Go, Went, Gone
Go, Went, Gone book cover

Go, Went, Gone

Paperback – September 26, 2017

Price
$14.95
Format
Paperback
Pages
320
Publisher
New Directions
Publication Date
ISBN-13
978-0811225946
Dimensions
5.4 x 0.8 x 8 inches
Weight
11.3 ounces

Description

"A retired widower and classics professor takes an interest in African migrants staging a hunger strike in Berlin and finds himself tumbling into a world of harrowing stories and men who share a common sense of loss." ― Boston Globe "This brilliantly understated novel traces with uncommon delicacy and depth the interior transformation of a retired German classicist named Richard. Erpenbeck possesses an uncanny ability to portray the mundane interactions and routines that compose everyday life, which she elevates into an intimately moving meditation on one of the great issues of our times. Her economical prose lends existential significance to the most commonplace conversations, defined less by what they include than by what they omit." ― Andrew Moravcsik, Foreign Affairs "The plight of asylum seekers as told through a retired university professor...Very moving." ― Carol Morely, Guardian "Beautifully haunting." ― Interview Magazine "This timely novel brings together a retired classics professor in Berlin and a group of African refugees. The risk of didacticism is high, but the book’s rigor and crystalline insights pay off, aesthetically and morally." ― The New York Times "A highly sophisticated work." ― Kate Web, The Spectator "Calls to mind J.M. Coetzee, whose flat, affectless prose wrests coherence from immense social turmoil. By making the predicament of the refugee banal and quotidian, Erpenbeck helps it become visible." ― Sam Sacks, The Wall Street Journal "The best novel to date about the migration refugee crisis, German novelist Jenny Erpenbeck’s Go, Went, Gone (New Directions) felt both urgent and tender, taking on depicting Europe on the brink of its next profound change―as seen through the eyes of a professor from Berlin’s former East, a man who knows something of what it means to lose one’s place in the world." ― Megan O'Grady, Vogue "Erpenbeck’s prose, intense and fluent, is luminously translated by Susan Bernofsky." ― James Wood, The New Yorker "Wonderful, elegant, and exhilarating, ferocious as well as virtuosic." ― Deborah Eisenberg, The New York Review of Books "This new novel by the author of The End of Days and Visitation is full of departures and disappearances. It is both a gripping story about the life of the modern migrant and a meditation on how we all find meaning in life." ― The Guardian "Erpenbeck works with a dramatist’s impulse to extremes and a composer’s ear for the resonant phrase. She can catch a murmur on the air and send it echoing up and down a hundred tormented years. Go, Went, Gone tackles an issue that’s made headlines―namely, the plight of African refugees in Europe. It clearly engaged this author like nothing before. A fresh career benchmark." ― Bookforum "Erpenbeck is scathing about the absurdities of a nightmarish bureaucracy that appears to deliberately wrongfoot refugees. Deceptively unhurried, yet undeniably urgent, this is Erpenbeck’s most significant work to date." ― Financial Times "Dreamlike, almost incantatory prose." ― Vogue "Acclaimed German novelist Jenny Erpenbeck has gone further than most in examining the ephemeral nature of human life. A heart-rending plea for universal tolerance and respect." ― Anthony McGowan, The Big Issue "An extraordinary novel, bearing unflinching testament to history as it unfolds." ― Neel Mukherjee, The New Statesmen "A nuanced depiction of people who have largely given up the luxury of hope and have little to do but wait. Erpenbeck bluntly reminds readers what is at stake for Germany and, by extension, the world. Axa0timely, informed, and moving novel of political fury." ― Brendan Driscoll, Book List Jenny Erpenbeck was born in East Berlin in 1967. New Directions publishes her books The Old Child & Other Stories , The Book of Words , and Visitation , which NPR called "a story of the century as seen by the objects we've known and lost along the way." Susan Bernofsky is the acclaimed translator of Hermann Hesse, Robert Walser, and Jenny Erpenbeck, and the recipient of many awards, including the Helen and Kurt Wolff Prize and the Hermann Hesse Translation Prize. She teaches literary translation at Columbia University and lives in New York.

Features & Highlights

  • New York Times Notable Book
  • 2018;
  • Foreign Affairs
  • Best Book of 2018; Lois Roth Award Winner
  • An unforgettable German bestseller about the European refugee crisis: “Erpenbeck will get under your skin” (
  • Washington Post Book World
  • )
  • Go, Went, Gone
  • is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (
  • The Millions
  • ). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.
  • Go, Went, Gone
  • is a scathing indictment of Western policy toward the European refugee crisis, but also a touching portrait of a man who finds he has more in common with the Africans than he realizes. Exquisitely translated by Susan Bernofsky,
  • Go, Went, Gone
  • addresses one of the most pivotal issues of our time, facing it head-on in a voice that is both nostalgic and frightening.

Customer Reviews

Rating Breakdown

★★★★★
30%
(428)
★★★★
25%
(357)
★★★
15%
(214)
★★
7%
(100)
23%
(329)

Most Helpful Reviews

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We become visible

“The things you’ve experienced become baggage you can’t get rid of.”
“People with the freedom to choose get to decide which stories to hold on to”
Page 67

“Where can a person go when he doesn’t know where to go?”
Pps. 226-67

Written in 2015, the story of Go Went Gone is a contemporary story of African refugees in Germany. Richard, the protagonist, is a professor emeritus of philology. So, he is an expert on languages and has a keen understanding of literature. His wife has died, and his unrecognized loneliness during his retirement is conveyed to the reader by his actions. He lives a typical and routine lifestyle marked by the commonplace and banal until he becomes curious about a group of African refugees who have been camping in Oranienplatz, a square in Berlin.
He recognizes that the Africans are different from himself in many ways, and he accidentally begins to discover how they may have traits similar to his own. At first, he acts in his career-oriented research mode, and he decides to interview them and record their stories. He recognizes his ignorance about Africa, African countries, and of course, African people. Through the details and themes of the refugees' stories, recognizes the refugees as human beings. He acknowledges their powerlessness and then the powerlessness in himself until he truly embarks on some transition. It seems that he has had a change of heart—growing from academic curiosity to friend and activist. However, his inner thoughts and emotions are never explicitly discussed in the novel. Richard realizes that he does have the power to do some things to help these refugees' plight. Richard can relate to some of the refugees' barriers since he had been an East German and now part of the “West,” a different culture from his upbringing.

Richard is highly educated. He continually attempts to apply his knowledge of the classics to his study of the refugees. His deep knowledge of civilizations almost works against him since he knows he wants to do something and doesn’t know what or how. Finally, a German teacher, a young Ethiopian, invites him to teach German to some more advanced African refugees. Teaching verb conjugations such as go, went gone, gives the reader a partial clue to the title significance since through this rudimentary teaching, Richard learns how to be helpful. Eventually, Richard provides some practical assistance to some of the African men through his language lessons. He transitions from mindless interviewing the men to actually communicating and befriending them in his own detached manner. He invites Osarobo, who has traveled to Germany from Niger via Libya, to his house to learn piano. He arranges for Ali from Chad to work as home health care aid for a friend’s mother.
Eventually, he brings Rufu to a psychiatrist and a dentist and buys land in Ghana for Karon’s family. At the end of the book, Richard asks the government to declare his house a shelter for some of the men who are not granted asylum. So, his involvement changes from indifferent curiosity to immersive involvement. Some

Some of the themes and questions developed by Erpenbeck in this novel include:
What does it mean to be a stranger? Is Richard’s unfamiliarity with the united Berlin akin to the cultural differences between the African refugees and the Germans?
Are the provisions of the Dublin II designed to keep refugees out?
What is ordinary life? How culturally dependent is the definition of ordinary? Loneliness
What does it mean to feel foreign?
Comfort/Routine—how far out of one’s comfort zone is acceptable?
What is friendship? Are emotional attachments required for friendship?
Transitions—from marriage to widowhood, work to retirement, East Berlin to Berlin, and Africa to Europe.
IMMIGRATION
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A Difficult Book, but a Terribly Relevant One

This story is told in the first person present for a reason. The reader is right inside the mind of Richard, a retired professor of classics living in what was once East Berlin. He is adjusting, not very well, to the death of his wife, to retirement, to knowing that a man drowned in the lake outside his window and the body has not been recovered. The reader is with Richard step by step as his world view changes.

The body of the drowned man lurking under the calm lake surface prevents Richard, and most other residents of the area, from using the lake. This hidden fear becomes a metaphor for German society, where the iron rule of law conceals the racial hatred, fear, and resentment of the Germans for the African refugees who have entered their lives.

This is not an easy read. The immediacy of the narrative, the occasional shifts in point of view, the harshness of the subject itself, all make “Go, Went, Gone” easy to put down. I took it a few pages at a time, and finally toward the end was able to read larger chunks. It was hard because it made me think about what I am doing in the face of injustice, especially when injustice is cloaked under the shelter of law. Richard makes room for compassion and mercy in his life. Do I?
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A call for human virtue and compassion

Refugees transiting north Africa, through the atrocities of war in Libya, suffer immense trauma and loss in desert and sea crossings, to be treated harshly by a hostile public, media, state and law in Berlin. Only a minority show them human compassion, despite the host population itself having experienced recent huge social transition.

Erpenbeck’s account is a telling critical study on social values, the nature of change in the human experience whether from migration or retirement, the failure of law to recognise and reflect virtue, and the failure of humans to act virtuously. Her critique does include a minority whose compassion offers hope for humanity and its society. She allows this minority to win through. We can only hope that she is right and act ourselves likewise.