Flame in the Mist
Flame in the Mist book cover

Flame in the Mist

Price
$15.29
Format
Hardcover
Pages
416
Publisher
G.P. Putnam's Sons Books for Young Readers
Publication Date
ISBN-13
978-0399171635
Dimensions
5.91 x 1.25 x 8.63 inches
Weight
1.15 pounds

Description

Praise for Flame in the Mist : New York Times Bestseller A Spring 2017 Amazon Pick – Spring’s Best Young Adult FictionA PW Best Summer Book of 2017 ★ “[A]n elaborate fantasy set in feudal Japan . . . Ahdieh ( The Wrath & the Dawn ) is immensely skilled at crafting vibrant settings inhabited by sympathetic characters with rich pasts . . . readers will enthusiastically anticipate the next installment .”— Publishers Weekly, starred review “Ahdieh’s first duology (begun with The Wrath and the Dawn , 2015) propelled her to the top of the charts, and this new series starter brings that same blend of history, magic, and sensuality that drew readers in the first place .”— Booklist “This story of female empowerment will resonate with girls today. This novel has something for every reader to savor: a budding romance, invention of new weaponry, and detailed battle scenes. ” —School Library Connection “This story . . . will undoubtedly enthrall readers .”— Kirkus Reviews “Rich in magical realism and cultural nuance of feudal Japan, Ahdieh’s series starter begins with a girl-power bang . . . . A wonderful choice for YA shelves , especially where lush fantasy is popular.”— School Library Journal “[A] fun feudal samurai drama . . . . an action-packed and well-paced young adult novel.”— The Washington Post “ Filled with strong female characters, action and adventure, and beautiful storytelling , Flame in the Mist offers a world you'll want to escape into for a long while .”— BuzzFeed " Romance, action and magic intertwine in this novel likely to keep readers enthralled ."— Deseret News “This richly imagined, action-packed adventure , featuring a feisty heroine and set in feudal Japan, comes from the acclaimed author of The Wrath & The Dawn and The Rose & The Dagger . . . . Ahdieh is a superb craftsman, and this engaging tale of betrayal and revenge ends on a cliffhanger, leaving the reader eagerly awaiting the next book .”— Buffalo News “Rich world-building in feudal-era Japan and plenty of intrigue make this page-turning young-adult novel a winning foray into fantasy.”— Austin American Statesman “[With] Flame in the Mist , Ahdieh has gifted us a new series to obsess over . If you live for books that have lush worlds , swoony romance and non-stop action , you’ll want to read this.”— Paste Magazine “Even in the long line of fictional females who pose as male to thwart patriarchal restrictions, Mariko stands out . . . .xa0The novel’s surprising, tumultuous ending leaves the reader eagerly anticipating a sequel , impatient to find out what iteration of herself Mariko will invent next.”— Chicago Tribune “Set to marry the emperor’s son, Mariko is attacked by hired bandits en route to meet him. To uncover the truth behind the assassination attempt, Renée Ahdieh’s heroine must infiltrate the assailants’ gang —disguised as a man. ”— US Weekly “From the best-selling author of The Wrath and the Dawn duology, comes a new adventure. Set in Feudal Japan, Mariko has long known that despite her talent and intelligence, her future lies in making an advantageous political marriage. Traveling to the capital city for her marriage, she narrowly escapes an assassination attempt. Determined to get to the bottom of the plot, she dresses as a boy and infiltrates the gang sent to kill her. If you liked Disney’s Mulan , you’ll like this. ”— The Newark Advocate “Anyone who has read Renée Ahdieh's The Wrath and the Dawn duology (and if you haven't — get on it!) will be thrilled that she's releasing a new novel this year, called Flame in the Mist . Set in feudal Japan, this story follows a young woman named Mariko, who is the daughter of a samurai. On the way to be married in order to help her family's political standing, Mariko's group is attacked, and she poses as a boy to escape and infiltrate the clan of her enemies ( attention:xa0Mulan-lovers !).”— PopCrush “ Alchemy, samurai, and Renée Ahdieh. Need we say more? ”— Culturess “Beautifully written and masterfully plotted . . . Shades of Mulan and 47 Ronin frame the novel, but the fantasy elements and the vivid characters give the story its own distinct flavor . . . a definite must-read! ”— RT Book Reviews “ As author Renée Ahdieh did with her debut, The Wrath & the Dawn , Flame in the Mist explores a young woman’s power and strength to effect great change in a patriarchal society . And the realistic stories, fascinating culture and complex relationships of Ahdieh’s fictional characters—explored in actual, historical settings—are completely enrapturing. ”— BookPage “Consider us #blessed to have a new series from Renee Ahdieh, because Flame in the Mist has her signature lush and dangerous romantic adventure vibes we loved so much in Thexa0Wrath and the Dawn .”— Bustle “ Swoony dudes, new worlds, and crazy high stakes . . . [ Flame in the Mist is] the kind of book that’ll have you staying up late and calling in sick, just so you can finish it in one sitting .”— Brit + Co “With Flame in the Mist , Renée Ahdieh delivers a vibrant, action-packed historical fantasy that unfurls in Feudal Japan . . . Ahdieh creates characters you long to learn more about. She’s adept at building a world that feels enchanting, hypnotic, real and sensual. Every page shimmers with intrigue and desire. ”— USA Today Happy Ever After “The story is full of palace intrigue, disguises, magic , and Mariko’s search to find a place where she can be herself—not a bargaining chip, a daughter, a sister, or a prisoner. . . . Fans of Tamora Pierce and Kristin Cashore will enjoy this magical feudal tale .”— VOYA Praise for The Wrath and the Dawn: #1 New York Times Bestseller #4 on the Summer 2015 Kids' Indie Next List! An Amazon Best Book of the Year for 2015 – Young Adult A New York Public Library Best Book for Teens for 2015 A Seventeen Magazine Best Book of 2015 A YALSA 2016 Best Fiction for Young Adults Pick “Lushly imagined and powerfully characterized, it’s a potent page-turner of intrigue and romance .”— Publishers Weekly “This book is a fairy tale, a mystery, and … promises to become a classic tale of its own.”— VOYA ★xa0“Set against a backdrop of political intrigue and a simmering revolution, this is a carefully constructed narrative of uncertain loyalties, searing romance, and subtle magic in a harsh desert city.”— Booklist, starred review ★xa0“The rich, Middle Eastern cultural context adds to the author’s adept world building… a surefire hit with teens .”— School Library Journal, starred review ★xa0“Renée Ahdieh's lush debut novel, The Wrath and the Dawn , is a suspenseful and beautiful reimagining of The Arabian Nights , with an edge.”— Shelf Awareness, starred review “Dreamily romantic, deliciously angst-y, addictively thrilling .”— Kirkus Reviews “ Sumptuous detail … satisfyingly steamy scenes, along with some angsty push and pull moments between the two for optimal romantic tension.”— BCCB “Don’t be surprised if the pages melt away and you find yourself racing through warm, golden sands or drinking spiced wine in cool marble courtyards. This is an intoxicating gem of a story . You will fall in love, just as I did.”— Marie Lu , New York Times bestselling author of the Legend series and The Young Elites “In her absorbing debut, Renée Ahdieh spins a tale as mesmerizing as that of her heroine Shahrzad, filled with lush details and brimming with tension. The Wrath and the Dawn is truly an exceptional story, beautifully written .”— Carrie Ryan , New York Times bestselling author of The Forest of Hands and Teeth “Ahdieh weaves a world that is lush with detail . You will want to hear, taste, and touch everything. But it's not just the world that is vividly alive. The characters are fascinating too: I loved the friendships, romance, and shifts in feeling. A beautifully written book , The Wrath and the Dawn is a story I could not put down .”— Marie Rutkoski , author of The Winner’s Trilogy Praise for The Rose and the Dagger : #1 New York Times Bestseller ★xa0“Beautiful, lyrical writing combines with a cohesive plot, richly drawn backdrop, and just the right mix of action and romance to create an undeniable new classic .”— School Library Journal, starred review “Above all there is the shattering, triumphant catharsis of love… In a story about stories, love is ‘the power to speak without words.’ Thrillingly full of feeling .”— Kirkus Reviews “ Fiery romance, a spirited heroine, shifting loyalties … With more than a few heartrending twists and turns.”— Booklist “[Ahdieh’s] prose remains lush and evocative , ideal for sand-swept landscapes and racing hearts.”— VOYA Renée Ahdieh is the author of the #1 New York Times bestselling The Wrath and the Dawn and The Rose and the Dagger. In her spare time, she likes to dance salsa and collect shoes. She is passionate about all kinds of curry, rescue dogs, and college basketball. The first few years of her life were spent in a high-rise in South Korea; consequently, Renée enjoys having her head in the clouds. She lives in Charlotte, North Carolina, with her husband and their tiny overlord of a dog. Excerpt. © Reprinted by permission. All rights reserved. The Beginning I n the beginning, there were two suns and two moons. The boy’s sight blurred before him, seeing past the truth. Past the shame. He focused on the story his uba had told him the night before. A story of good and evil, light and dark. A story where the triumphant sun rose high above its enemies. xa0 On instinct, his fingers reached for the calloused warmth of his uba ’s hand. The nursemaid from Kisun had been with him since before he could remember, but now—like everything else—she was gone. xa0 Now there was no one left. xa0 Against his will, the boy’s vision cleared, locking on the clear blue of the noon sky above. His fingers curled around the stiff linen of his shirtsleeves. Don’t look away. If they see you looking away, they will say you are weak. Once more, his uba ’s words echoed in his ears. xa0 He lowered his gaze. xa0 The courtyard before him was draped in fluttering white, surrounded on three sides by rice-paper screens. Pennants flying the golden crest of the emperor danced in a passing breeze. To the left and right stood grim-faced onlookers— samurai dressed in the dark silks of their formal hakama . xa0 In the center of the courtyard was the boy’s father, kneelxading on a small tatami mat covered in bleached canvas. He, too, was draped in white, his features etched in stone. Before him sat a low table with a short blade. At his side stood the man who had once been his best friend. xa0 The boy sought his father’s eyes. For a moment, he thought his father looked his way, but it could have been a trick of the wind. A trick of the perfumed smoke curling above the squat brass braziers. xa0 His father would not want to look into his son’s eyes. The boy knew this. The shame was too great. And his father would die before passing the shame of tears along to his son. xa0 The drums began to pound out a slow beat. A dirge. xa0 In the distance beyond the gates, the boy caught the mufxadfled sound of small children laughing and playing. They were soon silenced by a terse shout. xa0 Without hesitation, his father loosened the knot from around his waist and pushed open his white robe, exposing the skin of his stomach and chest. Then he tucked his sleeves beneath his knees to prevent himself from falling backward. xa0 For even a disgraced samurai should die well. xa0 The boy watched his father reach for the short tantō blade on the small table before him. He wanted to cry for him to stop. Cry for a moment more. A single look more. xa0 Just one. xa0 But the boy remained silent, his fingers turning bloodless in his fists. He swallowed. Don’t look away. His father took hold of the blade, wrapping his hands around the skein of white silk near its base. He plunged the sword into his stomach, cutting slowly to the left, then up to the right. His features remained passive. No hint of suffering could be detected, though the boy searched for it—felt it—despite his father’s best efforts. Never look away. Finally, when his father stretched his neck forward, the boy saw it. A small flicker, a grimace. In the same instant, the boy’s heart shuddered in his chest. A hot burst of pain glimmered beneath it. xa0 The man who had been his father’s best friend took two long strides, then swung a gleaming katana in a perfect arc toward his father’s exposed neck. The thud of his father’s head hitting the tatami mat silenced the drumbeats in a holxadlow start. xa0 Still the boy did not look away. He watched the crimson spurt from his father’s folded body, past the edge of the mat and onto the grey stones beyond. The tang of the fresh blood caught in his nose—warm metal and sea salt. He waited until his father’s body was carried in one direction, his head in another, to be displayed as a warning. xa0 No hint of treason would be tolerated. Not even a whisper. xa0 All the while, no one came to the boy’s side. No one dared to look him in the eye. xa0 The burden of shame took shape in the boy’s chest, heavier than any weight he could ever bear. xa0 When the boy finally turned to leave the empty courtxadyard, his eyes fell upon the creaking door nearby. A nursexadmaid met his unflinching stare, one hand sliding off the latch, the other clenched around two toy swords. Her skin flushed pink for an instant. Never look away. The nursemaid dropped her eyes in discomfort. The boy watched as she quickly ushered a boy and a girl through the wooden gate. They were a few years younger than he and obvixadously from a wealthy family. Perhaps the children of one of the samurai in attendance today. The younger boy straightxadened the fine silk of his kimono collar and darted past his nursemaid, never once pausing to acknowledge the presence of a traitor’s son. xa0 The girl, however, stopped. She looked straight at him, her pert features in constant motion. Rubbing her nose with the heel of one hand, she blinked, letting her eyes run the length of him before pausing on his face. xa0 He held her gaze. xa0 “Mariko- sama !” the nursemaid scolded. She whispered in the girl’s ear, then tugged her away by the elbow. xa0 Still the girl’s eyes did not waver. Even when she passed the pool of blood darkening the stones. Even when her eyes narrowed in understanding. xa0 The boy was grateful he saw no sympathy in her expresxadsion. Instead the girl continued studying him until her nursexadmaid urged her around the corner. xa0 His gaze returned to the sky, his chin in high disregard of his tears. In the beginning, there were two suns and two moons. One day, the victorious son would rise— xa0 And set fire to all his father’s enemies. Illusions and Expectations Ten Years Later On the surface everything seemed right. xa0 An elegant litter. A dutiful daughter. An honor bestowed. xa0 Then, as if to taunt her, Mariko’s litter lurched, jouncing her shoulder into the norimono ’s side. Its raised mother-of-pearl inlays would undoubtedly leave a bruise. Mariko took a deep breath, stifling the urge to grumble in the shadows like an angry crone. The smell of the norimono ’s varnish filled her head, bringing to mind the Dragon’s Beard candy she favored as a child. xa0 Her dark, sickly sweet coffin, bearing her to her final restxading place. xa0 Mariko sank farther into the cushions. Nothing about the journey to the imperial city of Inako had gone well. Her conxadvoy had left later than intended and stopped all too often. At least now—by the way the norimono listed forward—Mariko could tell they were traveling down an incline. Which meant they’d moved past the hills around the valley, more than halfxadway to Inako. She leaned back, hoping her weight would help balance the burden. xa0 Just as she settled in, the litter halted suddenly. xa0 Mariko raised the silk screen covering the small window to her right. Dusk was starting to descend. The forest before them was shrouded in mist, its trees a jagged silhouette across a silver sky. xa0 As Mariko turned to address the nearby soldier, a young maidservant came stumbling into view. “My lady!” the girl gasped, righting herself against the norimono ’s side. “You must be famished. I’ve been remiss. Please forgive me for neglecting to—” xa0 “There’s nothing to forgive, Chiyo- chan .” Mariko smiled kindly, but the girl’s eyes remained wide with worry. “It was not I who halted the convoy.” xa0 Chiyo bowed low, the flowers of her makeshift hairpiece falling askew. When she stood once more, the maidservant passed along a neatly wrapped bundle of food to Mariko. Then Chiyo moved back to her post beside the litter, pausing only to return Mariko’s warm smile. xa0 “Why have we stopped?” Mariko asked the nearby memxadber of the ashigaru . xa0 The foot soldier wiped the perspiration from his brow, then switched the long pole of his naginata to his other hand. Traces of sunlight glinted off its sharp blade. “The forest.” xa0 Mariko waited, certain that could not be the extent of his explanation. xa0 Beads of sweat gathered above the soldier’s lips. He opened his mouth to speak, but the clatter of approaching hooves stole his attention. xa0 “Lady Hattori . . .” Nobutada, one of her father’s conxadfidants and his most trusted samurai, reined in his charger beside Mariko’s norimono . “I apologize for the delay, but several of the soldiers have voiced concerns about traveling through Jukai forest.” xa0 Mariko blinked twice, her features thoughtful. “Is there a particular reason?” xa0 “Now that the sun has set, they fear the yōkai , and they worry—” xa0 “Silly stories of monsters in the dark.” She waved a disxadmissive hand. “Nothing more.” xa0 Nobutada paused, doubtlessly taking note of her interrupxadtion. “They also claim the Black Clan has been seen near here recently.” xa0 “They claim?” A dark eyebrow curved into Mariko’s forexadhead. “Or they’ve sighted them in truth?” xa0 “They are merely claims.” Nobutada lowered the chin guard beneath his horned helmet. “Though it would be unxadusual for the Black Clan to rob us, as they do not generally attack convoys containing women and children. Especially those guarded by samurai.” xa0 Mariko lingered in consideration. “I defer to your opinion, Nobutada- sama .” Recalling the foot soldier from a moment ago, she attempted a smile. “And please see that the ashigaru have time to rest and take in water soon, as they appear overtired.” xa0 Nobutada scowled at her last request. “If we are forced to go around Jukai forest, it will add a full day to our journey.” xa0 “Then it will add a full day to our journey.” She was already beginning to lower her screen, the awkward smile still pasted across her face. xa0 “I’d rather not risk angering the emperor.” xa0 “Then it is an easy choice. We must lead so that others may follow, Nobutada- sama . You taught me that, even as a young girl.” Mariko did not look away as she spoke. Nor did she attempt to apologize for the sharpness of her retort. xa0 His scowl deepened. Mariko smothered a sigh. She knew she was being difficult. Knew Nobutada wished for her to make a decision. At the very least, wished for her to offer an opinion. xa0 To make a useless play at control. A play Nobutada could then smugly subvert, as her elder. xa0 As a man. xa0 Try as she might, Mariko could not help the resentment simmering beneath the surface. Control is an illusion. Expectations will not rule my days. Not anymore. “Perhaps not easy,” Mariko amended, her fingers toying with the edge of the screen. “But it is simple.” She softened her tone—a pitiful attempt to mollify him. One that was sure to chafe, as her contrary nature so often did. Her brother, Kenshin, frequently gave her grief about it. Frequently told her to be less . . . peculiar. xa0 To conform, at least in these small ways. xa0 Mariko dipped her head in a bow. “In any case, I defer to your wise judgment, Nobutada- sama .” xa0 A shadow fell across his features. “Very well, Lady Hattori. We shall proceed through Jukai forest.” With that, he urged his charger back toward the head of the convoy. xa0 As expected, Mariko had irritated him. She’d offered no real opinion on anything since they’d left her family’s home that morning. And Nobutada wanted her to play at directing him. To give him tasks befitting such a vaunted role. xa0 Tasks befitting the samurai in charge of delivering a royal bride. xa0 Mariko supposed she should care she might be arriving at Heian Castle late. xa0 Late to meet the emperor. Late to meet his second son— xa0 Her future husband. xa0 But Mariko did not care. Ever since the afternoon her father had informed her that Emperor Minamoto Masaru had made an offer of marriage on behalf of his son Raiden, she’d truly not cared about much. xa0 Mariko was to be the wife of Prince Raiden, the son of the emperor’s favorite consort. A political marriage that would elevate her father’s standing amongst the ruling daimyō class. xa0 She should care that she was being exchanged like propxaderty in order to curry favor. But Mariko did not. Not anymore. As the norimono lurched forward again, Mariko reached above to adjust the slender tortoiseshell bar speared through her thick coils of hair. Tiny strips of silver and jade dangled from its ends, snarling with one another in a ceaseless war. After Mariko finished sorting them into place, her hand fell to the smaller jade bar below. xa0 Her mother’s face took shape in her mind—the look of determined resignation she had worn as she slid the jade ornaxadment into her only daughter’s hair. xa0 A parting gift. But not a true source of comfort. xa0 Just like her father’s final words: Be a tribute to your family, Mariko- chan . As you were raised to be. Forswear your childish wishes. Be more than . . . this. Mariko’s lips pressed tight. It doesn’t matter. I’ve already taken my revenge. There was no reason for Mariko to dwell on these things anymore. Her life was on a clear path now. Never mind that it was not what she wanted. Never mind that there was so much left to see and learn and do. She’d been raised for a purpose. A foolish one at that—to be the wife of an important man when she could easily have been something else. Something more. But it did not matter. She was not a boy. And—despite being barely seventeen—Hattori Mariko knew her place in life. She would marry Minamoto Raiden. Her parents would have the prestige of a daughter in Heian Castle. xa0 And Mariko would be the only one to know the stain on that honor. xa0 As dusk fell and the convoy made its way deeper into the forest, the scent of warm, wet air took on a life of its own. It mixed with the iron of the earth and the green of newly trod leaves. A strange, heady perfume. Sharp and fresh, yet soft and sinister all at once. xa0 Mariko shuddered, a chill taking root in her bones. The horses around the norimono whickered as if in response to an unseen threat. Seeking a distraction, Mariko reached for the small parcel of food Chiyo had given her, staving off the chill by burrowing into her cushions. Perhaps we should have gone around Jukai forest. She quickly dismissed these doubts, then turned her attenxadtion to the parcel in her hands. Within it were two rice balls covered in black sesame seeds, along with pickled sour plums wrapped in lotus leaves. After unfolding her meal, Mariko shifted her fingers to light the tiny folded-paper lantern swayxading above. xa0 It had been one of her earliest inventions. Small enough to hide in a kimono sleeve. A special slow-burning wick, suspended by the thinnest of wires. The wick was fashioned from cotton braided with river reeds dipped in wax. It kept its shape despite its size, all while burning a steady light. Mariko had made it as a child. In the heavy dark of night, this tiny invention had been her savior. She’d placed it beside her blankets, where it cast a warm, cheery glow by which she’d penned her newest ideas. xa0 Smiling in remembrance, Mariko began to eat. A few black sesame seeds fell onto the painted silk of her kimono; she brushed them aside. The fabric felt like water at her finxadgertips. The color of sweetened cream, its hem bled through with darkest indigo. Pale pink cherry blossoms crowded the long sleeves, unfurling into branches near Mariko’s feet. xa0 A priceless kimono. Made of rare tatsumura silk. One of the many gifts sent to her by the emperor’s son. It was beautixadful. More beautiful than anything Mariko had ever owned in her life. Perhaps a girl who prized such things would be pleased. When more sesame seeds fell onto the silk, Mariko didn’t bother brushing them away. She finished eating in silence, watching the tiny lantern sway to and fro. xa0 The gathering of shadows shifted outside, growing closer and tighter. Mariko’s convoy was now deep beneath a canopy of trees. Deep beneath their cloak of sighing branches and whispering leaves. Strange that she heard no signs of life outxadside—not the caw of a raven nor the cry of an owl nor the chirr of an insect. xa0 Then the norimono halted again. All too abruptly. xa0 The horses began to pant. Began to stamp their hooves in the leafy earth. xa0 Mariko heard a shout. Her litter teetered. Overcorrected. Only to strike the ground with a vicious thud. Her head smacked against varnished wood, throwing stars across her vision. xa0 And Mariko was swallowed into a void. The Nightbeast Mariko woke to the smell of smoke. To a dull roar in her ears. xa0 To shooting pain in her arm. xa0 She was still in her litter, but it had toppled to one side, its contents smashed into a corner. xa0 The body of a familiar maidservant lay across her. Chiyo, who had loved to eat iced persimmons and arrange moonxadflowers in her hair. Chiyo, whose eyes had always been so open and wide and honest. xa0 The same eyes that were now frozen in Death’s final mask. xa0 Mariko’s throat burned. Her sight blurred with tears. xa0 The sounds of movement outside brought her back into focus. Her right hand pressed into a tender lump on the side of her head. She gasped into full awareness, the sound a stranxadgled sob. Her arm pulsed sharply, even with the smallest of movements. xa0 Mariko shook her head clear. And looked around. xa0 From the way Chiyo was positioned across her—and from the way Mariko’s lacquered zori sandals had fallen from the maidservant’s hands—it was clear the girl had tried to free Mariko from the wrecked litter. Tried to free her and died in the attempt. Blood was everywhere. Splashed across the shining inlays. Spilling from the nasty gash in Mariko’s head. Pooling from the fatal wound in Chiyo’s heart. An arrow had pierced clean through the small girl’s breastbone; its tip dug into the skin of Mariko’s forearm, a trickle of crimson in its wake. xa0 Several arrowheads were embedded in the wood of the norimono . Several more were fixed at odd angles across Chiyo’s body. Arrows that could not have been meant to kill a kind maidservant. And had it not been for this kind maidservant, these arrows would undoubtedly have struck Mariko. xa0 Mariko’s eyes brimmed with more tears as she clutched Chiyo tight. Thank you, Chiyo- chan. Sumimasen . Blinking away her tears, Mariko tried to shift her head. Tried to seek her bearings. The ache near her temple throbbed, keeping time with the rapid beat of her heart. xa0 Just as Mariko began to move, a rumble of male voices drew near. She peeked through a break in the mangled screen above. All she could discern were two men dressed in black from head to toe. Their weapons shone bright in the light of nearby torches, their blades oiled a sinister red. It can’t be . . . But the evidence was irrefutable. The Black Clan had overxadrun her convoy. xa0 Mariko held her breath, wincing into the corner as they moved closer to the litter. xa0 “She’s dead, then?” the tallest one said in gruff fashion. xa0 The masked man to the right considered the overturned litter, his head cocked to one side. “Either that or she passed out from the—” xa0 A howl in the distance swallowed the last of their converxadsation. xa0 The men eyed each other. Knowingly. xa0 “Check once more,” the first man said. “I’d rather not be forced to report we failed in our mission.” xa0 The second man gave a curt nod and moved toward the litter, his torch held high. xa0 Panic took hold of Mariko. She clenched her rattling teeth still. xa0 Two things had become clear as these masked men spoke: xa0 The Black Clan obviously wanted Mariko dead. And someone had tasked them with killing her. xa0 Mariko changed position, ever so slightly, as though it might conceal her from their prying gazes. As though it might shrink her into nothingness. Chiyo’s head slumped forward, thwacking against the battered wood of the norimono . Mariko bit back an oath, cursing her thoughtlessness. She inhaled through her nose, willing her heart to cease its incessant pounding. xa0 Why did it suddenly smell so strongly of smoke? xa0 Mariko’s eyes darted around in alarm. The edges of Chiyo’s bloodstained robe were blackening. Brushing against the crumbled wick of Mariko’s tiny lantern. xa0 Catching flame. xa0 It took all her restraint to remain quiet and still. xa0 Terror pressed in on her from all sides. Pressed her to make a final decision. xa0 If Mariko lingered, she would be burned alive. If she moved from her hiding place, the masked men outside would undoubtedly finish their dark task. xa0 Flames licked the hem of the maidservant’s robe, grasping for Mariko’s kimono like the tentacles of an octopus. xa0 Her panic rising, Mariko shifted once more, stifling a cough in her shoulder. xa0 It was time to make a decision. How am I to die today? By fire or by the sword? The advancing man halted a hairsbreadth away. “The litter is on fire.” xa0 “Then let it burn.” The taller man did not flinch. Nor did he look their way. xa0 “We should leave.” The man just outside glanced over his shoulder. “Before the scent of blood and singed flesh draws the nightbeasts.” He was near enough to touch. Near enough to strike, had Mariko the courage. xa0 The taller man nodded. “We shall leave soon enough. But not before you check to make sure the girl is dead.” xa0 The mournful baying grew louder. Closer. Hemming them in. xa0 When the man nearby reached for the mangled screens, one of the norimono ’s damaged poles split in two. The broken wood struck his arm, sending a flurry of sparks every which way. xa0 Leaping back, he cursed under his breath. “The girl is as good as dead.” The man spoke more forcefully, his torch whipping about in the wind. Heat from the mounting fire sent sweat down Mariko’s neck in steady trickles. The growing blaze near her feet crackled as it seared Chiyo’s skin. xa0 Mariko’s stomach lurched at the smell. Sweat poured onto her stiff white collar. Make a decision, Hattori Mariko! How do you wish to die? Her teeth chattered. With a forceful swallow, Mariko dug her fingernails into her palms, her eyes flitting about the small, shattered space. Bravery did not come to her naturally. She spent too much time weighing her options to be brave. Too much time calculating the many paths before her. xa0 But Mariko knew it was time to do more. Time to be more. xa0 She would not die a coward. Mariko was the daughter of a samurai. The sister of the Dragon of Kai. xa0 But more than that, she still held power over her decisions. xa0 For at least this one last day. xa0 She would face her enemy. And die with honor. xa0 Her sight blurring from the thickening smoke, Mariko pushed Chiyo aside, her hands trembling despite her best efforts. xa0 A shout rang out in the darkness. The man near the norimono twisted around at its cracking toll. xa0 The cries were followed by the snarl of an animal. The growl of several more. xa0 Another shriek. The echo of a death knell. With it came the cries of feasting animals. xa0 “The nightbeasts!” The man with the torch pivoted again, his flame leaping with his motions. “They’re attacking our flank!” xa0 “Check the girl,” the first man insisted. “The girl is more important than—” xa0 “The prince’s bride is as good as dead!” With that, he threw his torch on top of Mariko’s norimono , whirling away as he sealed her fate. “Collect our fallen. Leave nothing bexadhind,” he yelled to men she could not see. xa0 Mariko bit back a scream as clanking metal and rustling bodies converged in the nearby shadows. Chaos grew with each passing moment. The flames in the norimono leapt higher. Faster. Their heat turned her skin pink. She clasped her finxadgers tight, smothering her coughs as she shrank farther into the corner. Tears streamed down her face, leaching her of all resolve. Coward. The torch above crackled to fire against the varnished wood of the norimono . xa0 It wouldn’t be long before Mariko would burn along with it. The lacquered tinder around her popped and fizzed, the melted resin burning into blue flame. xa0 A shuddering breath flew past her lips. I am not a coward. I am . . . greater than this. Her tears stained the front of her kimono silk. She refused to die like an animal locked in a cage. Like a girl with nothing save her name. xa0 Better to die by the sword. Better to die at the mercy of the nightbeasts. xa0 To die in the night air. Free. Her pulse trilling in her fingertips, Mariko shoved Chiyo’s body away in final decision. She kicked open the norimono ’s door. One glossy sandal fell as she struggled to heave herxadself through, gulping air to quench the burn in her throat. Mariko reeled from the ruins, her eyes wild as she glanced about, frantic. xa0 The forest was full dark. xa0 And her kimono was on fire. xa0 Her mind worked quickly. Instinctively. Mariko wrapped the silken material around itself, robbing the fire of the air it needed to burn. Her wrist seared beneath the kimono’s folds, smoke curling from the watered silk in grey wisps. With a rasping cry, Mariko tore at her obi, cursing the way it had been wound about her waist. So intricate. So unnecessary. Stumbling through the underbrush, she ripped the beautiful kimono from her shoulders, lurching away from the burning norimono like a drunken fool. xa0 Her eyes sought the darkness for any beacon of light. All she could see was her litter, engulfed in flames. Her kimono smoldered against the forest floor. If the men return, they will see the kimono. They will know I escaped. Without hesitating, Mariko took hold of the hem and hurled the silk back at the pile of hissing flames. xa0 It flared as it touched the melting varnish. Burning silk and scorching lacquer. Melting Dragon’s Beard candy. xa0 Mingled with the scent of searing flesh. Chiyo. She blinked hard, struggling to remain steady. xa0 All around her were the bodies of her father’s convoy. Maidservants. Samurai. Foot soldiers. xa0 Slaughtered as one. xa0 Mariko stood swathed in shadow, her chest heaving as her eyes flew across the damp earth. xa0 Anything of value had been taken. Swiftly. Efficiently. Trunks had been emptied. Imperial chargers had been yoked as chattel, leaving nothing but their tasseled reins behind. Ribbons of red and white and gold littered the ground. xa0 But Mariko knew robbery had not been the primary objective. The Black Clan tried to murder me. Even though they knew I was to marry Prince Raiden, they still carried out their task. Someone with sway over the Black Clan wishes me dead. Cold shock descended upon her in a sudden rush. Her shoulders began to wilt. Again—as if on instinct—Mariko set them straight, her chin braced against the threat of further tears. She refused to succumb to shock. Just as she refused to grant refuge to her fears. Think, Hattori Mariko. Keep moving. She staggered forward, intent on fleeing without a glance back. Two halting steps were all she managed before she thought better of it. Thought better about the odds of proxadceeding through a darkened wood, unarmed and dressed in nothing but her underclothes. xa0 Shielding herself from the worst of the carnage, Mariko moved toward a fallen samurai. His katana was missing, but his shorter wakizashi was still in its scabbard, bound to his waist. She took the small, wieldier weapon in hand. Pausing only to kick soil across her tracks, she moved through the forest, without direction, without purpose. Without anyxadthing, save the need to survive. xa0 The darkness around her was oppressive. She stumbled on roots, unable to see. After a time, the lack of one sense heightened all the others. The snap of a twig or the scuttle of an insect rang through the air with the resonance of a gong. When the bushes nearby rustled—steel grinding against stone—Mariko pressed into the bark of a tree, terror finally taking the last of the warmth from her blood. xa0 A low growl crawled from the earth, cutting through her like the thunder of an approaching army. It was followed by heavy paws padding over dead leaves. xa0 A savage sort of stealth. xa0 A nightbeast, stalking the last of its prey. xa0 Mariko’s stomach clenched, and her fingers shook as she prepared to meet her end. No. I will not cower in a corner. Never again. She scrambled away from the tree, her ankle catching on a scree of rocks. Each movement jolted through her as she landed on the forest floor, only to claw back to her feet. Her body felt alive, energy rolling beneath her skin in waves, all while her blood coursed through her body. There was nowhere to hide. The white silk of her underrobe did nothing to shield her from the forest’s most sinister monsters. xa0 The growling behind her had become a steady grumble. Undeterred. Moving ever closer. When Mariko spun around to face her attacker, two saurian yellow eyes materialized in the darkness. Like those of a giant snake. xa0 The creature that formed around these eyes was immense, its features resembling a jaguar, its body as massive as a bear. Without further provocation, the beast rose on its hind legs, saliva dripping from its bared fangs. It threw back its head and howled, the sound ricocheting into the night. xa0 Her knees turned to water as Mariko fought to brace herself. xa0 But the creature did not attack. xa0 It looked to one side, then back at her. Its yellow eyes glowed bright. It canted its head, as though glancing past her shoulder. Run! a voice within Mariko cried out. Run, you silly little fool! She inhaled, taking a slow step back. xa0 Still the beast did not attack. It glanced again to the same side, then back at her, its growl rising in pitch and ferocity. xa0 As though it was warning her. xa0 Then—without another sound—the beast glided toward her. Like a ghost. Like a demon of the forest, flying on a whorl of black smoke. xa0 Mariko’s scream tore through the night sky. xa0 The creature disappeared in a whoosh of air. In a swirl of inky darkness. xa0 “Well.” A gruff voice resonated from behind her. “Fortune has indeed smiled upon me tonight.” Read more

Features & Highlights

  • From the #1
  • New York Times
  • bestselling author of
  • The Wrath and the Dawn
  • , comes a sweeping, action-packed YA adventure set against the backdrop of Feudal Japan where
  • Mulan
  • meets
  • Throne of Glass
  • .
  • The daughter of a prominent samurai, Mariko has long known her place—she may be an accomplished alchemist, whose cunning rivals that of her brother Kenshin, but because she is not a boy, her future has always been out of her hands. At just seventeen years old, Mariko is promised to Minamoto Raiden, the son of the emperor's favorite consort—a political marriage that will elevate her family's standing. But en route to the imperial city of Inako, Mariko narrowly escapes a bloody ambush by a dangerous gang of bandits known as the Black Clan, who she learns has been hired to kill her before she reaches the palace.      Dressed as a peasant boy, Mariko sets out to infiltrate the Black Clan and track down those responsible for the target on her back. Once she's within their ranks, though, Mariko finds for the first time she's appreciated for her intellect and abilities. She even finds herself falling in love—a love that will force her to question everything she's ever known about her family, her purpose, and her deepest desires.

Customer Reviews

Rating Breakdown

★★★★★
30%
(566)
★★★★
25%
(472)
★★★
15%
(283)
★★
7%
(132)
23%
(435)

Most Helpful Reviews

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Hard Not to Compare to Author's Previous Work

I had a tremendous amount of expectations going into Renée Ahdieh’s Flame in the Mist, the first installment in her newest series. The Wrath and the Dawn is one of my favorite duologies and I am still struck by the beauty of Ahdieh’s writing. Flame in the Mist unfortunately did not meet my expectations. It’s a novel that I really wanted to like, but I never felt fully immersed in its world. I liked the concept of the story more than it’s execution. I liked the idea of a girl disguising herself as a boy in order to uncover the truth about the failed assassination attempt on her life, but Mariko herself felt like an incomplete character. We’re told countless times that she is odd and clever, but I never felt that the story actually showed these characteristics in action. She infiltrates the Black Clan, a group of thieves who she believes tried to kill her, but she never really has a concrete plan on how to find answers to her questions. I found myself really frustrated while reading this one because a lot of time is spent on character introspection. I wouldn’t mind this normally since inner conflict is a good sign of a character-driven novel which I love, but so many times these characters were reflecting on things I’d already been told and it felt very superfluous. The book has this really interesting magical element that is not explored enough and which I wanted so bad to learn more about. In the end, I never felt an emotional connection to any of the characters which really affected the way I received this book.
19 people found this helpful
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Infuriating retelling of Mulan with a particularly horrible main character

Mariko, 17 year old daughter to an esteemed samurai and a favored family, has no illusions that she is to marry the emperor's son to benefit her family and their position. Her convoy is attacked by a gang of thieves called the Black Clan leaving her the only survivor. After killing an assailant and stealing his clothing, Mariko chops off her hair and disguises herself as a boy to investigate the Black Clan gang. She gets closer than expected when they kidnap her and recruit her into the bottom rung of their ranks with the abusive treatment and gruelling work to prove her loyalty. She takes to her new life, makes friends, and even falls in love, but it's all getting in the way of her one true goal: revenge.

Conceptually, a retelling of Mulan sounds like a great idea. However, the characters, the worldbuilding, and the writing are so uneven and inconsistent that it fell apart for me. So much about Mariko doesn't make sense to me. She feels like her potential is squandered as a woman only meant for the feminine arts, marriage, and raising children, which makes sense. However, she has disdain for her entire gender and sees herself as above it. I hate the "not like other girls" trope because it's meant to make the main character seem so special and also put down other girls and stereotypically feminine things. It's annoying, overdone, and a lazy way to make the character stand out. Mariko suddenly adapts to living as a homeless person and as a Black Clan trainee. I find it hard to believe that someone pampered their whole life wouldn't complain a little bit or not know what to do in that situation. She's also the inventor of the smoke bomb and the shuriken, which plays into her being super special. The smoke bomb is used in battle without even being tested first, putting herself and her crew at risk. Her skill with the shuriken is suddenly perfect with no training or practice at all. I couldn't suspend my disbelief enough for a lot of her behaviors and accomplishments.

Mariko contradicts herself constantly. She's inept at so many things, but delusional about it. She claims to hate "feminine" emotions (as if boys aren't emotional), but her emotions control her actions most of the time. Whenever she feels self concious or judged by her appearance, she dismisses it as being weak and feminine. She puts on a calculated act that would work if every one of her later actions didn't contradict it, usually accompanied by explosive emotion of some kind. She pats herself on the back for "infiltrating" the Black Clan base when she tried to escape numerous times and only stayed because she was drugged. In her head, she strives to be samurai-like and virtuous, but she turns around and constantly lies and steals without recognizing how counter to her views it is. So many of her stupid decisions should have left her maimed or dead due to her lack of planning, emotional instead of intellectual motivation, or the need to prove herself. Mariko is definitely flawed, but she's also not likeable and not someone I would want to root for.

The world is set in rural Japan. For most of the book, I thought it was more of a historical retelling outside of fantasy, but there are a few instances of magic. The magic system is never explained at all. I thought maybe she was mistaken or describing things weirdly, but the one character who uses magic seems woefully out of place in this otherwise historical setting. The Black Clan members open up to Mariko way too soon and don't guard against her despite being a successful and skilled gang that would know she might turn on them if given the opportunity. The writing is a bit clunky and tells a lot rather than shows, as evidenced by Mariko's behavior. She says and thinks so many things that are shown to be contradictory to what actually happens. The one part of the book I liked was how the two love interests resent their romantic feelings and try to work against them. Other than that, A Flame in the Mist was a chore to get through with the numerous problems I had with Mariko and her internalized misogyny plus the leaps of logic in the rest of the story. I won't read any more of this series, but I bought her previous series that I hope doesn't suffer from these same problems.
10 people found this helpful
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Not as exciting as anticipated, but still good!

The hype surrounding Flame in the Mist mostly seemed to arise from the exciting idea that this book would be a retelling of one of the most beloved Disney films, Mulan. I, too, was really excited by that possibility and so I went in with some pretty high expectations. After reading, I have to say that while I really like this book, I can’t say that it’s perfect.

Renée Ahdieh’s writing is just as descriptive and fluid as her prose in her The Wrath & the Dawn duology. She goes into great detail to bring her setting of feudal Japan to life, and it’s quite obvious that the author did a good bit of research to make her characters and the world they live in to be as authentic as possible. While some elements of the Mulan storyline are present (i.e. girl disguises herself as a boy), the story itself is fairly original and a story all its own.

The characters were all very interesting, especially Mariko, whom I found to be very clever, independent, strong-willed, and extremely capable of taking care of herself. And luckily, Mariko wasn’t the only strong female character. There were other women who excelled in their own strengths, such as the geishas, the emperor’s mistress, and even the empress, and so I really appreciated the feminist aspect of the book.

I also found Mariko’s and Kenshin’s sibling relationship to be strong and genuine despite the distance between them. And even though we weren’t given that many chapters from Kenshin’s POV, I felt that we were given enough to get to really know and appreciate his character.

Okami had a mysteriousness about him I found appealing and I liked his standoffish yet playful nature. I enjoyed his odd friendship with Mariko while she was disguised as a boy, but I felt as if the romance between him and Mariko (once it she is revealed to be a girl) was a bit forced and not at all very well-developed. It kind of appeared for the sake of plot progression and it just didn’t feel natural enough.

As for the plot itself, I felt the beginning was very engaging and started out with a bang, but the rest of the book sort of reaches a plateau in which nothing of great interest occurs. The action is severely reduced as the pacing slows down so that we’re better able to see Mariko engage with her environment. The ending, however, picks up the pace again, only to end far too quickly and somewhat abruptly.

The magic element was a welcome addition to the story but the description of the magical acts were kind of vague. I didn’t really understand the rules of magic use in this world and by the end, I was kind of wondering if it was really necessary even though I knew it was. Hopefully the next book clears some things up.

Mariko’s fierceness and determination are the best parts about the book and I love how detailed this world is. I would have liked to read more action scenes and I wish the romance and Mariko’s friendships among the Black Clan members were better established. Other than those few things, I thought this was a very enjoyable book.
6 people found this helpful
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Mariko has NOTHING on Mulan

I'm frustrated. (At least I only rented it from the library; I was *this close* to being seduced by the cover and buying it.)

I gave this book the [over] 100 page try and skimmed the rest. But the fact of the matter is... I do not care about these characters, and nothing really happened in those 100 pages. Literally, there are about 50 pages of Mariko posturing against a degenerate, alcoholic thug (when she was initially being chased by a mythical forest monster???). I get it- just kill the guy, and move on! Then another 30 of her watching the Black Clan strut around/fight before she throws sand in someone's eyes and saves the day or something. I don't know, that was around the time I completely lost interest.

Mariko is this "prodigy" who complains about everything. She is a scholar with a thirst for knowledge, but because she is a woman she can't...use her brain. And because she is a woman she must marry...a prince. *eye roll* Please, cry me a river about how well off you are. It must really be terrible that you are being forced to partake in a marriage tradition that dates back centuries in your historical time period.

As someone with a degree in History - and, you know, LIKES history - I personally don't see the point of writing historical based fiction, fantasy or not, if you are just going to insert your modern views/biases on it... Like, tell me something I don't know. I'd rather learn about the Japanese time period than the Hilary Clinton presidential platform. Otherwise, what's the point? Just write a contemporary fantasy.

Arranged marriages don't have a place in our society, but for many centuries it was not uncommon pretty much worldwide. There were also many incredibly talented and cunning women who thrived within the "confines" of an arranged marriage. I want to read about them! Instead of changing history, can we perhaps attempt to explain and explore history without falling back on "all men are pigs and all women are objects" generalizations? Why? WHY was it customary???? Teach me something new!

Or maybe that's just me.

Anyway, Mariko cries on and on about the injustices women face, how women don't matter at all, and blah blah blah. I would care more about Mariko's plight if it actually felt authentic. She has no reason to feel this way! She is engaged to marry a prince, and SOMEHOW that will hinder her ability to learn, explore, and be herself. Because from where I'm looking, marrying into that kind of wealth/power would put her in a great position to do exactly what she wants to do. It's never actually explained why that wouldn't be possible. Ahdieh merely falls back on the all too common "all rich men are oppressive" stance without really backing it up.

But don't worry, Mariko is REALLY CLEVER, as is mentioned on every other page. And she has the heart of a warrior, of course. Although, oddly enough, I never actually saw her do one clever thing. It's all fight-or-flight instinct and bluster. And luck. Lots of luck. I feel like Ahdieh took every Ravenclaw stereotype and adjective, and named her Mariko.

Trust me, she is no Luna.

I just DO NOT UNDERSTAND the irony that is Mariko's character! She brags on and on about what a scholar she is, how she loves to learn!... And yet Ahdieh teaches us NOTHING about Feudal Japan and the culture that actually exists. She relies completely on stereotypes. It's EXTREMELY disappointing because Japan is a part of the global stage that is missing from YA and fantasy literature.

Ugh, and the Black Clan? They are just Robin Hood and his Angry Men. I don't even need to finish the book to know that they probably believe (and convince Mariko) they have all the moral high-ground, and the Emperor and all his ilk are scum dressed in silk. All I see is one patriarchy pitted against another patriarchy. Ahdieh tried to give the clan leader this tragic backstory that would justify everything, but *eh*. I'll give her this - it was the closest I came to caring.

In the end, it all felt like complaining with the justification and reasoning of a child. I have a lot of books on my TBR list, so I'll be moving on now.

P.S. This is yet another book that romanticizes thievery and murder. Just what we all need.
5 people found this helpful
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For one to be truly disappointed with something or someone one must care enough in the first place

* I received an e-ARC of this book from Penguin Young Readers Group via NetGalley in an exchange for an honest review. As always, I only every write my true thoughts *

I'm disappointed.

Not the first words I wanted to write.
Not the first words I wanted to be read.

But they also bring comfort. Because for one to be truly disappointed with something or someone one must care enough in the first place.
And I truly do care - about Renee Ahdieh's stories, about her characters, about her words and worlds. I knew it from the moment I read The Wrath & The Dawn and I know it now despite my disappointment.

First things first, a few details about Flame in the Mist:

* This is not really a Mulan retelling.
Now, now, I don't mean it in a bad way, just as a statement. Since everyone say it's a Mulan retelling everyone who love Mulan (myself included) go into it with a lot of certain expectations. But aside from the fact that it's a story about a girl who disguises herself as a boy at a time where women are not treated fairly nor taken seriously, there are no other similarities to Mulan. Honestly speaking, I wouldn't even have thought of Mulan, reading this story, if it hadn't been for the people saying it's a retelling. So no, this story stands on its own with no deep connections to Mulan.
Certainly, it could be very loosely inspired by the infamous Mulan, but no more than that.

* The story follows Mariko, the daughter of a Samurai, as she infiltrates the ranks of a group known as The Black Clan. Shortly after her convoy was attacked on her way to her arranged marriage to prince Raiden, Mariko sets on a journey of self-discovery and self-worth to prove herself capable of undermining the people behind the attempt on her life. Needless to say, things do not go well and Mariko soon finds herself in much deeper trouble than she realizes.

* There's romance, which was sweet yet confused me (no insta-love or love triangle).

* This story is very different from The Wrath & The Dawn. For starters, I found it much harder to get into. It didn't... flow like The Wrath & The Dawn did for me. It was rather - well, rather a lot - descriptive. In terms of places, characters, scenes... I found a lot of the descriptions too hard to follow and even to the point where they interfered with some of the enjoyment in the book. They were beautiful and unique, but hard to get into. I could see the beauty in them, but they didn't tug at my heart, didn't make me feel as though they were necessary for me. This might very well be a matter of taste, since I'm not all that fond of overly-descriptive books and complicated metaphors. I found myself craving more dialouge, less descriptions. More activity, less thoughts.

* Most of the story is from Mariko's POV, but there are multiple POV's (out of those most of them are from Mariko's brother POV).
In that sense, it was very much like the trouble I had with The Wrath & The Dawn. At first, the multiple POV's were interesting. Quickly enough they wore out on me and I couldn't find why they were even necessary to the progression of the story. All I wanted was to get back to Mariko and her love interest (whose name I won't say since it's all the fun figuring this out on your own *wink*).

* It takes place in ancient Japan, which I loved (Japanese obsessed over here) - we're definitely lacking in books that take place in Japan.
When writing a story that takes place in a place like Japan, it's important to do your research. And I felt like Renee Ahdieh did it extremely well. Maybe too well, though, since it felt like it had a lot to do with the over-descriptive problem I've been having with it.

My problems with Flame in the Mist:

We barely get anything our of everything.

No, seriously, I read an entire book just here and yet I feel like I learned nothing.
I feel like stuff happened without even the reader realizing how they happened.
Like the romance - it just sort of happened with no development. Like one minute it wasn't and the next... it was.
The development of their relationship (from enemies to lovers) was lacking in a way I had a hard time believing came from the author who wrote such a complex and engaging love story in The Wrath & The Dawn.
And while I did find myself rooting for those two, I couldn't shake my disappointment and need for something more... for more interaction. Development. Dialogue. Something.

The relationship between Mariko and Kenshin (her twin brother) - we are told how much they love each other yet we don't really see it.
Yes, I think this is the biggest problem of all.
We're told more than we're shown.
Trust me, I'm a great believer in the power of words. Without them, we're nothing. But just being told something repeatedly, with no action or visual whatsoever to support it... just feels fake and empty, if you know what I mean.
Actions speak louder than words, are they not? (said the writer).

That's how I felt during the story, with almost everything.
We're told about the great and unbreakable bond between Ranmaru and Okami - That's great! I love strong friendships. So then what do we have to support it? Nothing, really.

We're told about the great trust and love between Kenshin and Mariko - what do we have to support it? Nothing really.

It seems like I'm asking for proof here but it's not proof it's... action. engagement. Something this book was clearly lacking.

So yes, I enjoyed it enough to keep on reading.
But no, I didn't get this book. It confused me greatly. And I kept on wanting more out of it.

"What did you do now, woman?" He seethed, his face wan, the color in constract to his eyes.
"Nothing you need concern yourself with, boy," Mariko retorted.

But wait just a second.
Despite my reservations, I did rate this book 3 stars. Which means, despite having my problems with it, I did enjoy it. I didn't DNF it.
Especially by the end of it, I seemed to have gathered more affection towards the cast of characters and the place the story was going.

"If I'm marching to my death, then I will march to it as a girl. Without fear."

I also loved how, despite everything, Mariko never gave up.
She was weak but she kept on fighting.
She was scared but she kept on going.
So yes, maybe I still don't get Mariko at all. Maybe I still don't understand what makes her a character I can care for but... she deserves applause just for her strong sense of self-worth and feminism.

Did I enjoy this book? Quite.
Will I read the next one? Yes.
Do I hope for it to get better? Very much. Please let me see and feel more next time.

* This review was first published on my blog Magiverse *
Thanks for reading (:
4 people found this helpful
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Not worthy of a comparison to Mulan... A confusing, disappointing read

It was a struggle to get through Flame in the Mist; there were many times where I wanted to quit. I enjoyed Ahdieh's Wrath and the Dawn; the story felt original and it kept me interested. This didn't feel like a Mulan re-telling at all. Mariko is on the run from assasins who killed her servants and attempted to kill her. She decides to join up with the suspected gang to try and find out why they're after her and to "secure her family's honor"...??? I don't understand why she thinks this is a good idea. At least in Mulan, she enters the war to save her ailing father from having to. Mariko's decision is stupid; why would you want to join those who are after you, you're making it very easy for them to find you now!

Ahdieh's writing style felt very repetitive and confusing. It was hard also because the ARC did not have the glossary included. I could finagle out meanings of Japanese words by context but some not. But my interest level was so low, I didn't really care to look them up.

Overall a disappointing read. There is some intrigue built for the next installment but I'm not rabidly curious to see what happens. There is some mild profanity, kissing scenes and an implied sex scene.
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One Star

Absolutely awful
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Wonderful

I ended up really enjoying this much more than I thought. I have never read her other books, I think I picked it up actually and didn't finish it. But I enjoyed the setting of this book. Characterwise there's a lot of good, with a tiny bit of complaints. I enjoyed them to the most part, but there were just some things lacking. For example, I wanted more with Kenshin and Mariko (they're siblings), but I wanted their sibling bond to be stronger or more developed. Additionally, Kenshin was such an interesting character. I liked Okami and Rannmaru, but we only get Okami's perspective quite late in the story and that leaves me with just questions upon questions. Speaking of Mariko, she has an interesting place in my heart. On the one hand, she feels very boxed in by what is expected of her as a woman and her role in society. Her cross dressing to figure out the mysteries is reminiscent of Mulan, and that I liked, but her ending as well as some aspects of her romance with Okami left me questioning.

Overall, I am looking forward to the next, because, while the magic was barely there now, I think in the next it will become more prevalent. Also maybe the characters will show more of their colors.

Disclaimer: I received this book in exchange for an honest review from First to Read.
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It's possible I love this book even more than Renee's others

It's possible I love this book even more than Renee's others, and I've adored all her books so far!
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Mulan retelling? I don't see it.

Let me start by saying a lot of ppl love this book... The reason I rated it 3 stars is because I just couldn't get into the book. It's all over the place and I felt like I needed to stop and Google every Japanese reference while reading. I've never tried so hard to get into a book I even forced myself to sit and read but I couldn't get past pg 100. The book club I'm in chose this as our August book and I wasn't the only one that felt this way. To be fair there are some that read and loved it. Just know going into it that it's not really a Mulan retelling and read some blurbs and more reviews before you decide if it's the book for you!
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