Chaos and Order: The Gap Into Madness (The Gap Cycle)
Chaos and Order: The Gap Into Madness (The Gap Cycle) book cover

Chaos and Order: The Gap Into Madness (The Gap Cycle)

Mass Market Paperback – June 1, 1995

Price
$8.99
Publisher
Spectra
Publication Date
ISBN-13
978-0553572537
Dimensions
4.19 x 1.54 x 6.83 inches
Weight
11.4 ounces

Description

Punisher is on the run from Billingate Space Station, as well as other predators that follow: UMCP Enforcement Division director Min Donner aboard a crippled Punisher , Nick's archenemy (and slave to the aliens) Sorus Chatelaine aboard Soar , and the mysterious hired gun, Free Lunch . Corrupt cyborg Angus Thermopyle and ruthless Nick Succorso battle for control of the ship and the situation. Their trail leads to Valdor Industrial, where geneticist/engineer Vector Shaheed seeks to redeem himself by manufacturing an antidote to the mutagen used by the alien Amnioni to mutate human beings against their will. Brutalized yet resilient Morn Hyland, her clone/son Davies, tough officer Mikki, Pup, Sib, and the rest continue their suffering and sacrificing. Meanwhile, back in Earth space, police and politicians battle for power as UMCP director Dios continues his grim revolution against the Dragon. Assassin kazes, political fears, and provocative bills threaten to paralyze the Governing Council for Earth and Space. Ships battling in space? Laboratory space stations developing antimutagen antidotes against the aliens who seek to conquer humankind by mutation? Outrage, brutality, betrayal, and secrets? Donaldson lays it all out with sharp dialogue, tense scenes, and zippy action. From the Publisher "As the planetoid Thanatos Minor explodes into atoms, a specially-fitted cruiser escapes the mass destruction and hurtles into space only a step ahead of hostile pursuit. On board Trumpet are a handful of bedraggled fugitives from an outlaw world - old enemies suddenly and violently thrown together in a desperate bid for survival. Among this unlikely crew of allies are Morn Hyland, once a UMC cop, now a prisoner to the electrodes implanted in her brain; her son, Davies, "force-grown" to adulthood by the alien Amnion and struggling to understand his true identity; the amoral space buccaneer Nick Succorso, whose most daring act of piracy could be his last; and Angus Thermopyle, unstoppable cyborg struggling to wrest control of his own mind from his UMC programmers. From the Inside Flap As the planetoid Thanatos Minor explodes into atoms, a specially-fitted cruiser escapes the mass destruction and hurtles into space only a step ahead of hostile pursuit. On board Trumpet are a handful of bedraggled fugitives from an outlaw world - old enemies suddenly and violently thrown together in a desperate bid for survival. Among this unlikely crew of allies are Morn Hyland, once a UMC cop, now a prisoner to the electrodes implanted in her brain; her son, Davies, "force-grown" to adulthood by the alien Amnion and struggling to understand his true identity; the amoral space buccaneer Nick Succorso, whose most daring act of piracy could be his last; and Angus Thermopyle, unstoppable cyborg struggling to wrest control of his own mind from his UMC programmers. As the planetoid Thanatos Minor explodes into atoms, a specially fitted cruiser escapes the mass destruction and hurtles into space only a step ahead of hostile pursuit. On board Trumpet is a handful of bedraggled fugitives from an outlaw world, old enemies suddenly and violently thrown together in a desperate bid for survival. Among this unlikely crew of allies are Morn Hyland, once a UMCP cop, now a prisoner to the electrodes implanted in her brain; her son, Davies, "force-grown" to adulthood by the alien Amnion and struggling to understand his true identity; the amoral space buccaneer Nick Succorso, whose most daring act of piracy could be his last; and Angus Thermopyle, unstoppable cyborg struggling to wrest control of his own mind from his UMCP programmers. Locked in a lethal battle against one another for control of Trumpet, they also find themselves the target of Punisher, a police ship whose human captain, Min Donner, is torn between her duty and her sympathy for the outlaw crew she's been ordered to capture. Yet as Min races to reach Trumpet in time, Warden Dios, the director of the UMC Police, receives a darker directive from the mysterious, semi-immortal Dragon, ruler of the UMC: Kill everyone aboard Trumpet except for the one person whose blood carries the mutagenic key to ultimate Amnion triumph - the ability to appear perfectly human. In a final titanic showdown in space, amid uncharted comets, planets, and asteroid swarms, these forces will converge in a contest of skill and survival on which our future - and the future of the galaxy - depends. In Chaos and Order Stephen R. Donaldson has created his most powerful and labyrinthine tale yet, peeling away layer upon layer ofintrigue and double cross to lay bare the chilling plan for the conquest of humanity. Stephen R. Donaldson is the bestselling author of the series The Gap Cycle, Mordant's Need, and the Chronicles of Thomas Covenant the Unbeliever, including Lord Foul's Bane and The Second Chronicles of Thomas Covenant ;xa0and other works, such as Daughter of Regals and Other Tales and a mystery series under the pseudonym Reed Stephens. He is the recipient of the first prize of the British Science Fiction Society and the John W. Campbell Memorial Award. Excerpt. © Reprinted by permission. All rights reserved. MIN xa0 Battered, weary to the bone, and profoundly baffled, Min Donner joined Punisher shortly after Warden Dios returned to UMCPHQ from Holt Fasner’s Home Office. She hadn’t slept since the day before her visit to Sixten Vertigus, hadn’t eaten since her ride back to UMCPHQ from Suka Bator. A headache like a threat of concussion throbbed in her forehead. Occasionally her hearing buzzed like neural feedback. xa0 She felt that her whole life was being rewritten around her; reinterpreted to mean something she hadn’t chosen and couldn’t understand. xa0 Why was she here? xa0 In some sense, Warden had answered that question. The last time she’d spoken to him, he’d told her, to her utter astonishment, I have reason to think Morn Hyland may survive—Even though he’d convinced her long ago that Morn was being abandoned, that he’d sold her body and soul, he’d said, If she does, I want someone to make sure she stays alive, someone I can trust. That means you. For that reason—apparently—he was sending Min away from her duties at UMCPHQ. xa0 Nevertheless his reply explained nothing. All she really knew was that she was here now because he’d lied to her earlier; lied to her systematically and incessantly for months. xa0 What in God’s name was going on? xa0 His signal of farewell reached her as she rode her personal shuttle out toward the gap range where Punisher had already turned and started preparations for an outbound acceleration; but she didn’t answer it. She had nothing more to say to him. Instead of returning some vacant acknowledgment or salute, she replied to the questions of her crew by shaking her head. Let Warden Dios take her on faith, as she was required to take him. He’d left her no other way to express her galling confusion—or her blind, baffled hope. xa0 With as much of her accustomed grim determination as she could muster, she put kazes and assassinations, treachery and intrigue behind her, and concentrated instead on the job ahead. xa0 Her orders were superficially simple. She was instructed to take command of the first available UMCP warship—in this case, Punisher—and go immediately to the Com-Mine asteroid belt. Under cover of the belt, she was supposed to “watch for and respond to developments” from the direction of Thanatos Minor. In other words, to observe and presumably deal with the outcome of Angus Thermopyle’s covert attack on Billingate. xa0 That was plain enough. But why was it necessary? After all, at Fasner’s orders human space along the Amnion frontier—especially in the broad vicinity of Com-Mine Station and the belt—was being webbed with the most intensive communications network ever deployed. Any decipherable information from the direction of Thanatos Minor would reach UMCPHQ in a matter of hours, whether she was present in the belt or not. xa0 What kind of “developments” did Warden expect? Angus Thermopyle—Joshua—would either succeed or not. If he succeeded, Nick Succorso and the danger he represented would be finished. Min’s suspicions of Milos Taverner would come to nothing. And Morn might—conceivably—survive. On the other hand, if Angus failed, everyone and everything would be lost. Morn would be just one more casualty. xa0 Either way, there would be nothing for Min to do, except possibly pick up survivors—or warn off an Amnion pursuit. Com-Mine Station could have done that. Punisher herself, despite her battle-worn and depleted condition, could have done it. Min Donner was the UMCP Enforcement Division director: she belonged elsewhere. Back at UMCPHQ, rooting out kazes and traitors. Or even down on Suka Bator, helping Captain Vertigus prepare and present his Bill of Severance. She had no reason to be here. xa0 No reason, that is, apart from Warden’s desire to get her out of the way—to dissociate her from the fatal game he played with or against Holt Fasner. And his unexpected assertion that Morn might get away alive. xa0 If she does, I want someone to make sure she stays alive— xa0 Was that the truth? Or had Warden said it simply to ensure that she obeyed him? xa0 She didn’t know; couldn’t know. But in the end, his orders were enough. She obeyed because she had sworn that she would. xa0 Nevertheless she couldn’t shake the dark feeling that she was doomed; that between them Warden Dios and Holt Fasner were about to cost her everything she had ever believed in or trusted. xa0 At last her shuttle thunked against the docking port in Punisher’s side; grapples jerked home. Min nodded to her crew and stepped into the shuttle’s airlock as if she didn’t care whether she ever returned. xa0 The bosun commanding the honor guard which greeted her inside the ship’s personnel bay looked as worn out and abused as she felt. Min winced inwardly at the sight: she hated seeing her people in such bad shape. However, she kept her chagrin and anger to herself while she returned the bosun’s salute. xa0 “Captain’s apologies, Director Donner,” he said. He sounded even worse than he looked—a young officer who had been under too much pressure for far too long. “He can’t leave the bridge. We weren’t expecting to head out—he hasn’t had time to get ready—” The bosun caught himself, flushed like a boy. “You already know that. I’m sorry. xa0 “Captain will see you whenever you want. I can take you to your quarters first.” xa0 Min had scanned Punisher’s reports before leaving UMCPHQ. The cruiser had just come home from a bitter struggle with fifteen or twenty illegal ships which had turned Valdor Industrial’s distant binary solar system into a virtual war zone. xa0 Because of the kind of mining, processing, and heavy manufacturing carried on by the station, Valdor and the traffic it serviced were rich with prizes. And like most binary systems this one was a maze of orbits—masses of rock revolving around each other in patterns so complex that they defied mapping by anything less than a megaCPU. The pirates were entrenched among the almost innumerable planets, planetoids, and moons cycling around the twinned stars called Greater and Lesser Massif-5. xa0 Over a period of six months, the Scalpel-class cruiser had engaged in dozens of pitched battles, weeks of pursuit. And all to little avail. Two pirates had been destroyed, one captured. The rest had fought back with such concerted ferocity, or had fled with such intimate knowledge of the system’s hiding places, that no mere cruiser could have hoped to deal with them all. xa0 No wonder the bosun was exhausted. No wonder the faces of the honor guard ached with despair at the prospect of another mission. Punisher needed rest, deserved rest. The UMCP were spread too thin; would always be spread too thin, simply because the gap drive made available more space than any police force could control. Not for the first time, Min thought that as long as the threat of the Amnion endured—as long as forbidden space offered wealth in exchange for stolen resources—her people were doomed to fail. xa0 As usual, she kept that idea to herself. Instead she told the bosun, “I’ll go to the bridge.” Then, before he could give any orders himself, she dismissed the honor guard. In general she disliked the formalities of her position; and in this particular case she actively hated wasting the energy of these weary men and women on ceremonial duties. xa0 Momentarily flustered, the bosun began, “Director, Captain ordered—” But an instant later he swallowed his discomfiture. With a salute, he let the guard go. “This way, Director.” xa0 Min knew the way. On any ship the UMCP had commissioned, she could have found the bridge blindfolded. She let the bosun guide her, however. She’d already undercut him enough by dismissing his honor guard. xa0 By the time she left the first lift and headed forward through the ship’s core, she knew Punisher was in trouble. Because of the recent damage to her eardrums, she still couldn’t hear clearly enough to pick up the cruiser’s characteristic hums and whines. But she could feel centrifugal g through the soles of her boots; she could sense vibrations with the nerves of her skin. Subtle stresses reached her like undamped harmonics. xa0 “You’ve got internal spin displacement,” she commented to the bosun. “Bearings are grinding somewhere.” xa0 He gaped at her sidelong. “How—?” She was the ED director, however: he wasn’t supposed to question her. With an effort, he mastered himself. “Forward,” he answered. “We took a hit that knocked the whole core off true. But that’s not all. We’ve got micro-leaks in some of the hydraulic systems. Several doors stick until the pressure rectifies. Half a dozen bulkheads don’t quite seal. And we’ve been holed twice. We’ve kept integrity, but we lost the conduit to one of the sensor banks. Captain has men outside right now, trying to jury-rig leads before we go into tach. For the rest— xa0 “Director, we haven’t had time to trace those leaks or patch those holes. We’ve been at battle-stations for most of the past six months. And only a shipyard can fix internal spin.” xa0 The young officer sounded so raw that Min frowned to herself. “No criticism intended, bosun,” she told him quietly. “It was just an observation.” xa0 He swallowed hard. “Thank you, Director.” Until he blinked them clear, his eyes were perilously moist. xa0 Punisher was desperate for rest. xa0 Full of outraged protectiveness toward her people, Min thought harshly, Fuck you, Warden Dios, and the horse you rode in on. You had goddamn better know what you’re doing. Read more

Features & Highlights

  • As the planetoid Thanatos Minor explodes into atoms, a specially-fitted cruiser escapes the mass destruction and hurtles into space only a step ahead of hostile pursuit. On board Trumpet are a handful of bedraggled fugitives from an outlaw world - old enemies suddenly and violently thrown together in a desperate bid for survival. Among this unlikely crew of allies are Morn Hyland, once a UMC cop, now a prisoner to the electrodes implanted in her brain; her son, Davies, "force-grown" to adulthood by the alien Amnion and struggling to understand his true identity; the amoral space buccaneer Nick Succorso, whose most daring act of piracy could be his last; and Angus Thermopyle, unstoppable cyborg struggling to wrest control of his own mind from his UMC programmers.

Customer Reviews

Rating Breakdown

★★★★★
60%
(352)
★★★★
25%
(147)
★★★
15%
(88)
★★
7%
(41)
-7%
(-42)

Most Helpful Reviews

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Like all of Donaldson's books, excellent

This book is not so much about the world that the characters are living in, but the characters themselves. Donaldson seems to take real people and fold them into the page, bringing them alive. They all have a sense of balance and reality to them, so that you even find yourself interested in 'the bad guys'. They are set out into a unique universe and sucked into an expansive and dramatic struggle that makes all of the books in this series 'page turners'. Donaldson is simply the best. I suggest giving it a try(start with 'the real story'). If you like this series give his fantasy series, Thomas Covenant the unbeliever, a try. Even if you don't usually like fantasy, his characters make it worthwhile. Summation: If you haven't already, READ THIS BOOK.... and then review it so that more word gets out.
8 people found this helpful
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I presume you'll have read some of the earlier books . . .

While "Chaos and Order" isn't as tightly plotted and intricate as "A Dark and Hungry God Arises", it is still rippingly good. The tale is a rollercoaster from following-on beginning to incomplete end, unlike the previous book, which more amounted to an examination of shifting alliances and intrigue amid the profound psychology of its characters, all concentrating and shifting onto one place, accruing to a kind of psychological "critical mass", at which point Thanatos Minor explodes. One of the core themes of Chaos and Order - running about through a maelstrom of rock, the hurtling debris of shattered plans, shattering and coalescing into new forms - follows on from the diametrically opposing theme of the previous story brilliantly.
As the web of intrigue and murder in and around Earth is expanded to a fully-fledged political thriller, we have the important characters from the previous story - Nick, Morn, Angus, Davies, Vector, Mikka, and with them the rather incidental Sib and Pup - all saved from the storm of Thanatos Minor's ruin and flung off just ahead of half a dozen people who want them alive; or, if they can't have them alive, then blown to atoms like Billingate. Everyone else - from *Captain's Fancy* - is dead. While this may seem like a bit of a *deus ex machina* (subtle nod towards Angus, I'm sure), in practice it works out fine.
They are now on the run, the most explosive body of information in Human Space, and seeking to make themselves even more explosive by letting Vector Shaheed, the geneticist, complete the anti-mutagen drug which the United Mining Companies Police suppressed, which will give humankind a defence against alien absorption, however temporary. Everyone - the cops, the aliens, people working for the cops and people working for the aliens - are after them, and the scene is set for ever-tenuous alliances and furious desperation to lead to a lot of shooting and bloodshed, and even greater extremity by the survivors.
This is an intermediate tale. As with all the others except "The Real Story", it is successfully diametric and harmonious in its many balancing qualities. It is a masterpiece, in a way opposite to how the previous book in the story is - and again this is an intentional contrast. I swear again, this series will significantly improve your life. I'm normally so damn analytical, and it has me ranting!
The marking of four out of five and not five is rather a personal opinion. I preferred the rigid and less scattered nature of the plot in and around Billingate, and this made me like the fourth book somewhat less than the third. The horror of the first, second and somewhat the third books as gone, or at least vastly reduced and changed in character. It is no longer an issue. The squeamish will have been well and truly left behind by now, anyway.
Each book in the Gap Series up to this one expands on the author's complex mind-game universe by a power of two. It is this story which opens Donaldson's future to its fullest extent. The final book is an examination of that universe, now that the previous four books have detailed it in full and lavish detail, bringing the story to an ultimate conclusion. This fourth book is the last time you will see the fun "Ancillary Documentation" - but Donalson's story-advancing characters will have captivated you utterly by now, if you've got this far, so you won't mind that in the slightest as you rapidly and nervously go out for the fifth book, hand shaking as you hand the money over and wonder whether it can possibly live up to what's gone before.
4 people found this helpful
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Gap Cycle, Part 4

[Please note that this is a review of the entire series rather than any individual book within the series.]

Stephen R. Donaldson is primarily known for the dark fantasy work The Chronicles of Thomas Covenant, which kicked off his career. The Gap Cycle, however, is a space opera. The sub-genre space opera is a form of science fiction traditionally characterized by a focus on grand adventure, melodramatic romance, a war of good versus evil, and characters rather than technology. The setting of outer space tends to be used merely as a backdrop for the action. The Gap Cycle is a space opera in a more literal sense, too: The last four books in the series were inspired by Wagner's Ring Cycle.

I should note at this point that the Gap Cycle is a subversive work which viciously tears apart the conventions of formulaic space opera. Technology, while taking a back seat to the characters, is present as more than just a backdrop and the author makes an attempt at a level of realism that goes beyond traditional space opera. Grand adventure is replaced by the simple and brutal reality of the difficulty of survival while engaging in interstellar travel and the dangers and widespread influence of politics even on distant regions of space. The characters, too, are complex. There is no black and white morality. The author stated that his intent with the first book in the series "The Real Story" was to display the shifting roles of victim, victimizer and rescuer, and this theme is pervasive throughout. There is no galaxy-wide battle featuring mankind taking on the evil forces of invading aliens--aliens are present and do have a distaste for mankind but their method of warfare is much more insidious than simply sending ships out to blast stuff--humankind are fragmented and in perpetual conflict, both as a result of human nature and of political conflicts.

The series starts slowly with a focus on three main characters, all of whom are fighting for survival--physiological and psychological--in their own (sometimes despicable) ways, but slowly expands its scope to reveal a much bigger picture. About half-way through the second one book will see that these people are pawns in a much larger political conflict that is revealed in full later in the series.

Donaldson thrives at subverting genre conventions but his greatest strength is in characterization. Of the three starting characters and only one should be the least bit sympathetic. One is nothing short of monstrous and another lies somewhere in the middle, but he is no saint either. And yet these characters--and those that come later--are fascinating. Third person limited viewpoint is used throughout the series with the viewpoint switching from character to character in alternating chapters. The author uses this technique magnificently to peel away layers of lies and distrust and let you peer inside the mind of the main characters and find out who they really are and--more importantly--why. Much like real life, hardly anyone is evil just for the sake of being evil, or good merely for the sake of goodness, they've all had experiences--good and bad--that make their thoughts and actions inevitable and you will find out why.

Another of the author's great strengths is in writing action scenes. He generates intelligently written, tense action scenes with a level of skill that most writers couldn't dream of achieving. His work had me flipping pages like a mad man, staring intensely at the text, terrified of what would happen next--would these people survive?--but needing to find out in spite of myself and and needing to find out immediately. I must acknowledge that his skill at pacing assists in making the action scenes so engaging. He knows how to slowly build the story to a climax and feed you just enough details to let you know what might be coming next, but not enough to know how it will play out. You're left wondering if this chase or that plan will work out, if any of your favorite characters will die and, if so, who. That his writing generates this dilemma seems quite appropriate given that Heisenberg's uncertainty principle is used as an analogy for our inability to determine the outcome of human behavior throughout the series. The books are also structured well; they get progressively longer as the series continues but at no point did I feel lost or that there was fat that needed to be cut.

Be warned, though, Donaldson is not one to pull punches. Many people have difficulty getting through the first book in the series--the prelude--because of the violence and sadism contained within that short volume. Out of darkness comes light, but the series is gritty and a reader will be lost in darkness for a while before they get a glimpse of light.

This series is one of the finest pieces of fiction I've ever had the joy of reading and comes highly recommended, but it is not for the weak of heart or stomach.
3 people found this helpful
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A poor effort

This book pales in comparison to the first two books of the series, and is about as bad as the third. Gone are the fascinating character developments- in their place you get hack writing, bad science, and literary drudgery. Go ahead and read it if you are a Donaldson devotee, otherwise don't waste your time.
3 people found this helpful
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Breathtaking!

Unplug your phone, lock your doors and practice holding your breath. Like the previous volumes in the Gap series, this one is impossible to put down, once you start. The story captivates you from the first chapter of The Real Story, and you come to know all the characters intimately, whether you like them or not. This is one of the top science fiction series I have ever read.
3 people found this helpful
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Superb, best one yet

I felt bad giving A Dark and Hungry God Arises four stars--it was sooo close to five. I'm glad to say that this book is even better than the last. Actually, I see why some people are liking the third one more, as there are differences.

Many people, including myself, raved about the complex political intrigues in the previous book. So many new characters were introduced and fully developed with simultaneous plot development. Sometimes it was a sensory overload...a good sensory overload, but an overload nonetheless.

Chaos and Order sticks with the same characters as in the third one. Consequently, readers are better prepared to deal with the lightning pace of the plot, as they are now familiar with the characters orchestrating it.

The bulk of the story takes place aboard the Trumpet, Angus' ship. Morn, Nick, Angus, Davies, Mikka, Vector, and Ciro agree to head toward the Massif 5 (pardon the potentially incorrect spelling) system in order to concoct a counter to the Amnion biological threat. On their tail, however, are three dangerous ships: the Amnion controlled battleship Calm Horizons, the rogue Free Lunch, and Sorus' Punisher.

This is a great addition to the series with a smattering of unique ideas introduced. I like the singularity gun, with ammunition that upon detonation creates a black hole. I hope This Day All Gods Die can maintain the momentum with which the series has coasted for the past three parts.
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Real people

One of the reasons that I liked the gap series and other novels by Donaldson are that his main characters aren't always good. In most other novels written in this era the main characters are always battling depression and other "bad" feelings but in the gap series the main characters are tough vicious and would eat you alive if you didn't beat them to the punch. The simple fact is that "good" people just wouldn't survive in the worlds that science fiction and fantasy authors create. Most authors depict the main character as someone who at their core is honorable and the simple fact of the matter is honorable people don't stand a chance of a snowball in hell in the situations that they are usually painted in. The concept of you have to use fire to fight fire is hundreds if not thousands of years old and I always find it refreshing to see authors use this concept when depicting characters that have to challenge each other.
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A disappointment

Donaldson can tell a story, but this series was weak. Character development is excellent; but theme clarity is muddy; and there is no climax - in fact - there is no ending, just loose ends fairly disconnected from the developed nature of the characters. My recommendation is to re-read the Thomas Covanent Series.
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When you thought things couldn't get any more chaotic. . .

Donaldson has returned to the splendid level of maturity and complexity he established as his own in the first Thomas Covenant series. In fact he exceeded all of my expectations. (I had doubts after his "looking glass" stuff and was skeptical of his ability to handle "hard science" science fiction.) But Donaldson pulls it all off with a deftness and sensitivity that only our best writers can achieve. His plotlines are intiricately weaved in this tale and (as I state in my teaser above) just when you think things couldn't get any worse for the human race in general and these characters in particular, Donaldson gives the screw another twist.
His characters aren't just flawed. They are real. Good people do evil, evil people do good; for good and bad reasons alike.
This story still sticks with me (I finished reading it when it was first released), and I consider it his some of his finest (and perhaps *greatest*) work.
His fearless use of mature and complex themes and language distinguish this series from the thousands of !hacks! currently working in this field.
Thank you Mr. Donaldson.
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Ordered Chaos

Chaos and Order, like the preceding books in the series, starts where the last left off and is finished relatively open-ended. There's a conclusion of sorts, but it's not really conclusive; more of a semi-solid cut-off point between this and the next book.

The two plots continue. The overarching plot is mostly delivered in two large chunks at the beginning of the book, with several other key chapters placed throughout. The main plot, involving the central characters, continues along, with new plots and sub-plots rising and old ones being put to rest. The plotting for both is not as tight as the previous books. However, they're both action-packed and tense, and any of the linear storytelling lost is, in my opinion, more than made up for. The groundwork laid by the previous three books begins to pay off.

Characters... they've been a sticking point for me all series. They're realistic, and believable, but for me there's something missing. By the fourth entry in a series, I want to love the characters. I'm compelled by them, and find them interesting, but I don't love them. Having thought about this a bit, I think it could be some of the following things:
1) Too many characters, jumping through perspectives alot, which doesn't leave much time with each character.
2) When writing from a characters perspective, unless there is something directly happening to a character, ie dialogue, action, Donaldson tends to take a very passive approach. Alot of the time he steps back into the narrators perspective and almost stops looking through the perspective characters eyes, or he takes a very static approach to conveying a characters thoughts.
3) Tension in character relationships. Or more specifically, the way they're left unresolved. Characters are very rarely shown in a relationship, and there are often big chunks of other stuff that break those interactions up. Other than that, the characters don't really do anything to resolve their conflicts with other characters. This improves later in the book, but it's scarce.
4) The characters exist entirely within the story. Everything we know about them exists inside the story, and everything we learn about them that occurs outside the story is directly relevant to the plot. Whilst this may be the preference of some people, I don't like it. The depth and the development of the character is limited to the relatively few things that occur inside the story. Paradoxically, despite Donaldson crafting realistic characters with some depth, I can't like them because that reality and depth is based on very little knowledge.

That might be it. It might be something else. But one of the things I look for in books is characters I can love, regardless of their flaws. I think the characters in this story have that potential. It could just be me.

The ancillary documentation continues. I don't like it. See my reviews on the other Gap books about why.

Themes are muddy. There were a few occasions where they shone through, but other than that they remain vague.

Overall though, the plot-drivers were far more prevalent here than in previous books, and made a large portion of it worth reading. Things are building to a head in the final book.

4/5
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