Beneath a Marble Sky: A Love Story
Beneath a Marble Sky: A Love Story book cover

Beneath a Marble Sky: A Love Story

Paperback – June 6, 2006

Price
$14.64
Format
Paperback
Pages
344
Publisher
NAL Trade
Publication Date
ISBN-13
978-0451218469
Dimensions
5.55 x 0.81 x 8.27 inches
Weight
12 ounces

Description

"Jahanara is a beguiling heroine whom readers will come to love; none of today's chick-lit heroines can match her dignity, fortitude and cunning. Elegant, often lyrical, writing distinguishes this literary fiction from the genre known as historical romance. It is truly a work of art, rare in a debut novel."- The Des Moines Register "Beneath a Marble Sky is a story which literally speaks to you. In his first novel, John Shors brilliantly recounts one of the world's greatest love stories, narrated against a backdrop of hatred and violence." - India Post "(A) story of romance and passion. (Beneath a Marble Sky) is a wonderful book if you want to escape to a foreign land while relaxing in your porch swing." - St. Petersburg Times "A majestic novel that irresistibly draws the reader within its saga of human struggles, failings, alliances and betrayals." - Midwest Book Review "Beneath a Marble Sky is a passionate, lush, and dramatic novel, rich with a sense of place. John Shors is an author of sweeping imaginative force." - Sandra Gulland, author of The Josephine B. Trilogy As any reader of travel brochures knows, the Taj Mahal is a monument built by a grieving widower in remembrance of his beloved wife. Travel Channel viewers may be aware of more detail, like the fact that it was built in 1632 by the Emperor of Hindustan, Shah Jahan, to symbolize his love for his wife, Mumatz Mahal, whom he called "Taj." But only readers of this exquisite tale will be able to gain a thorough understanding of what life must have been like in that time and place, where love was neither easily obtained nor free of political ties. The author centers his tale on Princess Jahanara, the oldest daughter of the Shah and Mahal, as she tells the story of their great love to her granddaughters. Jahanara also talks about her own romance, but hers was of the forbidden type that's rife with conflict, abuse, and censure. These intimate events are set against the backdrop of the era-a difficult time of war, rebellion, and religious tension. The result is a rich story that informs readers of little-discussed history, but doesn't weigh them down with it. Rather, Shors is adept at letting the parallel tales unfold through his increasingly complex characters. Most touching are scenes like the one in which Jahanara sees the first large sketches of the monument, done by her lover, an architect she can't marry: "It gave life to something wondrous, something he'd called a tear of Allah. To me, the mausoleum became a jewel surpassing even Mother's beauty. Its arches and towers and facades were not of this world." Shors infuses this novel (his first) with his love of the foreign; after his college graduation, he lived in Japan and then backpacked across the continent, spending a large amount of time in India. Returning to America, he worked as a newspaper reporter in Iowa, winning a statewide journalism award for investigative reporting, and then as a public relations executive. This personal exploration is apparent in the novel, since Shors's descriptions are like those of a passionate traveler who appreciates exotic locales. Although he brings Jahanara to life gradually, and makes her pain and ecstasy feel real, Shors also creates a vivid and striking world that feels as close as a plane ride. Most important, he manages to convey universal feelings in a tangible and intimate way. Shah Jahan's grief isn't just that of a man who lived centuries ago; it's a well of emotion felt long before Mumatz Mahal ever lived, and is still felt today. Shors's ability to tap into that well, and make it so alive, renders the novel as luminous a jewel as any that adorn the Taj Mahal's walls. -- ForeWord Magazine In his debut, Shors offers a glimpse into the politics and intrigue of the 17th-century court of India during and after the construction of the Taj Mahal as a mausoleum for the beloved wife of Mughul emperor Shah Jahan. Told through the eyes of the emperor's daughter, the story contrasts the opulence of the court with the desperate poverty of the citizens; we also see the influence of women on political decisions and the perpetual tensions between religious fundamentalism and tolerance. The book is a thrilling tale of the interactions of characters recognizable for their loyalty, duplicity, and passion and will appeal to a wide audience. The author has included enough accurate details to make regular readers of historical fiction happy, too. Highly recommended for all libraries. -- Library Journal , Kim Uden Rutter, Antioch, IL Copyright 2004 Reed Business Information John Shors is the bestselling author of Beneath a Marble Sky , Beside a Burning Sea , Dragon House , The Wishing Trees , and Cross Currents . He has won numerous awards for his writing, and his novels have been translated into twenty-six languages. John encourages reader feedback and can be easily reached via his website at johnshors.com.

Features & Highlights

  • Journey to dazzling seventeenth-century Hindustan, where the reigning emperor, consumed with grief over the tragic death of his beloved wife, commissioned the building of a grand mausoleum as a testament to the marvel of their love. This monument would soon become known as the Taj Mahal—a sight famous around the world for its beauty and the emotions it symbolizes.
  • Princess Jahanara, the courageous daughter of the emperor and his wife, recounts their mesmerizing tale, while sharing her own parallel story of forbidden love with the celebrated architect of the Taj Mahal. Set during a time of unimaginable wealth and power, murderous sibling rivalries, and cruel despotism, this impressive novel sweeps you away to a historical Hindustan brimming with action and intrigue in an era when, alongside the brutalities of war and oppression, architecture and the art of love and passion reached a pinnacle of perfection.

Customer Reviews

Rating Breakdown

★★★★★
30%
(204)
★★★★
25%
(170)
★★★
15%
(102)
★★
7%
(48)
23%
(156)

Most Helpful Reviews

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Flat and inaccurate. A waste of time!

When I read historical fiction, I want to feel that I am educating myself about a time in history. I understand the need to 'fill in the blanks,' but this author chose to totally change the facts. And the facts are compelling enough on their own to make a wonderful story. Furthermore, the characters are dimensionless. They are either really wonderful, pure, kind-hearted people or scathingly evil. At some points in the book, I felt the storyline was nothing short of gratuitously offensive. The male author has no ability to write from a female perspective and he apparently didn't bother to have it read by women to add that perspective. He has a bibliography at the end of the book and I find myself asking why. Did he think its inclusion would add legitimacy to his book? It seems pretty clear that he didn't spend much time reading any of the sources cited.

I have heard some say that they enjoyed it as a light beach read. If that is your criterion, perhaps this is a good choice. (Although even by that measuring stick I thought this fell very short.) However, if like me you expect historical fiction to have meat, do yourself a favor and skip this one.
21 people found this helpful
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Not what I hoped

Sorry, I didn't like this one at all. I was hoping for something that went into the complicated relationship between Jahanara and her sister Rauschanara. One favored the brother, Dara, and the other supported Aurangzeb in the wars of succession. There were a couple other brothers that were alcoholics but John Shors never mentions any of this. Instead, his characters are flat dimensional. Jahanara is all noble and feisty (except in a clinch when she tends to fall apart in time-honored female heroine fashion). Auranganzeb is all bad. Mughal historians mostly agree there but wouldn't it have been nice to fictionalize some reason the guy was such a bigot? In history he supposedly liked Jahanara and was always trying to get on her good side, in spite of the fact that she sided with Dara. His ally, Rauschanara he poisoned (maybe). In Marble Sky, Dara is the most hopeless of of them all. Truly a ditzy blonde. Yet he is the one India mourns. History would have been different and they think better. A chance for some real poignance here but Shors missed that too. BTW: I've been to Agra, and none of the fort descriptions match either. Why does Jahanara manage to waltz in and out of confinement with Dad and present her feisty self to the Maharattas in the Deccan? These women kept purdah. Duh.

Maybe I'm being too harsh. If you love Danielle Steele, you will definitely want to order this book.
21 people found this helpful
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I thought this book was just terrible!

Maybe my hopes were too high, based on all the glowing reviews here, but I thought this book was just awful. The author (a man) can't write from a woman's perspective at all convincingly. The romance is flat and boring, especially if you've ever read great romantic historical fiction along the lines of "The Other Bolelyn Girl." The "bad" character is given no possible reason for being evil, he's just bad from birth and that's that. There's a tied-up-with-a-bow happy ending that's nearly laughable. Is most historical fiction so lame that this poorly written book looks good by comparision?
16 people found this helpful
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anachronistic beyond endurance - arrrgh!

I understand that historical fiction fills in with artistic imagination. I do not accept John Shors complete disregard for historical values and 17th century Indian culture. He writes a compelling tale with special appeal to the adolescent female, but he misrepresents the time and place egregiously. He ought to be ashamed of himself.

I struggled to page 126 before I had the meltdown that inspired this review. No Indian Emperor in 17th century India would have counseled his daughter as follows:
He seemed to consider my words. "Never deny yourself love, my child. For to deny love is to deny God's greatest gift. And who are we to deny God?"

Let me summarize my reaction this way. I have more confidence in and enjoyment of sliding into Alice's rabbit hole in Lewis Carroll's writing. This Marble Sky fell on me and squashed me flat.

Betsy Friedman
12 people found this helpful
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Just a love story, nothing more

I was kind of disappointed that most of it is fiction (or at least the most important parts that form the basis of the story). You are thought to believe that this is based on a true story, but it is highly embellished, and culturally inaccurate in many cases. It kind of ruined the mystery of the Mughal Empire, the Taj Mahal, etc. for me. It is an easy read though, and somewhat entertaining, so if you like these sorts of love stories (but more on the side of a melodramatic soap opera) then you'll probably enjoy it.
12 people found this helpful
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More architecture, please!!

A rather disappointing love story, more about violence and war than a true love story. I had hoped to learn more about the building of this beautiful building, but got war and family feud. A love story written by a man...give me more love, not war. Had wanted to recommend this book for my book club selection, but lost interest in the story itself, and will not recommend it.
11 people found this helpful
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Smut masquerading as historical fiction.

I don't like to criticize a book, since the authors put sincere effort into writing and they should be honored, but I will make an exception here and explain why I didn't like this one. First off I read it because it was recommended to me and since I like historical fiction and the setting of the book was Agra, the Taj Mahal and the Red Fort, all which I recently toured, I was expecting to like this book. It was really just a sleazy romance novel, and was filled with unnecessary salacious offensive violence and sex scenes that were unnecessarily misogynistic and not needed to move the plot forward. Example: "He pinched my nipples until I couldn't help but cry out...and so I moved to my hands and knees. His breath, fouled with liquor, cascaded over me. `Now stand like a bitch in heat, for that's what you surely are.'... This is no different than all the other nights, I thought through my tears But, Allah help me, it was, for Khondamir forced himself inside a place not meant for his passage. The pain was instant and terrible, a thunderous, suffocating kind of agony, and I shuddered with each thrust. I ground my teeth, striving to stay silent, even as he moved harder and faster..."( p. 311) You get the point even with me editing out much of the ENTIRE page dedicated to it. Ridiculous. Why did I keep reading? I don't know, it took me so long to get through it all the while hoping I'd find some redemption it the book. I must have lost a good ten minutes of my life from the time I spent rolling my eyes at the implausibility of parts of this book. The author kept using the term "my lady" when people addressed the princess-reminded me of some renaissance festival, not India. I am often critical of men trying to write from a woman's perspective and using the first person, and this book reminded me of why. I don't think he accurately portrayed an authentic woman's voice. Example: this is supposed to be from a 14 or 15 year old young Muslim princess' impression of her friend: "Her body was no longer that of a girl, and I looked enviously at her jostling breasts." (p.31) Sounds more like the thoughts of a lustful man observing a woman to me. What I didn't like about this book was the same thing I didn't like about Memoirs of a Geisha: a male author inaccurately voicing a woman's experience of sexual exploitation and hardship in a fake historical context, which comes across as more of a voyeuristic, practically fetishist work.
9 people found this helpful
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Beneath a Marble Sky

A historical fiction based on the legend of the Taj Mahal, the marble mausoleum built by a widowed emperor in India in honor of his wife, Beneath a Marble Sky creates a kingdom of poetry lost to a warmongering extremist. But the tale centers on the emperor's daughter, Jahanara, as she narrates her story of love and exile to her granddaughters. Be warned: once you pick up this book, you will be captivated. My sleepy late night eyes were riveted to the page. I highly recommend this book.

The luxurious use of metaphors at first seems forced and formal, but it lends itself to the Indian world. The reader adapts to this sing-song language and consequently is drawn in to the culture. I was lost in the land of Hindustan.

I found myself caught up in Princess Jahanara's dilemmas as she weighed the place of love, duty, and devotion. The author, John Shors, was able to portray a woman's heart, longing for security and affirmation from her parents and her burgeoning family. She is a woman full of ambition for herself and her kingdom, a woman of charitable sensitivity, and a woman longing for passionate love. Jahanara was given to a wealthy man in her father's kingdom in marriage. She struggles with feelings of betrayal from her parents for betrothing her to a churlish lout while still maintaining her duty to her father, the emperor. She finds sanctuary in her parents' household as often as possible until her mother's death requires her to find indefinite harbor there as she oversees the creation of the Taj Mahal. There she finds the passionate love she of which she had long dreamed but with it discovers a new set of quandaries. I alternately fought Jahanara's decisions and cried with her tragedies. While I would not have made the choices Jahanara made, I felt tied to her and sympathetic with her. In the same way we try to stop the character from entering a dark room while the suspenseful music is playing, I tried to stop Jahanara from turns and paths.

At the end of the day, I have very few questions, but still, weeks after finishing the book, they turn in my mind. I question how Jahanara told the story to her granddaughters: the descriptions of her love-making sessions with both her husband and her lover heightened the disparity between the brute and the tender, but I cannot help but wonder if Jahanara would truly describe these in such detail to her young granddaughters. I question some of her choices of her commitment to her father versus her commitment as a mother. Is my questioning a result of my Western heritage or universal? Was her choice made from insecurity or honor? But these minor questions did not take away from my enjoyment of the book or compassion with the character. I had been emotionally held hostage and for days after felt despondent at both the loss of the characters from my life and the beauty of the story itself.

This paperback is more than worth the buy for rereads and re-entering the lost kingdom.
9 people found this helpful
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Interesting and entertaining, but just not believable. I kept turning the pages though.

The Taj Mahal is the inspiration for this loosely interpreted love story. Princess Jahanara is the main character, and like many main characters in historical novels, she is highly intelligent and feisty and thinks like a modern woman.

Of course I knew it was all fiction as I let myself become involved with the story, and at times I actually found it quite silly. However, I was also captured by the tale and found myself thinking about the book and rushing back to it just to see what would happen next. The author did a good job of keeping the details of life in the empire interesting and engaging. Central to the story is Jahanara's forbidden love with the architect of the Taj Mahal. There are other love stories as well, especially that of Jahanara's father, the emperor who built the famous tomb for his favorite wife who died in childbirth.

Throughout, I was aware that this was a novel, and that many of the historical details were outright wrong, but that didn't make me put down the book. Something exciting happens on every page and the characters are defined early as either the "good guys" or the "bad guys". Aurangzeb, who later became emperor and ruled for a lifetime, is a bad guy and we see this cruel streak in him right from his childhood. We're certainly not surprised then, when later, he murders his brother and imprisons his father. The reader identifies with Jahanara, and we share the ups and downs of her life. She is treated terribly by her husband, adored by her father, and loved by the architect. She is imprisoned and suffers unspeakable horrors, but somehow has the quick mind to get her out of the most outrageous situations.

I resisted checking the facts about the Taj Mahal until after I finished the book. I soon learned that the author crafted the story out of the very barest of facts and as far as I am concerned, it was ALL fiction. But I must say that I really did enjoy reading it. It was great escape fiction on a hot summer's day. Understanding that, I do give it a lightweight recommendation. Just be aware of its limitations.
8 people found this helpful
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Wonderful Book

This book was a surprising find. I saw a small blurb in NewsWeek about how the author was willing to participate in a book club's discussion of his book (either in person or by conference call). Apparently, the book had gotten great literary reviews after publication, but did not sell well initially, so the author was "marketing" it through book clubs--essetially word of mouth. The book is a fictionalized account of the building of the Taj Mahal. The characters were developed well, and the main character was easy to like. The book is wonderfully written, and the story was creative. A great read.
8 people found this helpful