Chapterhouse: Dune (Dune Chronicles, Book 6)
Chapterhouse: Dune (Dune Chronicles, Book 6) book cover

Chapterhouse: Dune (Dune Chronicles, Book 6)

Mass Market Paperback – July 1, 1987

Price
$7.15
Publisher
Ace
Publication Date
ISBN-13
978-0441102679
Dimensions
4.25 x 1.12 x 6.94 inches
Weight
8 ounces

Description

Praise for Chapterhouse: Dune “Compelling...a worthy addition to this durable and deservedly popular series.”— Thexa0New York Times “The vast and fascinating Dune saga sweeps on—as exciting and gripping as ever.”— Kirkus Reviews Praise for Dune “I know nothing comparable to it except Lord of the Rings .”—Arthur C. Clarkexa0“A portrayal of an alien society more complete and deeply detailed than any other author in the field has managed...a story absorbing equally for its action and philosophical vistas.”— The Washington Post Book World “One of the monuments of modern science fiction.”— Chicago Tribune “Powerful, convincing, and most ingenious.”—Robert A. Heinleinxa0“Herbert’s creation of this universe, with its intricate development and analysis of ecology, religion, politics and philosophy, remains one of the supreme and seminal achievements in science fiction.”— Louisville Times Frank Herbert is the bestselling author of the Dune saga. He was born in Tacoma, Washington, and educated at the University of Washington, Seattle. He worked a wide variety of jobs—including TV cameraman, radio commentator, oyster diver, jungle survival instructor, lay analyst, creative writing teacher, reporter and editor of several West Coast newspapers—before becoming a full-time writer.In 1952, Herbert began publishing science fiction with “Looking for Something?” in Startling Stories . But his emergence as a writer of major stature did not occur until 1965, with the publication of Dune . Dune Messiah , Children of Dune , God Emperor of Dune , Heretics of Dune , and Chapterhouse: Dune followed, completing the saga that the Chicago Tribune would call “one of the monuments of modern science fiction.” Herbert is also the author of some twenty other books, including The White Plague , The Dosadi Experiment , and Destination: Void . He died in 1986. Excerpt. © Reprinted by permission. All rights reserved. Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council-Tamalane and Bellonda-showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. The old Bashar Miles Teg had, indeed, been the Mother Superior's father. And Odrade herself had collected cells (as fingernail scrapings) to grow this new ghola, part of a long-time "possibility plan" should they ever succeed in duplicating Tleilaxu tanks. But Bellonda would be drummed out of the Bene Gesserit rather than go along with Odrade's comment on the Sisterhood's vital equipment. "I find this frivolous at such a time," Bellonda said. "Those madwomen hunting us to exterminate us and you want a celebration!" Odrade held herself to a mild tone with some effort. "If the Honored Matres find us before we are ready perhaps it will be because we failed to keep up our morale." Bellonda's silent stare directly into Odrade's eyes carried frustrating accusation: Those terrible women already have exterminated sixteen of our planets! Odrade knew it was wrong to think of those planets as Bene Gesserit possessions. The loosely organized confederation of planetary governments assembled after the Famine Times and the Scattering depended heavily on the Sisterhood for vital services and reliable communications, but old factions persisted-CHOAM, Spacing Guild, Tleilaxu, remnant pockets of the Divided God's priesthood, even Fish Speaker auxiliaries and schismatic assemblages. The Divided God had bequeathed humankind a divided empire-all of whose factions were suddenly moot because of rampaging Honored Matre assaults from the Scattering. The Bene Gesserit-holding to most of their old forms-were the natural prime target for attack. Bellonda's thoughts never strayed far from this Honored Matre threat. It was a weakness Odrade recognized. Sometimes, Odrade hesitated on the point of replacing Bellonda, but even in the Bene Gesserit there were factions these days and no one could deny that Bell was a supreme organizer. Archives had never been more efficient than under her guidance. As she frequently did, Bellonda without even speaking the words managed to focus Mother Superior's attention on the hunters who stalked them with savage persistence. It spoiled the mood of quiet success Odrade had hoped to achieve this morning. She forced herself to think of the new ghola. Teg! If his original memories could be restored, the Sisterhood once more would have the finest Bashar ever to serve them. A Mentat Bashar! A military genius whose prowess already was the stuff of myths in the Old Empire. But would even Teg be of use against these women returned from the Scattering? By whatever gods may be, the Honored Matres must not find us! Not yet! Teg represented too many disturbing unknowns and possibilities. Mystery surrounded the period before his death in the destruction of Dune. He did something on Gammu to ignite the unbridled fury of the Honored Matres. His suicidal stand on Dune should not have been enough to bring this berserk response. There were rumors, bits and pieces from his days on Gammu before the Dune disaster. He could move too fast for the human eye to see! Had he done that? Another outcropping of wild abilities in Atreides genes? Mutation? Or just more of the Teg myth? The Sisterhood had to learn as soon as possible. An acolyte brought in three breakfasts and the sisters ate quickly, as though this interruption must be put behind them without delay because time wasted was dangerous. Even after the others had gone, Odrade was left with the aftershock of Bellonda's unspoken fears. And my fears. She arose and went to the wide window that looked across lower rooftops to part of the ring of orchards and pastures around Central. Late spring and already fruit beginning to form out there. Rebirth. A new Teg was born today! No feeling of elation accompanied the thought. Usually she found the view restorative but not this morning. What are my real strengths? What are my facts? The resources at a Mother Superior's command were formidable: profound loyalty in those who served her, a military arm under a Teg-trained Bashar (far away now with a large portion of their troops guarding the school planet, Lampadas), artisans and technicians, spies and agents throughout the Old Empire, countless workers who looked to the Sisterhood to protect them from Honored Matres, and all the Reverend Mothers with Other Memories reaching into the dawn of life. Odrade knew without false pride that she represented the peak of what was strongest in a Reverend Mother. If her personal memories did not provide needed information, she had others around her to fill the gaps. Machine-stored data as well, although she admitted to a native distrust of it. Odrade found herself tempted to go digging in those other lives she carried as secondary memory-these subterranean layers of awareness. Perhaps she could find brilliant solutions to their predicament in experiences of Others. Dangerous! You could lose yourself for hours, fascinated by the multiplicity of human variations. Better to leave Other Memories balanced in there, ready on demand or intruding out of necessity. Consciousness, that was the fulcrum and her grip on identity. Duncan Idaho's odd Mentat metaphor helped. Self-awareness: facing mirrors that pass through the universe, gathering new images on the way-endlessly reflexive. The infinite seen as finite, the analogue of consciousness carrying the sensed bits of infinity. She had never heard words come closer to her wordless awareness. "Specialized complexity," Idaho called it. "We gather, assemble, and reflect our systems of order." Indeed, it was the Bene Gesserit view that humans were life designed by evolution to create order. And how does that help us against these disorderly women who hunt us? What branch of evolution are they? Is evolution just another name for God? Her Sisters would sneer at such "bootless speculation." Still, there might be answers in Other Memory. Ahhhh, how seductive! How desperately she wanted to project her beleaguered self into past identities and feel what it had been to live then. The immediate peril of this enticement chilled her. She felt Other Memory crowding the edges of awareness. "It was like this!" "No! It was more like this!" How greedy they were. You had to pick and choose, discreetly animating the past. And was that not the purpose of consciousness, the very essence of being alive? Select from the past and match it against the present: Learn consequences. That was the Bene Gesserit view of history, ancient Santayana's words resonating in their lives: "Those who cannot remember the past are condemned to repeat it." The buildings of Central itself, this most powerful of all Bene Gesserit establishments, reflected that attitude wherever Odrade turned. Usiform, that was the commanding concept. Little about any Bene Gesserit working center was allowed to become non-functional, preserved out of nostalgia. The Sisterhood had no need for archeologists. Reverend Mothers embodied history. Slowly (much slower than usual) the view out her high window produced its calming effect. What her eyes reported, that was Bene Gesserit order. But Honored Matres could end that order in the next instant. The Sisterhood's situation was far worse than what they had suffered under the Tyrant. Many of the decisions she was forced to make now were odious. Her workroom was less agreeable because of actions taken here. Write off our Bene Gesserit Keep on Palma? That suggestion was in Bellonda's morning report waiting on the worktable. Odrade fixed an affirmative notation to it. "Yes." Write it off because Honored Matre attack is imminent and we cannot defend them or evacuate them. Eleven hundred Reverend Mothers and the Fates alone knew how many acolytes, postulants, and others dead or worse because of that one word. Not to mention all of the "Ordinary lives" existing in the Bene Gesserit shadow. The strain of such decisions produced a new kind of weariness in Odrade. Was it a weariness of the soul? Did such a thing as a soul exist? She felt deep fatigue where consciousness could not probe. Weary, weary, weary. Even Bellonda showed the strain and Bell feasted on violence. Tamalane alone appeared above it but that did not fool Odrade. Tam had entered the age of superior observation that lay ahead of all Sisters if they survived into it. Nothing mattered then except observations and judgments. Most of this was never uttered except in fleeting expressions on wrinkled features. Tamalane spoke few words these days, her comments so sparse as to be almost ludicrous: "Buy more no-ships." "Brief Sheeana." "Review Idaho records." "Ask Murbella." Sometimes, only grunts issued from her, as though words might betray her. And always the hunters roamed out there, sweeping space for any clue to the location of Chapterhouse. In her most private thoughts, Odrade saw the no-ships of Honored Matres as corsairs on those infinite seas between the stars. They flew no black flags with skull and crossbones, but that flag was there nonetheless. Nothing whatsoever romantic about them. Kill and pillage! Amass your wealth in the blood of others. Drain that energy and build your killer no-ships on ways lubricated with blood. And they did not see they would drown in red lubricant if they kept on this course. There must be furious people out there in that human Scattering where Honored Matres originated, people who live out their lives with a single fixed idea: Get them! It was a dangerous universe where such ideas were allowed to float around freely. Good civilizations took care that such ideas did not gain energy, did not even get a chance for birth. When they did occur, by chance or accident, they were to be diverted quickly because they tended to gather mass. Odrade was astonished that the Honored Matres did not see this or, seeing it, ignored it. "Full-blown hysterics," Tamalane called them. "Xenophobia," Bellonda disagreed, always correcting, as though control of Archives gave her a better hold on reality. Both were right, Odrade thought. The Honored Matres behaved hysterically. All outsiders were the enemy. The only people they appeared to trust were the men they sexually enslaved, and those only to a limited degree. Constantly testing, according to Murbella (our only captive Honored Matre), to see if their hold was firm. "Sometimes out of mere pique they may eliminate someone just as an example to others." Murbella's words and they forced the question: Are they making an example of us? "See! This is what happens to those who dare oppose us!" Murbella had said, "You've aroused them. Once aroused, they will not desist until they have destroyed you." Get the outsiders! Singularly direct. A weakness in them if we play it right, Odrade thought. Xenophobia carried to a ridiculous extreme? Quite possibly. Odrade pounded a fist on her worktable, aware that the action would be seen and recorded by Sisters who kept constant watch on Mother Superior's behavior. She spoke aloud then for the omnipresent comeyes and watchdog Sisters behind them. "We will not sit and wait in defensive enclaves! We've become as fat as Bellonda (and let her fret over that!) thinking we've created an untouchable society and enduring structures." Odrade swept her gaze around the familiar room. "This place is one of our weaknesses!" She took her seat behind the worktable thinking (of all things!) about architecture and community planning. Well, that was a Mother Superior's right! Sisterhood communities seldom grew at random. Even when they took over existing structures (as they had with the old Harkonnen Keep on Gammu) they did so with rebuilding plans. They wanted pneumotubes to shunt small packages and messages. Lightlines and hardray projectors to transmit encrypted words. They considered themselves masters at safeguarding communications. Acolyte and Reverend Mother couriers (committed to self-destruction rather than betray their superiors) carried the more important messages. She could visualize it out there beyond her window and beyond this planet-her web, superbly organized and manned, each Bene Gesserit an extension of the others. Where Sisterhood survival was concerned, there was an untouchable core of loyalty. Backsliders there might be, some spectacular (as the Lady Jessica, grandmother of the Tyrant), but they slid only so far. Most upsets were temporary. And all of that was a Bene Gesserit pattern. A weakness. Odrade admitted a deep agreement with Bellonda's fears. But I'll be damned if I allow such things to depress all joy of living! That would be giving in to the very thing those rampaging Honored Matres wanted. "It's our strengths the hunters want," Odrade said, looking up at the ceiling comeyes. Like ancient savages eating the hearts of enemies. Well...we will give them something to eat all right! And they will not know until too late that they cannot digest it! Except for preliminary teachings tailored to acolytes and postulants, the Sisterhood did not go in much for admonitory sayings, but Odrade had her own private watchwords: "Someone has to do the plowing." She smiled to herself as she bent to her work much refreshed. This room, this Sisterhood, these were her garden and there were weeds to be removed, seeds to plant. And fertilizer. Mustn't forget the fertilizer. When I set out to lead humanity along my Golden Path I promised a lesson their bones would remember. I know a profound pattern humans deny with words even while their actions affirm it. They say they seek security and quiet, conditions they call peace. Even as they speak, they create seeds of turmoil and violence. -Leto II, the God Emperor So she calls me Spider Queen! Great Honored Matre leaned back in a heavy chair set high on a dais. Her withered breast shook with silent chuckles. She knows what will happen when I get her in my web! Suck her dry, that's what I'll do. Read more

Features & Highlights

  • Frank Herbert's Final Novel in the Magnificent Dune Chronicles—the Bestselling Science Fiction Adventure of All Time
  • The desert planet Arrakis, called Dune, has been destroyed. The remnants of the Old Empire have been consumed by the violent matriarchal cult known as the Honored Matres. Only one faction remains a viable threat to their total conquest—the Bene Gesserit, heirs to Dune’s power.Under the leadership of Mother Superior Darwi Odrade, the Bene Gesserit have colonized a green world on the planet Chapterhouse and are turning it into a desert, mile by scorched mile. And once they’ve mastered breeding sandworms, the Sisterhood will control the production of the greatest commodity in the known galaxy—the spice melange. But their true weapon remains a man who has lived countless lifetimes—a man who served under the God Emperor Paul Muad’Dib....

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Most Helpful Reviews

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A brilliant ending to the whole series

This book basically carries on from where Heretics Of Dune hardly stopped. But now the Honoured Matres, instead of simply holding a slight distaste for the Bene Gesserit, are head-hunting, searching out the original sisterhood's home planet: Chapter House Planet.
Already the Honoured Matres have laid bloody waste to dozens of Bene Gesserit planets, and the new Mother Superior (an Atreides with wild talent) can sense that the hunters are getting closer. So she hatches a radical plan that puts the entire sisterhood at risk, in the hope of finally punishing the Honoured Matres.
And brilliant it all is too. This is easily my second-favourite from the whole series (after Dune). After an initially slow lead up (one of Herbert's defining features, it seems) we get violently thrown into action, watching in breathless silence as the final conflict hits us.
As is always the way, you'll never know what is going to happen, never know who next will feel the chill of death, and you'll wow at one shock after another.
Suddenly, and quite unexpectedly, this last book suddenly made me stop seing the Dune series as a set of six books. The second-to-last chapter oh-so suddenly made me see the whole series as one story, made me see the pattern, told a story beyond the ending of Chapterhouse Dune. And I enjoyed it all very much.
As for the last chapter. Well. I've still no idea what to make of it. It's such an intriguing and unexpected last two pages. If anyone knows what it's about, what the hidden message is, I'd love to know.
It's worth reading the whole series just to get to this book. Read it all. The rewards for a sci-fi fan are better experienced than listened to. Go find out. Now. You'll never find a better series of books.
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Chapterhouse: Dune -- The Sorcerer of Dune

[Nota Bene: As Frank Herbert's last two published novels in the Dune series, Heretics of Dune and Chapterhouse: Dune, along with the unwritten Dune 7, in fact comprise a single story that happened to be divided into three parts, I'll post the same review for both of the two published volumes. This review contains no spoilers.]

During the first half of his literary career, Frank Herbert focused most on coming to terms with what it meant to be conscious. The evolution of his thinking on the subject can be traced from real-world events which happened to him in his youth, through his earliest published science fiction stories, crude as they were, and on into novels like The Dragon in the Sea and the stories that would coalesce into The Godmakers, and certainly The Santaroga Barrier and Destination: Void. This line of thinking reached its fruition in the novels Dune and Dune Messiah.

Having expanded his understanding of the full spectrum of consciousness about as far as it could go (although admittedly he never stopped tinkering with the subject), in the second half of his career Herbert refocused his attention on how the limitations imposed upon individual consciousness - or perhaps it might be better to say the limited perspective encompassing a single human lifetime - leaves humanity ill-equipped to confront an infinite and ever-changing universe. In effect we end up in a continuous crisis mode, always vainly insisting that the world of tomorrow conform to the expectations of yesterday. We're persistently and comically always shocked to discover our assumptions are wrong. Elsewhere I have described this aspect of Herbert's thinking, the human failure to deal with, or even to recognize, the implications of an unbounded universe, as an absolute-infinity breach. This theme begins to emerge in Children of Dune and is especially prominent in God Emperor of Dune, for a final surmounting of the absolute-infinity breach is the primary target of Leto II's Golden Path. But we also encounter the concern in Herbert's final trilogy: Heretics of Dune, Chapterhouse: Dune, and (by implication) in the unwritten Dune 7.

It is a hallmark of Herbert's imagination that he pursues an ever-elaborating expanse of concerns, always tracing a spectral pathway across a continuum of broadening bandwidth, chasing after considerations of widening implications across grander and grander scales of magnitude. An original interest in a fleeting moment of hyperconsciousness ultimately led Herbert into defining consciousness, hyperconsciousness and subconsciousness in all their aspects and dramatizing what he had learned and concluded in his stories; likewise his contemplations of the diverse implications of the absolute-infinity breach. And it might be added that he pushed his spectral analytical approach through time as well, so the Dune saga becomes probably the most temporally discontinuous series ever written. The first three novels take place roughly around the year 21,200 AD. The drama of God Emperor of Dune unfolds 3,500 years later, and that of the last three books (Heretics of Dune and Chapterhouse: Dune are difficult novels, and attempting to distinguish them as separate novels, or independent from the unwritten Dune 7, is an artificial and arbitrary exercise) takes place an additional 1,500 years after that, placing us circa 26,200 AD.

As the primary goal of Children of Dune and God Emperor of Dune was to shatter the innate mythmaking in humanity that compels us to conservative convergence, these last three books are intended to unveil the consequences of living in a multiverse that has become irreparably divergent. This divergence followed in the wake of the downfall of the God Emperor and the subsequent Scattering of humanity not throughout multiple star systems or galaxies, but across multiple universes which are discontinuous with one another. Any threat can now come upon our heroes and heroines from any direction, but with all the eggs no longer in one basket, no matter what catastrophe might befall locally, the whole story can never come to a final end.

In Heretics of Dune (1984) and Chapterhouse: Dune (1985), the Bene Gesserit has recovered substantially from the tribulation of the era of the God Emperor, and now we're allowed a far more intensive view of the inner workings of the Sisterhood than ever before. But the Bene Gesserit and the remnants of the old Imperium, as ever, are confronted by a host of power-hungry enemies, new and old, in the usual style of Herbert's Machiavellian plotting. It is these plots-within-plots that seemingly all other reviewers have focused on, and I'll forego doing the same here.

Herbert said it wasn't until he was writing Children of Dune that he came to understand that an important role of an author was to entertain his readership. That will come as surprising news to some of you who like Herbert, and not to some of you who don't. But it's important to note that the word "entertainment" carries different connotations for readers than it does for hacks or more seriously-aspiring authors. Entertainment is something that is doled out to the action-adventure-thriller crowd, to those who love reading or going to the movies in no small part for the sheer escapism of the thing. Now I'm not overly bigoted about this. There's nothing more boring than a book that's, well, boring. But I think what Herbert was getting at was that as he matured as a writer he came to see, as many writers do, that plot per se is less interesting than character, no matter how many car chases or lasgun exchanges are involved.

I for one can't separate a reading of the last books of the Dune series from knowledge of what was going on in Herbert's life as he wrote them, which he did, by that way, at an absolutely furious pace. This happened to be during the most stressful part of his entire life. His wife, Beverly, had been dying for ten years, and the last two years of her life were especially painful for her and for her husband, both physically and emotionally. I believe that, had he lived, Frank Herbert would have easily written the Dune 7 novel to complete the series. I am less sanguine that he could ever have written another coherent novel after that one.

By the time God Emperor of Dune was published in 1981, and with the signed contracts for the later Dune novels in hand, Herbert was financially secure but, as I've suggested, he was suffering from increasing emotional instability. Furthermore, I can't help believing he was struck by a supreme irony, which is that, like Paul Maud'Dib, he now found himself hemmed in by the conservative mythology of his own image which he himself had created. To this day you can still see this in reviews of his later books, wherein readers who were born after Herbert's death still bemoan the fact that his later books are not like Dune in style. Everyone wanted, and continues to want, Frank Herbert to write books that seem like quote-unquote Frank Herbert books: everyone wanted, and wants, Herbert to remain frozen unchanging in 1965. But in his later years Herbert, with his financial security, felt free to try to break out of that myth regardless of the demands and expectations of his fans, and for this I applaud him. I'm sure he did have basic plot elements in mind for the last three books of the series - call this the "entertainment" necessary to bring the masses along - but it's quite obvious that he had already grown more interested in character development than in weaving such masterful webs of palace intrigue anymore.

Herbert wanted to change course, but he had not yet found a new direction. I see hints of this in Children of Dune, in which Duncan Idaho tells Alia about the practice of setting out blocks of marble in the desert to be etched by the blowing sand of a Coriolis storm. Idaho argues that the sculpted pieces produced are beautiful but they are not art, as they are not carved according to human volition. But in the latter books it is Sheeana who creates an abstract sculpture she calls "The Void," which is art. How might these two kinds of sculpture compare? What is the symbolic significance of Sheeana's abstract work? The question is particularly relevant, it seems to me, when Sheeana's piece is recognized as a symbol set in tension with a Van Gogh which, at the end of Chapterhouse: Dune is carted off into a new, uncharted universe. Clearly, I think, the matter can be read as a form of self-psychoanalysis undertaken by the author. "The Void" is the primitive and unformed new expression welling up inside him; the old and familiar, even conventional Van Gogh has been let slip away with a fond farewell.

A kind of quantum uncertainty pervades Heretics of Dune and Chapterhouse: Dune which are, after all, a single story occupying multiple volumes. We do not have enough pieces to interpret this story, which must therefore remain finally unadjudicated and unjudgeable. This is because the unwritten Dune 7 was also to have comprised a full third of the complete tale. We can see that Herbert was bending writing to a new direction, and we can hazard some educated guesses about (entertaining) plot elements that would have informed the third book, but we can never know. The best we can do is ponder any written records or notes that Herbert may have left behind as poles in the sand to mark the path he intended to follow. Anyone who possesses any such notes, it seems to me, can be a good steward to the memory of Frank Herbert only by publishing them in unexpurgated form: lacking that, Herbert's career accomplishments can never be properly assessed. And that is an injustice to an important 20th century American writer.

Bob R Bogle
Author of Frank Herbert: The Works
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waiting vainly for the sequel...

I read the first of Dune series 14 years ago, and had no conception of the breathtaking distances that the author would take towards the "last" book of the Dune Chronicles. While it is conceivable that someone with sufficient patience can read Chapterhouse Dune and fully appreciate it with no other Dune Chronicles exposure, it would seem criminal to recommend this book to someone without ensuring they had read the first five beforehand. Or, for something of a treat, read Chapterhouse, and then jump to the first five as "prequels"! I recently did something similar when I read the second and third Dune Chronicle books for the first times in 14 years, having reread the last two books in the last few months: quite an enthralling effect! The hardest part of reading this book was coming to the ending, and feeling selfishly deprived regarding the prospect of finding out What Will Happen Next as a result of the author's death, which in turn came shortly after the death of his wife following a long fight with cancer. Herbert created an astonishing world of breathtakingly evolved characters and contexts to appreciate them in. I have reread this book and others of the series numerous times. As is the case for meeting interesting characters in real life, it is poignant getting to know these characters only to lose the ability to anticipate being in touch with them later on, to find out how they're doing... The formidable detail and richness of perspectives is such that while reading it I was at times fearful of discovering a gimmick or a cliche to undo the trance worked by the book. This never happened. The publishing of the Dune Prequels is quite exciting in itself, and I hope that somewhere in the late elder Herbert's notes, are some detailed indications of SEQUELS, future Atreides audacities, Bene Gesserit contemplations and plotting, and passionately drawn characters to fall in love with and be fascinated by all over again.
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Wow, where did he go?

I loved Dune. I enjoyed Dune Messiah and Children of Dune. My brain was stretched by God Emperor of Dune (perversely my favourite in the series). Heretics of Dune was exciting and promised good things for the final chapter.
Then I read Chapterhouse: Dune.
I once read a review which stated "This is not a book to be set aside lightly. It should be thrown, with emphatic force." Now I understand.
I slogged through the slowest of the slow (and let's face it, the Dune books are meditative at the best of times), most plodding book I have ever read, hoping that maybe something on the next page would redeem it. People that I came to care about in previous installments just stopped mattering to me. By the end I was reading just so I could say I'd read the whole series.
And let's face it, we can tell that Herbert was ramping up for another couple books with this one, can't we. So many things left hanging, knots untied, events unexplained.
I'll probably read the series again, but I'll stop with Heretics. Colour me unimpressed.
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Frank Herbert did not write Chapter House: Dune!

I love Frank Hebert's real novels, but don't think you are getting the final chapter of his otherwise impeccable Dune series in reading this awful book! It's so obvious to me that it has been written by a completely different author who shared none of the novel crafting skills of Frank Herbert nor his vision of where Dune as a series was supposed to end up. The style of writing is completely different - obnoxiously amature. There is no strong central plot, let alone Frank's usual flair for multilayers. The parade of minor and forgettable characters dialogue in manic, circular and pointless ways for most of the book, before anything really happens.

Since frank's son, Brian Herbert wrote a follow-on book which he freely admitted was developed from Frank's notes, I look no further for the obvious explanation - Brian wrote this one too, while his father was sick and dying and inaccessible to lend any help to the process. Yes, there was probably an outline already, but it's very clear to me that the real author did not share Frank's understanding or even appreciation of the subject. Brian should have been more honest about it, but then money was at stake, and that seems to be the major motivation of the real author of Chapterhouse Dune. And when does Frank ever leave you hanging at the end? It was a setup to sell Brian's follow-on novel plain and simple.

It's amazing how many Dune enthusiasts miss the obvious and gush about this monstrosity! Don't bother is my advice. There are no answers in it to the burning questions Frank left us with from his previous Dune books.
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A brilliant end that reminds us of the beginning

To this reader, Chapterhouse: Dune, is as essential as the the first book itself. By this time in the series we readers are demanding answers to some of the most intriguing mysteries ever woven into the fabric of space of time within a science fiction universe. And this book absolutely delivers those answers with astonishing impact. Through a writing style that itself is fluid and seamless the reader materializes firmly in the mesmerizing Dune universe. The wrap up to the series, Chapterhouse does something few series ever achieve: it ends things brilliantly.
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Excellent...but many questions left unanswered....?Sequel

Comparatively speaking, I would rank this book very close to the first
Dune novel in the series. It has a huge (and I do mean HUGE) build up
from the beginning of the novel until about fifty pages from the end
when Herbert dumps the proverbial soup into our laps. But there are
many questions left unanswered at the end (not that all questions
SHOULD be answered but I felt that a sequel was sure to come had Frank
Herbert not passed away before he could finish the series). I've
heard that Brian Herbert, Frank's son, discovered a seventh Dune
manuscript in a safety deposit box after his father died. If this is
true, I can't wait to see it in print. If it's not true, then we may
never know what the 'master' had in mind.
But enough of
that...onto the book itself!
The story is that of the Bene Geserit
sisterhood and their war against the wicked 'Honored Matres' who've
returned from the scattering and has threatened to wipe out all of the
BG sisterhood. Meanwhile, the BG's are turning Chapterhouse --- their
last sisterhood stronghold planet --- into a desert planet and
bringing back the worms of Dune to this planet in hopes of starting a
new cycle of sandtrout/worm/spice/sandtrout, again. Strong in this
story is that of Duncan Idaho and Murbella, the captured Honored Matre
from the fifth Dune book. They are [multiplying] like rabbits still in
their no-ship prison and the BG sisterhood takes away the babies
hoping to find genetic markers that they haven't seen before
(continuing on in their quest for a perfect human). Also at the
forefront is that of Odrade, the Mother Superior of the BG, who sees
where their paths with the Honored Matres must lead. It is a giant
melting pot that began with Leto II's rule (the God Emperor or the
Tyrant if you prefer). The BG and the Honored Matres must become one
sisterhood for them both to survive. Odrade sees this and passes her
sisterhoods internal lifetimes on to Murbella after completing her
training and watching her go through the spice agony.
In the end,
the melting pot is achieved thanks to Odrade's manipulations and
Murbella's Honored Matre's training. But there's a lot left out to
indicate that more would have been forthcoming had Herbert not died.
Duncan, Sheeana, Scytale, the Rabbi, and a wild-reverend mother,
escape in the no-ship and head off into the unknown; even they don't
know exactly where they end up. And, it appears, the gods don't know
why this was done or where they will end up.
Questions: Who was
chasing the Honored Matre's? Who were the handlers of the Futars and
where did Futars originate from? Will Chapterhouse become another
Dune world? Did Duncan and his runaway band in the no-ship take a
worm? If so, what will they do with it? What will happen to the
Guild now that Chapterhouse is turning into a Dune world?
Many
questions...will there be answers. We'll just have to wait and see, I
guess.
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Don't even buy this for 10 cents at a garage sale

This book is thin, watery, crap! The original "Dune" was a multi-layered fabric; wholly engrossing, compelling enough to spawn ever-less-interesting sequels, but clearly, Hebert had run dry by this book.

Don't be fooled by the "Bestseller!" status. It's not "flawed", it sucks.

Reverend Mother Odrade wanders around the titular "Chapterhouse" planet, fretting, musing, wondering, and talking to an incredibly boring assortment of inner ancestors, going on and on about gardening and the love-hate relationship the Bene Gesserit have with bureaucracy, all for hundreds upon hundreds of pages.

You'll find yourself rooting for the bad guys to wipe them all out!

Despite the waste of forests of pages, she never actually tells us what her great big mighty important plan is. But don't worry; it's blaringly obvious from page twenty on. In fact, sit down at your local bookstore, read the first chapter and the last two, and save yourself a colossal waste of time.

Oh, and we forgot to tell you, there are Jews in the future! Why? No good reason, adds absolutely nothing to the book at all, but if they ever make a movie, they can cast Judd Hirsch if he does the stereotypically Jewish father from "Independence Day" (but only if he cranks the stereotype up even further).

I'm embarrassed for Herbert.
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Fiction truer than truth.

Truth may indeed be stranger than fiction, as the old saying would have it, but fiction has the last laugh: it's truer than truth. This book proves it.
First, though, a warning. Don't read this book if you don't like seeing what makes things tick. Remember in The Wizard of Oz when our heroes discover that the Wizard is a sham? That his effects are all put-ons? Remember how the next time you saw the movie the effects were still scary? Even though you knew now what was really going on? The moral is: knowing how powerful effects are achieved is not the death of their power. Knowing that the Dune Series was created within the imaginations of an otherwise-unremarkable couple in northwestern Washington State does NOT reduce the power of the books. If anything it enhances it. And THAT is, believe it or not, what this book is about. That's why there can never be another sequel-- why Herbert's son has produced only prequels-- why so many of my fellow reviewers have been bewildered by the ending of this, the sixth and forever-last book of the series. Herbert is saying-- "Look, these were all puppets. Here are the strings. See? Nothing here was ever real-- the effects were created in my, and now YOUR, the reader's, imagination." And yet, of course, you as the reader, and he as the author, both know that it can never be that simple. Like the title character in Stravinsky's Petrouchka, the sawdust-filled puppet can move us by its 'death' as much as by its antics.
And yet, while it's the perfect ending to a wonderful series, that very message is the weak point of this book as an independent book-- the plot can have no consistent resolution of its own, in order that the series as a whole CAN have one. Which is why I can give it only four stars. If I rated the series as a whole, I'd of course award the full five. But the more powerful ending that would have fulfilled the plot of this book AND the whole series TOO was not provided, so that we could be given the truer ending that brings the series to an even more emotionally resonant close. Within itself, with no reference to the previous five books, this one ends in disappointment, but the Dune series as a whole ends masterfully, as only a true puppet-master could end it. The Dune series considered as a whole is certainly the most remarkable achievement in the history of science fiction. It heads my 'top six science fiction works of all time' picks.
Goodbye, Frank. May you rest in something even greater than peace. May you go to a place that may be truer and possibly even more interesting than this one. May you go to Dune!
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Barely got through it.

Boy, what a disappointment. The previous book promised some action, and it didn't happen till 3 chapters to the end and even then in was ho-hum. A lot of questions left unanswered and as a whole very unsatisfying.
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