Coming Out
Coming Out book cover

Coming Out

Hardcover – Box set, June 27, 2006

Price
$7.61
Format
Hardcover
Pages
208
Publisher
Delacorte Press
Publication Date
ISBN-13
978-0385338325
Dimensions
6.25 x 1 x 8.75 inches
Weight
12.8 ounces

Description

From Publishers Weekly In her 67th novel (following May's The House ) bestselling author Steel (more than 530 million copies sold) fashions a plot around a single event: an invitation to a debutante ball in New York City. Attorney Olympia Crawford Rubinstein manages to juggle a challenging full-time job; a loving relationship with her second husband, Harry (an appeals court judge who is her former law professor); the care of their five-year-old son, Max, and her three older children from a previous marriage. Olympia's first husband, Chauncey, is a stereotypical, upper-class snob, with no job but a passion for playing polo. Harry, son of Holocaust survivors, champions liberal causes. When Olympia's teenage twin daughters, Veronica and Virginia, are invited to an exclusive "coming out" ball, everyone's lives are thrown into turmoil. Most of the book revolves around the arguments and disagreements spurred by the invitation, and Steel appears overly didactic as she tries to pump life into the simplistic setup: Olympia's Jewish mother-in-law, Afro-American law partner and gay older son are trotted out like polo ponies at auction. Steel's métier is glamour and romance; her attempt to deal with social injustice falls flat. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist In her sixty-seventh novel, Steel sticks to what she knows best, the lifestyles of the rich and glamorous. Here "coming out" refers to an exclusive debutante ball in New York, to which the twin daughters of attorney Olympia Crawford Rubinstein have been invited. Olympia, a blue-blooded spawn of New York's upper class, has three children from a previous marriage and a five-year-old son with her current husband, Harry. To Olympia's surprise, the invitation has caused turmoil and chaos in her household. Ex-husband Chauncey, a stereotypical polo-playing upper-class lout, is demanding that the girls attend the ball and has threatened to withhold college tuition if both girls do not attend. Olympia's current husband Harry, the son of Holocaust survivors, and a hard-working man with liberal tendencies, is violently opposed to the event, which he finds racist and elitist. In addition, the twins have their own ideas, with Veronica, a passionate liberal, refusing to attend, and Virginia already shopping for a dress. Olympia, who fondly recalls her own debut, is upset by her husband's feelings but thinks he'll come around and gently encourages her daughters to attend. The entire plot of this fairly short novel is focused on the resolution of this family dilemma, and as usual, everything works out for the best in the end. Kathleen Hughes Copyright © American Library Association. All rights reserved Danielle Steel has been hailed as one of the world’s most popular authors, with over 570 million copies of her novels sold. Her many international bestsellers include Rogue, Honor Thyself, Amazing Grace, Bungalow 2, Sisters, H.R.H., and other highly acclaimed novels. She is also the author of His Bright Light, the story of her son Nick Traina’s life and death. Excerpt. © Reprinted by permission. All rights reserved. Chapter One Olympia Crawford Rubinstein was whizzing around her kitchen on a sunny May morning, in the brownstone she shared with her family on Jane Street in New York, near the old meat-packing district of the West Village. It had long since become a fashionable neighborhood of mostly modern apartment buildings with doormen, and old renovated brownstones. Olympia was fixing lunch for her five-year-old son, Max. The school bus was due to drop him off in a few minutes. He was in kindergarten at Dalton, and Friday was a half day for him. She always took Fridays off to spend them with him. Although Olympia had three older children from her first marriage, Max was Olympia and Harry's only child. Olympia and Harry had restored the house six years before, when she was pregnant with Max. Before that, they had lived in her Park Avenue apartment, which she had previously shared with her three children after her divorce. And then Harry joined them. She had met Harry Rubinstein a year after her divorce. And now, she and Harry had been married for thirteen years. They had waited eight years to have Max, and his parents and siblings adored him. He was a loving, funny, happy child. Olympia was a partner in a booming law practice, specializing in civil rights issues and class action lawsuits. Her favorite cases, and what she specialized in, were those that involved discrimination against or some form of abuse of children. She had made a name for herself in her field. She had gone to law school after her divorce, fifteen years before, and married Harry two years later. He had been one of her law professors at Columbia Law School, and was now a judge on the federal court of appeals. He had recently been considered for a seat on the Supreme Court. In the end, they hadn't appointed him, but he'd come close, and she and Harry both hoped that the next time a vacancy came up, he would get it. She and Harry shared all the same beliefs, values, and passions--even though they came from very different backgrounds. He came from an Orthodox Jewish home, and both his parents had been Holocaust survivors as children. His mother had gone to Dachau from Munich at ten, and lost her entire family. His father had been one of the few survivors of Auschwitz, and they met in Israel later. They had married as teenagers, moved to London, and from there to the States. Both had lost their entire families, and their only son had become the focus of all their energies, dreams, and hopes. They had worked like slaves all their lives to give him an education, his father as a tailor and his mother as a seamstress, working in the sweatshops of the Lower East Side, and eventually on Seventh Avenue in what was later referred to as the garment district. His father had died just after Harry and Olympia married. Harry's greatest regret was that his father hadn't known Max. Harry's mother, Frieda, was a strong, intelligent, loving woman of seventy-six, who thought her son was a genius, and her grandson a prodigy. Olympia had converted from her staunch Episcopalian background to Judaism when she married Harry. They attended a Reform synagogue, and Olympia said the prayers for Shabbat every Friday night, and lit the candles, which never failed to touch Harry. There was no doubt in Harry's mind, or even his mother's, that Olympia was a fantastic woman, a great mother to all her children, a terrific attorney, and a wonderful wife. Like Olympia, Harry had been married before, but he had no other children. Olympia was turning forty-five in July, and Harry was fifty-three. They were well matched in all ways, though their backgrounds couldn't have been more different. Even physically, they were an interesting and complementary combination. Her hair was blond, her eyes were blue, he was dark, with dark brown eyes, she was tiny, he was a huge teddy bear of a man, with a quick smile and an easygoing disposition. Olympia was shy and serious, though prone to easy laughter, especially when it was provoked by Harry or her children. She was a remarkably dutiful and loving daughter-in-law to Harry's mother, Frieda. Olympia's background was entirely different from Harry's. The Crawfords were an illustrious and extremely social New York family, whose blue-blooded ancestors had intermarried with Astors and Vanderbilts for generations. Buildings and academic institutions were named after them, and theirs had been one of the largest "cottages" in Newport, Rhode Island, where they spent the summers. The family fortune had dwindled to next to nothing by the time her parents died when she was in college, and she had been forced to sell the "cottage" and surrounding estate to pay their debts and taxes. Her father had never really worked, and as one of her distant relatives had said after he died, "he had a small fortune, he had made it from a large one." By the time she cleaned up all their debts and sold their property, there was simply no money, just rivers of blue blood and aristocratic connections. She had just enough left to pay for her education, and put a small nest egg away, which later paid for law school. She married her college sweetheart, Chauncey Bedham Walker IV, six months after she graduated from Vassar, and he from Princeton. He had been charming, handsome, and fun-loving, the captain of the crew team, an expert horseman, played polo, and when they met, Olympia was understandably dazzled by him. Olympia was head over heels in love with him, and didn't give a damn about his family's enormous fortune. She was totally in love with Chauncey, enough so as not to notice that he drank too much, played constantly, had a roving eye, and spent far too much money. He went to work in his family's investment bank, and did anything he wanted, which eventually included going to work as seldom as possible, spending literally no time with her, and having random affairs with a multitude of women. By the time she knew what was happening, she and Chauncey had three children. Charlie came along two years after they were married, and his identical twin sisters, Virginia and Veronica, three years later. When she and Chauncey split up seven years after they married, Charlie was five, the twins two, and Olympia was twenty-nine years old. As soon as they separated, he quit his job at the bank, and went to live in Newport with his grandmother, the doyenne of Newport and Palm Beach society, and devoted himself to playing polo and chasing women. A year later Chauncey married Felicia Weatherton, who was the perfect mate for him. They built a house on his grandmother's estate, which he ultimately inherited, filled her stables with new horses, and had three daughters in four years. A year after Chauncey married Felicia, Olympia married Harry Rubinstein, which Chauncey found not only ridiculous but appalling. He was rendered speechless when their son, Charlie, told him his mother had converted to the Jewish faith. He had been equally shocked earlier when Olympia enrolled in law school, all of which proved to him, as Olympia had figured out long before, that despite the similarity of their ancestry, she and Chauncey had absolutely nothing in common, and never would. As she grew older, the ideas that had seemed normal to her in her youth appalled her. Almost all of Chauncey's values, or lack of them, were anathema to her. The fifteen years since their divorce had been years of erratic truce, and occasional minor warfare, usually over money. He supported their three children decently, though not generously. Despite what he had inherited from his family, Chauncey was stingy with his first family, and far more generous with his second wife and their children. To add insult to injury, he had forced Olympia to agree that she would never urge their children to become Jewish. It wasn't an issue anyway. She had no intention of doing so. Olympia's conversion was a private, personal decision between her and Harry. Chauncey was unabashedly anti-Semitic. Harry thought Olympia's first husband was pompous, arrogant, and useless. Other than the fact that he was her children's father and she had loved him when she married him, for the past fifteen years, Olympia found it impossible to defend him. Prejudice was Chauncey's middle name. There was absolutely nothing politically correct about him or Felicia, and Harry loathed him. They represented everything he detested, and he could never understand how Olympia had tolerated him for ten minutes, let alone seven years of marriage. People like Chauncey and Felicia, and the whole hierarchy of Newport society, and all it stood for, were a mystery to Harry. He wanted to know nothing about it, and Olympia's occasional explanations were wasted on him. Harry adored Olympia, her three children, and their son, Max. And in some ways, her daughter Veronica seemed more like Harry's daughter than Chauncey's. They shared all of the same extremely liberal, socially responsible ideas. Virginia, her twin, was much more of a throwback to their Newport ancestry, and was far more frivolous than her twin sister. Charlie, their older brother, was at Dartmouth, studying theology and threatening to become a minister. Max was a being unto himself, a wise old soul, who his grandmother swore was just like her own father, who had been a rabbi in Germany before being sent to Dachau, where he had helped as many people as he could before he was exterminated along with the rest of her family. The stories of Frieda's childhood and lost loved ones always made Olympia weep. Frieda Rubinstein had a number tattooed on the inside of her left wrist, which was a sobering reminder of the childhood the Nazis had stolen from her. Because of it, she had worn long sleeves all her life, and still did. Olympia frequently bought beautiful silk blouses and long-sleeved sweaters for her. There was a powerful bond of love and respect between the two women, which continued to deepen over the years. Olympia heard the mail being pushed ... Read more

Features & Highlights

  • Olympia Crawford Rubinstein has a busy legal career, a solid marriage, and a way of managing her thriving family with grace, humor, and boundless energy. With twin daughters finishing high school, a son at Dartmouth, and a kindergartner from her second marriage, there seems to be no challenge to which Olympia cannot rise. Until one sunny day in May, when she opens an invitation for her daughters to attend the most exclusive coming-out ball in New York–and chaos erupts all around her. One twin’s excitement is balanced by the other’s outrage; her previous husband’s profound snobbism is in sharp contrast to her current husband’s flat refusal to attend. For Olympia’s husband, Harry, whose parents survived the Holocaust, the idea of a blue-blood debutante ball is abhorrent. Her daughter Veronica, a natural-born rebel, agrees– while Veronica’s identical twin, Virginia, is already shopping for the perfect dress. Then there’s Olympia’s ex, an insufferable snob, who sees the ball as the perfect opportunity for a family feud. And amid all the hubbub, Olympia’s college-age son, Charlie, is facing a turning point in his life–and may need his mother more than ever. But despite it all, Olympia is determined to steer her family through the event until, just days before the cotillion, things begin to unravel with alarming speed. From a son’s crisis to a daughter’s heartbreak, from a case of the chicken pox to a political debate raging in her household, Olympia is on the verge of surrender. And that is when, in a series of startling choices and changes of heart, family, friends, and even a blue-haired teenager all find a way to turn a night of calamity into an evening of magic. As old wounds are healed, barriers are shattered and new traditions are born, and a debutante ball becomes a catalyst for change, revelation, acceptance, and love. In a novel that is by turns profound, poignant, moving, and warmly funny, Danielle Steel tells the story of an extraordinary family–finding new ways of letting go, stepping up, and coming out...in the ways that matter most.

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.5K)
★★★★
25%
(1.3K)
★★★
15%
(754)
★★
7%
(352)
23%
(1.2K)

Most Helpful Reviews

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Coming undone who have been a better title

I have been reading Danielle Steel book since the late 1980's, and it seem with each book, her writing get worst. Her early books were great, filled with romance, some far off place and over all great reads. In her latest book, Coming Out, Ms.Steel tells the story of a modern woman, who lets her daughters be present to society. This book had none of Ms.Steel's charm of earlier works. It like she wrote it for the pay check. If Ms. Steel wants to reclaim me as a fan, may she should go back and read some of earlier books any then maybe she will remember what made such a great writer.
14 people found this helpful
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Worst Danielle Steel Yet

I have been reading Danielle Steel since her first book was published and this is by far her worst one yet. Over the past few years her writing has deterioriated rapidly. It's almost as if she doesn't care anymore; she knows readers will buy her books no matter how poorly they're written.

The storyline for Coming Out is a dual one: A woman's twin teenaged daughters' invitations to a "coming out" ball (somewhat like a debutante presentation), and her son's "coming out" by announcing he is gay at the "coming out" ball. Along the way, one of the twins refuses to attend the ball, the other one loves the idea, her five year old son by her 2nd (and current) husband comes down with Chicken Pox, one of the twin daughters' long, white gloves for the ball are damaged, and her mother-in-law falls and breaks her ankle. Her husband is Jewish, her mother-in-law is a Holocaust survivor, her ex-husband is a gambler and alcoholic, his wife is a bimbo, and her oldest son is gay. I think she covered all the "politically correct" demographics. Even so, the characters are shallow, one dimensional and boring. The writing is simplistic, repetitive and amatuerish.

Steel used to write fascinating, wonderful to read books such as A Perfect Stranger, The Ring, Message from Nam, Wings, etc., but not lately.

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13 people found this helpful
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Writing 2 to 3 books per year equals poor quality reading

I just read this book, quite quickly in one afternoon. I think I've pretty much purchased and read every Danielle Steel book she's ever written as they used to be entertaining quick reads. I understand she has become an empire but must she also be a book writing factory. There is never much suprise as to how a DS book will end, the pleasure in reading them comes from the twist and turns, historical and geographical research she puts into her books. This book reads more like a short story as many of her other recent books. Definately not worth the hardcover price. Time to slow down and put out some quality work instead of quantity. This book was fluffy & dull.
8 people found this helpful
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Dumber for reading it

I have to say that if this was the first Danielle Steel book I had ever read, I would absolutely hate her writing. I just finished this book, and I feel just a little dumber for having read it.

I sat down to read a good romance novel by a good author and was just flat out disappointed. It was just plain boring. Stick to her old classics, and don't waste your money on this.
7 people found this helpful
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0 Stars if that was an option! Don't waste your time

Yet another VERY disappointing book by Danielle Steel. It's very short, that's the only good thing I can think of to say. The characters are so shallow. They don't even develop enough for you to like them. The storyline (if you can call it that) is so lame. Very predictable and repetitive (how many times do we hear the same argument with her daughters - over and over and over...). I could figure out the big secret of her son before I even got a third of the way through. If only she could write the way she did back when writing Message from Nam and that era. Those were good books. These newer ones (Impossible, etc.) shouldn't even be called books. What a waste of time! I keep reading her new stuff thinking she's bound to get better, but she never does, very disappointing.
7 people found this helpful
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Overpriced novelette

Longing for the Steel books of years back, I found this to be aluminum- thin and flimsy. Lets take a poorly written short story, spoiled rich - not rich in character, but wealthy- cast members and pretend the world comes to an end when a glove goes missing. I didn't like the main characters, I despised them for their decadence. In an attempt to use the setting of a debutant ball as a symbol of new emerging consciousness melding with tradition, Ms. Steel trips on her ball gown and falls flat. Save your money, you're sure to be able to get it a garage sale in a week from other disappointed readers.
6 people found this helpful
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VERY DISAPPOINTING!!

What the heck has happened to Danielle Steele?!?! This is absolutely one of the worst books I've ever read...and definitely the worst one by Ms. Steele. I actually found myself arguing out loud with how ridiculous the entire thing was.

First, the entire story could have been told in approximately 15 pages...there is so much repeating of the same ideas and thoughts, it's laughable!!!

The heroine is supposed to be a partner in a law firm, which would lead you to believe she's a pretty competent woman. However, dealing with chicken pox, lost gloves, etc., seems to send her right over the edge.

The characters are completely one-dimensional. And a lot of the book reads like a travelogue as the family vacations in Europe.

If I had actually paid money for this book (I got it from the library), I would have been furious.
5 people found this helpful
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Frivolous and superfluous novel

It is a diminutive novel that has an undeveloped plot line, unnatural dialogue, and extremely predictable characters. Olympia Crawford Rubenstein, a lawyer, is happily married a second time to Harry Rubenstein, a successful judge. Numerous times it is mentioned what a wonderful mother she is to her four children. Her former husband insists that their twin daughters Virginia and Veronica get introduced to society. Predictably one twin Ginny is looking forward to the event and her sister Veronica does not want anything to do with it. There is no storyline other than Olympia's pushing her girls to go the event. Save yourself the time and skip this one!
5 people found this helpful
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Boring!

This book was totally boring. I have enjoyed Danielle Steele in the past, but this one was not good at all. I just didn't care at all about the characters. It's a good thing that this is a short book, or I would have never finished it.
4 people found this helpful
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Waste of a book.....

I first became interested in Danielle Steel after reading 'Palomino' years ago. It was deep and developed and brought out much emotions. I read this book in 2 nights. It was very shallow, had no character depth and was extremely redundant! She kept repeating words and phrases on each page. I felt like I was reading a biography about a family. Danielle Steel basically just wrote about what each character was 'feeling' and their 'personalities' etc. There was hardly any interaction between characters. And I didn't appreciate her using the F*** word when it was not necessary. It is NEVER necessary to use cursing and swearing to make a book better. It just cheapens the book....and the author! She just really bombed on this one!
3 people found this helpful