Dance of the Jakaranda
Dance of the Jakaranda book cover

Dance of the Jakaranda

Kindle Edition

Price
$9.99
Publisher
Akashic Books
Publication Date

Description

"A multi-racial nation-building tale that begins during the construction of the railway from Mombasa to Nairobi. There are three men at its heart: two white, a British administrator known as 'Master' and an Anglican minister; one brown, an Indian technician who sires a male child, a birth that will reverberate down through the years."-- Toronto Star "Kimani's novel has an impressive breadth and scope. His illustration of the construction of the railway from Mombasa to the hinterland of Kenya in the early 20th century follows three men--a British colonial administrator, a Christian preacher, and an Indian--whose lives have intersected in unexpected ways."-- Los Angeles Review of Books , "Reclaiming Africa's Stolen Histories Through Fiction" "A fascinating part of Kenya's history, real and imagined, is revealed and reclaimed by one of its own."-- Minneapolis Star Tribune "Transporting the reader through history, the book leaps to the 1960s with the taste of independence in the air. Our protagonist is now Rajan Salim, grandson of Babu. As the doors of the Jakaranda Hotel remain open, everywhere you turn there is a reminder that although the colonialists may be gone and the war may be over, the battle has just begun."-- African Arguments , included in list of Must-Read Books of 2018 “Dance of the Jakaranda, the new novel by Peter Kimani, is a layered and moving exploration of the history of Kenya, juxtaposing a story of conflict during the nation's colonial period with a narrative set in its early days of independence. It's a novel in which the central characters constantly surprise the readers, and Kiman's explorations of history encompass multiple sides of art and infrastructure.”-- Vol. 1 Brooklyn "Destined to become one of the greats...This is not hyperbole: it's a masterpiece."-- The Gazette "But the novel has way more strengths than I can describe here, including the beauty of lyrical narration that combines irony, flashback, humour, allusions and inter-textual references, all of which are expertly manipulated to give the reader a gem of a story populated by composite characters, a story that, though revisiting old themes and times, does so with the freshness that one would expect of established literary geniuses."-- Daily Nation "The author has built here not only, on these pages, not only a railroad, but the singular triumph of a highly diverting novel. Besides weaving an excellent plot-line, he offers the reader a classic, understated writing style that haunts much of this book, turns it into a minor masterpiece."-- RALPH Magazine, Starred review "Dance of the Jakaranda is colorful and ironic...A fascinating story told in an unforgettable voice."-- The Guardian (Trinidad & Tobago) "Kimani is the first African novelist to use historical fiction to claim Indian diasporic history and political belonging as one that is unquestionably Kenyan...Kimani's most radical contribution in writing Dance of the Jakaranda has been his demonstration of how historians can recover this African South Asian identity. The constitutional recognition given to Indians fifty years after their deportation shifts popular discourse a hair's breadth away from the politics of indigeneity, giving the South Asian diasporic archive a small but significant opening to locate a thick, albeit contested, history of belonging in its Kenyan homeland--a history, as Kimani reminds us, that is replete with contradictions and rumor."-- American Historical Review "Peter Kimani, an acclaimed writer and poet, has brilliantly constructed this novel's plot...[His] lyrical prose, such as portraying the train as 'a massive snakelike creature,' and his breathtaking descriptions of 'God's country' bring the beauty of the land before our eyes."-- Historical Novels Review "A rich tableau of layers and textures…The book has some brilliant moments of vivid and evocative writing."-- Huffington Post "Through lyrical, seductive prose, Peter Kimani weaves an impressively intricate tapestry of events and characters that give much-needed names and faces to an important facet of Kenya's colonial history."-- Black Books Quotes "A compelling story conveying a powerful social and cultural critique along with a marvelous portrait of the beauties and wonders of Kenya, all punctuated with tragedy."-- New York Journal of Books "This very human face of a multi-racial developing country shines a light on not only our differences but our very basic similarities."-- Eyes on World Cultures "An epic account of 20th century Kenya."-- Africa Is a Country "In this clever and mesmerizing story, the author takes the reader on a journey to another time and place, where twists and turns provide a truly entertaining ride."-- SusannesBooklist "Kimani steps into the minds and hearts of all his characters, regardless of the colour of their skin and decisions they have made, be they good or ill."-- A New Day "I loved the storyteller's voice and the gradual unravelling of the secrets of past generations, which had long shadows that reached into the present and affected the young couple at the heart of the story. The historical matter is deftly woven in."-- The Girdle of Melian " Dance of the Jakaranda is a rare gem: a new story, a new voice, a new way of seeing the world. This is what a brilliant novel looks like. Peter Kimani is a rare talent, an important new literary voice in Kenya, in Africa, and the world."-- Mat Johnson , author of Loving Day "In this racially charged dance of power, the railroad into the interior of the country becomes a journey into the hearts of men and women. It is a dance of love and hate and mixed motives that drive human actions and alter the course of history. Kimani's writing has the clarity of analytic prose and the lyrical tenderness of poetry."-- Ngugi wa Thiong'o , author of Birth of a Dream Weaver --This text refers to an alternate kindle_edition edition. Peter Kimani is a leading African writer of his generation. Born in 1971 in Kenya, he started his career as a journalist and has published several works of fiction and poetry. He was one of only three international poets commissioned by National Public Radio to compose and present a poem to mark Barack Obama's inauguration in January 2009. Kimani earned his doctorate in Creative Writing and Literature from the University of Houston's Creative Writing Program in 2014, and is a faculty member at Aga Khan University's Graduate School of Media and Communications in Nairobi. Dance of the Jakaranda is his third novel. --This text refers to an alternate kindle_edition edition.

Features & Highlights

  • “This funny, perceptive and ambitious work of historical fiction by a Kenyan poet and novelist explores his country’s colonial past and its legacy.” —
  • The New York Times Book Review
  • , Editors’ Choice
  • Set in the shadow of Kenya’s independence from Great Britain,
  • Dance of the Jakaranda
  • reimagines the special circumstances that brought black, brown and white men together to lay the railroad that heralded the birth of the nation.The novel traces the lives and loves of three men—preacher Richard Turnbull, the colonial administrator Ian McDonald, and Indian technician Babu Salim—whose lives intersect when they are implicated in the controversial birth of a child. Years later, when Babu’s grandson Rajan—who ekes out a living by singing Babu’s epic tales of the railway’s construction—accidentally kisses a mysterious stranger in a dark nightclub, the encounter provides the spark to illuminate the three men’s shared, murky past.With its riveting multiracial, multicultural cast and diverse literary allusions,
  • Dance of the Jakaranda
  • could well be a story of globalization. Yet the novel is firmly anchored in the African oral storytelling tradition, its language a dreamy, exalted, and earthy mix that creates new thresholds of identity, providing a fresh metaphor for race in contemporary Africa.
  • “Destined to become one of the greats . . . This is not hyperbole: it’s a masterpiece.” —
  • The Gazette
  • “A fascinating part of Kenya’s history, real and imagined, is revealed and reclaimed by one of its own.” —
  • Minneapolis Star Tribune
  • “Kimani’s novel has an impressive breadth and scope.” —
  • Los Angeles Review of Books
  • “Highlighted by its exquisite voice, Kimani’s novel is a standout debut.” —
  • Publishers Weekly
  • “Lyrical and powerful.” —
  • Kirkus Reviews

Customer Reviews

Rating Breakdown

★★★★★
30%
(98)
★★★★
25%
(82)
★★★
15%
(49)
★★
7%
(23)
23%
(74)

Most Helpful Reviews

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One man's empire is another man's poison

Post colonial literature in Africa is rich and troubling, as it is in Asia. This book cannot stand among the best, and its author cannot compare with the likes of Moses Isegawa or Chimananda Ngozi Adichie. The story is ragged and the characters wooden. Most upsetting is the stereotypes of Kenyan women as defined by their sexuality and fecundity when they are fabled for being such powerful contributors to rural economy and culture. With its potted history and lack of subtlety, I came to conclude that this was a lazy book, caught in a stylized time warp.
5 people found this helpful
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A crafty historical novel

A well told and crafted historical novel with a dose of humor. This novel bounces around in time, using a few narrative techniques which makes this a pleasant and enjoyable dance. Essentially the novel is rooted in the lives of three main characters, Ian McDonald the colonial master administrator, Richard Turnbull, the Christian missionary preacher and Babu the Indian surveyor. Each of their stories unfold from 1900 to 1963 in Kenya as their lives intersect as all three are in Kenya to play a role in the building of the rail line in Kenya in 1897- 1900. The chronicles are uniquely weaved together until all the secrets are revealed by the end of the novel. What’s especially clever is not knowing there are certain mysteries needing revelation that are paramount to this smart tale.

By exploring the journeys of these three, the reader will be exposed to a bit of Kenya history, the attitudes of colonial masters, the thoughts of how the natives of Kenya viewed colonialism and the delight that independence brought to
Kenya and the effect on those who had been in Kenya before independence like the Indians. He uses certain characters to act as griots, filling in parts of the story. Babu in conversations with his grandson fleshes out much of his own story, with some truths left unexplored to the end.

It's all a very interesting and at times exciting dance and how the lives of these three men intersect in this different kind of prose is well worth the investment.
3 people found this helpful
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Some parts good, some parts not so good

The parts set in the early 1900s are quite intriguing. I wish the book had more of that and less of the 1963 story. Rajan's and Mariam's feels very much like a scaffolding. The novel would do just fine without it.
2 people found this helpful
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Not great

I almost quit reading this about a third of the way through, but persevered. In the end, I'm not sure it was worth my time. The story was nominally interesting and somewhat confusing at times. Use of the native language without translation was annoying, but I just moved on. I didn't care for the ending. What happened to Miriam? Did I miss something? The resolution of Rajan's situation was not satisfying and confusing.
2 people found this helpful
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Five Stars

Great book. Awesome story to pique interest about Kenya's colonial history and the path to independence.
2 people found this helpful
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A fun, interesting and informative read

I enjoyed this book. It gave me a glimpse into African history, which I new little about. The author, like some of the characters he portrays, is a masterful story teller, weaving a complicated series of seemingly unrelated individuals and events into a fairly comprehensive fabric. I thought the events that transpired at the end of the book were a bit thin, but overall this was a very enjoyable read, and I felt enriched by the experience.
1 people found this helpful
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Fascinating historical background about Africa, and gorgeous poetic language

This was book is written partly as a "song", which means that the language is rich, poetic, and inviting. Some parts of it are a little harder to read, as they relate to the ill treatment of the local population by the white man. But, the whole story almost reads like a tale.
The author is truly a poet, and this is a good read for anyone interested in life in Africa.
1 people found this helpful
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Amazing authentic representation of the East Indian

Dear Mr. Armani
I live in Trinidad and Tobago and live in the ruins of the colonial systems imposed by the British complete with a diverse community with strong East Indian presence.. Your book has reminded me of the similarities of the colonizers approach.....divide and rule policies ...even the Black Maria the van that took people to jail. What amazes me is how you have effectively captured the practical approach, thinking and humour of the East Indian. It was so well done that I thought you were East Indian yourself. Excellent work. Congratulations.
1 people found this helpful
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Excellent but takes concentration

The writing is magnificent, the characters are well realized. My only caveat is that it is easy to get lost in the chronological shifts.
1 people found this helpful
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What a captivating read!

It was had to put this book down... Eye opening and very very interesting. I could identify some of the the characters paralled real people in Kenya's history but wondering if some of the major plot points were actually historical events. This is a very creative and informative way of recounting a country's history. I feel informed about a side of our history that I knew nothing about even though the story is supposed to be fictional.