"C" Is for Corpse: A Kinsey Millhone Mystery (Kinsey Millhone Alphabet Mysteries, 3)
"C" Is for Corpse: A Kinsey Millhone Mystery (Kinsey Millhone Alphabet Mysteries, 3) book cover

"C" Is for Corpse: A Kinsey Millhone Mystery (Kinsey Millhone Alphabet Mysteries, 3)

Mass Market Paperback – November 29, 2005

Price
$7.69
Publisher
St. Martin's Paperbacks
Publication Date
ISBN-13
978-0312939014
Dimensions
4.22 x 0.81 x 7.07 inches
Weight
5.3 ounces

Description

“Exceptionally entertaining…an offbeat sense of humor and a feisty sense of justice.” ― San Francisco Chronicle “Millhone is an engaging detective-for-hire…P.I. Kinsey Millhone and her creator…are arguably the best of [the] distaff invaders of the hitherto sacrosanct turf of gumshoes.” ― The Buffalo News “Once a fan reads one of Grafton's alphabetically titled detective novels, he or she will not rest until all the others are found.” ― Los Angeles Herald Examiner “Millhone is a refreshingly strong and resourceful female private eye.” ― Library Journal “Tough but compassionate…There is no one better than Kinsey Millhone.” ― Best Sellers “A woman we feel we know, a tough cookie with a soft center, a gregarious loner.” ― Newsweek “Lord, how I like this Kinsey Millhone…The best detective fiction I have read in years.” ― The New York Times Book Review “Smart, tough, and thorough…Kinsey Millhone is a pleasure.” ― The Bloomsbury Review “Kinsey is one of the most persuasive of the new female operatives…she's refreshingly free of gender clichés. Grafton, who is a very witty writer, has also given her sleuth a nice sense of humor--and a set of Wonder Woman sheets to prove it.” ― Boston Herald “What grandpa used to call a class act.” ― Stanley Ellin “Smart, sexual, likeable, and a very modern operator.” ― Dorothy Salisbury Davis “Kinsey's got brains and a sense of humor.” ― Kirkus Reviews From the Inside Flap You haven't read a thriller until you read #1 New York Times bestselling author Sue Grafton's novels with her unforgettable P.I. Kinsey Millhone... C IS FOR CALCULATED How do you go about solving an attempted murder when the victim has lost a good part of his memory? It's one of Kinsey's toughest cases yet, but she never backs down from a challenge. Twenty-three-year-old Bobby Callahan is lucky to be alive after a car forced his Porsche over a bridge and into a canyon. The crash left Bobby with a clouded memory. But he can't shake the feeling it was no random accident and that he's still in danger... C IS FOR CRIME The only clues Kinsey has to go on are a little red address book and the name Blackman. Bobby can't remember who he gave the address book to for safekeeping. And any chances of Bobby regaining his memory are dashed when he's killed in another automobile accident just three days after he hires Kinsey. C IS FOR CORPSE As Kinsey digs deeper into her investigation, she discovers Bobby had a secret worth killing for--and unearthing that secret could send Kinsey to her own early death... There is no one better than Kinsey Millhone. --Best Sellers You haven't read a thriller until you read #1 New York Times bestselling author Sue Grafton's novels with her unforgettable P.I. Kinsey Millhone… C IS FOR CALCULATED How do you go about solving an attempted murder when the victim has lost a good part of his memory? It's one of Kinsey's toughest cases yet, but she never backs down from a challenge. Twenty-three-year-old Bobby Callahan is lucky to be alive after a car forced his Porsche over a bridge and into a canyon. The crash left Bobby with a clouded memory. But he can't shake the feeling it was no random accident and that he's still in danger… C IS FOR CRIME The only clues Kinsey has to go on are a little red address book and the name "Blackman." Bobby can't remember who he gave the address book to for safekeeping. And any chances of Bobby regaining his memory are dashed when he's killed in another automobile accident just three days after he hires Kinsey. C IS FOR CORPSE As Kinsey digs deeper into her investigation, she discovers Bobby had a secret worth killing for―and unearthing that secret could send Kinsey to her own early death… "There is no one better than Kinsey Millhone." ―Best Sellers #1 New York Times bestselling author Sue Grafton (1940-2017) entered the mystery field in 1982 with the publication of 'A' Is for Alibi , which introduced female hard-boiled private investigator, Kinsey Millhone, operating out of the fictional town of Santa Teresa, (aka Santa Barbara) California, and launched the bestselling Kinsey Millhone Alphabet Mysteries. In addition to her books, she published several Kinsey Millhone short stories, and with her husband, Steven Humphrey, wrote numerous movies for television, including “A Killer in the Family” (starring Robert Mitchum), “Love on the Run” (starring Alec Baldwin and Stephanie Zimbalist) and two Agatha Christie adaptations, “Sparkling Cyanide” and “Caribbean Mystery,” which starred Helen Hayes. Grafton is published in 28 countries and in 26 languages. Excerpt. © Reprinted by permission. All rights reserved. "C" is for Corpse By Grafton, Sue St. Martin's Paperbacks Copyright © 2005 Grafton, SueAll right reserved. ISBN: 9780312939014 Chapter One I met Bobby Callahan on Monday of that week. By Thursday, he was dead. He was convinced someone was trying to kill him and it turned out to be true, but none of us figured it out in time to save him. I’ve never worked for a dead man before and I hope I won’t have to do it again. This report is for him, for whatever it’s worth. My name is Kinsey Millhone. I’m a licensed private investigator, doing business in Santa Teresa, California, which is ninety-five miles north of Los Angeles. I’m thirty-two years old, twice divorced. I like being alone and I suspect my independence suits me better than it should. Bobby challenged that. I don’t know quite how or why. He was only twenty-three years old. I wasn’t romantically involved with him in any sense of the word, but I did care and his death served to remind me, like a custard pie in the face, that life is sometimes one big savage joke. Not funny "ha ha," but cruel, like those gags sixth-graders have been telling since the world began. It was August and I’d been working out at Santa Teresa Fitness, trying to remedy the residual effects of a broken left arm. The days were hot, filled with relentless sunshine and clear skies. I was feeling cranky and bored, doing push-downs and curls and wrist rolls. I’d just worked two cases back-to-back and I’d sustained more damage than a fractured humerus. I was feeling emotionally battered and I needed a rest. Fortunately, my bank account was fat and I knew I could afford to take two months off. At the same time, the idleness was making me restless and the physical-therapy regimen was driving me nuts. Santa Teresa Fitness is a real no-nonsense place: the brand X of health clubs. No Jacuzzi, no sauna, no music piped in. Just mirrored walls, body-building equipment, and industrial-grade carpeting the color of asphalt. The whole twenty-eight-hundred square feet of space smells like men’s jockstraps. I’d arrive at eight in the morning, three days a week, and warm up for fifteen minutes, then launch into a series of exercises designed to strengthen and condition my left deltoid, pectoralis major, biceps, triceps, and anything else that had gone awry since I’d had the snot beaten out of me and had intersected the flight path of a .22 slug. The orthopedist had prescribed six weeks of physical therapy and so far, I’d done three. There was nothing for it but to work my way patiently from one machine to the next. I was usually the only woman in the place at that hour and I tended to distract myself from the pain, sweat, and nausea by checking out men’s bodies while they were checking out mine. Bobby Callahan came in at the same time I did. I wasn’t sure what had happened to him, but whatever it was, it had hurt. He was probably just short of six feet tall, with a football player’s physique: big head, thick neck, brawny shoulders, heavy legs. Now the shaggy blond head was held to one side, the left half of his face pulled down in a permanent grimace. His mouth leaked saliva as though he’d just been shot up with Novocain and couldn’t quite feel his own lips. He tended to hold his left arm up against his waist and he usually carried a folded white handkerchief that he used to mop up his chin. There was a terrible welt of dark red across the bridge of his nose, a second across his chest, and his knees were crisscrossed with scars as though a swordsman had slashed at him. He walked with a lilting gait, his left Achilles tendon apparently shortened, pulling his left heel up. Working out must have cost him everything he had, yet he never failed to appear. There was a doggedness about him that I admired. I watched him with interest, ashamed of my own interior complaints. Clearly, I could recover from my injuries while he could not. I didn’t feel sorry for him, but I did feel curious. That Monday morning was the first time we’d been alone together in the gym. He was doing leg curls, facedown on the bench next to mine, his attention turned inward. I had shifted over to the leg-press machine, just for variety. I weigh 118 and I only have so much upper body I can rehabilitate. I hadn’t gotten back into jogging since the injury, so I figured a few leg presses would serve me right. I was only doing 120 pounds, but it hurt anyway. To distract myself, I was playing a little game wherein I tried to determine which apparatus I hated most. The leg-curl machine he was using was a good candidate. I watched him do a set of twelve repetitions and then start all over again. "I hear you’re a private detective," he said without missing a beat. "That true?" There was a slight drag to his voice, but he covered it pretty well. "Yes. Are you in the market for one?" "Matter of fact, I am. Somebody tried to kill me." "Looks like they didn’t miss by much. When was this?" "Nine months ago." "Why you?" "Don’t know." The backs of his thighs were bulging, his hamstrings taut as guy wires. Sweat poured off his face. Without even thinking about it, I counted reps with him. Six, seven, eight. "I hate that machine," I remarked. He smiled. "Hurts like a son of a bitch, doesn’t it?" "How’d it happen?" "I was driving up the pass with a buddy of mine late at night. Some car came up and started ramming us from behind. When we got to the bridge just over the crest of the hill, I lost it and we went off. Rick was killed. He bailed out and the car rolled over on him. I should have been killed too. Longest ten seconds of my life, you know?" "I bet." The bridge he’d soared off spanned a rocky, scrub-choked canyon, four hundred feet deep, a favorite jumping-off spot for suicide attempts. Actually, I’d never heard of anyone surviving that drop. "You’re doing great," I said. "You’ve been working your butt off." "What else can I do? Just after the accident, they told me I’d never walk. Said I’d never do anything." "Who said?" "Family doctor. Some old hack. My mom fired him on the spot and called in an orthopedic specialist. He brought me back. I was out at Rehab for eight months and now I’m doing this. What happened to you?" "Some asshole shot me in the arm." Bobby laughed. It was a wonderful snuffling sound. He finished the last rep and propped himself up on his elbows. He said, "I got four machines to go and then let’s bug out. By the way, I’m Bobby Callahan." "Kinsey Millhone." He held his hand out and we shook, sealing an unspoken bargain. I knew even then I’d work for him whatever the circumstances. We ate lunch in a health-food café, one of those places specializing in cunning imitation meat patties that never fool anyone. I don’t understand the point myself. It seems to me a vegetarian would be just as repelled by something that looked like minced cow parts. Bobby ordered a bean-and-cheese burrito the size of a rolled-up gym towel, smothered in guacamole and sour cream. I opted for stir-fried veggies and brown rice with a glass of white wine of some indeterminate jug sort. Eating, for Bobby, was the same laborious process as working out, but his single-minded attention to the task allowed me to study him at close range. His hair was sun-bleached and coarse, his eyes brown with the kind of lashes most women have to buy in a box. The left half of his face was inanimate, but he had a strong chin, accentuated by a scar like a rising moon. My guess was that his teeth had been driven through his lower lip at some point during the punishing descent into that ravine. How he’d lived through it all was any-body’s guess. He glanced up. He knew I’d been staring, but he didn’t object. "You’re lucky to be alive," I said. "I’ll tell you the worst of it. Big hunks of my brain are gone, you know?" The drag in his speech was back, as though the very subject affected his voice. "I was in a coma for two weeks, and when I came out, I didn’t know what the fuck was going on. I still don’t. But I can remember how I used to be and that’s what hurts. I was smart, Kinsey. I knew a lot. I could concentrate and I used to have ideas. My mind would make these magic little leaps. You know what I mean?" I nodded. I knew about minds making magic little leaps. He went on. "Now I got gaps and spaces. Holes. I’ve lost big pieces of my past. They don’t exist anymore." He paused to dab impatiently at his chin, then shot a bitter glance at the handkerchief. "Jesus, bad enough that I drool. If I’d always been like this, I wouldn’t know the difference and it wouldn’t bug me so much. I’d assume everybody had a brain that felt like mine. But I was quick once. I know that. I was an A student, on my way to medical school. Now all I do is work out. I’m just trying to regain enough coordination so I can go to the fuckin’ toilet by myself. When I’m not in the gym, I see this shrink named Kleinert and try to come to terms with the rest of it." There were sudden tears in his eyes and he paused, fighting for control. He took a deep breath and shook his head abruptly. When he spoke again, his voice was full of self-loathing. "So. That’s how I spent my summer vacation. How about you?" "You’re convinced it was a murder attempt? Why couldn’t it have been some prankster or a drunk?" He thought for a moment. "I knew the car. At least I think I did. Obviously, I don’t anymore, but it seems like ...at the time, I recognized the vehicle." "But not the driver?" He shook his head. "Couldn’t tell you now. Maybe I knew then, maybe not." "Male? Female?" I asked. "Nuh-un. That’s gone too." "How do you know Rick wasn’t meant to be the victim instead of you?" He pushed his plate away and signaled for coffee. He was struggling. "I knew something. Something had happened and I figured it out. I remember that much. I can even remember knowing I was in trouble. I was scared. I just don’t remember why." "What about Rick? Was he part of it?" "I don’t think it had anything to do with him. I couldn’t swear to it, but I’m almost positive." "What about your destination that night? Does that tie in somehow?" Bobby glanced up. The waitress was standing at his elbow with a coffeepot. He waited until she’d poured coffee for both of us. She departed and he smiled uneasily. "I don’t know who my enemies are, you know? I don’t know if people around me know this ‘thing’ I’ve forgotten about. I don’t want anyone to overhear what I say . . . just in case. I know I’m paranoid, but I can’t help it." His gaze followed the waitress as she moved back toward the kitchen. She put the coffeepot back on the unit and picked up an order at the window, glancing back at him. She was young and she seemed to know we were talking about her. Bobby dabbed at his chin again as an afterthought. "We were on our way up to Stage Coach Tavern. There’s usually a bluegrass band up there and Rick and I wanted to hear them." He shrugged. "There might have been more to it, but I don’t think so." "What was going on in your life at that point?" "I’d just graduated from UC Santa Teresa. I had this part-time job at St. Terry’s, waiting to hear if I was accepted for med school." Santa Teresa Hospital had been called St. Terry’s ever since I could remember. "Wasn’t it late in the year for that? I thought med-school candidates applied during the winter and got replies back by spring." "Well, actually I had applied and didn’t get in, so I was trying again." "What kind of work were you doing at St. Terry’s?" "I was a ‘floater,’ really. I did all kinds of things. For a while, I worked Admissions, typing up papers before patients came in. I’d call and get preliminary data, insurance coverage, stuff like that. Then for a while, I worked in Medical Records filing charts until I got bored. Last job I had was clerk-typist in Pathology. Worked for Dr. Fraker. He was neat. He let me do lab tests sometimes. You know, just simple stuff." "It doesn’t sound like hazardous work," I said. "What about the university? Could the jeopardy you were in be traced back to the school somehow? Faculty? Studies? Some kind of extracurricular activity you’d been involved in?" He was shaking his head, apparently drawing a blank. "I don’t see how. I’d been out since June. Accident was November." "But your feeling is that you were the only one who knew this piece of information, whatever it was." His gaze traveled around the café and then came back to me. "I guess. Me and whoever tried to kill me to shut me up." I sat and stared at him for a while, trying to get a fix on the situation. I stirred what was probably raw milk into my coffee. Health-food enthusiasts like eating microbes and things like that. "Do you have any sense at all of how long you’d known this thing? Because I’m wondering...if it was potentially so dangerous . . . why you didn’t spill the beans right away." He was looking at me with interest. "Like what? To the cops or something like that?" "Sure. If you stumbled across a theft of some kind, or you found out someone was a Russian spy . . ." I was rattling off possibilities as they occurred to me. "Or you uncovered a plot to assassinate the President . . ." "Why wouldn’t I have picked up the first telephone I came to and called for help?" "Right." He was quiet. "Maybe I did that. Maybe . . . shit, Kinsey, I don’t know. You don’t know how frustrated I get. Early on, those first two, three months in the hospital, all I could think about was the pain. It took everything I had to stay alive. I didn’t think about the accident at all. But little by little, as I got better, I started going back to it, trying to remember what happened. Especially when they told me Rick was dead. I didn’t find out about that for weeks. I guess they were worried I’d blame myself and it would slow my recovery. I did feel sick about it once I heard. What if I was drunk and just ran us off the road? I had to find out what went on or I knew I’d go crazy on top of everything else. Anyway, that’s when I began to piece together this other stuff." "Maybe the rest of it will come back to you if you’ve remembered this much." "But that’s just it," he said. "What if it does come back? I figure the only thing keeping me alive right now is the fact that I can’t remember any more of it." His voice had risen and he paused, gaze flicking off to one side. His anxiety was infectious and I felt myself glancing around as he had, wanting to keep my voice low so our conversation couldn’t be overheard. "Have you actually been threatened since this whole thing came up?" I asked. "No. Un-un." "No anonymous letters or strange phone calls?" He was shaking his head. "But I am in danger. I know I am. I’ve been feeling this way for weeks. I need help." "Have you tried the cops?" "Sure, I’ve tried. As far as they’re concerned, it was an accident. They have no evidence a crime was committed. Well, hit-and-run. They know somebody rear-ended me and forced me off the bridge, but premeditated murder? Come on. And even if they believed me, they don’t have manpower to assign. I’m just an ordinary citizen. I’m not entitled to police protection twenty-four hours a day." "Maybe you should hire a bodyguard—" "Screw that! It’s you I want." "Bobby, I’m not saying I won’t help you. Of course I will. I’m just talking about your options. It sounds like you need more than me." He leaned forward, his manner intense. "Just get to the bottom of this. Tell me what’s going on. I want to know why somebody’s after me and I want them stopped. Then I won’t need the cops or a bodyguard or anything else." He clamped his mouth shut, agitated. He rocked back. "Fuck it," he said. He shifted restlessly and got up. He pulled a twenty out of his wallet and tossed it on the table. He started for the door with that lilting gait, his limp more pronounced than I’d seen it. I grabbed my handbag and caught up with him. "God, slow down. Let’s go back to my office and we’ll type up a contract." He held the door open for me and I went out. "I hope you can afford my services," I said back over my shoulder. He smiled faintly. "Don’t sweat it." We turned left, moving toward the parking lot. "Sorry I lost my temper," he murmured. "Quit that. I don’t give a shit." "I wasn’t sure you’d take me seriously," he said. "Why wouldn’t I?" "My family thinks I’ve got a screw loose." "Yeah, well that’s why you hired me instead of them." "Thanks," he whispered. He tucked his hand through my arm and I glanced over at him. His face was suffused with pink and there were tears in his eyes. He dashed at them carelessly, not looking at me. For the first time, I realized how young he was. God, he was just a kid, banged up, bewildered, scared to death. We walked back to my car slowly and I was conscious of the stares of the curious, faces averted with pity and uneasiness. It made me want to punch somebody out. Excerpted from C is for Corpse by Sue Grafton.Copyright © 1986 by Sue Grafton.Published in December 2005 by St. Martin’s Press. All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Continues... Excerpted from "C" is for Corpse by Grafton, Sue Copyright © 2005 by Grafton, Sue. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. Read more

Features & Highlights

  • You haven't read a thriller until you read #1
  • New York Times
  • bestselling author Sue Grafton's novels with her unforgettable P.I. Kinsey Millhone…
  • C IS FOR CALCULATEDHow do you go about solving an attempted murder when the victim has lost a good part of his memory? It's one of Kinsey's toughest cases yet, but she never backs down from a challenge. Twenty-three-year-old Bobby Callahan is lucky to be alive after a car forced his Porsche over a bridge and into a canyon. The crash left Bobby with a clouded memory. But he can't shake the feeling it was no random accident and that he's still in danger…C IS FOR CRIMEThe only clues Kinsey has to go on are a little red address book and the name "Blackman." Bobby can't remember who he gave the address book to for safekeeping. And any chances of Bobby regaining his memory are dashed when he's killed in another automobile accident just three days after he hires Kinsey.
  • C IS FOR CORPSE
  • As Kinsey digs deeper into her investigation, she discovers Bobby had a secret worth killing for―and unearthing that secret could send Kinsey to her own early death…"A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

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Rating Breakdown

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Most Helpful Reviews

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Disappointing Last Chapter

This book ends with a lot of unanswered questions. I thoroughly was enjoying it right up to the end. The last chapter is very clumsy and does not really make sense. For those who have read the book, why does Bobby give his friend the red address book? It has the grave number of a corpse that has a gun hidden it. But if Bobby knew where the gun was, why write it down? And why give it to a friend who has has no idea what the numbers mean? I've noticed unfortunately, that this author tends to do that.. include exciting clues to the mystery that don't tie in or make sense at the end. Sorely disappointed.
5 people found this helpful
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Kudos for Kinsey Millhone and her creator Sue Grafton in this gripping tale of murder most foul

Kinsey Millhone is one of the most intriguing gumshoes in the business. Kinsey is feisty, frank and formidable in her abilities to solve murder mysteries! C is for Corpse the third in the alphabet series of Kinsey Millhone novels by Sue Grafton.
The Plot: 23 year old Bobby Callahan has just graduated from college. The lad hopes to go to medical school but is banged up bad in a car crash while his buddy Steve Berger (who is dating Bobby's mixed up half sister named Kitty), dies from his extensive injuries. Accident or murder? Bobby believes he is the target of a hit. He contacts Kinsey asking her to take his case. She agrees to do so. A few days later he is killed in a horrific car crash. The young man was wealthy leaving 2 million dollars in his will to Kitty. Whodunit?
What was the motive? Why was Bobby fearful he would be wiped off the face of the earth?. What secrets are hidden behind the doors of wealthy residents of Santa Teresa California?
The subplot deals with the love affair between Henry Pitts Kinsey's landlord. He is being seduced by a younger woman who has a shady past. Kinsey and a detective pal check the lady's criminal record discovering unsavory details which she reports to Henry.
To reveal more details of the plot is to ruin the fun of running with Kinsey to an exciting ending. The novel is very suspensful, the writing is taut and the story never drags or becomes dull. This is one of the best Grafton novels I have read. It is light reading but it is engaging. It will keep you flipping the pages. A good one!
3 people found this helpful
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Loved It!

I recently started reading the Kinsey Milhone series and this one so far is the best. On the first page, we learn that her client, Bobby, is dead and that she's never worked for a dead man before. The story moves quickly, and it was hard to put down.
2 people found this helpful
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Speedy shipping

It is a book, to read.
1 people found this helpful
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Pages out of order

Love this author but don’t buy from this shop. The pages were all out of order and messed up. Returning.
1 people found this helpful
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Though I liked the writing style

Kinsey Millhone is in her 30s and a private detective in Santa Teresa, CA. She is hired by Bobby Callahan, who was nearly killed when his car went off the road nine months before. Bobby is convinced that the accident wasn't an accident ... someone was trying to kill him and he wants Kinsey to find out who wanted him dead. The problem is that Bobby lost a lot of his memory and can only give Kinsey bits and pieces of his life before the accident.

A couple days later, Bobby is killed in a car accident and the autopsy reveals he had a seizure, a result of the first accident. Because he had paid Kinsey a retainer, she continues with the investigation.

I thought this book was just okay. Though I liked the writing style, I didn't find the story engaging and didn't really care about the characters. It is written in first person perspective in Kinsey's voice. I found it wrapped up really quickly and I thought the ending (the catching of the "whodunnit") wasn't believable. As a head's up, there is swearing.

This is the third in the "alphabet series" featuring Kinsey Millhone. I discovered this series in the mid-1990s and have been a fan since and have read them all. Since the series will soon come to an end, I am starting at the beginning and rereading them. They are all set in the 1980s before everyone had a computer, cell phone, etc.
1 people found this helpful
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but I like her murder mysteries

I'm working my way up to all of the Grafton books. I have a ways to go, but I like her murder mysteries. If you enjoy reading, and you want to try something different, buy these books. I recommend them and I don't think you will be disappointed.
1 people found this helpful
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Kinsey #3

"Corpse" is an average mystery read. The main story is about some rather unlikable people with a lot of money and quite frankly wasn't all that interesting. It was noise to keep me awake behind the wheel. The parts of the book that I liked a lot, the ones that I tuned back in for, were the subplot involving the con artist and Henry the landlord. Plot B saved "C" from being a real snoozer.
1 people found this helpful
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Down the line

Grafton doesn't put a foot wrong. She centres the story on Kinsey Millhone, her likeable (she's friends with an old bloke - a technique exaggerated in Peter Temple's `Jack Irish' telemovies - the man's a positive geriophile; she's nice to a disabled guy - if we didn't catch that she spells it out with him saying to her, "When I'm with you I don't feel self-conscious or like I'm crippled or ugly ... how can you turn it around and make me feel good that I'm deformed?"; I'm really surprised she doesn't Jesse Stone et. al. style have a dog), everyday (not rich, and deliberately contrasted with snobbish wealthy in this book), sharp and (of course), sexy (but she doesn't flaunt this). Grafton's not trying to reinvent the genre - quite the opposite. In planning a whole alphabet of stories, she's very deliberately saying, "Hey, if you like A, B, and C, then I'll make sure you'll like D, E & F too." It feels very TV friendly too - we've seen these characters being interviewed by Jim Rockford or whoever. The case, the client, the suspects, the mystery unfolding - all deftly handled.

I'm not saying doing this is easy: indeed, the field is strewn with people who cock it up. Hats off to Grafton, and I'd be happy to jump in to read another letter if I saw one lying around. It was an enjoyable, easy read.

That being said, I'm not about to rush out and seek the books out. Nothing really soared for me - I never laughed or gasped or rushed to turn pages. I never really reacted at all. There's only so many more books I'm going to read, and ideally I'd like to relish rather than merely acknowledge them.
1 people found this helpful
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C for corpse

A good book except for the end. Does no one think that after ten minutes in a deserted morgue with no one around you would not suspect something was wrong. Ending could have been better.
1 people found this helpful