaps I simply want too much from a horror tale.
Whatever the case, I am glad to have strolled down Main Street Elm Haven again, but unfortunately this Winter tale won't haunt me for very long.
13 people found this helpful
★★★★★
5.0
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Dan Simmon's Please Write the Prequel to SUMMER OF NIGHT
Now that DAN SIMMONS has written the sequel to SUMMER OF NIGHT - I hope he reads this and decides to write the prequel.
There's a lot of groundwork already done and many folks would snap that up in a heartbeat.
After I read this book I was left feeling... flat. I did not experience the same 'ahhhhhhh that was good' feeling as I did at the end of SUMMER OF NIGHT. What was going on? It's Dan Simmons for goodness sake. But then I started to think through it. And gradually, I started to get it (or rationalize it anyway). This book is written through the eyes of an adult - not a kid. Dale Stewart has grown up. The 'magic' is harder to see. The world is more black and white - the shadows aren't as scary, the closets aren't full of monsters - nothing under the bed. There is still magic (and horror) - it's just faint and you need to stretch to see the fringes of it in the corner of your eye.
I'm not going to spoil a thing. I strongly urge you to read SUMMER OF NIGHT first and then read A WINTER HAUNTING.
In hindsight I would say Dan Simmons is quite clever in how he treats these two (2) novels. He does a wonderful job of aging Dale Stewart in A WINTER HAUNTING just as he wrote Dale as a kid prior. Dale still has some of the fears obviously, some of the memories, some of the visions but he's rationalized (and medicated) them as adults will tend to do. Really a clever read.
Now... how's that prequel coming along?
11 people found this helpful
★★★★★
3.0
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Unsettling and eerie ... choppy and uneven
From the opening page, you never know whether Dale is delusional or haunted, whether he deserves sympathy or scorn. A full, three-dimensional character, this failed writer, husband, lover. Simmons handles his crack-up beautifully.
Dale's plight begins when he returns to his hometown, the same setting for Simmons' outstanding SUMMER OF NIGHT. While not a sequel per se, WINTER HAUNTING does evoke memories from the previous work and I suspect you will enjoy it more if you've read SUMMER. (And if you love the macrabre, you should!)
The scenes in WINTER are indeed haunting, especially the black dogs (which are an explicit metaphor for Dale's clinical depression) and the spectre of the neo-Nazi teenagers. This is the story of a man haunted by the distant past, the recent past and the all-too-scary present.
The shortcomings of this novel are the same that I saw in DARWIN'S BLADE ... the beautiful prose that Dan Simmons gives us in SUMMER OF NIGHT, THE HYPERION CANTOS, SONG OF KALI is not so much missing as it is chopped up and watered down. I cannot help but wonder if the editor wanted this to be a different book than the author intended it to be.
Well worth the read, however, especially if you have read SUMMER OF NIGHT.
10 people found this helpful
★★★★★
1.0
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Total Disappointment
I absolutely loved Summer of Night and was eagerly waiting the sequel. Upon reading it I was very disappointed. It seems that Dan Simmons is an author who is losing his touch. In no way was this how I thought the main character of Summer of Night would turn out. The story has poor pacing and a pretty stupid plot. Simmons seems to want us to come away with the opinion that the events in Summer of Night were subjective and perhaps a hallucination. If you want a better sequel look towards Children of the Night or Fires of Eden, both of which have characters from Summer of Night in them. Avoid this book unless you are a diehard Simmons fan.
6 people found this helpful
★★★★★
5.0
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Brilliant character supernatural character study
"Summer of Night" was impressive as a horror novel because of the quality of scene after scene after scene that accentuated a single nightmare or horrific situation (the old woman on the second floor of Harlen's house when it should be empty, the thing pushing back on the closet door when Dale tries to shut it, and on and on). It's weakest parts to me were the use of the phrase "the Master" and the whole Borgia Bell concept which didn't live up to the incredible events leading to the book's conclusion.
"A Winter Haunting" has very few faults, if any, and is a brilliant almost non-sequel to the earlier novel. I re-read "Summer of Night" immediately prior to reading this one and there is an incredible poignancy to reacquainting myself with Dale and his friends in 1960 and reading about what is happening to him now. This unsung hero of the previous book has suppressed (lost?) his memories of that earlier time and now, in his fifties, his life is a mess and he finds that he may actually be insane; we wonder along with him. Like Hugo Wilcken's "The Execution," the unwinding of the main character's mind, especially a person who was so strong and able in the earlier book, is absorbing to the utmost.
There are no wrong notes here. This is a wonderful book and reminds me more of Simmons's "Phases of Gravity" more than any of his other books. While I'm sure everyone won't get what the book's truly about, read it and find out if you do.
Books like this are what we're hoping for every time we pick up something new to read.
6 people found this helpful
★★★★★
2.0
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Don't Bother
Dan Simmons early works of horror and sci fi are incredible. Everything he has written in these gendres in the last 4 or 5 years have be below par, slow, boring, and not worth bothering with. I keep trying however because how much I used to love him.
This story, a continuation of Summer of Night, like another he did with one of the characters, from the same book, is bland, not very exciting, and confusing mixxed with unenjoyable. The reason for the latter is that the author is obviously a aethist. I have no problem with that but when you are writing a supernatural horror story and trying to preach a his aethist beliefs (ones I largely share) then it takes away from the story, its plausiblity, and its ghosts (one, Duane, who doesn't even believe in his existence along with the main character who is almost killed by one). Lets face it, when writing a fantasy the author needs to pretend the fantasy is real even when he knows it isn't.
Besides this the story still stinks and it makes me sad the Dan may have lost what was once a powerful voice in fiction. I give it two stars, instead of one, more out of respect for what he once was than for the quality of the story.
6 people found this helpful
★★★★★
2.0
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What happened here?
i recently began reading dan simmons' novels, and the two i started with are summer of night and winter haunting. after finishing summer of night, i was thrilled to find that winter haunting contained some of the same characters. i was expecting the same feeling of terror while i read it. the book was entertaining but definitely not as great as its predecessor. in fact, i was rather disappointed at the fact that the author could not keep continuity between the 2 books. i know they were written 10 years apart, but for goodness sake, some of the differences were really noticable. and i couldn't help but wonder if the intent was to totally negate summer of night. such a shame because it's such a wonderful book.
5 people found this helpful
★★★★★
4.0
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Excellent storytelling. . . Nice sequel.
I've been reading Dan Simmons since I was a teenager and Summer of Night was one of my favorites. I'm always happy when one of that book's characters pops up in another novel (Children of the Night, Darwin's Blade) and now here we have a sequel. Well, kind of a sequel. I'm glad Simmons has gotten back to the type of writing I enjoy from him the most. Lately I've been thrown off by some of his work. I put down Crook Factory after 200 pages and also bailed out on Hardcase. I think it's great that he is able to transcend different genres, everything just isn't for everybody I guess.
A winter haunting, however, is a pure ghost story, spooky and nail-biting. Luckily, I didn't start the book expecting it to be as good or as scary as Summer of Night which saved me some disappointment. Actually it's not as much a sequel as a new idea spun off an old story, so it doesn't rehash or tread on familiar ground.
I did find the passages concerning Dale's love affair to be a bit long-winded and non-essential to the plot. Also, the story itself could have been a little meatier. I enjoyed it, though, because even with these minor shortcomings, it is the first book in a long time I've read that was truly unsettling.
I would recommend anyone who hasn't read Summer of Night to pick it up right away and enjoy A Winter Haunting as a nice companion piece.