Cause Celeb
Cause Celeb book cover

Cause Celeb

Hardcover – January 29, 2001

Price
$8.00
Format
Hardcover
Pages
342
Publisher
Viking
Publication Date
ISBN-13
978-0670894505
Dimensions
5.78 x 1.02 x 8.78 inches
Weight
10.4 ounces

Description

Helen Fielding's novel Bridget Jones's Diary had a meandering, rather shapeless shape (as diaries will). Both fans and critics of that 1998 smash hit will be surprised to find that the author's first novel, previously unpublished in the United States, is a lot more sophisticated in structure. And Cause Celeb is nearly as fun as Bridget Jones's Diary , which is saying a lot, especially since Fielding's debut is about African famine. The narrator, Rosie Richardson, runs a relief camp in the invented country of Nambula. Henry, the most flippant member of her staff, wears a T-shirt that tersely lists the various motivations for relief workers to come to Africa: "(a) Missionary? (b) Mercenary? (c) Misfit? (d) Broken heart?" As Rosie herself admits, she is "a c/d hybrid and soft in the head to boot." Flashbacks reveal that in London, Rosie had fallen in love with an erratic, emotionally abusive (but adorable!) newscaster. As she trailed about town in Oliver's wake, she came to know his in-crowd of movie stars, directors, and musicians. Her split with this media magnet is what initially sent her to Africa. Four years into Rosie's exile, however, a plague of locusts descends on the crops of a neighboring country, and refugees begin to flood her camp. She decides there's only one thing to do: go back home and round up her old celeb pals for a benefit TV special. It should come as no shock that the London sequences are great fun, as is the climactic collision between movie stars and refugees. But the real treat is Fielding's handling of the camp sequences. Rosie and her staff struggle with their petty emotions as they confront the incredible suffering in front of them. Henry watches in disbelief as some starving refugees move their tent to a better location: "Never mind the old malnutrition--you go for the view." A newswoman visits the camp, and, fraught with emotion after first seeing the starving children, she caresses Rosie, whose response is this: "I hope the famine hadn't turned her into a lesbian." Fielding has found a voice that is both compassionate and irreverent, a rare and wonderful combination. --Claire Dederer From Publishers Weekly Fielding's first novel, published now in the States only following the success of her second (Bridget Jones's Diary), is a sometimes hilarious, sometimes moving, occasionally scurrilous delight. Rosie Richardson, the administrator of Safila, a refugee camp in the fictional African country of Nambula, needs funds fast. The usual relief agencies are tied up in diplomatic knots, a long-promised supply ship is always 10 days away and it looks as though thousands of refugees are about to come streaming over the border. If they arrive before the food does, hundreds of people will starve to death. Rosie, desperate, does the only thing she can think of: she quits her job, returns to England and organizes a celebrity fund drive. This effort is complicated by the fact that her ex-boyfriend, a manipulative TV presenter named Oliver, is her only access to celebrities. On top of dealing with the self-centered celebs, she must also come to terms with her old attraction to him. This is a tall order, as he is devastatingly handsome and unspeakably selfish. Unsurprisingly, the book turns out to be about growing up; the interest comes when it turns out that Rosie isn't the only one obliged to do so. Crosscutting from past to present, this is a two-for-the-price-of-one story: an amusing satire of the celebrity-obsessed West, and a sharp report on the callousness and inefficiency of relief work in Africa. Swinging from laugh-out-loud funny to heartbreakingly sad, this book will please Fielding's old fans and win new ones. (Feb.) Forecast: Those who doubted Fielding could sustain her momentum may be surprised by her staying power. While this novel won't match the sales of Bridget Jones's Diary, it should do very wellDit has sold more than 500,000 copies in the U.K. and EuropeDwith sales boosted by the February release of the paperback edition of Bridget Jones: The Edge of Reason and, in April, the release of the film version of Bridget Jones's Diary. Copyright 2000 Reed Business Information, Inc. From Booklist Although it's just now being published in the U.S., Cause Celeb is actually Fielding's first novel, written before the phenomenon that was Bridget Jones's Diary (1998). The novel's protagonist, Rosie Richardson, is a publicist for a well-known publishing house who gets to mingle with the "Famous Club," London's A-list celebrities, when she starts dating a vain, controlling television journalist named Oliver. After a few tumultuous, damaging months of dating Oliver, Rosie leaves her cushy job in England to work at a refugee camp in Africa. Several years later, a crisis looms over the camp when Rosie and her colleagues hear of a possible locust infestation threatening a neighboring country that will send countless refugees to the camp. The problem is that supplies are dwindling, and a promised UN shipment seems to be indefinitely delayed. When the UN is slow to act despite Rosie's insistence and the mounting proof of a potential disaster, Rosie takes matters into her own hands. She returns to England to organize her old celebrity acquaintances for a televised appeal for help, but once she gets there, she finds the obstacles in England may be every bit as difficult as the ones she faced in Africa. Though the vacuous and annoying celebrities are sometimes too jarring a contrast to the horrors of war and starvation in Africa, Fielding, for the most part, manages to balance the elements in a first novel that is both humorous and sobering. Kristine Huntley Copyright © American Library Association. All rights reserved ...[a] deft mix of important subject matter and social satire. -- Atlanta Journal Constitution ...[a] provocative comic novel...Cause Celeb is so funny, so involving and so honest... -- Milwaukeee Journal Sentinal ...a deeply satisfying story. Fielding writes about Africa without sentimentalizing it, with pointed humor - and tenderness. -- Providence Journal ...a deft, subtle, admirable, pleasurable book. -- Atlantic Monthly ...a modern version of King Lear's Fool; she jokes incessantly but tells the truth and there's a bittersweet power to her comedy.... -- The London Observer ...a terrific, witty story...[a] sophisticated and thoughtful novel... -- USA Today ...an engaging splash of satire and a solid dose of effective drama. -- Miami Herald ...showcas[es] Fielding's real talent for finding humor in even the most tragic of circumstances. -- Pittsburgh Post-Gazette ...the laughs in this novel come from its vivid, cleverly drawn cast of characters... -- People A lusciously well-written satire-witty, wise and very funny. -- Douglas Adams Fiedling's début novel is an entertaining, incisive and wryly amusing look at the relationship between celebrities and charity, interspersed with clever observations on the vagaries of love. -- The Sunday Times, Mariella Frostrup Fielding infuses this commentary on celebrity and charity...with the same dry wit that made her Bridget books so enjoyable. -- Houston Chronicle Fielding writes like a modern version of King Lear's Fool; she jokes incessantly but tells the truth and there's a bitter-sweet power to her comedy of manners set in media-infested London and starving Africa. -- The Observer Incisive and sharp with smart prose and acerbic wit...Cause Celeb is fun, moving and best of all, dead-on. -- Baltimore Sun, January 28, 2001 Juxtaposing the haves of London with the have-nots of Africa without pontification or pathos is one of the things Helen Fielding pulls off so dextrously in this début novel. That she achieves this with both wit and seriousness gets you squinting hard to catch the sleight of hand. -- Independent on Sunday, Maggie Traugott [Fielding] analyzes London party life with the piercing eye of an anthropologist...the African scenes are reminiscent of [Joseph] Conrad. -- Boston Globe Helen Fielding, a journalist and novelist who lives in London and Los Angeles, California, is the author of the worldwide best-seller Bridget Jones's Diary and of the New York Times best-seller Bridget Jones: The Edge of Reason . From The Washington Post All of the book's sidesplittingly funny scenes...are exquisitely balanced against more somber episodes... Read more

Features & Highlights

  • Disillusioned with London's glittering celebrity world following her breakup with her hotshot TV presenter boyfriend, twentysomething Rosie Richardson escapes to a refugee camp in the African desert, where she is forced to draw on her media savvy to aid the starving victims of a devastating famine. By the author of

Customer Reviews

Rating Breakdown

★★★★★
30%
(68)
★★★★
25%
(57)
★★★
15%
(34)
★★
7%
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23%
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Most Helpful Reviews

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Surprising stuff from Helen Fielding

Unlike some other people, I went into this book not expecting Bridget Jones. What I found was actually closer to Bridget than I thought in some sections. However, Rosie is a stronger woman-she just doesn't know it yet. Fielding's characterizations of the celebrities, as well as the relief workers, were well-rounded, and the action was fast paced. But most of all, I never thought I would laugh out loud while reading about a famine. The scenes where the celebrities first encounter the Africans are quite funny. Later on though, while one celebrity is photographed holding a starving child, all I could picture was Sally Struthers wandering through the camps with tears in her eyes--and Fielding's point hit home. Cause Celeb is an interesting statement on the place of celebrity in our society--and how it can actually be used for good, even if those doing the good are vile people. I recommmend ths book.
13 people found this helpful
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An incredible surprise!

After reading the Bridget Jones novels, I couldn't wait to read another Helen Fielding novel. What an incredible surprise! This book does have it's Bridget-esque moments, but I found it to be much more mature and touching than Fielding's later efforts (Cause Celeb was published in '94). People who are wanting a romantic, funny romp like the BJD books will be very surprised. While the book has it's funny moments, I was more moved by Fielding's harrowing descriptions of what Rosie, the workers, and refugees go through. I found Rosie's trip to the capital of the African country horrifying and touching at the same time. As much as I love Bridget Jones, I would have to say that this story is much more engrossing and touching, and I hope that many people check out this well-written first novel by Helen Fielding.
10 people found this helpful
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Not Bridget Jones - thank goodness

Helen Fielding is better know for Bridget Jones than for Rosie Richardson, but Rosie's personality in 'Cause Celeb' is somewhat deeper than Bridget's despite a similar self-depriciating manner. Moments in 'Cause Celeb' are witty and satitical, moments are wise and sexy, but most of all, this book satirises the great 'personalities' of stage and T.V. and shows them for the shallow people they are. It also deals with the deeper subject of famine relief, highlighting the frustrations of welfare workers, and the nightmare administration that clamps the speedy arrival of proper relief for the malnourished.
You'll not read 'Cause Celeb' without laughing, but you'll not read it without a deep sense that things could be improved. At both levels, the book succeeds in telling a good story in a stylish way. Not five stars because it didn't grab me where it hurts and keep me riveted. Still plenty good enough for four.
10 people found this helpful
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Feed starving children, oh dear I broke a nail, maybe later.

This book is an unusual mix of modern day London, celebrity parties and the pampered rich, then in a breath the author takes us to a refugee camp in Nambula, Africa. The refugees are dying from starvation and cholera as they await a plague as old as the bible. The locusts are fast becoming a major problem and the only crops this nation has been able to grow after years of drought and famine are about to be sheared off at the roots by a cloud of hungry insects.
Our heroine, Rosie has left her cushy life and celebrity friends behind after a disastrous relationship. She has taken a position in an African refugee camp working as part of an organization that gives relief to starving families. When faced with a famine of undetermined proportion, a shipment of food and medicine that hasn't arrived, and no clue when the next shipment will arrive, she makes up her mind to call on her celebrity friends to do a performance to help raise the money. The problems that ensue range from tragic to laughable as we watch London's pampered princesses of the stage and screen, toting perfume and packing blow dryers in a place where the people are so malnourished that their hairs falls out in tuffs.
This book is a brilliant look at two sides of the coin and Fielding does it so well. She certainly has more to offer than Bridget Jones, as endearing as Bridget is, this book shows us that the breadth and depth of her characters go beyond what she has become so famous for. This was an enjoyable book with a heart of it's own. A wonderful dose of reality. Kelsana 5/15/01
10 people found this helpful
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Bridget and Rosie: Twins Under The Skin?

Andy Warhol is known for stating that everyone gets their "15 Minutes" of fame. Most of us dream about being famous; for some, it becomes an obsession. Tis what 'Cause Celeb' is about. By now, eveyone has either read, or heard of, Helen Fielding's previous books about Bridget Jones. If, however, you're expecting 'Bridget Jones' Diary: part 3', you are out of luck. Though written in similar narrative style, this book is quite different.
Rosie Richardson is twenty-something, and has an immense crush on Oliver Marchant, a handsome (but incredibly spoiled and vain) newscaster. As many women can relate, you meet a guy. Despite your best intentions, you fall for someone you know you shouldn't. You can't seem to kick him out. What's a girl to do?
Rosie's solution? Volunteer in Africa. What she learns about herself, teaches Oliver and how she utilises the 'star machine' is the ride that you, dear reader, will take.
Fielding's new book is witty, engaging and dead-on. She skewers celebrity, and holds up a mirror to show how ridiculous it all is. She uses the media, and former actual events (like the 1986 Ethiopian famine and Bob Geldof's 'Live Aid') to make the book real for her readers. As one of the characters says: "....We [in Africa] don't care about being famous, [we] just want to live...."
Fielding uses a similar writing style to 'Bridget Jones' in making Rosie talk directly to us, the readers. We don't feel like we're reading about someone else's life, but talking directly to her. Is Rosie insecure? Yup. Can she handle it? Read this great book, and find out for yourself.
9 people found this helpful
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Entertaining and Thought-Provoking

On top of the fear discussed by previous reviewers that this book would be disappointing after Bridget Jones, I had an additional worry: This is Fielding's first book. So, why is it just now appearing in America? The obvious answer is that this book was not very good but that the publisher, knowing that this book would sell well even if it was garbage due to the success of Bridget Jones, was just putting out a bad book to make money.
But, whether you had this fear or any other, you will enjoy this book if you (a) enjoyed Bridget Jones, (b) would find an honest account of celebrity hangers-on interesting and (c) want a unique, non-expert opinion on some of the poverty/political problems in Africa.
Cause Celeb tells, in two parallel story-lines, the story of a woman heading an sub-Saharan refugee camp just outside Sudan (here called Abouti) when a locust plague is about to hit the country and cause devastation to a population just now recovering from famine and the story of the messed-up Bridge Jones-style love affair that drove the woman away from her comfortable London life several years previously. The last half of the book tells of the woman's plans to produce a Live-Aid style "Appeal" (British for benefit) to ward off the impending crisis.
First, for Bridget Jones lovers, the wit that will come to full bloom in Bridget Jones peeks out several times in this book providing a few laugh-out-loud moments.
Second, for those interested in celebrity, you get a seemingly honest view of what is like to run with famous people when you are not quite famous yourself. For instance, you learn an interesting rule of being a celebrity hanger-on. You are never allowed to start a conversation with someone more famous than you. Always wait until they talk to you. When the main character follows this rule, she is accepted; when she ignores it, she is shunned. Never having been around celebrities, I can't vouch for its accuracy, but it does seem like the world would work this way and is an interesting insight into celebrity.
Finally, hidden within the lightness of the book and the ridiculousness of some of the characters, a la Bridget Jones, is an unblinking look at political and poverty-created tragedy in Africa. The book is a thinly-veiled indictment of the politics surrounding the Sudan civil war (and likely mirroring the problems of other immediately sub-Saharan nations), issues which are very current now as the U.S. and Western Europe debate whether to get involved in the Sudan and about which I, and I suspect most others, have very little knowledge. This book gives detailed accounts of the horrors of famine which even the years of seeing starving children in Save the Children commercials has not immunized us from.
However, the book is funny and cheerful enough for me to guarantee that those of you looking for diversion rather than depression in your reading material will still come away from the book happier than when you started, although you will, as I did, also have a greater appreciation for the problems surrounding African poverty by the end of the book.
7 people found this helpful
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Another winner from Ms. Fielding!

Make no doubt about it, THIS IS NOT BRIDGET JONES! Set your mind up to believe that and you'll adore this gem of a book as well. Fielding writes with great detail, passion, and humor. The book is divided into two settings, England and Africa. The main character Rosie Richardson is the link between the two. She starts out as an employee for a 'glossy' magazine. She meets many celebrities and has a celeb boyfriend, however finding her life overly stressful and slightly unmeaningful, she decides to leave her life in England behind and go to work in Africa. When a famine and locusts threaten to wipe out thousands of people near her camp, Rosie returns to England in order to strike up support and raise money for the cause. This book will keep you interested and perhaps get you motivated to make a change in your daily routine. I thoroughly enjoyed it. Viva la Cause Celeb!
7 people found this helpful
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Jilted Locust Heroine

Helen Fielding's debut novel, published recently in the US after the smashing success of Bridget Jones's Diary, is sure to enchant any reader. Rosie Richardson, the heroine of the book, begins life as a typical 20-something Londoner. She works in marketing, and is dating Oliver Marchant, a local television personality and member of the "famous club." However, Rosie's life changes dramatically when she visits an African refugee camp for her job. She finds that she cannot live in London knowing of the poverty she left behind, and changes her life dramatically when she becomes a relief worker in Nambula, Africa.
Things in Nambula, however, are certainly far from idyllic. Rosie finds out that even the best of the camp workers retain their everyday insecurities and ideosyncracies, making life difficult at times. Things take a dramatic turn for the worse when a plague of locusts and influx of refugees threatens to tip the camp of refugees into a famine of the kind not seen since images of Ethiopia flooded television screens.
Not recieving help from her employer or the governmental agencies, Rosie puts it all on the line and journies back to London in a mad-dash attempt to solicit the help of the famous club. The celebrities journey to Africa, and see some startling contrasts and yet are surprised by some similarities.
The way Fielding portrays both the celebrities and the refugees is brilliant. The scenes are all touched with humor, but are bittersweet as they portray a world in need of attention and help. The reader comes to know Rosie, the refugees, and celebrities, and cheer for all of them to meet with success.
6 people found this helpful
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Hilarious triumph of the human spirit

Funny, sophisticated, witty, engaging and heartbreaking, Helen Fielding's "Cause Celeb" would be a worthy successor to her two runaway bestsellers, "Bridget Jones's Diary," and Bridget Jones: The Edge of Reason (now released in Penguin paperback). Except that "Cause Celeb" came first.
At first glance, it's easy to see why Fielding's first novel might have been a hard sell to American publishers in 1994. A Jane Austen-for-the-nineties comedy set in war-torn, famine-stricken Africa and the vainest, silliest aspect of London celebrity society, with a plot that centers on a coming famine of epic proportions, "Cause Celeb" doesn't have the lighthearted ring of the endearing, madcap diary of a single woman pining for love. But Fielding pulls it off.
Narrated by Rosie Richardson, London publicist turned refugee camp administrator, the novel opens in the camp, located in the fictional country of Nambula. Rumors of a locust plague across the border in Kefti worry the refugees and the aid workers although scary rumors are common and solid information hard to come by. As Rosie ruminates, brushing her teeth on a dusty hillside, her irreverent assistant Henry wanders by wearing his favorite t-shirt - "a multiple choice questionnaire for relief workers: (a) Missionary? (b) Mercenary? (c) Misfit? (d) Broken Heart? ...I was a c/d hybrid and soft in the head to boot."
This reflection takes her back to London and the beginings of her self-destructive affair with the handsome, sophisticated, TV arts show host and producer, Oliver Marchant. A type Fielding seems to know all too well, Marchant has a lot in common with Daniel Cleaver of "Bridget Jones's Diary." Professional success, wit and good looks make him popular with women who he treats as sexual conquests, devalued once won. His relationship with Rosie blows hot and cold; cold when she's hot, hot when she's cold.
In Marchant, Fielding creates a man with a Hindenburg-sized ego, easily bruised. His skill at manipulation is diabolical but transparent. Once, fed up with his habit of storming out in a fit of pique, she shrugs and lets him go instead of entreating him to stay. Ten minutes later he's back.
"Oliver was holding the sort of bunch of pink and yellow flowers you get from petrol stations for 2.95 with imitation white lace on the edge of the cellophane. 'Plumpkin,' he said, holding them out to me."
But he's a celebrity and she'll put up with a lot for love and the envy of friends and coworkers. Most of Rosie's forays into the glittering celeb milieu are disastrous, though hilarious for the reader. And Fielding has a lot of fun skewering the wobbly celebrity psyche.
"There was a commotion at the door and Terence Twinkle burst in. 'Hi, everyone,' he shouted across to our table. 'God it's a nightmare out there. Why can't anyone leave me alone?' He was wearing a floor-length white mink coat."
Between ironical reminiscences, Rosie tends to her duties, attempting to track down rumors of disaster and overdue food shipments. Staff relationships, including her own, inspire moments of affectionate hilarity and once or twice erupt into zany farce. Obsessions with luxury foods and petty jealousies live side by side with homeless, undernourished refugees yet Fielding's deft touch makes it all work - funny and starkly realistic together.
When Rosie is late meeting a new staffer, her young assist diffuses the awkwardness with a dose of black humor. " 'Sorry not to be here to give you the old welcoming committee - bit of an old blood bag crisis down the black hole of Calcutta.' "The new doctor looked somewhat taken aback. He seemed pleasant, but dull. Pity."
Of course the new doctor is going to be anything but dull, igniting a new flame of romance in Rosie, with, naturally, numerous obstacles in its path.
Meanwhile the coming refugee crisis looms larger. Food shipments are delayed and starving people begin to trickle over the border. Rosie and the new doctor, against all the rules, cross the border on a fact-finding mission. But, even armed with pictures of ravaging locusts and fleeing people, Rosie is unable to move the powers that be.
So she decides to act on her own, organizing a celebrity benefit along the lines of Live Aid and BandAid. But four years is a long time in celebrity circles and Rosie has been forgotten by all but one - Oliver. Dastardly Marchant has a price for his cooperation and Fielding has a great time showing Rosie's maturation into a pretty good manipulator in her own right. She also has fun skewering celebrities, bureaucrats and reporters, with great good nature.
The climax brings them all together - starving refugees, egomaniacal celebrities, Rosie and her two beaux - in an all-stops-pulled ending that should have been either in bad taste or hopelessly depressing or both. But Fielding manages to pull it off, joining tears, laughter and heroics in a triumph of the human spirit despite war, inhumanity and hopeless vanity.
6 people found this helpful
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Comedy and tragedy...

For fans of Helen Fielding's work, this is yet another treat! If you haven't read anything by Fielding, yet, you won't be disappointed by her writing. She has a true knack for comedy, and a brilliant sense of telling things like they are.
With Helen Fielding's works you know you won't miss out on an adventure. Her work is a treat for the mind... Relax, and let Helen's magical storytelling bring you, first, into the celebrity of London, complete with the average sociopaths. We meet Rosie Richardson, a young woman struggling to find herself, lost amidst the glitz and glamour of the London elite.
Fate causes her scheming to land her in the heart of Africa, doing what she was [surprisingly] meant to do. Her plans lead her through tragedy and triumph, but all the while with Rosie learning her strengths as a woman. The characters are developed so brilliantly in this book, you will miss them the moment you put it down. The evolution of Rosie Richardson is fantastic, she is so real, and brings heart to the plight of Africa.
This book glides perfectly along the line of comedy and tragedy. Her work is brilliant, and this is another must-read by Fielding. Enjoy!
4 people found this helpful