Description
With the very first sentence of the first story in this remarkable collection, Annie Proulx demonstrates what makes her great: images sharp as paper cuts conveyed in language so imaginative and compressed it's just this side of poetry; a sense of character so specific it takes only a sentence to establish a whole life; and the underlying promise of something utterly unexpected waiting just up ahead. In the long unfurling of his life, from tight-wound kid hustler in a wool suit riding the train out of Cheyenne to geriatric limper in this spooled-out year, Mero had kicked down thoughts of the place where he began, a so-called ranch on strange ground at the south hinge of the Big Horns. "The Half-Skinned Steer" chronicles elderly Mero Corn's journey back to Wyoming for his brother's funeral. As he drives west, details of his eventful trip are interspersed with recollections of his youth on the ranch--most notably a tall tale he heard told long ago about a sad-sack rancher named Tin Head and a butchered steer. This is vintage Proulx, a combination of isolated landscapes, macabre events, and damaged people that adds up, in the end, to a near-perfect story. It's no surprise that "The Half-Skinned Steer" made it into John Updike's Best American Short Stories of the Century . Proulx achieves similar results with many of the other stories in Close Range , including another prizewinner, "Brokeback Mountain," the bittersweet story of doomed love between two cowboys who "can't hardly be decent together," yet know "if we do that in the wrong place we'll be dead." But Proulx is careful to add some leavening to the mix. In "The Blood Bay" she indulges her taste for the gruesome with a morbidly amusing retelling of an Old West shaggy-dog story, while "Pair a Spurs" is the sad-funny rendering of divorce, Wyoming style. The author is a true original in every sense of the word, and her evocation of the West is as singular and surprising as that of Cormac McCarthy or Ivan Doig. Close Range is Proulx at her best. --Alix Wilber From Library Journal This marvelous collection proves that Proulx's Pulitzer Prize for The Shipping News was no one-shot deal. Set in Wyoming, the 11 stories "feature down-on-their-luck ranchers, cowboys, and working men who watch helplessly as the modern world leaves them behind." (LJ 5/1/99) Copyright 2000 Reed Business Information, Inc. From Kirkus Reviews A vigorous second collection from Proulx (after Heart Songs and Other Stories, 1988): eleven nicely varied stories set in the roughhewn wasteland that one narrator calls a 97,000-square-miles dog's breakfast of outside exploiters, Republican ranchers and scenery.'' The characters here are windburned, fatalistic westerners stuck in the harsh lives they've made for themselves in this bitter demi-paradise. They include: hardworking, luckless ranchers (in the painfully concise ``Job History,'' and the sprawling ``Pair a Spurs,'' the latter a wry tale of divorce, sexual urgency, and sheer cussedness that bears fleeting resemblances to Proulx's Accordion Crimes); aging hellion Josanna Skiles (of ``A Lonely Coast'') and the lover who can neither tame her nor submit to her; a sagebrush Bluebeard and his inquisitive wife (in the amusingly fragmentary ``55 Miles to the Gas Pump''); and an itinerant rodeo cowboy (in ``The Mud Below'') whose vagrant spirit stubbornly kicks against memories of his disastrous childhood. Two stories are, effectively, miniature novels: ``People in Hell Just Want a Drink of Water,'' about memorably dysfunctional feuding families; and ``The Bunchgrass Edge of the World,'' which begins as a collection of random eccentricities, then coheres into a grimly funny parody of the family saga. ``The Blood Bay'' retells a familiar western folktale, adding just a whiff of Chaucer's ``Pardoner's Tale.'' And two prizewinning pieces brilliantly display Proulx's trademark whipsaw wit and raw, lusty language. ``The Half-Skinned Steer'' wrests a rich portrayal of the experience of unbelonging from the account of an old man's journey westward, for his brother's funeral, back to the embattled home he'd spent decades escaping. And the powerful ``Brokeback Mountain'' explores with plangent understated compassion the lifelong sexual love between two cowboys destined for separation, and the harsh truth that ``if you can't fix it you've got to stand it.'' Gritty, authoritative stories of loving, losing, and bearing the consequences. Nobody else writes like this, and Proulx has never written better. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. "Outside" magazine A major achievement in American fiction -- a gorgeous, deeply affecting adventure in stylistic plenitude, prose clarity, and hearts laid bare."People" As she rips away our romantic notions of the West, Proulx asks how capable any of us are of outrunning our origins. Her fatalistic answer, in these stories, adds up to some breathtaking reading."The Boston Globe" Few writers feel equally at home in the novel and the short story...[these stories] are tough as flint and on occasion breathtaking; together they stand with Proulx's best work."The New York Times" Powerful...Read [the stories] for their absolute authenticity and their language, a wry poetry of loneliness and pain.Anna Mundow "New York Daily News Close Range" is not one long dirge simply played in eleven different keys. Each story presents a subtle change of mood and each character inhabits a particular world, a world that Proulx constructs with graceful, devastating sentences.Carolyn See "The Washington Post Book World" It's the prose, as much as the inventiveness of the stories here, that shines and shines. Every single sentence surprises and delights and just bowls you over.Jill Vejnoska "Atlanta Journal-Constitution" Annie Proulx isn't easy. Little she writes about smacks of the familiar. Where so many successful authors strive to create worlds that are instantly, even comfortably, recognizable to readers, Proulx goes where few others would. It isn't easy, but "Close Range" is definitely worth it.Michael Knight "The Wall Street Journal" Ms. Proulx writes with all the brutal beauty of one of her Wyoming snowstorms.Michael Upchurch "The Seattle Times Book Review" Her characters -- stoical, hardheaded, yet willing to be ravaged by the closest available passion whenever the chance presents itself -- crackle and cavort on the page. Served up a full array of life's wayward ecstasies and gut-twisting losses, they resign themselves, in true Proulx fashion, to the damage that loss and ecstasy do....Amen to that, and amen to this book.Richard Eder "The New York Times Book Review" Geography, splendid and terrible, is a tutelary deity to the characters in "Close Range." Their lives are futile uphill struggles conducted as a downhill, out-of-control tearaway. Proulx writes of them in a prose that is violent and impacted and mastered just at the point where, having gone all the way to the edge, it is about to go over. Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below", a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer", an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. . . . These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes -- confrontation of tough problems, prejudice, persistence in the face of difficulty -- with the more benign values of the new west. In a unique collaboration that revives the tradition of the Scribner illustrated classics, Proulx has worked with the artist William Matthews, whose six watercolors create an eloquent visual dialogue. Stories in Close Range have appeared in The New Yorker, The Atlantic Monthly, Harper's, and GQ. They have been selected for the O. Henry Stories 1998 and The Best American Short Stories of the Century and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft. Annie Proulx is the author of eight books, including the novel The Shipping News and the story collection Close Range . Her many honors include a Pulitzer Prize, a National Book Award, the Irish Times International Fiction Prize, and a PEN/Faulkner award. Her story “Brokeback Mountain,” which originally appeared in The New Yorker , was made into an Academy Award–winning film. Her most recent novel is Barkskins . She lives in Seattle. Read more
Features & Highlights
- From the Pulitzer Prize–winning and bestselling author of
- The Shipping News
- and
- Accordion Crimes
- comes one of the most celebrated short story collections of our time.
- Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the difficult affair between two cowboys survives everything but the world's violent intolerance. These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes—confrontation of tough problems, prejudice, persistence in the face of difficulty—with the more benign values of the new west. Stories in
- Close Range
- have appeared in
- The New Yorker, The Atlantic Monthly, Harper's,
- and
- GQ.
- They have been selected for the
- O. Henry Stories 1998
- and
- The Best American Short Stories of the Century
- and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft.
