Disillusioned with London's glittering celebrity world following her breakup with her hotshot TV presenter boyfriend, twentysomething Rosie Richardson escapes to a refugee camp in the African desert, where she is forced to draw on her media savvy to aid the starving victims of a devastating famine. By the author of
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★★★★★
30%
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★★★★
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Most Helpful Reviews
★★★★★
4.0
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Surprising stuff from Helen Fielding
Unlike some other people, I went into this book not expecting Bridget Jones. What I found was actually closer to Bridget than I thought in some sections. However, Rosie is a stronger woman-she just doesn't know it yet. Fielding's characterizations of the celebrities, as well as the relief workers, were well-rounded, and the action was fast paced. But most of all, I never thought I would laugh out loud while reading about a famine. The scenes where the celebrities first encounter the Africans are quite funny. Later on though, while one celebrity is photographed holding a starving child, all I could picture was Sally Struthers wandering through the camps with tears in her eyes--and Fielding's point hit home. Cause Celeb is an interesting statement on the place of celebrity in our society--and how it can actually be used for good, even if those doing the good are vile people. I recommmend ths book.
13 people found this helpful
★★★★★
5.0
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An incredible surprise!
After reading the Bridget Jones novels, I couldn't wait to read another Helen Fielding novel. What an incredible surprise! This book does have it's Bridget-esque moments, but I found it to be much more mature and touching than Fielding's later efforts (Cause Celeb was published in '94). People who are wanting a romantic, funny romp like the BJD books will be very surprised. While the book has it's funny moments, I was more moved by Fielding's harrowing descriptions of what Rosie, the workers, and refugees go through. I found Rosie's trip to the capital of the African country horrifying and touching at the same time. As much as I love Bridget Jones, I would have to say that this story is much more engrossing and touching, and I hope that many people check out this well-written first novel by Helen Fielding.
10 people found this helpful
★★★★★
4.0
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Not Bridget Jones - thank goodness
Helen Fielding is better know for Bridget Jones than for Rosie Richardson, but Rosie's personality in 'Cause Celeb' is somewhat deeper than Bridget's despite a similar self-depriciating manner. Moments in 'Cause Celeb' are witty and satitical, moments are wise and sexy, but most of all, this book satirises the great 'personalities' of stage and T.V. and shows them for the shallow people they are. It also deals with the deeper subject of famine relief, highlighting the frustrations of welfare workers, and the nightmare administration that clamps the speedy arrival of proper relief for the malnourished.
You'll not read 'Cause Celeb' without laughing, but you'll not read it without a deep sense that things could be improved. At both levels, the book succeeds in telling a good story in a stylish way. Not five stars because it didn't grab me where it hurts and keep me riveted. Still plenty good enough for four.
10 people found this helpful
★★★★★
4.0
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Feed starving children, oh dear I broke a nail, maybe later.
This book is an unusual mix of modern day London, celebrity parties and the pampered rich, then in a breath the author takes us to a refugee camp in Nambula, Africa. The refugees are dying from starvation and cholera as they await a plague as old as the bible. The locusts are fast becoming a major problem and the only crops this nation has been able to grow after years of drought and famine are about to be sheared off at the roots by a cloud of hungry insects.
Our heroine, Rosie has left her cushy life and celebrity friends behind after a disastrous relationship. She has taken a position in an African refugee camp working as part of an organization that gives relief to starving families. When faced with a famine of undetermined proportion, a shipment of food and medicine that hasn't arrived, and no clue when the next shipment will arrive, she makes up her mind to call on her celebrity friends to do a performance to help raise the money. The problems that ensue range from tragic to laughable as we watch London's pampered princesses of the stage and screen, toting perfume and packing blow dryers in a place where the people are so malnourished that their hairs falls out in tuffs.
This book is a brilliant look at two sides of the coin and Fielding does it so well. She certainly has more to offer than Bridget Jones, as endearing as Bridget is, this book shows us that the breadth and depth of her characters go beyond what she has become so famous for. This was an enjoyable book with a heart of it's own. A wonderful dose of reality. Kelsana 5/15/01
10 people found this helpful
★★★★★
4.0
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Bridget and Rosie: Twins Under The Skin?
Andy Warhol is known for stating that everyone gets their "15 Minutes" of fame. Most of us dream about being famous; for some, it becomes an obsession. Tis what 'Cause Celeb' is about. By now, eveyone has either read, or heard of, Helen Fielding's previous books about Bridget Jones. If, however, you're expecting 'Bridget Jones' Diary: part 3', you are out of luck. Though written in similar narrative style, this book is quite different.
Rosie Richardson is twenty-something, and has an immense crush on Oliver Marchant, a handsome (but incredibly spoiled and vain) newscaster. As many women can relate, you meet a guy. Despite your best intentions, you fall for someone you know you shouldn't. You can't seem to kick him out. What's a girl to do?
Rosie's solution? Volunteer in Africa. What she learns about herself, teaches Oliver and how she utilises the 'star machine' is the ride that you, dear reader, will take.
Fielding's new book is witty, engaging and dead-on. She skewers celebrity, and holds up a mirror to show how ridiculous it all is. She uses the media, and former actual events (like the 1986 Ethiopian famine and Bob Geldof's 'Live Aid') to make the book real for her readers. As one of the characters says: "....We [in Africa] don't care about being famous, [we] just want to live...."
Fielding uses a similar writing style to 'Bridget Jones' in making Rosie talk directly to us, the readers. We don't feel like we're reading about someone else's life, but talking directly to her. Is Rosie insecure? Yup. Can she handle it? Read this great book, and find out for yourself.
9 people found this helpful
★★★★★
4.0
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Entertaining and Thought-Provoking
On top of the fear discussed by previous reviewers that this book would be disappointing after Bridget Jones, I had an additional worry: This is Fielding's first book. So, why is it just now appearing in America? The obvious answer is that this book was not very good but that the publisher, knowing that this book would sell well even if it was garbage due to the success of Bridget Jones, was just putting out a bad book to make money.
But, whether you had this fear or any other, you will enjoy this book if you (a) enjoyed Bridget Jones, (b) would find an honest account of celebrity hangers-on interesting and (c) want a unique, non-expert opinion on some of the poverty/political problems in Africa.
Cause Celeb tells, in two parallel story-lines, the story of a woman heading an sub-Saharan refugee camp just outside Sudan (here called Abouti) when a locust plague is about to hit the country and cause devastation to a population just now recovering from famine and the story of the messed-up Bridge Jones-style love affair that drove the woman away from her comfortable London life several years previously. The last half of the book tells of the woman's plans to produce a Live-Aid style "Appeal" (British for benefit) to ward off the impending crisis.
First, for Bridget Jones lovers, the wit that will come to full bloom in Bridget Jones peeks out several times in this book providing a few laugh-out-loud moments.
Second, for those interested in celebrity, you get a seemingly honest view of what is like to run with famous people when you are not quite famous yourself. For instance, you learn an interesting rule of being a celebrity hanger-on. You are never allowed to start a conversation with someone more famous than you. Always wait until they talk to you. When the main character follows this rule, she is accepted; when she ignores it, she is shunned. Never having been around celebrities, I can't vouch for its accuracy, but it does seem like the world would work this way and is an interesting insight into celebrity.
Finally, hidden within the lightness of the book and the ridiculousness of some of the characters, a la Bridget Jones, is an unblinking look at political and poverty-created tragedy in Africa. The book is a thinly-veiled indictment of the politics surrounding the Sudan civil war (and likely mirroring the problems of other immediately sub-Saharan nations), issues which are very current now as the U.S. and Western Europe debate whether to get involved in the Sudan and about which I, and I suspect most others, have very little knowledge. This book gives detailed accounts of the horrors of famine which even the years of seeing starving children in Save the Children commercials has not immunized us from.
However, the book is funny and cheerful enough for me to guarantee that those of you looking for diversion rather than depression in your reading material will still come away from the book happier than when you started, although you will, as I did, also have a greater appreciation for the problems surrounding African poverty by the end of the book.
7 people found this helpful
★★★★★
4.0
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Another winner from Ms. Fielding!
Make no doubt about it, THIS IS NOT BRIDGET JONES! Set your mind up to believe that and you'll adore this gem of a book as well. Fielding writes with great detail, passion, and humor. The book is divided into two settings, England and Africa. The main character Rosie Richardson is the link between the two. She starts out as an employee for a 'glossy' magazine. She meets many celebrities and has a celeb boyfriend, however finding her life overly stressful and slightly unmeaningful, she decides to leave her life in England behind and go to work in Africa. When a famine and locusts threaten to wipe out thousands of people near her camp, Rosie returns to England in order to strike up support and raise money for the cause. This book will keep you interested and perhaps get you motivated to make a change in your daily routine. I thoroughly enjoyed it. Viva la Cause Celeb!
7 people found this helpful
★★★★★
5.0
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Jilted Locust Heroine
Helen Fielding's debut novel, published recently in the US after the smashing success of Bridget Jones's Diary, is sure to enchant any reader. Rosie Richardson, the heroine of the book, begins life as a typical 20-something Londoner. She works in marketing, and is dating Oliver Marchant, a local television personality and member of the "famous club." However, Rosie's life changes dramatically when she visits an African refugee camp for her job. She finds that she cannot live in London knowing of the poverty she left behind, and changes her life dramatically when she becomes a relief worker in Nambula, Africa.
Things in Nambula, however, are certainly far from idyllic. Rosie finds out that even the best of the camp workers retain their everyday insecurities and ideosyncracies, making life difficult at times. Things take a dramatic turn for the worse when a plague of locusts and influx of refugees threatens to tip the camp of refugees into a famine of the kind not seen since images of Ethiopia flooded television screens.
Not recieving help from her employer or the governmental agencies, Rosie puts it all on the line and journies back to London in a mad-dash attempt to solicit the help of the famous club. The celebrities journey to Africa, and see some startling contrasts and yet are surprised by some similarities.
The way Fielding portrays both the celebrities and the refugees is brilliant. The scenes are all touched with humor, but are bittersweet as they portray a world in need of attention and help. The reader comes to know Rosie, the refugees, and celebrities, and cheer for all of them to meet with success.
6 people found this helpful
★★★★★
5.0
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Hilarious triumph of the human spirit
Funny, sophisticated, witty, engaging and heartbreaking, Helen Fielding's "Cause Celeb" would be a worthy successor to her two runaway bestsellers, "Bridget Jones's Diary," and Bridget Jones: The Edge of Reason (now released in Penguin paperback). Except that "Cause Celeb" came first.
At first glance, it's easy to see why Fielding's first novel might have been a hard sell to American publishers in 1994. A Jane Austen-for-the-nineties comedy set in war-torn, famine-stricken Africa and the vainest, silliest aspect of London celebrity society, with a plot that centers on a coming famine of epic proportions, "Cause Celeb" doesn't have the lighthearted ring of the endearing, madcap diary of a single woman pining for love. But Fielding pulls it off.
Narrated by Rosie Richardson, London publicist turned refugee camp administrator, the novel opens in the camp, located in the fictional country of Nambula. Rumors of a locust plague across the border in Kefti worry the refugees and the aid workers although scary rumors are common and solid information hard to come by. As Rosie ruminates, brushing her teeth on a dusty hillside, her irreverent assistant Henry wanders by wearing his favorite t-shirt - "a multiple choice questionnaire for relief workers: (a) Missionary? (b) Mercenary? (c) Misfit? (d) Broken Heart? ...I was a c/d hybrid and soft in the head to boot."
This reflection takes her back to London and the beginings of her self-destructive affair with the handsome, sophisticated, TV arts show host and producer, Oliver Marchant. A type Fielding seems to know all too well, Marchant has a lot in common with Daniel Cleaver of "Bridget Jones's Diary." Professional success, wit and good looks make him popular with women who he treats as sexual conquests, devalued once won. His relationship with Rosie blows hot and cold; cold when she's hot, hot when she's cold.
In Marchant, Fielding creates a man with a Hindenburg-sized ego, easily bruised. His skill at manipulation is diabolical but transparent. Once, fed up with his habit of storming out in a fit of pique, she shrugs and lets him go instead of entreating him to stay. Ten minutes later he's back.
"Oliver was holding the sort of bunch of pink and yellow flowers you get from petrol stations for 2.95 with imitation white lace on the edge of the cellophane. 'Plumpkin,' he said, holding them out to me."
But he's a celebrity and she'll put up with a lot for love and the envy of friends and coworkers. Most of Rosie's forays into the glittering celeb milieu are disastrous, though hilarious for the reader. And Fielding has a lot of fun skewering the wobbly celebrity psyche.
"There was a commotion at the door and Terence Twinkle burst in. 'Hi, everyone,' he shouted across to our table. 'God it's a nightmare out there. Why can't anyone leave me alone?' He was wearing a floor-length white mink coat."
Between ironical reminiscences, Rosie tends to her duties, attempting to track down rumors of disaster and overdue food shipments. Staff relationships, including her own, inspire moments of affectionate hilarity and once or twice erupt into zany farce. Obsessions with luxury foods and petty jealousies live side by side with homeless, undernourished refugees yet Fielding's deft touch makes it all work - funny and starkly realistic together.
When Rosie is late meeting a new staffer, her young assist diffuses the awkwardness with a dose of black humor. " 'Sorry not to be here to give you the old welcoming committee - bit of an old blood bag crisis down the black hole of Calcutta.' "The new doctor looked somewhat taken aback. He seemed pleasant, but dull. Pity."
Of course the new doctor is going to be anything but dull, igniting a new flame of romance in Rosie, with, naturally, numerous obstacles in its path.
Meanwhile the coming refugee crisis looms larger. Food shipments are delayed and starving people begin to trickle over the border. Rosie and the new doctor, against all the rules, cross the border on a fact-finding mission. But, even armed with pictures of ravaging locusts and fleeing people, Rosie is unable to move the powers that be.
So she decides to act on her own, organizing a celebrity benefit along the lines of Live Aid and BandAid. But four years is a long time in celebrity circles and Rosie has been forgotten by all but one - Oliver. Dastardly Marchant has a price for his cooperation and Fielding has a great time showing Rosie's maturation into a pretty good manipulator in her own right. She also has fun skewering celebrities, bureaucrats and reporters, with great good nature.
The climax brings them all together - starving refugees, egomaniacal celebrities, Rosie and her two beaux - in an all-stops-pulled ending that should have been either in bad taste or hopelessly depressing or both. But Fielding manages to pull it off, joining tears, laughter and heroics in a triumph of the human spirit despite war, inhumanity and hopeless vanity.
6 people found this helpful
★★★★★
5.0
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Comedy and tragedy...
For fans of Helen Fielding's work, this is yet another treat! If you haven't read anything by Fielding, yet, you won't be disappointed by her writing. She has a true knack for comedy, and a brilliant sense of telling things like they are.
With Helen Fielding's works you know you won't miss out on an adventure. Her work is a treat for the mind... Relax, and let Helen's magical storytelling bring you, first, into the celebrity of London, complete with the average sociopaths. We meet Rosie Richardson, a young woman struggling to find herself, lost amidst the glitz and glamour of the London elite.
Fate causes her scheming to land her in the heart of Africa, doing what she was [surprisingly] meant to do. Her plans lead her through tragedy and triumph, but all the while with Rosie learning her strengths as a woman. The characters are developed so brilliantly in this book, you will miss them the moment you put it down. The evolution of Rosie Richardson is fantastic, she is so real, and brings heart to the plight of Africa.
This book glides perfectly along the line of comedy and tragedy. Her work is brilliant, and this is another must-read by Fielding. Enjoy!