Good Blood
Good Blood book cover

Good Blood

Hardcover – February 3, 2004

Price
$22.49
Format
Hardcover
Pages
304
Publisher
Berkley Hardcover
Publication Date
ISBN-13
978-0425194119
Dimensions
6.34 x 1.06 x 9.24 inches
Weight
1.19 pounds

Description

From Publishers Weekly Set in the charming village of Stresa on Italy's Lake Maggiore, Elkins's 11th mystery to feature Gideon Oliver (after 2000's Edgar-winning Skeleton Dance) shows the forensic anthropologist in fine form. Oliver's half-Italian friend Phil Boyajian decides to combine a visit to relatives with a tour he's organizing, and invites Oliver and his wife to come along. As fate would have itx97and Elkins is so good at acknowledging mystery conventions, often tongue-in-cheekx97Phil's cousin, the bratty Achille de Grazia, has just been kidnapped. The local official, Colonnello Tullio Caravale, doesn't welcome Oliver's advice until an old set of bones turns up. Caravale, in a gently presented but highly amusing detail, admits that he once spent six hours classifying bones only to be told they were not human but rabbit. He's willing, therefore, to accept Oliver's expert help, and their evolving relationship is nicely evoked. The bones are identified as belonging to the kidnapped boy's grandfather, who was presumed dead in a sailing accident 10 years earlier. Clearly the two crimes are related, and the most likely suspects are the eccentric members of the de Grazia family, who live on a private island in a life of supreme physical ease but excruciating psychological discomfort. The distinct personalities of the de Grazias and other characters are sketched with great efficiency and precision. That alone would keep a reader's interest, but the forensic facts Elkins chooses to include and the brisk pace of the plot make for a total success. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From School Library Journal Adult/High School–When their friend Phil Ungarettis asks Gideon and Julie Oliver to help him run a guided tour in Italy, they are happy to oblige. The scenario changes, though, when Gideon's skills as a forensic pathologist are needed to solve a murder already 10 years old that involves a powerful and socially prominent family, the de Grazias. Phil happens to be both kin and a part of the inner circle, and this connection pulls him and the Olivers deeper into the mystery. As more clues become apparent, the murder proves to be tied to the kidnapping of the de Grazias' only son. Unwinding the clues becomes a responsibility that lands firmly in Gideon's skilled hands. Elkins spends the first part of the book laying the framework of family connections, describing the Italian background of the story, and setting the stage for the discovery of the murder. Once Gideon becomes a prime part of the investigating team, led by the scene-stealing carabinieri Colonel Caravale, the plot moves rapidly along, becoming more interesting and complex with every page. The author infuses the story with a sense of the beauty of Italy, its style of life, and the culture of the area. Weaving complications into the exotic setting, spicing it with details of forensic pathology, and adding memorable characters make for an enticing story. –Pam Johnson, Fairfax County Public Library, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Forensic pathologist Gideon Oliver and his wife, Julie, are in Italy with a friend, who is visiting his relatives, the wealthy de Grazias. The trip soon becomes a busman's holiday for Gideon when one of the de Grazia sons is kidnapped and the remains of a de Grazia family elder, who disappeared 10 years earlier, is found at a construction site. Enlisted by the Italian authorities to use skills as a pathologist to help with the investigation, Gideon soon finds himself in the middle of a long-simmering family feud awash in secrets and motives. Oliver and his opposite partner from the Italian police form a daunting team, despite their initial misgivings regarding the other's credentials. The Gideon Oliver series is noteworthy for its witty dialogue and clever plotting; Elkins delivers on both counts here. The real culprit is both surprising and obvious, the latter because Elkins gives us all we need to name the killer and enough misdirection to fool us. Top-shelf reading for those who like puzzles rather than gunplay. Wes Lukowsky Copyright © American Library Association. All rights reserved Aaron Elkins is the author of the Edgar Award-winning Gideon Oliver mysteries Read more

Features & Highlights

  • While enjoying their holiday on an idyllic Italian island, anthropologist Gideon Oliver and his wife find themselves caught up in a case of kidnapping and murder when the local padrone's only child, Achille, is abducted, bones are discovered, and Gideon becomes caught up in the investigation into the crimes. 25,000 first printing.

Customer Reviews

Rating Breakdown

★★★★★
60%
(208)
★★★★
25%
(87)
★★★
15%
(52)
★★
7%
(24)
-7%
(-25)

Most Helpful Reviews

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Merely very good

Let me declare my prejudices up front. I think Aaron Elkins is the best writer of "classical" mysteries working today, bar none. I'll buy any book he writes as soon as it comes out. _Good Blood_ is an engaging read, with characters whom I'd love to meet in the flesh and an honest puzzle.
That said, the book is merely very good--not great. The plotting is fine, but the editing and structural choices are a little odd. For instance:
* There's a substantial prologue that explicitly gives away what could have been a major plot point. Furthermore, if you're an experienced mystery reader, you will *immediately* guess one of the book's later twists when you finish the prologue.
* Gideon himself doesn't have as much to do as I'd prefer. He's absent for a surprising number of scenes. He gets one skeleton to work with, but has to ask a minor walk-on character (via telephone!) for the information he needs.
* The family of suspects is under-developed, compared to other Elkins books. None of them gets enough face time to be convincing. This is particularly true of the love interest, who's very sketchy; Elkins handled a similar dynamic more deftly in _Old Bones_.
All the same, aficionados of the true mystery will probably want to read this one. Too many "mystery" authors are either (a) Chandler knock-offs who conflate meanness with truth, or (b) lazy plotters, who offer "surprise" endings that are simply dropped on the reader out of thin air. Aaaron Elkins knows his stuff. (If you're new to Elkins, though, I'd recommend starting with one of his earlier books--_Old Bones_ is a good one.)
I just hope Elkins isn't getting tired of Gideon Oliver, that's all!
21 people found this helpful
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For Italy Lovers

Aaron Elkins has set his eleventh Gideon Oliver mystery in the Piedmont region of Italy. The action takes place in the charming town of Stresa on Lake Maggiore, which is a refreshing pleasure for fans of Italian mysteries and a stark departure from the frequently used locations of Venice, Florence, or Rome. The story begins with a gripping 1960s prologue that introduces us to Domenico de Grazia's aristocratic family and sets the stage for the present day story that involves the next two generations of his family. When the present day story begins, Domenico has been dead for a decade and his son, Vincenzo, has inherited the responsibility of maintaining the estate and the good family name. When Vincenzo's rather obnoxious son, Achille, gets kidnapped, the case gets assigned to the Carabinieri's Colonel Tullio Caravalle.

Up to this point in the story it is very easy for the reader to forget that this "is" the next mystery in the Gideon Oliver series. One asks oneself just how could that famous American forensic anthropologist "Skeleton Detective" possibly get involved in this case. Well, Gideon and his wife Julie are assisting their friend Phil, from Seattle, put on a tour of the Italian lake country. Much to their surprise Phil is really Filiberto Ungaretti and a close relative of the de Grazia family in Stresa. So when, shortly after their arrival, a skeleton is found, Gideon is asked to help identify the remains and therefore gets deeply involved in this case and the kidnapping along with the very competent Colonel Caravalle. Together by combining their talents, Gideon and Caravalle proceed to unravel these two interesting and complex cases. Over the course of the story, we get introduced to all of the members of the extended de Grazia family thus furnishing a long list of suspects.

I commend Elkins for his research on this one. I loved his Italian references, particularly the occasional phrases and the food descriptions. His Lake Maggiore setting makes one want to go visit and explore more. Except for protagonist Gideon and his wife Julie, all of the characters were Italian. As a regular visitor to Italy, I found these characters credible and loved all of the petty family infighting. In my opinion, this the best mystery novel Aaron Elkins has written. I would really like him to do more novels set in Italy.
8 people found this helpful
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Weak Blood

Aaron Elkins knows his stuff; he was one of a small coterie of forensic anthropologists. Many of his previous stories are suspenseful, macabre, or scary, although always carrying a patina of rationality.

This story takes off with two exciting, then ominous, events in the picturesque Italian lake country. Coincidentally, Profs. Gideon and Julie Oliver are there vacationing, and visit the padrone of a family whose son has just been kidnapped.

Unfortunately, Elkins miscalculates in the too-revealing Prologue and gives away one of the most vital final twists of the plot. If you don't get it right off you'll only find one more genuine clue (and another if you know medicine) until Gideon reveals all in a final set speech. For an ostensible mystery, Elkins' suspense is lax. They find the body of a character I hadn't even realized was missing. When Gideon is attacked, he coolly thinks about the "pressure on the soft tissues of the superior carotid triangles" (rather than being choked to death). This is humorous in a manner of speaking, but undercuts the suspense. Perhaps Elkins' research stay in Italy was just too sunny a time to inspire him.

Just sit back and enjoy the travelogue Elkins provides. Good Blood is even simpler than most Elkins, but has pleasant Italian people and details along the way, as well as restaurant recommendations in case you ever visit Lago Maggiore as he did. Elkins' prose is clean and light. He distances Gideon from the occasional ugly bits by his command of emotionless medical terminology when examining a murder victim's bones, or sleuthing by telephone. If you insist on reading this sub-par Elkins, the 11th rendition of Gideon's adventures, get the pb. Editing is a bit loose, resulting in howlers on pp. 73 and 120 of the hb.
7 people found this helpful
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"adventures with an old friend"

A new visit with Professor Gideon Oliver, and Julie is always welcome. Mr. Elkins has the gift of description, be it a charming small lake side village in Italy, or the first sip of a local red wine. I was taken from the simplicity of old world values ,to the danger and complexity of searching for the truth of the identity of a murder victim , to the unraveling of a ingenious case of financial minipulation.
Mr.Elkins has again spun a tale of finely crafted prose, and intelligent wit.
4 people found this helpful
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a welcome appearance of The Skeleton Detective

Good Blood -- not exactly an American ideal but very important to a family which traces its noble lineage back to the Holy Roman Empire. From the beginning to the end, the novel is driven by bloodlines and the strange conflicts they can bring upon us.
Gideon Oliver, his wife Julie, and their friend Phil are visiting Italy. Phil and Julie are acting as tour guides, and Gideon is on vacation. Somehow you just know a few human bones are doing to pop up from a shallow grave.
The book is very well-written, even though the mystery plot is rather weak. Some mystery authors deliberately "cheat" by holding back key pieces of information, but in this case Elkins perhaps errs on the opposite side by giving away too much, too soon. Doesn't matter, though, because the book is still fun to read. The pleasure of the novel depends on the fine characterization and witty writing, not the bare bones of the plot. (Or even the bare bones that are almost incidental to the plot -- in this case the bones really only serve to bring Gideon into the mystery. They aren't really necessary to solve the crime. Either of the crimes.)
The real star of the investigation (and the novel) is the local carabinieri colonel, who eventually gets to fulfill the wishes of both his father and his grandfather by the end of the story. Gideon's most important impact, perhaps, is to be a catalyst and sounding board for Colonel Caravale. But that's probably as it should be. He is on vacation, after all.
(And as a resident of the great Pacific Northwet, I loved the final scene of the novel. Any true NW native knows that if he wants to impress a vistor he should make sure to do it between July and September....)
3 people found this helpful
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Always a Pleasure

Once again Elkins has produced a well written entertainment peopled with characters I like to be in the company of. Excellent setting of scene and well drawn secondary characters more than make up for any lack of mystery.
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Great story centered in Stressa on Lago Maggiore

Going to stressa this August. Love the local lore and focus!