Eleven Pipers Piping: A Father Christmas Mystery
Eleven Pipers Piping: A Father Christmas Mystery book cover

Eleven Pipers Piping: A Father Christmas Mystery

Hardcover – Deckle Edge, October 30, 2012

Price
$24.00
Format
Hardcover
Pages
496
Publisher
Delacorte Press
Publication Date
ISBN-13
978-0385344463
Dimensions
5.99 x 1.64 x 8.68 inches
Weight
1.31 pounds

Description

About the Author C. C. Benison has worked as a writer and editor for newspapers and magazines, as a book editor, and as a contributor to nonfiction books. A graduate of the University of Manitoba and Carleton University, he is the author of five previous novels, including Twelve Drummers Drumming and Death at Buckingham Palace . He lives in Winnipeg, where he is at work on the next Father Christmas mystery, Ten Lords A-Leaping . Excerpt. © Reprinted by permission. All rights reserved. chapter one7Did they not feed you after the wedding, Mr. Christmas?”“I dropped into the reception for only a minute,” Tom replied, conscious of the passing figure of his housekeeper, as he continued his contemplation of the bounty in the vicarage refrigerator. “I didn’t have a chance for a bite.”He barely knew the young couple he had married that after-noon—Todd and Gemma—other than to have a brief preparatory discussion with them the month before. He had never seen them in church, nor had he seen their families or friends, and didn’t expect to see them again, unless the couple wished their baby baptised—which mightn’t be far off, given that the bride, wearing a meringue with a train half a mile long, had fairly waddled up the aisle at St. Paul’s, the second of the two churches in his charge. Her plump face, when she’d pushed back her embroidered veil, had looked much like a blazing beetroot, he recalled, staring at a jar of the pickled variety inside the door of the fridge. Sweat had sparkled in tiny beads along her exposed hairline—this despite the glacial damp of the nave in January—which some might have construed as the effect of energy expended getting up the aisle, but which Tom interpreted as a dew born of anticipation and triumph.The groom, however, had been a figure of bemusement, his face a kind of Belisha beacon, one moment as blanched as that leftover rice pudding in its puddle of cream on the second shelf, the next as pink as the Virginia ham one shelf below. Tom shouldn’t have fancied their chances at marital success—they were much too young; he was a farm labourer and she was a health-care aide of some sort and they were living with his parents—but for some reason he did, and could only chalk it up to a decade’s experience splicing couples of varied sorts. He imagined them receiving their sixtieth-anniversary card from the Queen (or the King, as would most probably be then) where other couples, more advantaged, would fall by the wayside. “When betrothal is brief, the marriage lasts long,” he recalled his father-in-law saying, quoting some bit of Jewish wisdom when he was trying to reconcile himself to his daughter’s elopement. How wrong he had been, at least in Tom and Lisbeth’s case.“The reception was at The Pig’s Barrel,” Tom told his housekeeper.“A January wedding and a pub reception. Sounds a hurried affair.”“A little, perhaps,” Tom responded noncommittally. He rarely went to wedding receptions anyway, unless he knew the family well. Receptions could murder the best part of a Saturday afternoon, and it wasn’t as though he didn’t have anything else to do—polish his sermon, for instance. He’d dropped in at Todd and Gemma’s only because he’d seen the very attractive village bobby, Màiri White, pass through the The Barrel’s doors when he went for his car after the ceremony and couldn’t resist the allure of a chance encounter. But, alas, when he arrived, Màiri was ensconced, back to him, at a table full of—damn!—men. Anyway, snow, ominously forecast to bung up northwestern Europe for the weekend and more, was beginning to fall in earnest and so getting home to Thornford seemed more imperative than being stood like a lemon at The Pig’s Barrel.He looked past the edge of the refrigerator door, wondering if Madrun was about to launch into a mini inquisition over the newlyweds. Customarily, she would have ushered them into the vicarage study when they came for their marriage interview, but the wedding had come together all in a rush during busy Christmas week, which Madrun had spent with her aging mother in Cornwall, thus depriving her of an opportunity to inspect and pass verdict on events at home.But Madrun’s back was to him. He could see one hand resting against one cheek as she contemplated the array of cookery books marshalled behind the glass of a ceiling-high barrister’s bookcase. He guessed her preoccupation lay not with the hapless couple. The Sunday before, after her return from Cornwall to Thornford Regis early in the New Year, she had cooked a joint, accompanied with roast potatoes and parsnips, green beans with caramelised shallots, and, of course, Yorkshire pudding. Tom and Miranda had been in the sitting room with their guests, Will and Caroline Moir, their daughter, Ariel, their son, Adam, and his girlfriend, Tamara, when their conversation had been riven by a piercing cry—such as he had never heard before—from the kitchen. Heart racing, expecting to find Madrun horribly burned or cut, Tom dashed into the kitchen, the others at his heels. Instead, they found her, oven-gloved, staring aghast into a steaming dish, the door of the Aga behind her a yawning maw. Nestled inside the dish’s black and aged sides was a vast and even expanse of tawny gold—quite lovely to look at and smelling heavenly. Despite his still-coursing adrenaline, he had felt his stomach growl.And then Miranda, on tiptoe, glanced into the pan and declared: “Oh, it’s a dropdead!”A kind of moan slipped from Madrun’s throat as she turned and placed the hot dish onto a trivet on her worktable, next to the roasted beef and several bowls of thawing berries, which a little later spilled around a heavenly pavlova.“But I’m sure it will taste wonderfully,” Caroline had interjected quickly, and the others had murmured concurrence. Dropdead was his daughter Miranda’s coinage for a Yorkshire pudding that failed to rise. Her mother’s often hadn’t. Lisbeth had been a blasé sort of cook whose Sunday lunches were sometimes a fiesta of Waitrose ready meals. When Lisbeth died, their French au pair, Ghislaine, tried her hand at English fare but could never quite get the knack of certain dishes, Yorkshire pud among them. Tom, who had never made one in his life, couldn’t understand how a simple concoction of eggs, milk, and flour could be so temperamental and cause so much distress. There had been much crestfallenness back in Bristol when the Yorkshire, pulled from the oven, looked more like Norfolk-in-a-pan than Staffordshire-in-a-pan—flat rather than hilly. Lisbeth would feign indifference, but Ghislaine wept at her first failure. But then they were all in shock in the wake of Lisbeth’s sudden, violent death.Madrun’s, on the other hand, were always a tremendous success—puffy and light, glorious umber hillocks set against deep golden valleys, a sponge to sop the rich brown gravy she would produce from the organic beef acquired from the farm shop at Thorn Barton. But not last Sunday. The pud simply looked . . . sad. After her initial distress, she had pulled herself together and brought forth an otherwise fine Sunday lunch in the dining room, although she remained subdued throughout. Since then, she’d had Fred Pike, the village handyman, in to look at the Aga, which Fred had pronounced fit as feathers on a duck, scrutinised the sell-by dates of the flour and milk, and had a barney with Roger Pattimore down at Pattimore’s, the village shop, over the freshness of his eggs. She had adjured Tom to check on his computer to see if there were any chat rooms or forums devoted to Yorkshire pudding—the word failures didn’t pass Madrun’s lips; mysteries was substituted—and there were a few, not unpredictably, in the Internet age, but he had white-lied and said there weren’t because—and this he didn’t say out loud—for heaven’s sake, it was too silly. All this bother for a simple—and not wholly necessary—side dish.“You heat fat in the pan first, don’t you?” Tom had asked a couple of days later when he found Madrun lifting her glasses from the chain around her neck with one hand and pulling the very pan to her face with the other for close examination. “Then why don’t you do a pudding now and experiment with some vegetable oil? That’s a sort of fat, isn’t it?”“Really, Mr. Christmas,” Madrun had snapped, her tone indicating the suggestion infra dig. “It must be beef fat.” And then her eyes shot open behind the lenses and a flash of enlightenment lit up her features. “I shall have to have a strong word with the girls at the farm shop.”Tom later learned from one of his parishioners that there had been some unpleasantness up at Thorn Barton when Madrun arrived at the shop to question the aging of their beef, or lack of aging, or some such thing. Sainsbury’s had made a larger-than-usual food delivery to the vicarage on Thursday, so Tom suspected Madrun and the women at the farm shop were keeping a bit of space between them for the time being.“Sometimes, Mrs. Prowse, things happen for no reason,” Tom said finally, trying to keep exasperation from his voice.Madrun flicked him a disapproving glance, as if he were being theologically unsound, and said, “It’s an omen. I feel it in my bones.”Tom, who at the time was struggling to put the lead on Bumble preparatory to a walk up Knighton Lane, had bit his tongue and said nothing, because, of course, there was nothing to say: He was disinclined towards omens, particularly if they came in the form of collapsed savoury puddings.Now his housekeeper had pushed back one of the glass doors of the bookcase and pulled out a cookery tome. Opening the book to the index at the back, she studied him a moment over the rims of her spectacles. “You’ll let all the cold out, if you keep the refrigerator door open like that.”“Yes, sorry.”“You may be pleasantly surprised this evening, you know, Mr. Christmas.”Tom made a demurring noise as he closed the door. “Perhaps if I lined my stomach with a glass of milk.”“Mr. James-Douglas used to love the Burns Supper.”“I expect from his name he had a bit of Scots in him.”“You don’t have to be Scottish to enjoy the Burns Supper.”Oh, don’t you? Tom thought. It might help. He didn’t know who his natural parents were. He didn’t feel somehow they could have been Scottish, if one were permitted to feel such things. He himself felt thoroughly English, and if he were about to give allegiance to another people, it would be the French or the Italians, who had wonderful food, not the Scots, who could only have been led by a ghastly climate and impoverished soil to think a celebratory dinner should consist of offal and oatmeal stuffed into a sheep’s stomach then boiled, turnips—his least favourite vegetable—boiled, and potatoes—yes, boiled. Without reopening the refrigerator door, he could see in his mind’s eye the ham, the leftover cheese-and-onion pie, the last of the turkey orzo soup Kate had made after Christmas—any of which would make a fine Saturday-evening meal.“He was hardly fit for the pulpit the next morning,” Madrun continued almost fondly, licking her thumb and turning a page.Giles James-Douglas, who preceded Tom, but for one, as incumbent, had been vicar in the village for over twenty-five years before his death. A lifelong bachelor of considerable private means and epicurean tastes, he installed Madrun as his housekeeper when she was a young woman, turned her into a superb cook, and left both the large late-Georgian vicarage—which he bought outright from the Church—and its housekeeper to his successors. Tom, therefore, had more or less inherited Madrun Prowse, who, though a spinster, retained the honorific Mrs. He was grateful for the help, being a busy priest and a widowed father, but there were moments when she did get on his wick a bit, especially when the matchless Mr. James-Douglas slipped into the conversation. He felt, to keep up, he should get as much malt whisky as he could down his neck Saturday then spend Sunday morning conducting services at two churches with a throbbing headache and a dry mouth, and trying not to gag over the Communion wine. He didn’t fancy it. In fact, he didn’t fancy attending the Burns Supper at all, but he was chaplain to a regional pipe band and Roger Pattimore, the pipe sergeant, expected him to come and deliver the Selkirk Grace. It was churlish to say no. Having been in Thornford less than a year and still finding his way in the parish, Tom didn’t want to offend for small reasons. What he wasn’t keen on was the food—the tatties and the neeps (potatoes and turnips, so called) and that acme of culinary horrors, the haggis. When he had been a curate in Kennington, he’d had an old parishioner who told him that in Botswana, where he held some rank in the colonial administration, they had used haggises (or was it haggi?) to poison hyenas.Really, Tom thought, he should have gone to that pub reception, after all, and at least had a couple of greasy pasties. With such bricks in his stomach he might have an excuse to only nibble at the forthcoming supper.He glanced at a couple of trays on the counter and wondered what was under the linen cloths covering them. He was about to step over and lift one when, unexpectedly, tantalizingly, the aroma of roasting meat tickled his nostrils. He began to wonder if hunger was driving him to fantasy. His glance moved to the oven.“Am I smelling beef? Are you back up on that horse, Mrs. Prowse?”Madrun glanced up from the cookery book. “I don’t know what you mean.”“I thought perhaps you might be cooking a roast with a view to making a Yorkshire pudding.”“Well, it’s true I’m cooking beef, but it’s beef Wellington . . . of a kind.”“Beef Wellington!” Tom gave a passing thought to his food budget. “You’re serving the children beef Wellington?”“It’s . . . an adaptation of beef Wellington.” Madrun frowned at something in her book. “Minced beef, which I shaped into a ball and roasted earlier. Now it’s cooking enclosed in chopped mushrooms and puff pastry.”“It’s en croûte, Daddy,” a voice behind him said.Miranda had pushed open the kitchen door, followed by the vicarage cats, Powell and Gloria, who began a lewd and mewling pace in front of the Aga.“Yes, oncrew,” Madrun murmured. “That’s the word.”“We’re having our own Burns Supper,” Miranda said brightly, moving to the counter to examine the contents of various bowls.“I shaped the mince to look like a haggis,” Madrun explained.Tom frowned at his daughter. “I’m surprised that you and Ariel and . . . who else is coming to your sleepover?”“Emily and Becca.”“ . . . had the faintest interest in Robbie Burns.”“Oh, we don’t. Or at least they don’t,” Miranda added obliquely.“Then . . . ?”“It’s because of Zak Burns.” Miranda shook her head so her pigtails slapped against her cheeks.Tom turned to Madrun helplessly.“I believe he was the last winner on X Factor.” Madrun raised a censorious eyebrow.

Features & Highlights

  • The welcome return of C. C. Benison’s delectable series featuring Father Tom Christmas—“an irresistible addition to the ranks of clerical sleuths” (Julia Spencer-Fleming)
  • Father Tom Christmas, the recently widowed vicar adjusting to life in the English village of Thornford Regis, would do almost anything to avoid attending the annual Robert Burns Supper at the local hotel. But as chaplain to a traditional Scottish pipe band, Father Tom must deliver the grace—and contend with wailing bagpipes, whiskey-laced parishioners reciting poetry, and the culinary abomination that is haggis.   As snow falls to unprecedented depths, the revelers carry on—briefly interrupted by an enigmatic stranger seeking shelter. Then Will Moir, proprietor of the hotel and a dedicated piper, inexplicably goes missing—only to be found later in the hotel’s dark tower, alone and dead from what appears to be a heart attack.   Father Tom’s own heart sinks when he learns the actual cause of Will’s demise. When word gets out, the flurry of innocent speculation descends into outlandish gossip. And, for all its tranquil charm, Thornford Regis has plenty to gossip about—illicit trysts, muted violence, private sorrows, and old, unresolved tragedies. The question is: Who would benefit most from the piper’s death? Suspicion swirls around many, including Will’s beautiful widow, their shadowy son, Will’s obnoxious brother-in-law, and even the mysterious party crasher, who knows more than she lets on about the grudges she left behind—but never forgot.   Brimming with wit, full of genuine surprise, and featuring one of the most memorable (and unlikely) detectives in mystery fiction, C. C. Benison’s second Father Christmas mystery will delight readers with a puzzle that truly defies solution.
  • Praise for C. C. Benison’s first Father Christmas mystery,
  • Twelve Drummers Drumming
  • “Splendid . . . An intelligent and empathic protagonist and skillful prose make this a winner.”—
  • Publishers Weekly
  • (starred review)   “Benison does an admirable job balancing humor with suspense. . . . Father Christmas’s first case leaves you eager for his next.”—
  • The Wall Street Journal
  • “A crime novel that Agatha Christie might have been justly proud to claim as her own.”—Margaret Maron,
  • New York Times
  • bestselling author of
  • Christmas Mourning
  • “Highly recommended . . . [a] marvelous series debut.”—
  • Library Journal
  • “The perfect treat for suspense fans in a holiday mood.”—
  • BookPage

Customer Reviews

Rating Breakdown

★★★★★
30%
(146)
★★★★
25%
(122)
★★★
15%
(73)
★★
7%
(34)
23%
(112)

Most Helpful Reviews

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Eleven Pipers Piping: A Father Christmas Mystery - review by Gloria Alden

A delightful new series with not only good characters in a traditional English setting, but a good dose
of humor added, especially in the daily letters by Tom Christmas's housekeeper. I can't wait for the
next one to come out.
4 people found this helpful
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THe best of the three

This is a very engaging (albeit somewhat meandering) series of mysteries and I've enjoyed reading them. They are very literate and enjoyable, the dialogue is good and the plots are sufficiently tangled to keep the reader guessing. However, they are also excessively long (first book is 400 pages, this is 496 pages, and the third in the series is a whopping 512 pages) with a lot of extraneous detail and sub plots. Some of the sub plots take up a major position in each book and then seem to disappear; there is also a certain amount of formula to each one. Characters who have a major role in one book disappear in the second, only to reappear in the third -- without explanation. As well each book has details which appear over and over again such as the murder of Lisbeth, Tom Christmas's wife, a murder which remains unsolved.

There is humor and pathos, drama and some unusual facets to each of the three interconnected stories which make each one worth reading. But keep in mind the length of each and find some other books for light relief in between.

Each book has a detailed list of characters; a map of the villages would sure help to orient the reader!
3 people found this helpful
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Love this series, which has nothing to do with Christmas!

I have not read a series I enjoyed so much for a long time. This series has great promise, and assuming the author keeps the theme of the Twelve Days of Christmas song, there will be many more books in the series. The protagonist is well written, the characters are strongly put together, and I read the first two books in the series in about 4 days. Now I am quite depressed, as I will have to wait for almost half a year (until December) for the next volume. Can't wait!
3 people found this helpful
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Welcome This Thoughtful, Multi-dimensional, Intriguing Puzzle

After reading Benison's "Twelve Drummers," I eagerly looked forward to this sequel. Father Tom Christmas once again gets dragged into a puzzler of an unanticipated death at a Burns Supper (though the haggis ought to kill somebody, I should think....). Wheels within wheels, and who was not at home when, and who showed up where, and who's the baby daddy, all work wonderfully well together to create a challenging, provocative, and delightful village cozy. Okay, what I truly loved in this book was that we can see the deepening of the characters and the deepening of what Mr. Benison is offering the discrimminating and selective reader. Most of us who adore a certain type of British detective fiction want to be challenged, want to question, want to have their intellects acknowledged, and want to have to get up from the chair and look an allusion or a quote up. I can also see that fuutre personality conflicts and future subplots are being set up for us. Genle reader, DO read this book!! And please hurry up with those Leaping Lords, Mr. Benison!
3 people found this helpful
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Great Read, though it isn't just a Christmas book.

This isn't just a Christmas book as I assumed, but it is an excellent mystery. As my husband says, it seems to get off to a slow start, something I think is more common with the British writers and something I like. Later on the story gets quite engrossing and the twists and turns that it takes end up being quite intriguing. It was definitely not an ending I could predict, which I appreciated. Often about halfway through a book I can predict what is going to happen, but not in this case. Really well written book.
3 people found this helpful
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Fr. Christmas series continues to be delightful.

I thoroughly enjoyed C.C. Benison's first book in the series, Twelve Drummers Drumming, and was excited to get my hands on Eleven Pipers Piping. I really like Benison's writing style, smart without being pretentious, cozy without being saccharine. In this book Father Christmas is caught up in the unexpected death of a villager during what is called a Burns Supper. There is not so much a list of suspects as a cast of characters entering and exiting the rooms of the large manor hotel where the dinner takes place, and I couldn't detect an obvious suspect. In fact, I had a little trouble keeping track of the 46 characters that populate this novel. It felt a little too much like work to have to keep flipping to the who's who chart in the front, so I lost track. There are also a few too many unconventional names that sound similar: Mairi, Moiri, Madrun, it made my head spin.

The author clearly enjoys coming up with colorful descriptions of the minutiae of daily village life, however, IMO there was a little too much of that and not enough developments pushing the plot along. I think in the first book of the series, when he did tend to describe, it was more used to set the scene. I can still remember vividly some of the settings of that first book, for example the exhibit area with the quilts hung on the wall art show, the cemetery for the victim's burial, the grand setting of that old rock and roll star's estate, the churchyard.

In Eleven Pipers, I did not get the same sense of atmosphere that made the first novel so enjoyable. In fact, I skipped whole pages and paragraphs of the last 100 pages of this book because the endless descriptions were not adding anything, the story had slowed down and I just wanted to get to the end. Twelve Drummers was about 100 pages shorter and worked better for me. However, the end of Eleven Pipers was complicated enough to be nice and satisfying.

I wish that in the next book Benison would not introduce so many new characters, as there are already plenty of familiar faces in the village to work with. In fact, I had thought I had read somewhere that this book was going to include Sebastian, the verger from the first book, who I thought had the makings of an interesting protagonist, but he never showed up.

Now I am going to nitpick about a specific passage in the book that really threw me and abruptly took me out of the story. Here it is: "....Tom backed down, supposing, in a split second of reflection, that most of human history was no-girls-allowed. Even Jesus, whom he thought a rather forward-thinking chap, hadn't put a woman among His disciples. He was a bit snippy with His mother, too."

Now, if I am buying that Father Tom is a member of the clergy, I am also buying that Fr. Tom's entry into the clergy required more than just reading the bible, but a complete theological study of the cultural and political point in history in which Christ lived. Even a brief google search on Jesus and women would have shown that, in a culture where Jewish law forbid women to study the word of God, Jesus was radical in the way that he invited women to hear his teachings and to physically follow him. Father Tom Christmas, a man who has given his life to be a representative of the perfect and divine Christ, would have more than just a cursory knowledge of the many examples of how much Jesus valued women, and especially his love and care for his mother, and would never sink to such a Woody Allen level of snark as to describe Him as a "forward-thinking chap" or as "snippy to his mother." Those lines seemed so out of character, disrespectful and not funny. If I were this book's editor I would have taken a red pen to those lines, or more likely typed an all caps "NO!" comment in Track Changes.

Nevertheless, I remain a big fan of Benison's work and the charming Fr. Christmas series.
3 people found this helpful
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Second book equally as good as the first

So often, the first book in a series is intriguing, then the second a let down. This is not true of Benison's Father Christmas series, which takes place in the little English village of Thornford Regis. This plot revolves around the annual Burns supper. Though there are few Scots in the village (the village Piper's call themselves "The Thistle But Mostly Rose South Devon Pipe Band") the Burns dinner is a village tradition. When the hotel landlord is found dead in the tower, it is up to Father Christmas to solve the crime. These books are village cozies with a large cast of interesting and eccentric characters that Benison does well.
2 people found this helpful
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A Pleasure to Read!

Thoroughly enjoying this contemporary British village mystery series. This is the second in the series, and I'm looking forward to reading the third.
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Good cozy mystery, but not a holiday story

This is a good "cozy mystery", but it is NOT a holiday story despite the title and main character, a vicar named Father Christmas. It is NOT set at Christmas time, It takes place in winter after Christmas.
It has fun details about English village life, which is why I liked it.
It's a good book to curl up with on a winter day.
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I would recommend you read the first book in the series

I would recommend you read the first book in the series, TWELVE LORDS ALEAPING, before this one. Father Christmas, a priest, can keep you spell bound.