All Clear: A Novel (Oxford Time Travel)
All Clear: A Novel (Oxford Time Travel) book cover

All Clear: A Novel (Oxford Time Travel)

Paperback – October 25, 2011

Price
$7.78
Format
Paperback
Pages
656
Publisher
Spectra
Publication Date
ISBN-13
978-0553592887
Dimensions
5.51 x 1.4 x 8.19 inches
Weight
1.55 pounds

Description

“Enthralling . . . a story so packed with thrills, comedy, drama and a bit of red herring that the result is apt to satisfy the most discriminating, and hungry, reader.”— The Denver Post “[Connie] Willis can tell a story like no other. . . . One of her specialties is sparkling, rapid-fire dialogue; another, suspenseful plotting; and yet another, dramatic scenes so fierce that they burn like after-images in the reader’s memory.”— The Village Voice “Ambitious, and moving . . . with a lovely twist at the end.”— The San Diego Union-Tribune “[Willis’s] re-creation of wartime England is meticulous, energetic and exhaustive.”— The Wall Street Journal “[A] tour de force.”— The Charlotte Observer Connie Willis , who was recently inducted into the Science Fiction Hall of Fame, has received six Nebula awards and ten Hugo awards for her fiction; her novel Passage was nominated for both. Her other works include Blackout, Doomsday Book, Lincoln’s Dreams, Bellwether, Impossible Things, Remake, Uncharted Territory, To Say Nothing of the Dog, Fire Watch, and Miracle and Other Christmas Stories . Connie Willis lives in Colorado with her family. Excerpt. © Reprinted by permission. All rights reserved. Well, he hasn't come yet, sir, he's more than a bit late tonight.--London Porter to Ernie Pyle, referring to the German BombersLondon--26 October 1940By noon Michael and Merope still hadn't returned from Stepney, and Polly was beginning to get really worried. Stepney was less than an hour away by train. There was no way it could take Merope and Michael--correction, Eileen and Mike; she had to remember to call them by their cover names--no way it could take them six hours to go fetch Eileen's belongings from Mrs. Willett's and come back to Oxford Street. What if there'd been a raid and something had happened to them? The East End was the most dangerous part of London.There weren't any daytime raids on the twenty-sixth; she thought. But there weren't supposed to have been five fatalities at Padgett's either. If Mike was right, and he had altered events by saving the soldier Hardy at Dunkirk, anything was possible. The space-time continuum was a chaotic system, in which even a minuscule action could have an enormous effect.But two additional fatalities--and civilians, at that--could scarcely have changed the course of the war, even in a chaotic system. Thirty thousand civilians had been killed in the Blitz and nine thousand in the V-1 and V-2 attacks, and fifty million people had died in the war.And you know he didn't lose the war, Polly thought. And historians have been traveling to the past for more than forty years. If they'd been capable of altering events, they'd have done it long before this. Mr. Dunworthy had been in the Blitz and the French Revolution and even the Black Death, and his historians had observed wars and coronations and coups all across history, and there was no record of any of them even causing a discrepancy, let alone changing the course of history.Which meant that in spite of appearances, the five fatalities at Padgett's Department Store weren't a discrepancy either. Marjorie must have misunderstood what the nurses said. She'd admitted she'd only overheard part of their conversation. Perhaps the nurses had been talking about the victims from another incident. Marylebone had been hit last night, too, and Wigmore Street. Polly knew from experience that ambulances sometimes transported victims to hospital from more than one incident. And that people one thought had been killed sometimes turned up alive.But if she told Mike about having thought the theater troupe was dead, he'd demand to know why she hadn't known St. George's would be destroyed and conclude that was a discrepancy as well. Which meant she needed to keep him from finding out about the five casualties at Padgett's till she'd had a chance to determine if there actually were that many.Thank goodness he wasn't here when Marjorie came, she thought. You should be glad they're late.And thank goodness her supervisor had taken Marjorie back to hospital, though it meant Polly hadn't had a chance to ask her what exactly the nurse had said. Polly had offered to take Marjorie there herself so she could ask the hospital staff about the fatalities, but Miss Snelgrove had insisted on going, "So I can give those nurses a piece of my mind. What were they thinking? And what were you thinking?" she scolded Marjorie. "Coming here when you should be in bed?""I'm sorry," Marjorie had said contritely. "When I heard Padgett's had been hit, I'm afraid I panicked and jumped to conclusions."Like Mike did when he saw the mannequins in front of Padgett's, Polly thought. Like I did when I found out Eileen's drop in Backbury didn't open. And like I'm doing now. There's a logical explanation for why Marjorie heard the nurses say there were five fatalities instead of three, and for why no one's come to get us. It doesn't necessarily mean Oxford's been destroyed. Research might have got the date the quarantine ended wrong and not arrived at the manor till after Eileen had left for London to find me. And the fact that Mike and Eileen aren't back yet doesn't necessarily mean something's happened to them. They might simply have had to wait till Theodore's mother returned from her shift at the aeroplane factory. Or they might have decided to go on to Fleet Street to collect Mike's things.They'll be here any moment, she told herself. Stop fretting over things you can't do anything about, and do something useful.She wrote out a list of the times and locations of the upcoming week's raids for Mike and Merope--correction, Eileen--and then tried to think of other historians who might be here besides Gerald Phipps. Mike had said there was an historian here from some time in October to eighteenth December. What had happened during that period that an historian might have come to observe? Nearly all the war activity had been in Europe--Italy had invaded Greece, and the RAF had bombed the Italian fleet. What had happened here?Coventry. But it couldn't be that. It hadn't been hit till November fourteenth, and an historian wouldn't need an entire fortnight to get there.The war in the North Atlantic? Several important convoys had been sunk during that period, but being on a destroyer had to be a ten. And if Mr. Dunworthy was canceling assignments that were too dangerous . . .But anywhere in the autumn of 1940 was dangerous, and he'd obviously approved something. The intelligence war? No, that hadn't really geared up till later in the war, with the Fortitude and V-1 and V-2 rocket disinformation campaigns. Ultra had begun earlier, but it was not only a ten, it had to be a divergence point. If the Germans had found out their Enigma codes had been cracked, it clearly would have affected the outcome of the war.Polly looked over at the lifts. The center one was stopping on third. They're here--finally, she thought, but it was only Miss Snelgrove, shaking her head over the negligence of Marjorie's nurses. "Disgraceful! I shouldn't be surprised if she had a relapse with all her running about," she fumed. "What are you doing here, Miss Sebastian? Why aren't you on your lunch break?"Because I don't want to miss Mike and Eileen like I missed Eileen when I went to Backbury, but she couldn't say that. "I was waiting till you got back, in case we had a rush.""Well, take it now," Miss Snelgrove said.Polly nodded and, when Miss Snelgrove went into the stockroom to take off her coat and hat, told Doreen to send word to her immediately if anyone came in asking for her."Like the airman you met last night?"Who? Polly thought, and then remembered that was the excuse she'd given Doreen for needing to know the names of airfields. "Yes," she said, "or my cousin who's coming to London, or anyone.""I promise I'll send the lift boy to fetch you the moment anyone comes. Now, go."Polly went, running downstairs first to look up and down Oxford Street and see if Mike and Eileen were coming, and then going up to ask the shop assistants in the lunchroom about airfields. By the end of her break, she had half a dozen names that began with the correct letters and/or had two words in their names.She ran back down to third. "Did anyone ask for me?" she asked Doreen, even though they obviously hadn't come."Yes," Doreen said. "Not five minutes after you left.""But I told you to send word to me!""I couldn't. Miss Snelgrove was watching me the entire time."I knew I shouldn't have left, Polly thought. This is exactly like Backbury."You needn't worry, she hasn't gone," Doreen said. "I told her you were on lunch break, and she said she had other shopping to do and she'd--""She? Only one person? Not a man and a girl?""Only one, and definitely not a girl. Forty if she was a day, graying hair in a bun, rather scraggy-looking--"Miss Laburnum. "Did she say what she was shopping for?" Polly asked."Yes," Doreen said. "Beach sandals."Of course."I sent her up to Shoes. I told her it was likely too late in the season for us to carry them, but she was determined to go see. I'll watch your counter if you want to go--oh, here she is," she said as the lift opened.Miss Laburnum emerged, carrying an enormous carpetbag. "I went to see Mrs. Wyvern and obtained the coats," she said, setting the carpetbag on Polly's counter, "and I thought I'd bring them along to you.""Oh, you needn't have--""It was no bother. I spoke to Mrs. Rickett, and she said yes, your cousin could share your room. I also went to see Miss Harding about the room for your Dunkirk friend. Unfortunately, she'd already let it, to an elderly gentleman whose house in Chelsea was bombed. Dreadful thing. His wife and daughter were both killed." She clucked sympathetically. "But Mrs. Leary has a room to let. A second-floor back. Ten shillings the week with board.""Is she in Box Lane as well?" Polly asked, wondering what excuse she could give after Miss Laburnum had gone to all this trouble if it was in a street on Mr. Dunworthy's forbidden list."No, she's just round the corner. In Beresford Court."Thank goodness. Beresford Court wasn't on the list either."Number nine," Miss Laburnum said. "She promised me she won't let it to anyone else till your friend's seen it. It should do very nicely. Mrs. Leary is an excellent cook," she added with a sigh and opened the carpetbag.Polly caught a glimpse of bright green inside. Oh, no, she thought. It hadn't even occurred to her when she'd asked Miss Laburnum about the coats that she might--"I hoped to get a wool overcoat for your gentleman friend," Miss Laburnum said, pulling out a tan raincoat, "but this Burberry was all they had. There were scarcely any ladies' coats either. Mrs. Wyvern says more and more people are making do with last year's coats, and I fear the situation will only grow worse. The government's talking of rationing clothing next--" She stopped at the expression on Polly's face. "I know it's not very warm--""No, it's just what he needs. There's been so much rain this autumn," Polly said, but her eyes were on the carpetbag. She braced herself as Miss Laburnum reached in again."That's why I got your cousin this," she said, pulling out a bright green umbrella. "It's a frightful color, I know, and it doesn't match the black coat I obtained for her, but it was the only one without any broken spokes. And if it's too gaudy for her, I thought we might be able to use it in The Admirable Crichton. The green would show up well onstage."Or in a crowd, Polly thought."It's lovely, I mean, I know my cousin won't think it too bright, and I'm certain she'll lend it to us for the play," she said, chattering in her relief.Miss Laburnum laid the umbrella on the counter and pulled the black coat out of the carpetbag, then a black felt hat. "They hadn't any black gloves, so I brought along a pair of my own. Two of the fingers are mended, but there's still wear in them." She handed them to Polly. "Mrs. Wyvern said to tell you that if any of Padgett's employees are in a similar situation to send them to her and she'll see they get coats as well." She snapped the bag neatly shut. "Now, do you know if Townsend Brothers sells plimsolls and where I might find them?""Plimsolls?" Polly said. "You mean canvas tennis shoes?""Yes, I thought they might work instead of beach sandals. The sailors on board ship might have been wearing them, you see, when it sank. I asked in your shoe department, but they hadn't any. Sir Godfrey simply doesn't realize how filthy the station floors are--chewing gum and cigarette ends and who knows what else. Two nights ago, I saw a man"--she leaned across the counter to whisper--"spitting. I quite understand that Sir Godfrey has more pressing things on his mind, but--""We may have some in the games department," Polly said, cutting her off in midflow. "It's on fifth. And if we're out of plimsolls," which Polly was almost certain they would be, with rubber needed for the war effort, "you mustn't worry. We'll think of something else.""Of course you will." Miss Laburnum patted her arm. "You're such a clever girl."Polly escorted her over to the lift and helped her into it. "Fifth," she said to the lift boy, and to Miss Laburnum, "Thank you ever so much. It was terribly kind of you to do all this for us.""Nonsense," Miss Laburnum said briskly. "In difficult times like these, we must do all we can to help each other. Will you be at rehearsal tonight?" she asked as the lift boy pulled the door across."Yes," Polly said, "as soon as I get my cousin settled in."If she and Mike are back by then, she added silently as she went back to her counter, but she felt certain now they would be.You were worried over nothing, she thought, picking up the umbrella and looking ruefully at it. And it will be the same thing with Mike and Eileen. Nothing's happened to them. There weren't any daytime raids today. Their train's been delayed, that's all, like yours was this morning, and when they get here, you'll tell Eileen the airfield names you've collected, and she'll say, "That's the one," and we'll ask Gerald where his drop is and go home, and Mike will go off to Pearl Harbor, Eileen will go off to VE-Day, and you can write up your observations of "Life in the Blitz" and go back to fending off the advances of a seventeen-year-old boy.And in the meantime, she'd best tidy up her counter so she wouldn't have to stay late tonight. She gathered up the umbrella, the Burberry, and Eileen's coat and put them in the stockroom and then put the stockings her last customer had been looking at back in their box. She turned to put the box on the shelf.And heard the air-raid siren begin its unmistakable up-and-down warble.In all our long history we have never seen a greater day than this. Everyone, man or woman, has done their best.winston churchill,_VE-Day, 8 May 1945London--7 May 1945"douglas, the door's closing!" paige shoutedfrom the platform."Hurry!" Reardon urged. "The train will leave--""I know," she said, attempting to squeeze past the two Home Guards who were still singing "It's a Long Way to Tipperary." And forming a solid wall. She tried to go around, but dozens of people were trying to board the car and pushing her back away from the door. Read more

Features & Highlights

  • Winner of the Nebula Award
  • Traveling back in time, from Oxford circa 2060 into the thick of World War II, was a routine excursion for three British historians eager to study firsthand the heroism and horrors of the Dunkirk evacuation and the London Blitz. But getting marooned in war-torn 1940 England has turned Michael Davies, Merope Ward, and Polly Churchill from temporal tourists into besieged citizens struggling to survive Hitler’s devastating onslaught. And now there’s more to worry about than just getting back home: The impossibility of altering past events has always been a core belief of time-travel theory—but it may be tragically wrong. When discrepancies in the historical record begin cropping up, it suggests that one or all of the future visitors have somehow changed the past—and, ultimately, the outcome of the war. Meanwhile, in 2060 Oxford, the stranded historians’ supervisor, Mr. Dunworthy, frantically confronts the seemingly impossible task of rescuing his students—three missing needles in the haystack of history. The thrilling time-tripping adventure that began with
  • Blackout
  • now hurtles to its stunning resolution in
  • All Clear
  • .

Customer Reviews

Rating Breakdown

★★★★★
30%
(516)
★★★★
25%
(430)
★★★
15%
(258)
★★
7%
(120)
23%
(397)

Most Helpful Reviews

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A waste of time

After reading Blackout, I purchased this book because I had to know what happened. I wasn't blown away by the first book, but I was still interested. Halfway through All Clear, however, I just started skipping to the end of each chapter so I could just be done already.

Instead of moving the plot along, Willis does exposition, character development, more exposition, more character development and YET MORE EXPOSITION. *yawn* Each chapter predictably ends with a mild cliffhanger. It gets really annoying because the characters never have the all the same information at the same time, so even though you as the reader know XYZ you have to wait for at least two other characters to find out. The payoff at the end wasn't enough to override what had by then become an extreme frustration with the book.

I give All Clear two stars only because Willis's approach to time travel was well thought out and the historical detail was amazing. However, the plot gets bogged down in the details. I appreciate the author's desire to be thorough, but given that the characters' problems arise from a technicality of time travel you would think that she'd spend more time addressing that aspect of the story...but she didn't. Instead, she shoehorns in the obligatory romantic subplot that arises almost completely out of thin air. Frankly, I wish I could have my time and my money back!
11 people found this helpful
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Where was the editor?

Blackout and All Clear are really one book that could have been about 200 pages. The number of times Willis repeats herself and sums up whatever just happened is absolutely maddening. No detail goes unexplained. Nothing is left to the imagination. The characters are supposedly brilliant but act like idiots, presumably so that they can keep telling each other whatever just happened. I have no idea why it all needs repeating. Each and every important event during WWII in England seems to get a hundred pages of detail the plot absolutely does not need. I was so disappointed after the excellent first two books in this series. Doomsday Book and To Say Nothing of the Dog are so brilliant. This is sentimental, long-winded and completely alienating. I didn't believe any of it. I enjoyed a few of the characters and some of the history, but the plot can hardly even be called a plot.
9 people found this helpful
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Things fall apart

I was such a fan of Connie Willis's that I pre-ordered Blackout before I heard that it was to be read in connection with its successor, All Clear. So I saved Blackout until All Clear came out and then eagerly sat down to immerse myself in two of my favorite subjects: time travel and World War II England. My eagerness was quickly drowned in the soggy mess that was Blackout. I didn't finish the book.

A couple of years later, I decided to get the two books on audio and get through them. Well, I've done it, but I must be a glutton for punishment. First of all, as so many have mentioned, the 1,100+ pages of these two books should be one far, far shorter book.

For all the research Connie Willis says she did, it sure doesn't translate to a story that makes you feel you are in London during the Blitz or anywhere else in wartime England. She tells you when and where V-1s and V-2s fell and can refer to the various services, rationing, blackout rules, transportation difficulties and such, but none of it creates atmosphere.

Inexplicably to me, Willis doesn't seem at all interested in making her historians actually experience being in the war. These are people who are supposedly burning to travel to this specific time and place to make historical observations, but they do little of it. They spend most of their time running around trying to find each other or get from one place to another, or find the portal back to 2060 Oxford, and on and on. Virtually every page of the book has a scene in which a character calls out to another in a crowd but isn't heard and the crowd prevents the two from meeting, characters are on a critical phone call but it's interrupted just before the all-important information is exchanged, some infuriating side character (Mrs. Ricketts, the Hodbin urchins, whiny Theodore, officious air wardens and other petty tyrants) thwarts time-critical plans, or something else along these lines. Why in the world would Willis think it's remotely interesting to have this kind of things-go-wrong stuff happen nonstop? How could she even stand to write such a plot? I spent more time wondering why our principal characters didn't just deck the people who interfered (especially the Hodbins, and I don't care if they are children) than really caring about what was happening.

I suppose it shouldn't be surprising that the characters show little interest in their time travel assignments, considering the shallowness of their knowledge about the war, period. They know enough about the very limited piece of the war that is the subject of their assignments, but very little beyond that. It's nonsensical.

Much of the running around is caused by "slippage" in the characters' temporal travel. The tension in the plot is attributable to the gradual realization that the slippage may signify a disastrous problem with time travel. Finally, in the last 100 or so pages in All Clear, we learn what it's all about. I can't explain without spoilers, but I will just say it's simple-minded and that the chief pleasure it brings is the knowledge that this mess of a story is finally over.

I hope that Connie Willis snaps out of whatever condition is causing her to think this is how time-travel novels should be written--or that if she doesn't, her publisher refuses to issue any more of this drivel.
8 people found this helpful
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Are These Characters In Junior High School?

I really NEED to write this review. The reason is that I'm angry at the characters in this book. Never have I read a book where the characters acted more irrationally, no, stupidly, than in Blackout/All Clear. And make no mistake about it, these two books are actually one book that the publisher decided to make more money from probably because both together would have been far to many pages.

One thing you can count on with the plot is that the characters will always do the wrong thing and subvert any purpose they have in mind. Uncounted times in this book a simple, "Sorry, I have to run...." would solve a nightmarish series of events that you know in advance will not work out in favor of the character's best interests. Time after time after time they withhold critical information from each other in order to 'not hurt each other's feelings'. No actual adult would act like this..... ever. Here they are stranded in time and the entire book is episode after episode of "Where is (fill in the blank character), I hope they are all right." coupled with "Oh, I have to check the drop", continuously ad infinitum.

An editor could easily knock hundreds of pages out of this book where the same things happen over and over and over again...

Why did I finish this book? Well someone here at Amazon reviews, said the last hundred pages were much better. Sorry, that just isn't true. The same scenario plays out until the final pages.

One of the main plot holes involves failing to truly use the fact that they are time travelers in any kind of rational way. At one point, one of the key characters concludes with zero evidence or reasoning that X is true, which turns out to be false. The entire time, the reader is saying to himself, why did they throw that in there. Answer, no apparent reason.

This was one of those books that when I finished it, I threw it on the floor and said good riddance.

It's ONLY redeeming point is its putting a human face on people under daily random bombing attack. As for historically accurate? I don't know. I do know that the author had the characters refer to the original buzz bombs as V1s, when they didn't actually become V1s until the V2s showed up. So much for accuracy.

Don't waste your valuable time with this book.
7 people found this helpful
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Flawed but Engaging Novel

Since BLACKOUT and ALL CLEAR are two parts of the same story, I have reviewed them as one unit and posted in the review section of both books. I hope it isn't confusing that the two reviews are identical, but what I have to say about one is pretty much the same as what I have to say about the other.

I read Blackout/All Clear for the first time 6 months ago and like every other Connie Willis novel I have ever read, I couldn't put it down. The story was longer than it had to be, but overall I enjoyed the read and found the ending to be satisfying. For more details, see below:

First The Negative: The story is long, and at times slow moving, and has plenty of things that don't make sense if you really think about it. The negative reviews aptly spell out everything that was wrong with this book so I won't waste time here telling you all the plot weaknesses. Most of the negative comments are true, and the people who don't like this story have a well taken point. I will limit my own negative comment to the fact that these book(s) are too long and should have been condensed into one single book with neater and tighter story. This didn't need to be two books and if you ask your fans to pay double for a story, you should really deliver something that warrants it. I think that with some skillful editing it could have been more readable without losing anything except some flab. But the bottom line was that it was gripping enough to keep me engaged for more than 1200 pages and I liked it enough to read both books a second time.

Now For The Positive: I liked the story; cared about the characters and rooted for them. I enjoyed the wit and humor, the mystery, and the romance that are woven into the storyline. The plot is extremely complex and the way Ms. Willis takes a multitude of disjointed plots and sub-plots and weaves them into a neatly ending story is such fun to read. Her drawing room wit, comedy of manners and sense of the ridiculous makes me think of Jane Austen and the way she handles complexity is reminiscent of Charles Dickens. (Please be kind! I realize that her works aren't the social masterpieces that Dickens produced - I am only commenting on the style of complex storylines full of coincidence, irony and surprise. She does this well, although not as well as Dickens.)

I find it interesting that some of the things that people don't like about Connie Willis stories are also criticisms that are often leveled at Charles Dickens: namely that the stories are long, boring, and complicated. These are the very aspects I find to be so entertaining about both authors. And while Dickens does a better job of tying up every single loose end, I have to admit that I prefer Connie Willis's lighter approach of weaving humor and satire into even the heaviest of storylines.

Blackout and All Clear, just like Doomsday Book before them took me into a world that I had heard of but didn't come close to understanding. I had no idea that the Blitz was so destructive to the people of England and was entirely oblivious to the suffering and deprivation Great Britain and all of Europe suffered during WWII.

Some people (especially British folks who tried to read these books) were put off by the poorly done accents and the stereotypes. But I think that is excusable because the books have a strong element of comedy and farce - everything in them is a caricature. Even the American tourists that pop up in the 1995 portion of the story are overblown to the point of ridiculous. This is a deliberate writing style and one that I enjoy. The tone of the story is exaggerated, almost like a stage whisper, and the accents and stereotypes are not problematic at all when taken the the intended spirit.

In spite of the obvious weaknesses, I found it to be a fun story and Ms. Willis succeeded in taking me out of my own world for awhile and into the Blitz of WWII. It was done in such a way that the serious and tragic nature of the subject matter was served up with enough humor to make it bearable - even uplifting. I was stimulated and entertained and at the end of the day, isn't that what fiction is all about?
5 people found this helpful
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Badly needs an editor

Both Blackout and All Clear could have/should have been edited down to one book. The book gets two stars mainly on the strength of the amazingly detailed description of London during the Blitz. Unfortunately the vehicle(s) to provide all the varied details are the characters doing the same thing over and over and over again only in different places or with different jobs. The ending was quite unsatisfactory. The Hugo awards have been close to a sure thing with me but this winner completely missed.
5 people found this helpful
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Good Story…VERY Poor Editing

I purchased All Clear since I wanted to know what the ending would be as I had just finished Black Out. Since both of these books were winners of the Nebula and Hugo (they really are ONE book, if you don't know), I was eager to start the first - Black Out. BOTH of these books lacked one MAJOR thing - good editing! While the author strives to give us the feeling of what it was like during the Blitz (and does a very good job) she forgets how to write the rest of the story. Some of the major characters complain constantly that HE or SHE is the reason everything is wrong - ridiculous really as ANY of them could be but we keep hearing all this whining and 'Woe is me' over and OVER. There is also quite a bit of running back and forth through war torn London and Britain by the SAME characters. Unfortunately most of this was NOT developing the plot, definitely NOT a red herring, or interesting for that matter. Once I was able to figure out HOW to read these books - by skimming through most of it (like grad school - pick out the best bits and skip the rest), it was a good story. Do I recommend this? If you enjoy Willis' books (I have in the past) you will but do be aware of the editing issue.
4 people found this helpful
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Finally

Carried away by the rave reviews, I bought 5 Willis books. Disappointed by the first three I did not immediately read Blackout and All Clear, which are part one and part two of the same novel. They exhibit some of the same traits I didn't like in her other books; for example much of her work seems twice as long as it should be for the plot line. It may very well be that for most of human history 99 % of human conversation has dealt with minor household affairs and trivial social interchanges, but it does not make for great or interesting reading beyond the first few times around in an exotic setting, especially when it seems to be the author's main or only agenda. What saves these two books is that there is real plot development beyond the opening premise, especially in All Clear. Also the main characters have more depth or reality as individuals than in some of her work (I still feel this is a weakness), and of course Binnie and Alf steal the show. I sometimes wondered if she dealt realistically enough with human reactions during the Blitz, but this may not not have been her intent or of that much interest to the typical reader. If you are not a great fan of long, slow reads, you should probably sample this before deciding to buy.
3 people found this helpful
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This book should not have been written

Warning: contains comments that might be construed as spoilers.

I've been a fan of Connie Willis for years (lots of other reviewers have said this too, right?). I've enjoyed her books both in and out of the Oxford Time Travel universe. One of the things I've loved about the Oxford Time Travel books was the philosophical neatness of it; the fact that she created a universe where time travel was possible, interaction with the past was possible, without destroying or changing the major events of the course of history.

Unlike many other reviews of this book and of Blackout, I thought they were enjoyable to read although I agree that a good editor could have axed a noticeable percentage of the book without doing serious harm to the reading experience. I gave this book one star because it completely destroys what we thought we understood about Connie Willis' version of time travel. There is a major continuity problem between Blackout / All Clear and her other time travel books. Many readers have made reference to characters in Blackout constantly asking "Oh no, could I be changing history?". Well, the reason they didn't ask that in previous books is because it was well understood that small events might be changed, eventually leading to a similar outcome in a different way. Only in this duology does that understanding seem to be suddenly lost, for reasons that are entirely related to the plot.

If you are able to only approach Connie Willis' books as individual works (in this case a duology rather than a single book), then you will probably find this a 3-star book; one that has good internal continuity and makes its setting real with a wealth of detail, but would have been a 5-star book with the same qualities if some of the wealth of detail had been removed. If you are like me, and loved the universe and environment she created as much as the books themselves, then you may, like me, find yourself crying at the end over what she has done to that universe. I think that this book should not have been written, but given that it was, I am so sorry that I read it.
3 people found this helpful
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Enjoyable...

You must read Blackout before you read All Clear, I don't think you get enough of what has happened in Blackout to let you understand fully what is going on in All Clear. But once into All Clear, you quickly come to appreciate a hell of an historic science fiction book. To bring alive the Blitz to someone who hates that period of history is a feat in itself!

Many people have gone deeply into what happens in this book, so I won't repeat it here. But I found the characters to come alive for me and after over a thousand pages, I felt that I knew the characters and missed them when the story ended.

Bravo!
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