Breaking Out of Bedlam: A Novel
Breaking Out of Bedlam: A Novel book cover

Breaking Out of Bedlam: A Novel

Paperback – March 1, 2011

Price
$10.95
Format
Paperback
Pages
320
Publisher
Crown
Publication Date
ISBN-13
978-0307460776
Dimensions
5.22 x 0.66 x 7.98 inches
Weight
8.6 ounces

Description

“A kick….Reading [Cora’s] ’journals,’ as she reawakens, finds a friend and a paramour, and plots her escape, is a hoot.” — The New York Times “Profane, harrowing, comical—and Cora’s voice is spot-on.” — AARP Magazine “ Breaking out of Bedlam is a fun—and inspiring—read, that proves you’re never too old to really start living.” — Instinct magazine "A good read . . . Anybody can have a change of heart at eighteen; to have one at eighty-two is a journey more worth taking." —San Francisco Chronicle “Larson has drawn a winning character in Cora . . . a Confederate Stone Angel, with our Hagar as template. Like Hagar, she is rude, crude, arrogant, and totally without apology—and readers should admire her for it.” — The Hamilton Spectator (Canada) “Delightful . . . Larson injects a jolt of liveliness into the bleak setting of an assisted living home, thanks to the obstinate and crass narrator, 82-year-old Cora Sledge. . . . Cora’s machinations—sometimes wily, sometimes curious, always funny—and her lovable crustiness give this plenty of heart and humor.” — Publishers Weekly “Heartwarming and funny, with nary a slip into sentimentality.” — Kirkus Reviews “Leslie Larson is a writer of tales that are hilarious and heartbreaking at once—no easy feat, but the mark of great storytelling. She writes with an intimate eye and heart about citizens so familiar to the American landscape, we don’t even see them.” —Sandra Cisneros , author of The House on Mango Street “Leslie Larson has created an original in Cora Sledge. Overweight withxa0secrets, tough as she is ill, Cora is about to spill the beans on her ill-mannered, kidnapping children in a journal given to her by a grandchild. Instead, what she discovers in this moving and funny novel about assisted living is, to her astonishment, a primer on love.” —Helena María Viramontes, author of Their Dogs Came with Them “Is death a tragedy or a triumph?xa0Is it a nightmare or a dark comedy?xa0Do we put our accounts in order, or do we exact our revenge?xa0Is there, even, a touch of grace?xa0Somehow, Leslie Larson manages to explore all these possibilities in this powerful novel.” —Luis Alberto Urrea, author of The Hummingbird’s Daughter and Into the Beautiful North “In a voice brimming with wit, energy, and originality, and with a keen eye and a pitch-perfect ear for language, Leslie Larson delivers us a protagonist like no other. Through Cora Sledge’s unique perspective, we ache and laugh along with her until the very last page, and she reminds us that longing and acceptance are at the very core of the human condition no matter what our age or circumstance.” —Alex Espinoza, author of Still Water Saints "Few women have kept me as worried and curious and awake at night as Cora Sledge, the 'heroine' of Leslie Larson's great new novel. Her life is huge, and tragic, and comic, and stalwart, and her voice is astonishing. How does Larson know these things, especially the things we're all afraid of, that we'll end up helpless, powerless, loveless, after such lives we think we're living? Read this novel to see redemption." —Susan Straight, author of Highwire Moon and A Million Nightingales “Meet pill-popping, slovenly, sharp-tongued Cora Sledge, all three-hundred pounds and eighty-two years of her. Be prepared for surprises at every turn, from the moment her children shove her out of her home and into Palisades, a cinder-block warehouse for the aged. There, love, skullduggery, and heartbreak await Cora and finally leadxa0herxa0toxa0axa0well-lightedxa0path. Inxa0BREAKING OUT OF BEDLAM, Leslie Larsonxa0gives us high hilarity and deep tenderness, allowing neither to rob the other. In Cora Sledge, she gives us a woman who is brave enough to look closely at the sum of all her years and to learn new love from old sorrows.” —Kate Maloy, author of Every Last Cuckoo LESLIE LARSON is the author of the novel Slipstream , which won the Astraea Award for Fiction. She lives in Berkeley, California. Excerpt. © Reprinted by permission. All rights reserved. THE BLANK BOOKI got this book from my granddaughter Emma. The cover looks like a gunny sack. It has a dried purple flower on the front, and all the pages are blank. It’s supposed to be pretty. The purple pen that goes with it is squishy, like chewed-up gum. “So it doesn’t hurt your hand, Gamma,” Emma said. I laughed, thinking where my hand has been these eighty-two years, and what it’s done. I was polite, though, and asked her real nice what in the world I’m supposed to do with it. “It’s for your thoughts,” she said. “If you have any memories or reflections you want to write down. Or a poem, maybe, or a sentiment you think is meaningful.” That girl has always worked my last nerve. They all feel guilty for putting me here, so they’re trying to keep me from losing my mind. I also got a jigsaw puzzle (one of the biggest wastes of time I can think of) and an embroidery set (which I have always hated) for Christmas. My son Dean even gave me a paint-by-numbers kit with three kinds of dogs: a poodle, a collie, and a German shepherd. Do they think I am retarded? That I’ve gone back to my childhood?They don’t know the first thing about me.I put those other gifts down in the day room and they got snapped up like nobody’s business. I tucked this book in my top drawer thinking I could tear the pages out if I needed some blank paper. It’s thick as a damn Bible. I don’t know who in their right mind could ever fill it. Then this morning I got up early, when the light was just starting to come through the blinds. Usually my pills knock me out ‘til breakfast, when the walkers and wheelchairs make a slow-motion stampede for the dining room. But this morning was quiet. Nobody calling out from their bed, or knocking a mop around. The phones at the nurses’ station weren’t ringing yet, the gardeners weren’t running their leaf blowers, and the delivery trucks weren’t idling outside my window.This morning I sat straight up in bed like somebody called my name. Lots of times I can’t get out of bed at all. I stay there all day, dozing and waking up, dozing and waking up. I might swallow a few more of my little darlings to settle my nerves. Sometimes whole chunks of the day disappear. Fine by me. But today I woke clear as a bell. I did my bathroom business, sat down here at my dressing table, and started to write. I got a plan. I’m going to write down everything I ever wanted to say. I’m not holding nothing back and I don’t give a damn what anybody thinks. Most people don’t tell the truth about their lives, including me. I’ve done things I’m not proud of. I lied to keep myself alive because life is hard and there’s things you got to do. But now I got nothing to lose. I’m going to tell the truth, once and for all. I hope those that put me in this place read it when I’m dead—which I have a feeling won’t be long. Maybe then they’ll see. The trucks are starting to idle outside new, spitting fumes right into my window. And the inmates are creeping down the hall, yelping like animals fighting to get to the watering hole. Damned if I’m not hungry myself. Those rubbery eggs don’t sound half bad. I got another reason for keeping this book. It’s called leaving a paper trail. Something fishy’s going on in this place and I want a record in case anything happens to me. That’s right. There’s whispering, and shifty looks, and things gone missing. It’s all going down here.I’m using the purple pen. I’ve always had the prettiest handwriting. Read more

Features & Highlights

  • Cora Sledge is horrified when her children, who doubt her ability to take care of herself, plot to remove her from her home.
  • So what if her house is in shambles? Who cares when she last changed her clothes? If an eighty-two-year-old widow wants to live on junk food, pills, and cigarettes, hasn’t she earned the right? When her kids force her into The Palisades, an assisted living facility, Cora takes to her bed, planning to die as soon as possible. But life isn’t finished with her yet, not by a long shot.Deciding that truth is the best revenge, Cora begins to write a tell-all journal that reveals once and for all the secret she has guarded since she was a young woman. In entries that are profane, profound, and gossipy, she chronicles her childhood in rural Missouri, her shotgun wedding, and the terrible event that changed the course of her life. Intermingled with her reminiscences is an account of the day-to-day dramas at The Palisades—her budding romance with a suave new resident, feuds with her tablemates, her rollicking camaraderie with the man who oversees her health care, and the sinister cloud of suspicion that descends as a series of petty crimes sets everyone on edge. The story builds to a powerful climax as Cora’s revelations about her past mesh with the unraveling intrigue in the present.Cora is by turns outrageous, irreverent, and wickedly funny. Despite a life with more than its share of disappointment and struggle, she refuses to go gently into her twilight years, remaining intensely curious, disinclined to play it safe, and willing to start over.
  • Breaking Out of Bedlam
  • captures the loneliness and secrets that lurk within families, the hardscrabble reality facing women with limited resources, and the resilience of a woman who survives, despite all the odds, through an unlikely combination of passion, humor, and faith.
  • “Tough-edged Cora Sledge, 82, is a reluctant resident of The Palisades nursing home—a ‘prison [where] your only crime is you lived too long.’ Her tell-all journal, recounting dramas at the home (thefts, love affairs, rivalries) and a tragedy buried in her past, is profane, harrowing, comical—and Cora’s voice is spot-on.”—
  • AARP
  • Magazine

Customer Reviews

Rating Breakdown

★★★★★
30%
(246)
★★★★
25%
(205)
★★★
15%
(123)
★★
7%
(57)
23%
(190)

Most Helpful Reviews

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Disappointing

I only finished this book because I was reading it for a book group, and I was surprised that no Amazon reviewers share my negative response to it. First, Cora’s Arkansas dialect is not charming or particularly colorful. It’s only ungrammatical and tedious. Also tedious are the extremes to which she does about everything: she sweated, she cried, she labored as she walked. The book is an example of how the over use of hyperbole dulls its effect.
Although Cora had some real sadness in her life, empathy for her is difficult because she has none for others. Can’t she see that just as she suffered from a distracted mother because she was born soon after the death of a sibling, she herself failed to bond with or truly parent her children because of the loss of Alice? She does nothing but criticize her children, in particular her daughter, for her looks, her behavior, and her marriages. Cora wants our sympathy for her physical limitations, yet she derides her follow residents “(the “droolers”), her tablemates, and the lost souls on the second floor. And although assisted living employees are among the lowest paid yet hardest working people there are, and many are dedicated, patient and kind, except for her favorite therapist, she does not even see them as people.
I don’t feel it’s necessary to like the protagonist of a novel, but I do expect to see some growth or change. That is the pleasure of reading a novel. But Cora, apart from her weight loss and ability to wean herself from her medications because of her attraction to Vitus, does not grow or gain any insights. She is able to go back to her house only because she insists on it and is still legally competent.
There were two and only two passages in the book that connected me to Cora. They made me wish for more. One was her description of the sensations she felt when she was unmedicated and was suddenly aware of the world around her: “The sun, the breeze – like God himself breathing on me. Everything around me moved and breathed. I was in the middle of it.” I also liked this: “It’s nice to have some one sleeping in a room when you’re up and about. It makes you feel warm and safe, like you're watching over somebody. I felt that way with my kids and even with Lulu.”
21 people found this helpful
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Light reading, but well-written

This is a fun read. I have recommended it to several of my friends. The subject could be depressing - an older woman living in a nursing home - but its actually a delightful portrait of a spunky senior. If you're looking for some light reading that is well-written, this book deserves 5 stars. This is not a literary masterpiece; instead it offers some amusement and a look at some interesting characters.
7 people found this helpful
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Hilarious!

Having worked in an extended care facilityX2, I've seen the shenanigans that go on! This is the book for folks employed in the healthcare field. Some story lines will tug at your heart, some will leave you laughing. You'll find yourself wondering what mischief the title character will be cooking up next. A sweet story that will leave you feeling good.
2 people found this helpful
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Delightful book and used book seller packed correctly

I enjoyed this book tremendously, laughing aloud in many places yet feeling this elderly woman's vulnerability in others. Read it straight through without pause. Too good to put down.
2 people found this helpful
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Delightful start to finish!

A glorious peek into the head and heart of a feisty Senior, the story was entertaining and insightful! I'll probably read it a second time when I'm older…if I can remember where I put it!
2 people found this helpful
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Not as good as I anticipated.

I got this book because I felt it would be humorous - but it turned out to just be boring. While there were a few laughs, I found the book to be repeating itself every few chapters. I did finish it, but only because I had made the purchase. Get it out of the library if you are still interested.
2 people found this helpful
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Fun Poignant Read

Loved it ~ She did a wonderful job with the characters ~ Enjoyable read for us older folk who might be helping our parents out in their later years.
1 people found this helpful
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I'd be breaking out too!

There were many things I liked in this book. The first being the heroine Cora was very real. Not rich pretty or full of herself. You could actually picture the Cora in the assisted living center. Having visited my Grandma in her assisted living center, I felt the scenes at the dining hall were very real. I also felt the whole descriptions of the Palisade's where Cora's adult children place her felt like every assisted living center I have been in. There is only one scene in the book I could have done without and that was a sex scene with our heroine Cora and her lover. That did not have to be in the book and honestly made me feel a little sick. Cora is crass and tough but in reality she is just a little girl in an old woman's body searching for love. I hope I die before my kids put me in assisted living. This is a quirky yet realistic look at the end of life. If is a fun read.
1 people found this helpful
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Fascinating book!!

I'm in my mid 30's and expected this book to be very dull. But the author Leslie Larson did an awesome job, you can actually make out the faces of the people as you are reading along since she is very well oriented. Is definitely a good read and it will make you think about your past as you are reading along the story. Its an easy to read book and you want to get to the next page to see what happens with Ms. Cora. Hope you Enjoy it like I did.
1 people found this helpful
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Meh!

Well written, but kind of slow. I also would have liked to see some of the other characters explored more.
Get it at a library if possible.