Dark Assassin: A William Monk Novel
Dark Assassin: A William Monk Novel book cover

Dark Assassin: A William Monk Novel

Paperback – February 27, 2007

Price
$8.01
Format
Paperback
Pages
352
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345469304
Dimensions
4.25 x 1 x 6.75 inches
Weight
5.6 ounces

Description

Review Praise for Anne Perry’s William Monk novels“Dark Assassin is brilliant . . . That rare blend of novel that’s a page-turning thriller yet literary–and, best of all, one that gives us lucky readers the chance to enjoy another adventure by our favorite Victorian police superintendent, William Monk. Dark Assassin continues Anne Perry’s peerless tradition of blending compelling plotting with superbly realized human emotion and exquisite period detail.” –Jeffery Deaver, author of The Bone CollectorThe Shifting Tide“An engrossing story that leaves the reader waiting for Monk’s next adventure . . . The mysterious and dangerous waterfront world of London’s ‘longest street,’ the Thames, comes to life.”–South Florida Sun-Sentinel Death of a Stranger“[A] tantalizing puzzle . . . At last, in Death of a Stranger, the secrets of Monk’s past are dramatically revealed and the mystery of his identity conclusively resolved.”–The New York Times Book ReviewFuneral in Blue“No one writes more elegantly than Perry, nor better conjures up the rich and colorful tapestry of London in the Victorian era. But for all its arcane setting and stylistic eloquence, Funeral in Blue is an old-style private eye novel–and an extremely good one.”–Cleveland Plain Dealer From the Hardcover edition. About the Author Anne Perry is the bestselling author of the World War I novels No Graves As Yet, Shoulder the Sky, and Angels in the Gloom, as well as the holiday novels A Christmas Journey, A Christmas Visitor, and A Christmas Guest. She is also the creator of two acclaimed series set in Victorian England. Her William Monk novels include The Shifting Tide, Death of a Stranger, and Funeral in Blue. The popular novels featuring Charlotte and Thomas Pitt include Long Spoon Lane, Seven Dials, and Southampton Row. Her short story “Heroes” won an Edgar Award. Anne Perry lives in Scotland. Visit her website at www.anneperry.net . From the Hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. ONE Waterloo Bridge loomed in the distance as William Monk settled himself more comfortably in the bow of the police boat. There were four men, himself as senior officer, and three to man the four oars. Rowing randan, it was called. Monk sat rigid in his uniform coat. It was January and bitterly cold as he and his companions patrolled the Thames for accidents, missing craft, and stolen cargo. The wind ruffled the water and cut the skin like the edge of a knife, but he did not want anyone to see him shivering. It was five weeks since he had accepted the position leading this section of the River Police. It was a debt of honor he already regretted profoundly, the more so with every freezing, sodden day as 1863 turned into 1864 and the winter settled ruthlessly over London and its teeming waterway. The boat rocked in the wash of a string of barges going upriver on the incoming tide. Orme, at the stern, steadied the boat expertly. He was a man of average height, but deceptive suppleness and strength, and a kind of grace exhibited as he managed the oar. Perhaps he had learned in his years on the water how easy it was to capsize a boat with sudden movement. They were pulling closer to the bridge. In the gray afternoon, before the lamps were lit, they could see the traffic crossing: dark shadows of hansoms and four-wheelers. They were still too far away to hear the clip of horses’ hooves above the sound of the water. A man and woman stood on the footpath close to the railing, facing each other as if in conversation. Monk thought idly that whatever they were saying must matter to them intensely for it to hold their attention in such a bleak, exposed place. The wind tugged at the woman’s skirts. At that height, where there was no shelter, she must have been even colder than Monk was. Orme guided the boat a little further out into the stream. They were going downriver again, back towards the station at Wapping where they were headquartered. Six weeks ago Inspector Durban had been commander and Monk had been a private agent of enquiry. Monk still could not think of it without a tightening of the throat—a loneliness and a guilt he could not imagine would ever leave him. Each time he saw a group of River Police and one of them walked slowly with a smooth, ambling stride, a little rounded at the shoulder, he expected him to turn and he would see Durban’s face. Then memory came back, and he knew it could not be. The bridge was only two hundred feet away now. The couple were still there against the balustrade. The man held her by the shoulders as if he would take her in his arms. Perhaps they were lovers. Of course, Monk could not hear their words—the wind tore them from the couple’s mouths—but their faces were alive with a passion that was clearer with every moment as the boat drew towards them. Monk wondered what it was: a quarrel, a last farewell, even both? The police oarsmen were having to pull hard against the incoming tide. Monk looked up again just in time to see the man struggling with the woman, holding her fiercely as she clung to him. Her back was to the railing, bending too far. Instinctively he wanted to call out. A few inches more and she would fall! Orme, too, was staring up at them now. The man grasped at the woman and she pulled away. She seemed to lose her balance and he lunged after her. Clasped together, they teetered for a desperate moment on the edge, then she pitched backwards. He made a wild attempt to catch her. She flung out a hand and gripped him. But it was too late. They both plunged over the side and spun crazily, like a huge, broken-winged bird, until they hit the racing, filthy water and were carried on top of it, not even struggling, while it soaked into them, dragging them down. Orme shouted, and the oarsmen dug their blades in deep. They threw their backs against the weight of the river, heaving, hurtling them forward. Monk, his heart in his mouth, strained to keep the bodies in sight. They had only a hundred feet to go, and yet he knew already that it was too late. The impact of hitting the water would stun them and drive the air out of their lungs. When at last they did gasp inward, it would be the icy water laden with raw sewage, choking them, drowning them. Still, senselessly he leaned forward over the bow, shouting, “Faster, faster! There! No . . . there!” They drew level, turning a little sideways. The oarsmen kept the boat steady in the current and the changing balance as Orme heaved the body of the young woman over the gunwale. Awkwardly, as gently as he could, he laid her inside. Monk could see the other body, but it was too far away to reach, and if he stretched he could tip the boat. “Port!” he instructed, although the oarsmen were already moving to do it. He reached over carefully to the half-submerged body of the young man, whose coat was drifting out in the water, his boots dragging his legs downwards. Awkwardly, straining his shoulders, Monk hauled him up over the gunwale and in, laying him on the bottom of the boat next to the young woman. He had seen many dead people before, but the sense of loss never diminished. From the victim’s pale face, smeared with dirt from the river water and plastered with hair across the brow, he appeared about thirty. He had a mustache but was otherwise clean-shaven. His clothes were well cut and of excellent quality. The hat he had been wearing on the bridge was gone. Orme was standing, balancing easily, looking down at Monk and the young man. “Nothing we can do for either of ’em, sir,” he said. “Drown quick going off the bridge like that. Pity,” he added softly. “Looks no more’n twenty, she does. Nice face.” Monk sat back on the bench. “Anything to indicate who she was?” he asked. Orme shook his head. “If she ’ad one of ’em little bags ladies carry, it’s gone, but there’s a letter in ’er pocket addressed to Miss Mary ’Avilland o’ Charles Street. It’s postmarked already, like it’s bin sent and received, so could be it’s ’er.” Monk leaned forward and systematically went through the pockets of the dead man, keeping his balance with less ease than Orme as the boat began the journey downstream, back towards Wapping. There was no point in putting a man ashore to look for witnesses to the quarrel, if that was what it had been. They could not identify the traffic that had been on the bridge, and on the water they themselves had seen as much as anyone. Two people quarrelling—or kissing and parting—who lost their balance and fell. There was nothing anyone could add. Actually, as far as Monk could remember, there had been no one passing at exactly that moment. It was the hour when the dusk is not drawn in sufficiently for the lamps to be lit, but the light wanes and the grayness of the air seems to delude the eye. Things are half seen; the imagination fills in the rest, sometimes inaccurately. Monk turned to the man’s pockets and found a leather wallet with a little money and a case carrying cards. He was apparently Toby Argyll, of Walnut Tree Walk, Lambeth. That was also south of the river, not far from the girl’s address on Charles Street off the Westminster Bridge Road. Monk read the information aloud for Orme. The boat was moving slowly, as only two men were rowing. Orme squatted on the boards near Argyll’s body. On the shore the lamps were beginning to come on, yellow moons in the deepening haze. The wind had the breath of ice in it. It was time to trim their own riding lights, or they would be struck by barges—or the ferries going crosscurrent—carrying passengers from one bank to the other. Monk lit the lantern and carefully moved back to where Orme had laid the woman. She lay on her back. Orme had folded her hands and smoothed the hair off her face. Her eyes were closed, her skin already gray-white, as if she had been dead longer than just the few minutes since they had seen her on the bridge. She had a wide mouth and high cheekbones under delicately arched brows. It was a very feminine face, both strong and vulnerable, as if she had been filled with high passions in life. “Poor creature,” Orme said softly. “S’pose we’ll never know wot made ’er do it. Mebbe ’e were breakin’ orff an engagement, or somethin’.” The expression on his face was all but masked by the deepening shadows, but Monk could hear the intense pity in his voice. Monk suddenly realized he was wet up to the armpits from having lifted the body out of the water. He was shuddering with cold and it was hard to speak without his teeth chattering. He would have given all the money in his pocket for a hot mug of tea with a lacing of rum in it. He could not remember ever being this perishingly cold on shore. Suicide was a crime, not only against the state but in the eyes of the Church as well. If that was the coroner’s verdict, she would be buried in unhallowed ground. And there was the question of the young man’s death as well. Perhaps there was no point in arguing it, but Monk did so instinctively. “Was he trying to stop her?” The boat was moving slowly, against the tide. The water was choppy, slapping at the wooden sides and making it difficult for two oarsmen to keep her steady. Orme hesitated for several moments before answering. “I dunno, Mr. Monk, an’ that’s the truth. Could’ve bin. Could’ve bin an accident both ways.” His voice dropped lower. “Or could’ve bin ’e pushed ’er. It ’appen... Read more

Features & Highlights

  • For countless readers, one of life’s great pleasures is the mesmerizing magic of a Victorian mystery by New York Times bestselling author Anne Perry. Her dramas of good and evil unfolding inside London’s lavish mansions and teeming slums hold us spellbound. Now, in Dark Assassin, she sweeps us into a darkly compelling world that we never dreamed existed.A Thames River Police superintendent struggling to win the respect of his men, William Monk is on a patrol boat near Waterloo Bridge when he notices a young couple standing at the bridge railing, apparently engaged in an intense discussion. The woman waves her arms and places her hands on the man’s shoulders. A caress or a push? The man grasps hold of her. To save her or to kill her? Seconds later, the pair plunge to their death in the icy waters. Monk can’t help but wonder, was it an accident, a suicide, or a murder? It seems impossible to determine the truth, but haunted by the woman’s somber beauty, he is impelled to try.Mary Havilland was her name, and she had planned to marry Toby Argyll, the fair-haired man who shared her fate. Mary’s father, an engineer employed by the Argyll Company, had recently died–a suicide, according to the police and Mary’s sister. But Mary’s friends tell Monk that she suspected her father had been murdered because of his stubborn insistence that the Argyll Company’s current project–the construction of a splendid new sewer system for the metropolis–was so badly flawed that it put the entire city in peril from flood and fire. Monk is now faced with the mysteries of the three deaths. Aided by his intrepid wife Hester, he starts looking for answers and is soon treading a slippery path that takes him from the luxurious drawing rooms where powerful men hatch their unscrupulous plots to a world beneath the city where poor folk fight starvation. In nightmarish tunnels, Monk and Hester find true friends, among them Scuff, a young mudlark; Sutton the ratcatcher; and Snoot, Sutton’s clever terrier. For once, even Monk’s old enemy, Superintendent Runcorn, is on his side. As rainfall strains the fragile manmade underground, Monk must connect the clues before death strikes again.With characters as vivid as Dickens’s, gripping courtroom scenes, breathless horrors beneath the earth, and a plot that twists and turns toward a stunning denouement, Dark Assassin is absolutely one of Anne Perry’s best.
  • From the Hardcover edition.

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Most Helpful Reviews

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History and Mystery, an unbeatable combination

First Sentence: "Waterloo Bridge loomed in the distance as William Monk settles himself more comfortably in the bow of the police boat."

William Monk is now an Inspector with the Thames River police. London is building a new sewer system after The Great Stink of 1858. While on boat patrol, Monk and his men see a couple arguing and both go into the polluted Thames which kills them. But what did they see? Was it an accident that became a fatal accident? A murder and the killer dies with the victim? A suicide and the man dies trying to save the woman? The woman's death is proclaimed a suicide. Monk doesn't believe anyone who was working so hard to clear her father's reputation, after he also died of a supposed suicide, and provide he was right in believing the way in which the sewers were being built was dangerous would take their own life. Monk even joins forces with his old nemeses, Superintendent Runcorn.

Ms. Perry continues to impress me with her writing. Her ability to take an historic event and build an interesting, suspenseful story around it is unsurpassed. She creates fascinating characters and makes them real; not only Monk and Hester, is wife, but Scuff, the street urchin who feels responsible for Monk, and Sutton the ratcatcher and his dog, Snoot. Each of the characters is brought to live and image under Ms. Perry's writing. I am always delighted to find the newest book by Ms. Perry.
5 people found this helpful
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History and Mystery, an unbeatable combination

First Sentence: "Waterloo Bridge loomed in the distance as William Monk settles himself more comfortably in the bow of the police boat."

William Monk is now an Inspector with the Thames River police. London is building a new sewer system after The Great Stink of 1858. While on boat patrol, Monk and his men see a couple arguing and both go into the polluted Thames which kills them. But what did they see? Was it an accident that became a fatal accident? A murder and the killer dies with the victim? A suicide and the man dies trying to save the woman? The woman's death is proclaimed a suicide. Monk doesn't believe anyone who was working so hard to clear her father's reputation, after he also died of a supposed suicide, and provide he was right in believing the way in which the sewers were being built was dangerous would take their own life. Monk even joins forces with his old nemeses, Superintendent Runcorn.

Ms. Perry continues to impress me with her writing. Her ability to take an historic event and build an interesting, suspenseful story around it is unsurpassed. She creates fascinating characters and makes them real; not only Monk and Hester, is wife, but Scuff, the street urchin who feels responsible for Monk, and Sutton the ratcatcher and his dog, Snoot. Each of the characters is brought to live and image under Ms. Perry's writing. I am always delighted to find the newest book by Ms. Perry.
5 people found this helpful
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Not great if it's your first Anne Perry book.

Maybe this was not the best book from Anne Perry. It seemed a bit repetitive. Most of the time, I have a hard time putting a book down but with this one, I had to make an effort to keep picking up where I left off to try to finish. I was easily hooked with Carola Dunn, Rhys Bowen and M. C. Beaton.
2 people found this helpful
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Twists and turns to the very end

William Monk, former Metropolitan Police detective and former private investigator who now supervises the Thames River Police, is on patrol with his men when a young woman and a young man tumble off a bridge and die swiftly in the cold January water. Exactly what happened? Did the man try to stop the woman from committing suicide, or did the woman pull the man off with her? The woman has to be buried in unhallowed ground when her death is ruled a suicide, but Monk isn't a bit certain. So Monk investigates. He soon learns that the young woman's father also committed suicide, according to an investigation into his death by Monk's former Metropolitan Police supervisor. The families of both the woman and the man, her one-time fiance, are deeply involved in the massive on-going construction project that will replace London's ancient, haphazard, and utterly inadequate sewers with a modern system - something everyone agrees desperately needs to be done. But is the project being pushed too fast, and is it therefore creating serious and needless danger? What if the great digging machines breach an underground river, or set off a methane-fueled fire that could find its way into the gas lines feeding the homes of London's better-off citizens?

As always with a Monk novel, author Perry writes a book that's as much character study as mystery. It is also, again as usual, a meticulously detailed historical novel of London in Victorian times. As Monk and his wife, former Crimean nurse Hester who now runs a rescue mission for prostitutes, investigate this particular crime, they must delve deep into the worst poverty and most appalling living conditions of that era. What struck me as I read was the innate dignity and worth Perry gives the people living under those conditions, as I saw them through the eyes of her two protagonists. An affecting tale as well as a page turner, with twists and turns that lasted to the very end.

--Reviewed by Nina M. Osier, author of 2005 science fiction EPPIE winner "Regs"
1 people found this helpful
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Dark Assassin

Anne Perry is always a fun read, but this mystery took as many plot turns as the underground sewer project with which it dealt.

JGR
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What lies beneath

William Monk has been forced by economic circumstances to take a regular job with the Thames River Police. He's got his work cut out for him, because he's replacing a recently deceased officer who was greatly esteemed by his men. On a routine patrol, Monk observes a couple take a horrific plunge off Waterloo bridge. Was it intentional or accidental? This question takes on deeper meaning when Monk learns that the young woman's father died, an apparent suicide, only a few months earlier. Because she reminds him of his beloved Hester, Monk can't put the incident out of his mind, and is drawn deeper and deeper into a case of industrial sabotage.

Few writers since Dickens, with whom Anne Perry is frequently compared, can capture the aura of Victorian London as she does. Perry's plots take her readers all over the city, from its seediest neighborhoods to its river to its hidden underground. She seamlessly weaves social and moral issues into her stories. She also sees to it, unlike most series writers, that her characters do not stagnate. In Dark Assassin, Monk is forced to confront the mutual dislike between him and former boss Runcorn, in order to achieve what has become a mutual goal. A new relationship with an appealing, homeless street urchin develops. And the brilliant but introverted Monk must learn, at last, to become a leader of men.

That's good writing.
1 people found this helpful
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Quintessential Perry

Dark Assassin, Anne Perry
Quintessential Perry

William Monk is back, freshly in command of a section of River Police, married to ex-Nightingale nurse Hester, and his past finally put to rest, or at least known. When out on patrol one bone chilling winter dusk, Monk and Sergeant Orme witness a young woman and man seemingly arguing on a lonely Waterloo Bridge. They struggle and then fall into the river, killed almost instantly. The police only have a distant view in poor light from a bad angle. Did the woman jump and the man try to rescue her? Did he push her, and get dragged in himself? Or were they struggling, and fell in by accident? The story that ensues is refreshingly tight and focused, harking back to the tone of Perry's early Charlotte and Thomas Pitt novels.

Two points of plot do bother me. First, why are so many -- the police, the church authorities who must decide whether to bury her in consecrated ground, even the families -- so eager to assume Mary committed suicide? Usually, it seems that in cases where the evidence is ambiguous (and that certainly is the case here) a verdict of accidental death is assumed out of charity if nothing else. Second, why does no one ever simply go up on the bridge to check out the scene of the incident? Maybe there were witnesses they couldn't see from below, maybe one of them dropped something (the incriminating letter, say, "Darling, meet me on the bridge to finalize our assassination plot"), a trip wire, who knows -- but it would seem the most basic of police work to at least look, immediately or at least when questions arise.

Nonetheless, this is a good read, quintessential Perry, and recommended.
1 people found this helpful
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Anne Perry's Monk NEVER disappoints.

Anne Perry's beautiful prose and her excellent scope of social values in Victorian England is top notch. Her mysteries are of both historical value and pure, unadulterated entertainment. William Monk is often a mystery in himself except what Anne Perry allows us in exquisite probing. Once begun, it's difficult to put down any Monk book. Once you finish, you're looking for the next.
1 people found this helpful
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Anne Perry

Anne Perry's stories do not disappoint. I have enjoyed this series.
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Great read!

Nothing beats a Monk novel. Great read!