Half Magic
Half Magic book cover

Half Magic

Paperback – March 31, 1999

Price
$15.41
Format
Paperback
Pages
208
Publisher
Sandpiper
Publication Date
ISBN-13
978-0152020682
Dimensions
5.13 x 0.53 x 7.63 inches
Weight
6.9 ounces

Description

“Half Magic is a funny, charming, timeless book, as much a pleasure to read to a child now as it was forty years ago. Those who had it read to them then may even have an obligation to pass on the pleasure.”—The New York Times Book Review Edward Eager (1911–1964) worked primarily as a playwright and lyricist. It wasn’t until 1951, while searching for books to read to his young son, Fritz, that he began writing children’s stories. His classic Tales of Magic series started with the best-selling Half Magic, published in 1954. In each of his books he carefully acknowledges his indebtedness to E. Nesbit, whom he considered the best children’s writer of all time—“so that any child who likes my books and doesn’t know hers may be led back to the master of us all.” Excerpt. © Reprinted by permission. All rights reserved. 1. How It BeganIt began one day in summer about thirty years ago, and it happened to four children. Jane was the oldest and Mark was the only boy, and between them they ran everything. Katharine was the middle girl, of docile disposition and a comfort to her mother. She knew she was a comfort, and docile, because she'd heard her mother say so. And the others knew she was, too, by now, because ever since that day Katharine would keep boasting about what a comfort she was, and how docile, until Jane declared she would utter a piercing shriek and fall over dead if she heard another word about it. This will give you some idea of what Jane and Katharine were like. Martha was the youngest, and very difficult. The children never went to the country or a lake in the summer, the way their friends did, because their father was dead and their mother worked very hard on the other newspaper, the one almost nobody on the block took. A woman named Miss Bick came in every day to care for the children, but she couldn't seem to care for them very much, nor they for her. And she wouldn't take them to the country or a lake; she said it was too much to expect and the sound of waves affected her heart. "Clear Lake isn't the ocean; you can hardly hear it," Jane told her. "It would attract lightning," Miss Bick said, which Jane thought cowardly, besides being unfair arguing. If you're going to argue, and Jane usually was, you want people to line up all their objections at a time; then you can knock them all down at once. But Miss Bick was always sly. Still, even without the country or a lake, the summer was a fine thing, particularly when you were at the beginning of it, looking ahead into it. There would be months of beautifully long, empty days, and each other to play with, and the books from the library. In the summer you could take out ten books at a time, instead of three, and keep them a month, instead of two weeks. Of course you could take only four of the fiction books, which were the best, but Jane liked plays and they were nonfiction, and Katharine liked poetry and that was nonfiction, and Martha was still the age for picture books, and they didn't count as fiction but were often nearly as good. Mark hadn't found out yet what kind of nonfiction he liked, but he was still trying. Each month he would carry home his ten books and read the four good fiction ones in the first four days, and then read one page each from the other six, and then give up. Next month he would take them back and try again. The nonfiction books he tried were mostly called things like "When I Was a Boy in Greece," or "Happy Days on the Prairie"-things that made them sound like stories, only they weren't. They made Mark furious. "It's being made to learn things not on purpose. It's unfair," he said. "It's sly." Unfairness and slyness the four children hated above all. The library was two miles away, and walking there with a lot of heavy, already-read books was dull, but coming home was splendid-walking slowly, stopping from time to time on different strange front steps, dipping into the different books. One day Katharine, the poetry lover, tried to read Evangeline out loud on the way home, and Martha sat right down on the sidewalk after seven blocks of it, and refused to go a step farther if she had to hear another word of it. That will tell you about Martha. After that Jane and Mark made a rule that nobody could read bits out loud and bother the others. But this summer the rule was changed. This summer the children had found some books by a writer named E. Nesbit, surely the most wonderful books in the world. They read every one that the library had, right away, except a book called The Enchanted Castle, which had been out. And now yesterday The Enchanted Castle had come in, and they took it out, and Jane, because she could read fastest and loudest, read it out loud all the way home, and when they got home she went on reading, and when their mother came home they hardly said a word to her, and when dinner was served they didn't notice a thing they ate. Bedtime came at the moment when the magic ring in the book changed from a ring of invisibility to a wishing ring. It was a terrible place to stop, but their mother had one of her strict moments; so stop they did. And so naturally they all woke up even earlier than usual this morning, and Jane started right in reading out loud and didn't stop till she got to the end of the last page. There was a contented silence when she closed the book, and then, after a little, it began to get discontented. Martha broke it, saying what they were all thinking. "Why don't things like that ever happen to us?" "Magic never happens, not really," said Mark, who was old enough to be sure about this. "How do you know?" asked Katharine, who was nearly as old as Mark, but not nearly so sure about anything. "Only in fairy stories." "It wasn't a fairy story. There weren't any dragons or witches or poor woodcutters, just real children like us!" They were all talking at once now. "They aren't like us. We're never in the country for the summer, and walk down strange roads and find castles!" "We never go to the seashore and meet mermaids and sand-fairies!" "Or go to our uncle's, and there's a magic garden!" "If the Nesbit children do stay in the city it's London, and that's interesting, and then they find phoenixes and magic carpets! Nothing like that ever happens here!" "There's Mrs. Hudson's house," Jane said. "That's a little like a castle." "There's the Miss Kings' garden." "We could pretend..." It was Martha who said this, and the others turned on her. "Beast!" "Spoilsport!" Because of course the only way pretending is any good is if you never say right out that that's what you're doing. Martha knew this perfectly well, but in her youth she sometimes forgot. So now Mark threw a pillow at her, and so did Jane and Katharine, and in the excitement that followed their mother woke up, and Miss Bick arrived and started giving orders, and "all was flotsam and jetsam," in the poetic words of Katharine. Two hours later, with breakfast eaten, Mother gone to work and the dishes done, the four children escaped at last, and came out into the sun. It was fine weather, warm and blue-skied and full of possibilities, and the day began well, with a glint of something metal in a crack in the sidewalk. "Dibs on the nickel," Jane said, and scooped it into her pocket with the rest of her allowance, still jingling there unspent. She would get round to thinking about spending it after the adventures of the morning. The adventures of the morning began with promise. Mrs. Hudson's house looked quite like an Enchanted Castle, with its stone wall around and iron dog on the lawn. But when Mark crawled into the peony bed and Jane stood on his shoulders and held Martha up to the kitchen window, all Martha saw was Mrs. Hudson mixing something in a bowl. "Eye of newt and toe of frog, probably," Katharine thought, but Martha said it looked more like simple one-egg cake. And then when one of the black ants that live in all peony beds bit Mark, and he dropped Jane and Martha with a crash, nothing happened except Mrs. Hudson's coming out and chasing them with a broom the way she always did, and saying she'd tell their mother. This didn't worry them much, because their mother always said it was Mrs. Hudson's own fault, that people who had trouble with children brought it on themselves, but it was boring. So then the children went farther down the street and looked at the Miss Kings' garden. Bees were humming pleasantly round the columbines, and there were Canterbury bells and purple foxgloves looking satisfactorily old-fashioned, and for a moment it seemed as though anything might happen. But then Miss Mamie King came out and told them that a dear little fairy lived in the biggest purple foxglove, and this wasn't the kind of talk the children wanted to hear at all. They stayed only long enough to be polite, before trooping dispiritedly back to sit on their own front steps. They sat there and couldn't think of anything exciting to do, and nothing went on happening, and it was then that Jane was so disgusted that she said right out loud she wished there'd be a fire! The other three looked shocked at hearing such wickedness, and then they looked more shocked at what they heard next. What they heard next was a fire siren! Fire trucks started tearing past-the engine, puffing out smoke the way it used to do in those days, the Chief's car, the hook and ladder, the Chemicals! Mark and Katharine and Martha looked at Jane, and Jane looked back at them with wild wonder in her eyes. Then they started running. The fire was eight blocks away, and it took them a long time to get there, because Martha wasn't allowed to cross streets by herself, and couldn't run fast yet, like the others; so they had to keep waiting for her to catch up, at all the corners. And when they finally reached the house where the trucks had stopped, it wasn't the house that was on fire. It was a playhouse in the backyard, the fanciest playhouse the children had ever seen, two stories high and with dormer windows. You all know what watching a fire is like, the glory of the flames streaming out through the windows, and the wonderful moment when the roof falls in, or even better if there's a tower and it falls through the roof. This playhouse did have a tower, and it fell through the roof most beautifully, with a crash and a shower of sparks. And the fact that it was a playhouse, and small like the children, made it seem even more like a special fire that was planned just for them. And the little girl the playhouse belonged to turned out to be an unmistakably spoiled and unpleasant type named Genevieve, with long golden curls that had probably never ... Read more

Features & Highlights

  • Since
  • Half Magic
  • first hit bookshelves in 1954, Edward Eager’s tales of magic have become beloved classics. Now four cherished stories by Edward Eager about vacationing cousins who stumble into magical doings and whimsical adventures are available in updated hardcover and paperback formats. The original lively illustrations by N. M. Bodecker have been retained, but eye-catching new cover art by Kate Greenaway Medalist Quentin Blake gives these classics a fresh, contemporary look for a whole new generation.

Customer Reviews

Rating Breakdown

★★★★★
60%
(417)
★★★★
25%
(174)
★★★
15%
(104)
★★
7%
(49)
-7%
(-49)

Most Helpful Reviews

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Still magic after all these years

I first read Half Magic when I was seven, courtesy of the El Segundo Public Library, and twenty years later, I still love it. My abiding love of children's literature probably began right here, in a book that has everything - plot, humor, intelligence, and fabulous characters.
Half Magic obeys the rules of great magic books that are carefully delineated by the main characters in the first chapter. (See what I mean about intelligence and wit?) The magic has its own rules, which they must discover. They thwart the magic. Then the magic thwarts them. If it's a formula, it's one Edward Eager developed, and it works - you don't want to stop reading, from King Arthur's court to a highly magical ending. (And I have no intention of telling you where that is.)
Even though the plot is exceptional, it's the characters that truly make the book. The four children are clearly *people* - it's easy to imagine meeting them on the street or in a park - and not merely characters on a page. And even though the book is set in the 1930s, and was written in the 1950s, the kids still resonate. We all know, or were, Martha - "Martha was the youngest, and very difficult." Likewise with Jane and Katherine. "Katherine *would* keep boasting about what a comfort she was, and how docile, until Jane declared she would utter a piercing shriek and fall over dead if she heard another word about it."
This first book in Eager's loosely-intertwined series is a masterpiece of children's literature. Children and adults alike will love Half Magic. Start here - and remember, to read one is to want them all.
(NB: the quotes used here came from my memory - I checked them before I submitted the review, of course - and normally my memory is not the best. That should tell you something about the strength of this book, or at least the impression it made on me.)
76 people found this helpful
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Better By Half

So this is what Dr. Eager did in his spare time. If Half Magic is indicative of his bedside manner, he must have been a very good doctor indeed. For this is one of those sleepy time read-in-bed books like the Chronicles of Narnia, that gently draw you into their fantastic world at that drowsy time when good things seem so much more possible and you're about to drift off into the Land of Nod.
Half Magic is written in that wonderful, light, easy 'fifties style that gets so easily overlooked in favor of more extreme excitements. Later discovered, though, one simply wonders how writing could have ever been this good. A wonderfully understated example is shown in the genial attitude of the good samaritan stranger who helps out the young adventurers. He's first respectful of their mother,then falls more and more in love as the book goes on. This undercurrent is so subdued and tasteful that it's barely noticeable amid the magical misadventures until the conclusion of the book.
The Leave it to Beaver approach to problem solving is also delighfully refreshing--the spells only half work; unlike the obvious fantasy formulae in countless later books and movies, the magic leaves plenty of room for human ingenuity and skill,as well as the need to make decisions. Eager's other great fantasy, Knight's Castle, also continues in this vein, the hyjinks and hilarity deriving from,and always affirming,the human.
41 people found this helpful
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Not for the children of conservative parents

I am writing this review for the benefit of conservative parents like myself who don't appreciate violence in children's literature. I find it very disturbing that out of 140 reviews, not one person mentioned that part way through the book the children witness two knights chop each other into pieces with their swords. Although it wasn't described in gory detail, I don't understand why people think it's alright for little children to read about this kind of violence. This book could have been absolutely darling. I didn't read beyond this point, so I don't know what happened, because I knew that it wasn't a book I'd give my kiddos to read. Thank goodness I preview books before I give them to my little ones to read.
31 people found this helpful
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I loved it as a kid, but will today's kids?

Like many other adult reviewers of this book, I loved it as a kid. Edward Eager consciously emulated the English author E. Nesbit. In fact, early on in this book he pays homage to Nesbit by having the children check out of the local library "books by a writer named E. Nesbit, surely the most wonderful books in the world." Nesbit wrote in the late nineteenth and early twentieth centuries and "Half Magic" was published in 1954, but set in the 1920s. So, Eager was intentionally harking back to an earlier, and simpler, time. The book is well done and has the a good mix of humor, adventure, and action that should attract pre-teen readers. At least, I would like to think so, but I wonder whether even 8 or 9 year olds might find these books a bit creaky. I didn't think to give them to my children when they were younger (they are in their late teens now), so I have no direct knowledge of whether current day children would enjoy them enough to put aside computer games and cable television.
13 people found this helpful
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Eager Lives Up To His Hero

STRENGTHS: Eager does a good job of distinguishing the children from each other in the opening of the book, amazingly, without boring the readers with tedious descriptions. It made me want to read on about Jane and her younger siblings. He also makes some clever distinctions, between types of adults (according to how they treat children) and between types of sneakiness. Really his moments of insight are the best part of this book.

WEAKNESS: The book devolves into a series of events, much like the books of E. Nesbit, Eager's hero. Unfortunately, after the initial interesting characterization, the rest of the book degenerates into stereotypes of brave and level-headed little boys versus silly young girls. Quite irritating. Still an improvement on Nesbit, with (ironically enough) some interesting twists on stereotypes of legends, as well as a good ending for the magic.

SUMMARY: Four siblings find a coin that is half magic; that is, it will only give them half of their wishes (the mystery is which half it will be). They then follow a series of adventures that help them mature into a happier family by the end of the book.

ALTERNATE READING: For fantasy books of the same age level, try Roald Dahl (Virtually all of them are good, but you can start with "BFG" or "Witches" if you need direction). Also try Cornelia Funke's "Inkheart."
13 people found this helpful
✓ Verified Purchase

Eager Lives Up To His Hero

STRENGTHS: Eager does a good job of distinguishing the children from each other in the opening of the book, amazingly, without boring the readers with tedious descriptions. It made me want to read on about Jane and her younger siblings. He also makes some clever distinctions, between types of adults (according to how they treat children) and between types of sneakiness. Really his moments of insight are the best part of this book.

WEAKNESS: The book devolves into a series of events, much like the books of E. Nesbit, Eager's hero. Unfortunately, after the initial interesting characterization, the rest of the book degenerates into stereotypes of brave and level-headed little boys versus silly young girls. Quite irritating. Still an improvement on Nesbit, with (ironically enough) some interesting twists on stereotypes of legends, as well as a good ending for the magic.

SUMMARY: Four siblings find a coin that is half magic; that is, it will only give them half of their wishes (the mystery is which half it will be). They then follow a series of adventures that help them mature into a happier family by the end of the book.

ALTERNATE READING: For fantasy books of the same age level, try Roald Dahl (Virtually all of them are good, but you can start with "BFG" or "Witches" if you need direction). Also try Cornelia Funke's "Inkheart."
13 people found this helpful
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A completely witty classic

I first read this book in the third grade, and have been re-reading it annually for the past 30 years. Nothing in the intervening years has been able to touch it (certainly NOT Harry Potter). It is the spiritual heir to the books of the great English fantasy writer E. Nesbit; it is completely unsentimental, original, witty, and does not talk down to children, something I appreciated even when I was 8. The best part, though, is the clever dovetailing between this book and its sequels "Knights Castle," "Magic By The Lake," and "The Time Garden" -- at one point you'll have the wonderful realization that you're reading the stories of two generations of children from the same family whose "magicks" cleverly overlap! Buy these books, and, if you can, Eager's equally wonderful and final book "Seven-Day Magic" (chickadee tidbits!).
13 people found this helpful
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Half magic = double imagination

Edward Eager's books provide the imaginative spark lacking in many heavily promoted children's books published in recent times. In each of his "magic" stories, unusual things happen to ordinary children, and in this story, it is the discovery of a magical coin that leads four children to the best summer of their lives.

As the title implies, the coin grants wishes, but only half of what you wish comes true. The children discover this the hard way, and learn how to make the most of their find through trial and error. This chronicle of their adventures will spark the imagination of young readers, and for adult readers, there are many literary allusions and humorous situations.

This may have been written in the 1950's, but it remains fresh and imaginative today.

Amanda Richards, March 21, 2006
8 people found this helpful
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Half Magic

I first read Half Magic at the age of 11. I was swept away by the magic, the humor, and the thought that just perhaps one day I would find a magic coin, too. Over the years I have recommend this book to many young people. It is a wonderful book for parents to read with their children. The four bored children in the book soon find a summer full of adventure and magic. Full of surprises, some history and definitely adventure. Every once in awhile I find myself rereading Half Magic just to bring back a little bit of my youth. A copy of Half Magic is a must for your children's library.
8 people found this helpful
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One of the most charming and creative books ever written

This book is absolutely fantastic. It's the story of four children who find a magic coin at the beginning of their summer vacation... except the coin only grants half of each wish, leading to a string of adventures that will make you feel like you're a kid on summer vacation with your three siblings, a slightly grumpy cat, and a magic coin.
7 people found this helpful