Illuminations: A Novel of Hildegard von Bingen
Illuminations: A Novel of Hildegard von Bingen book cover

Illuminations: A Novel of Hildegard von Bingen

Hardcover – October 9, 2012

Price
$12.98
Format
Hardcover
Pages
288
Publisher
Houghton Mifflin Harcourt
Publication Date
ISBN-13
978-0547567846
Dimensions
6 x 1.25 x 9.5 inches
Weight
1.04 pounds

Description

"An enchanting beginning to the story of the perennially fascinating 12th-century mystic, Hildegard of Bingen. It is easy to paint a picture of a saint from the outside but much more difficult to show them from the inside. Mary Sharratt has undertaken this with sensitivity and grace." — Margaret George , author of Mary, Called Magdalene "I loved Mary Sharratt’s The Daughters of Witching Hill , but she has outdone herself with Illuminations: A Novel of Hildegard Von Bingen . She brings one of the most famous and enigmatic women of the Middle Ages to vibrant life in this tour de force, which will captivate the reader from the very first page." — Sharon Kay Penman , author of the New York Times bestseller Time and Chance "I love Mary Sharratt. The grace of her writing and the grace of her subject combine seamlessly in this wonderful novel about the amazing, too-little-known saint, Hildegard of Bingen, a mystic and visionary. Sharratt captures both the pain and the beauty such gifts bring, as well as bringing to life a time of vast sins and vast redemptions." — Karleen Koen , author of Before Versailles and the best-selling Through a Glass Darkly "Sharratt offers up an imaginative retelling of the fascinating life of the 12th-century nun Hildegard von Bingen....Though confined primarily to the abbey and peopled by a small cast, Sharratt’s gripping story, like Ann Patchett’s Bel Canto, is primarily about relationships forged under pressure."xa0 — Publishers Weekly "In this affecting historical novel, Sharratt imagines the inner life of Hildegard, first as an angry child, then as a young woman nurturing the other girls forced into this restricted life, and finally as a mature woman leading her companions out of the anchorage, establishing the first monastic institution for women in Germany, and advocating an idea of religious devotion based on love rather than suffering. Psychological insight, passages of moving spirituality, and abundant historical detail—from straw bedding and hairshirts to turtle soup and wooden dolls—make this a memorable addition to the genre of medieval historical fiction." — Booklist From the Inside Flap A triumphant portrait of a resilient and courageous woman and the life she might have lived . . . Skillfully interweaving historical fact with psychological insight and vivid imagination, Sharrattx92s redemptive novel, Illuminations , brings to life one of the most extraordinary women of the Middle Ages: Hildegard von Bingen, Benedictine abbess, visionary, and polymath.Offered to the Church at the age of eight, Hildegard was entombed in a small room where she was expected to live out her days in silent submission as the handmaiden of a renowned but disturbed young nun, Jutta von Sponheim. Instead, Hildegard rejected Juttax92s masochistic piety and found comfort and grace in studying books, growing herbs, and rejoicing in her own secret visions of the divine. When Jutta died some thirty years later, Hildegard broke out of her prison with the heavenly calling to speak and write about her visions and to liberate her sisters and herself from the soul-destroying anchorage. Riveting and utterly unforgettable, Illuminations is a deeply moving portrayal of a woman willing to risk everything for what she believed.x93With elegance and sensitivity, Mary Sharratt rescues Hildegard von Bingen from the obscurity of legend, bringing to life the flesh-and-blood woman in all her conflict, faith, and unwavering tenacity. Illuminations is an astonishing revelation of a visionary leader willing to sacrifice everything to defend her beliefs in a dangerous time of oppression.x94x97 C. W. Gortner, author of The Confessions of Catherine de Medici x93Mary Sharratt has outdone herself with Illuminations, where she brings one of the most famous and enigmatic women of the Middle Ages to vibrant life in this tour de force, which will captivate the reader from the very first page.x94x97 Sharon Kay Penman, author of the New York Times bestseller Time and Chance x93There is ecstasy in the writing of this redemptive novel of a twelfth-century woman who found a world of cruelty and filled it with beauty, a powerless woman who discovered her own power and led other women to find their own. Illuminations is a radiantly beautiful book.x94x97 Stephanie Cowell, author of Marrying Mozart x93Illuminations is a thrilling adventure of the heart and mind, the richly told story of a woman fully of her time and yet courageous beyond the bounds her time expected of her.x94x97 Margaret Frazer, author of the Dame Frevisse medieval mysteries x93It is easy to paint a picture of a saint from the outside but much more difficult to show them from the inside.x97 Margaret George, author of Mary, Called Magdalene x93Sharrattx92s wonderful novel about the amazing, too-little-known saint, Hildegard von Bingen, a mystic and visionary, brings to life a time of vast sins and vast redemptions.x94x97 Karleen Koen, author of the best-selling Through a Glass Darkly MARY SHARRATT, the author of seven critically acclaimed novels, is on a mission to write strong women back into history. Her novels include Daughters of the Witching Hill , the Nautilus award-winning Illuminations: A Novel of Hildegard von Bingen, The Dark Lady’s Mask: A Novel of Shakespeare’s Muse, and Ecstasy, about the life, loves, and music of Alma Mahler. She is an American who lives in Lancashire, England. Excerpt. © Reprinted by permission. All rights reserved. She is so bright and glorious that you cannot look at her face or her garments for the splendor with which she shines. For she is terrible with the terror of the avenging lightning, and gentle with the goodness of the bright sun; and both her terror and her gentleness are incomprehensible to humans. . . . But she is with everyone and in everyone, and so beautiful is her secret that no person can know the sweetness with which she sustains people, and spares them in inscrutable mercy. —Hildegard von Bingen’s vision of the Feminine Divine, from Scivias,III, 4.15, translated by Mother Columba Hart, O.S.B., and Jane Bishop Prologue: Apostate Rupertsberg, 1177 THE MOST ANCIENT and enduring power of women is prophecy, my gift and my curse. Once, centuries before my existence, there lived in these Rhineland forests a woman named Weleda, she who sees. She took no husband but lived in a tower. In those heathen times, her people revered her as a goddess, for she foretold their victory against the Romans. But the seeress’s might is not just a relic of pagan times. Female prophets crowd the books of the Old Testament—Deborah and Sarah, Miriam and Abigail, Hannah and Esther.xa0xa0xa0And so, in my own age, when learned men, quoting Saint Peter, call woman the weaker vessel, even they have to concede that a woman can be a font of truth, filled with vision, her voice moving like a feather on the breath of God. Mother, what is this vision you show me? With my waking eyes, I saw it coming. The storm approaching our abbey. Soon I would meet my nemesis face-to-face.xa0xa0xa0My blistered hands loosened their grip on the shovel, letting it fall into the churned up earth. At seventy-nine years of age, I am no longer strong enough for such labors, yet force of necessity had moved me to toil for half a day, my every muscle shrieking. Following my lead, my daughters set down their tools. With somber eyes, we Sisters of Rupertsberg surveyed our handiwork. We had tilled every inch of our churchyard. Though the tombstones still stood, jutting like teeth from the rent soil, we had chiseled off every last inscription. My daughters’ faces were etched in both exhaustion and silent shock. Our graveyard was a sanctuary as holy as the high altar of our church. Now it resembled a wasteland.xa0xa0xa0Tears caught in my eyes as Sister Cordula passed me the crook that marked my office of abbess. Whispering pleas for forgiveness to the deceased, I picked my way over the bare soil until I came to the last resting place of Maximus, the runaway monk whose plight had driven our desperate act. The boy fled to us for asylum after his brothers committed unspeakable sins against him. Despite our every effort to heal his broken body and soul, the young man died in our hospice, and so we gave him a Christian burial.xa0xa0xa0But the prelates of the Archbishop of Mainz, the very men who had ignored the cruelty unfolding in the boy’s monastery, had declared Maximus an apostate. Tomorrow or the following day, the prelates would come to wrest the dead boy from his grave and dump him in unhallowed ground as if he were a dead mongrel. So we razed our burial ground, making it impossible for any outsider to locate his grave. Had the prelates ever imagined that mere nuns would take such measures to foil them, the men we were bound to obey?xa0xa0xa0Raising my abbess’s crook, I spoke the words of blessing. “In the name of the Living Light, may this holy resting place be protected. May it remain invisible to all who would desecrate it.”xa0xa0xa0My heart throbbed like a wound when I remembered the boy who died in my arms, the one I had sworn before God to protect. He had committed no crime, had only been a handsome youth in a nest of vipers. Maximus had only an aged abbess and her nuns to stand between him and the full might of the Church fathers. The November wind crested our walls, tossing up grave dust that stung our eyes. My daughters flinched, ashen-faced in the dread we shared. What would happen to us now that we had committed such an outrageous act of sedition? The prelates’ retribution would be merciless.xa0xa0xa0Foreboding flared again, the fate awaiting us as terrifying as the devil’s giant black claw rearing from the hell mouth. Somehow I must summon the warrior strength to battle this evil. Seize the sword to vanquish the dragon. Maximus’s ordeal proved only too well what damage these men could wreak. In a true vision, Ecclesia, the Mother Church, had appeared to me as a ravished woman, her thighs bruised and bloody, for her own clergy had defiled her. The prelates preached chastity while allowing young men to be abused. In defending the boy, my daughters and I risked sharing his fate—being cast out and condemned. The prelates would crush my dissent at all costs. Everything I had worked for in my long life might be lost in one blow, leaving me and my daughters pariahs and excommunicants. How could I protect my community now that I was so old, a relic from another time, my once-powerful allies dead?xa0xa0xa0To think that seven years ago I had preached upon the steps of Cologne Cathedral and castigated those same men for their fornication and hypocrisy, their simony and greed. O you priests. You have neglected your duties. Let us drive these adulterers and thieves from the Church, for they fester with every iniquity. In those days I spoke with a mighty voice, believing I had nothing to lose, that the prelates would not trouble themselves over one old nun.xa0xa0xa0The men I’d railed against gathered like carrion crows to wreak their revenge and put me in my place once and for all. It was not my own fate that worried me, for I have endured much in my life. This year or the next, I would join the departed in the cold sod and await judgment like any other soul. But what would become of my daughters? How could I die and leave them to this turmoil—what if this very abbey was dissolved, these women left homeless? A stabbing pain filled me to see them so lost, their faces stark with fear. Our world was about to turn upside down. How could I save these women who had placed their trust in me?xa0xa0xa0“Daughters, our work here is done,” I said, as tenderly as I could, giving them leave to depart and seek solace in their duties in the infirmary and scriptorium, the library and workroom.xa0xa0xa0Leaving the graveyard to its desolation, I pressed forward to the rampart wall overlooking the Rhine, the blue-green thread connecting everything in my universe. Nestled in the vineyards downriver and just out of view lay Eibingen, our daughter house. Our sisters there, too, would face the coming storm. Then, as I gazed at the river below, an icy hand gripped my innards. A barge approached our landing. The prelates had wasted no time.I was striding down the corridor when Ancilla, a postulant lay sister, came charging toward me, her skirts flapping.xa0xa0xa0“Mother Abbess! We have a visitor.”xa0xa0xa0The girl’s face was alight with an excitement that seemed at odds with our predicament. She was a newcomer to our house and, as such, I’d spared her the grim work of digging up the graveyard.xa0xa0xa0“A foreigner! He doesn’t speak a word of German.”xa0xa0xa0My heart drummed in panic. Had the prelates sent someone from Rome? Oblivious to my trepidation, Ancilla seemed as thrilled as though the Empress of Byzantium had come to call.xa0xa0xa0“The cellarer will bring up the very best wines, won’t she, Mother? And there will be cakes!”xa0xa0xa0The girl was so giddy that I had to smile at her innocence even as my stomach folded in fear. I told her I would receive our guest in my study.After washing and changing, I girded myself to confront the messenger who would deliver our doom. But when I entered my study, I saw no papal envoy, only a young Benedictine monk who sprang from his chair before diving to his knees to kiss my hand.xa0xa0xa0“Exalted abbess!” he exclaimed in Latin, speaking in the soft accent of those who hail from the Frankish lands. “The holy Hildegard.”xa0xa0xa0Our visitor appeared no older than twenty, his face glowing as pink as sunrise.xa0xa0xa0“What a splendid honor,” he said, “to finally meet you in the flesh.”xa0xa0xa0“Brother,” I said, at a loss. “I don’t know your name.”xa0xa0xa0“Did you not receive my letter?” His soft white hands fluttered like doves. “I am Guibert of Gembloux Abbey in the Ardennes. I have come to write your Vita, most reverend lady.”xa0xa0xa0Lowering myself into my chair, I nearly laughed in relief. So I still had allies and well-wishers after all, though this young man could hardly shield us from the prelates of Mainz.xa0xa0xa0“My brother in Christ, you flatter me too much,” I told him. “Hagiographies are for saints. I’m only a woman.”xa0xa0xa0He shook his head. “Your visions have made you the most far-famed woman in the Holy Roman Empire.”xa0xa0xa0Guibert’s face shone in a blissful naïveté that matched that of young Ancilla, who attended us, pouring him warm honeyed wine spiced with cloves and white pepper, but he ignored the fragrant cup. His flashing dark eyes were riveted on mine.xa0xa0xa0“Tell me, Mother Hildegard, does God speak to you in Latin or in German? And is it true that you bade your nuns to wear tiaras?”xa0xa0xa0Before I could even attempt an answer, he blustered on.xa0xa0xa0“Your writings are most extraordinary! I have never read their like! Did I correctly understand that God appears to you as a woman?”xa0xa0xa0Brother Guibert was not the first to ask this question. I told the young monk what I’d told the others before him.xa0xa0xa0“In the Scriptures, God appears as Father, and yet the Holy Spirit chose to reveal God’s face to me as Mother.”xa0xa0xa0I never dreamt of calling myself holy, never presumed. Yet God, whom I called Mother, chose to grace even one as flawed as I am with the ecstasy of the Holy Spirit moving through me. And so I became the Mother’s mouthpiece, a feather on her breath. How was I to describe such a mystery to Guibert? I never sought the visions, and yet they came. All I wanted was to know the ways of wisdom and grace, and walk them as best I could. But had I succeeded? My many sins and failings weighed on me. My superiors had only tolerated me for as long as they had because of the prophecies.xa0xa0xa0I was torn. Honestly, I should warn Guibert away, send him back to Gembloux. The good man was wasting his time here. What use was there in writing the Vita of a woman soon to be condemned?xa0xa0xa0Then something niggled at the back of my head. What if the key to saving my daughters from the coming tempest lay in my past, in examining my life from its genesis? Past and future were connected in an eternal ring, like the circle of holy flame I’d seen in my visions, that ring of fire enclosing all creation. If I allowed myself to go back in time, to become that graceless girl again, perhaps I might find a way to preserve us. Read more

Features & Highlights

  • A triumphant portrait of a resilient and courageous woman and the life she might have lived . . .Skillfully interweaving historical fact with psychological insight and vivid imagination, Sharratt€™s redemptive novel, Illuminations, brings to life one of the most extraordinary women of the Middle Ages: Hildegard von Bingen, Benedictine abbess, visionary, and polymath.Offered to the Church at the age of eight, Hildegard was entombed in a small room where she was expected to live out her days in silent submission as the handmaiden of a renowned but disturbed young nun, Jutta von Sponheim. Instead, Hildegard rejected Jutta€™s masochistic piety and found comfort and grace in studying books, growing herbs, and rejoicing in her own secret visions of the divine. When Jutta died some thirty years later, Hildegard broke out of her prison with the heavenly calling to speak and write about her visions and to liberate her sisters and herself from the soul-

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Most Helpful Reviews

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Illuminating Novel!

Illuminations is a novel based on one of the most fascinating of early Christian women, Hildegard von Bingen. Sent by her family at the age of 8 to live with the anchorite, Jutta Von Sponheim in a walled up room attached to a church, she grows up watching the extreme fanaticism of Jutta and experiences her own moving, sometimes confounding visions. She lived in a world where demons lurked around every corner and where visions such as she experienced were considered suspect. Were they visions from God, or from Satan himself? These questions haunted her as she grew up, yet upon the death of Jutta, she began to write of her visions, which helped her to find her place and purpose and she became one of the most well-known women of her time. This book uses her writings and some creative license to bring to life this most intriguing woman.

Mary Sharratt is a brilliant writer, meticulous researcher and historian. I have read several of her books already and truly had no doubt that this would also be worthy of recommendation and a 5 star review. Her characters are well developed, the story flows well and it becomes part of you and you just can't put it down. If you are looking for high quality historical fiction, then read Illuminations and also check out Mary's other books. She really knows how to bring a story to life and to keep you reading until the book is fully devoured!
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Hildegard von Binger viewed as Militant feminist Wiccan

The name JESUS CHRIST does not appear in this book. At best, "Jesus" is mentioned in passing once. "So what?" you migth say. Its shocking because this is a biographical novel written in the first person, about a woman elevated to DOCTOR OF THE CHURCH. So as a theologican, she is equated with Thomas Aquinas, Teresa of Avila, and Augustine. So why does Mary Sharratt refuse to allow her Hildegard to even THINK the name JESUS, nor allow any other person to think it? Because in this book, Hildegard worships a goddess, as do the wiccans. From the introduction onward, we are constantly told that Hildegard sees god as a woman. When i noticed the names of Ms. Sharratt's other books, "The Real Minerva" (Roman goddess), and "Daughters of the Witching Hill", as well as "Bitch Lit", her agenda became clear.

For someone like me, who has devoted many years to the study of Hildegard's music, illuminations, and her literary efforts, this is an afront to the saint. I can assure you, if Hildegard places a woman in her visions, its either the "Queen of Heaven" (from Revelations) Mother Mary, or its an objectifaction of Sophia, greek for "Wisdom". (Sophia is a feminine noun, so its feminine in a gramatical sense...nothing else.) Putting words into Hildegard's mouth like "The face of God, my mother"(p.150), "The holiness of God my Mother"(p.81), or affirming that God appears to her as a woman (intro xiii), upsets me to no end. In fact, except for the LAST TWO PAGES of the book, Hildegard doesnt say "Christ" either, except in a mild curse. "Christ" is mentioned only a handful of times during the whole book, in phrases like "sister of Christ". Why would a doctor of the church refuse to think of the name of Jesus...as well as everybody around her? For that matter, why is the Bible not quoted? She even had MIRIUM, Moses sister, leading the Israelis out of Egypt. On a theological level, this book is a total failure.

On a biographical level, the book has simular problems. From the very start, I saw that Ms. Sharrat placed a blanket condemnation upon men. None of this made sense. For example, consider the young man that the nuns buried in their graveyard, which lead to the famous interdict on Hildegard. The novelist claims that the young man was raped by priests. Why? All priests rape all men, and then the priests excommunicate them if they hate it? Hildegard did have reason to write to an excommunicated young man, in real life. This man married his sister, and refused to annul the marriage. Its much more reasonable to believe this is the man she buried, perhaps because he had a relative in her convent, or was a donor, or simply because she felt he deserved a Christian burial. If I had to guess with historial facts, I'd at least use the information that fits at hand, and not invent these slanders. This horrible viewpoint of men continued with Jutta's brother, who Ms. Sharratt claims repeated raped and tormented the girl. What was Ms Sharrott's rationale? Well, SOMETHING caused Jutta to want to be an anchorite, and not a regular nun. Again, its surprising she didnt do her homework. In those times, women were getting immured inside cathedrials all the time, in coffin tight spaces. Since actual convents then were rare or non existant, a young woman housed with 80 men would WANT to be behind a wall. For her protection. The life of a monk or nun isnt about locking THEM AWAY from the world, but rather, locking THE WORLD away from them. The convent connected to Disibodenburg abbey was a small cottage, not a suffocating prison. There's every reason to suppose they might not have been immured in the cottage, since its not spoken of in Jutta's VITA, written in Jutta's lifetime. Hildegard's VITA does mention it. However, it might have been added to make Hildegard seem more pious, since that was the goal of her VITA. Whatever happened, dont forget this was the 12th century, when most people lived in the barn with the animals. The aristocacy, which mothered both Jutta and Hildegard, might have kept them in a cold stone room, but didnt provide much else. Hildegard lived very well for a noblewoman of her times, considering she lived into her 80s, had an education, and never had to starve.

Other feminist attacks against men occur within the novel. First, Hildegard's father is viewed as a war monger, who went to Palistine to kill women and children, along with the "civilized arabs". Apparently no one told the novelist that the arabs were killing christians en masse, destroying the christian holy sites, or usurping them as with Hagia Sophia. The crusades were an attempt to prevent the loss of the Holy Land sites. I'm not sure I would see Hildegard's father and brother as broken people, taking part in an unjust war. The worst afront she made, however, has got to be what she said about Volmar, Hildegard's best friend, scribe, priest and ally. Ms. Sharratt has him going to a brothel, then DISCRIBING the sexual release to Hildegard. (tho discribing it the way a woman discribes an orgasm, not any man.) Such behavior is viewed by the Church as badly as raping a boy, since Volmar broke his vow of celebracy. This was the one man you'd think Ms. Sharratt would have had a positive view of. As for her attacks againsts Abbot Cuno, I'm sure he was a total jerk. However, did he manhandle Hildegard? I very much doubt it. Even there, she pushed his personality into the area of satanic, when in fact he was probibly just your common, run of the mill jerk, who was greedy and self serving.

In other areas the writer shows an inability to understand just how different those times were. Women and girls dressed differently, and followed very different lifestyles. Girls did NOT do cartwheels down hillsides the way Richardis did in the novel. Why? Because they ALL wore long flowing dresses. Modern american girls can do cartwheels like that, cos they wear pants. Also, nobel girls were not allowed to run around the woods unattended, with a young brother. The royals had castles and moats for a reason...there was a huge amount of thieves around, who would think nothing of killing a little girl, or kidnapping her, for a gold coin. So the idea that poor 6 year old Hildegard was walled up in two tiny rooms, when she would have otherwise been running around the woods being one with nature, doesnt fit the facts. Actually, it's likely that Hildegard didnt join the convent until she was much older. The facts are inconclusive on this point. So, why conclude the Abbot and Catholic church are horrible monsters who wall little girls into a prision? It fits a preconception, thats why. However, it doenst fit the facts. The writer also has Hildegard in a love triangle with Jutta and Volmar. She has Hildegard HATING Jutta. In fact, Hildegard's inner dialouge concerning others ususally shows no christian charity. Just one example is how Hildegard constantly complains about Jutta's bad breath, from her starvation fasts. I'm no saint, but I dont even put people down who have bad breath caused by a medical condistion. More than that, is the homoerotic relationship between Hildegard and Richardis. Ms. Sharratt has Richardis and Hildegard sharing the same bed, kissing, spooning, caressing. I'm not saying that's wrong to do, but for nuns it is against the Rule of Benedict, as well as WAY against the social norms of the time. Did Hildegard have a "special friendship" with Richardis? Maybe...it seems so. But it would have been emotional at best, no physical. There are all kinds of reasons Hildegard didnt want Richardis to leave, perhaps she attracted new recruits, or she was going to get more money from her mother, who knows? Does it HAVE to be homosexually inspired? And if it were, Hildegard would have beaten herself up over it, and not rationalized it by saying "God is love, so all love comes from God" the way Hildegard rationalized sleeping with Richardis in her mind. What the author doesnt seem to grasp, is that spiritually Volmar, Jutta and Hildegard had evolved past earthy love, and gained the kingdom, and divine love. If you've ever read the letters of St. Paul, he repeatedly states that impure love is not possible for a spiritual christian. I've noticed that people who have very under-developed spiritualities, have a hard time imagining that anyone is capable of a deeper spiritual lifestyle, than themselves. However, the Holy Spirit is real, and transformative. Thats why these people ARE saints. They worked at it for years. Its central to understanding WHO THEY ARE. So as biography, as well as historical accuracy, I have to say this book is a failure.

A final observation I had was the writing style. ILLUMINATIONS is written in a florid language, endlessly decorated with clumbersome adjectives and similes, mixed with constant name dropping of historical and mythological figures. I understand she wanted to portray Hildegard as poetical, but this was so overdone, as to fall on the side of bad style. This isnt something I'd noticed before in any novel, so it must be pretty extreme in ILLUMINATIONS. Mostly it comes across cheesy, and pretensious, as when Hildegard will say something like Richardis lips brushed against my cheek like a feather on the breath of God. In fact, "like a Feather on the Breath of God" was used for a simile at least 4 times during the book. Overall, tho, I'd say the writing style is too coy, too convoluted. The book's formal style is fair to middling at best. I did enjoy some of the book, tho. If the problems with the wiccan goddess worship were removed, as well as the militant feminist anti-male agenda, and if the biographical information were a bit better researched, I'd have really liked the book.

Overall, if you're a christian, or if you have a sincere desire to know something about Hildegard's life outside of some haliography, I suggest NOT to get confused and misguided by this novel. There are MANY sources available to discover the real Hildegard's biography. For an entertaining choice, why not watch Christine von Trutta's film HILDEGARD VON BINGEN? Or, read the biography by the Frankfurt theologian Christine Bueckner, "Hildegard von Bingen". Also recommended are biographies by Heike Koschyk, and Barbara Beuys. In Germany there are all kinds of novels about Hildegard, even Krimis like Edgar Noske's DER FALL.(The Case.) If you're not fluent in German, try to find the real Hildegard in her own works, edited by Matthew Fox. Altho he attempts to reevaluate Hildegard with his "post modern" Christian spirituality, if you ignore most of his new age-isms, you can still gain an unfiltered view of her major works. Short bios are given in those books. I have to admit, if I werent so aware of mideaval history, art, and theology, as well as Hildegard's personal works, I would have enjoyed this book far more. But because I am educated in this area, I cant accept this book as anything but an afront on Hildegard's person. She deserves more, than to have this book released the day she was elevated to DOCTOR OF THE CHURCH.
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Inauthentic Bore

Mary Sharratt's writing is the flaw in this book. I do not for one moment feel her story of Hildegard von Bingen's life is a true representation of what happened. It lacks historic depth and authenticity and is greatly flawed by the frequent use of expressions that sound too modern. Sharratt tells you; she doesn't show you and thus the characters are flat, cartoon-like figures. I expected to learn about Hidegard, the times and the social and political conventions, but found an overblown, amatuerish piece of hack history.
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A feather on the breath of God

Few of us today understand the lives of anchorites, individuals who for religious reasons chose to live in a sealed room, with only a hatch providing contact with the world at large. In Illuminations, Mary Sharratt presents a fictionalized biography of one of the most famous anchorites of all time, Hildegard von Bingen. As a child growing up in early medieval Germany, Hildegard experienced frequent visions, a dangerous trait in the eyes of church and society. As a result, her mother "tithed" her to the church as companion to Jutta von Sponheim, a girl from a noble family who chose to become not merely a nun, but an anchorite.

Sharratt chronicles the stages of Hildegard's life, from those miserable early years of forced confinement, to her fight for the opportunity to live as a normal nun, to her founding of her own religious community. In the process, her visions continued and grew in intensity, to the point that they dictated her choices and created her reputation as a genuine and revered mystic. Sharratt's prose, at times luminous and at times decidedly down to earth. She has managed to convey a sharp sense of Hildegard's personality and spirit, relying upon primary sources, especially the brilliantly illuminated manuscript in which she recorded her visions. Her Hildegard is humble, yet not afraid to employ flamboyance to achieve her goals. She did not hestitate to criticize hypocrisy and abuses of the church to which her life was bound, which caused her enormous difficulty. But she remained unbowed, and in her more peaceful, contemplative periods, she composed exquisite music to accompany the divine office.

Today, Hildegard is often regarded as a proto-feminist, but as portrayed in this book, she is more a proponent of self-actualization and justice. She is also called St. Hildegard, but her canonization has not yet taken place; that will occur October 7, 2012. I'm not certain exactly what she did to earn that title (it has been speculated that her visions were manifestations of migraine aura), but her life was extraordinary and her story deserves to be told as eloquently as Sharratt has done.
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Uninspiring fiction

Partly, I blame the positive review I read about this book for my subsequent disappointment in the work itself. I wasn't looking for a religious book so much as an historical account of Hildegard of Bingen. I thought the novel was going to be a more scholarly attempt to depict her life. Don't read this review if you wish to read the book, because I'm going to share the sad, sordid details.

I was disappointed that the author chose incest and rape as factors motivating Jutta to become an anchoress. As the author states in the Afterword, this is speculation on her part. Did the author research the lives of other anchorites and anchoresses to see what motivated them? One of my favorites is real-life Christine, anchoress of Shere in 1329. Look her up online and check out the church in the pretty village of Shere, Surrey; it's worth a visit.

Unpleasant but apparently true was Jutta's desire for pain, "How she craved pain, how it thrilled her..." (112) Jutta's self-injury took the form of flagellation and, historically accurate according to the Afterword, the wearing of a "penitent's chain" - a spiked chain that wrapped around the body with the spikes entering the flesh. (Think DaVinci Code.) This appears to have assisted in ending Jutta's sad life.

I did not like the character of Hildegard. She was unhappy for most of 30 years of forced imprisonment with a downer like Jutta. Who wouldn't be? She longs to be "free of the fog of Jutta's pain, that poisonous vapor [Hildegard] was forced to breathe every living moment" (73). Even after Hildegard manages to win freedom and establish her own monastery in Rupertsberg, the tone continues depressed, but now she comes across as an ordinary, self-interested human being. Even though she has secured her brother's wealthy estate and is rich, she wants her nuns' dowries returned from their former monastery. Her life continues to be fraught with anxiety and threats from the religious establishment. Due to accusations of an "impure" love, her most beloved friend and fellow nun, Richardis, quits the monastery leaving Hildegard to mourn.

For me, the writing often missed the mark. When Richardis, whom Hildegard loves to distraction, reveals her wish to leave: "The shock left me floored..."

When reading this book, remember that it is a fictional version from a "vivid imagination" (dust jacket). The real-life Hildegard may have been far more inspiring.
26 people found this helpful
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Uninspiring fiction

Partly, I blame the positive review I read about this book for my subsequent disappointment in the work itself. I wasn't looking for a religious book so much as an historical account of Hildegard of Bingen. I thought the novel was going to be a more scholarly attempt to depict her life. Don't read this review if you wish to read the book, because I'm going to share the sad, sordid details.

I was disappointed that the author chose incest and rape as factors motivating Jutta to become an anchoress. As the author states in the Afterword, this is speculation on her part. Did the author research the lives of other anchorites and anchoresses to see what motivated them? One of my favorites is real-life Christine, anchoress of Shere in 1329. Look her up online and check out the church in the pretty village of Shere, Surrey; it's worth a visit.

Unpleasant but apparently true was Jutta's desire for pain, "How she craved pain, how it thrilled her..." (112) Jutta's self-injury took the form of flagellation and, historically accurate according to the Afterword, the wearing of a "penitent's chain" - a spiked chain that wrapped around the body with the spikes entering the flesh. (Think DaVinci Code.) This appears to have assisted in ending Jutta's sad life.

I did not like the character of Hildegard. She was unhappy for most of 30 years of forced imprisonment with a downer like Jutta. Who wouldn't be? She longs to be "free of the fog of Jutta's pain, that poisonous vapor [Hildegard] was forced to breathe every living moment" (73). Even after Hildegard manages to win freedom and establish her own monastery in Rupertsberg, the tone continues depressed, but now she comes across as an ordinary, self-interested human being. Even though she has secured her brother's wealthy estate and is rich, she wants her nuns' dowries returned from their former monastery. Her life continues to be fraught with anxiety and threats from the religious establishment. Due to accusations of an "impure" love, her most beloved friend and fellow nun, Richardis, quits the monastery leaving Hildegard to mourn.

For me, the writing often missed the mark. When Richardis, whom Hildegard loves to distraction, reveals her wish to leave: "The shock left me floored..."

When reading this book, remember that it is a fictional version from a "vivid imagination" (dust jacket). The real-life Hildegard may have been far more inspiring.
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Delightful Read

"Illuminations" is a good work of fiction, focusing it pages on the Medieval nun and recently made Catholic Saint Hildegard of Bingen. I've been having this hardcore desire to read books taking place in Medieval Europe (as can be seen in a few of my recent book reviews) and this was one that was right up my alley. Though short, the book does the job in telling the story of Hildegard, a girl who from a young age saw visions that were sent by God and his angels. Her mother seeing this, at first as a sign of wickedness, then as the child being blessed from God, knew that her youngest daughter was destined for the Church. Hildegard, of course wanted no such thing. As any child she wanted to be free from the restrictions of such an institution and did her best to fight against it. Unfortunately she had not the strength or authority to refuse her mother and was sent to the monastery in Disibodenberg where she was literally entombed along with the then holy "magistra" Jutta.

After years of this enclosure and with little hope of ever escaping it, Hildegard eventually emerged upon the death of Jutta, who perhaps was not the holy woman everyone thought her to be. With a will and strength that knew no bounds, Hildegard avoided a second entombment and with the help of God (whom continued to send her visions) and rich nobility willing to sacrifice their own children to her, she went on to found her own monastery of nuns. Her visions were documented and eventually went into her own books being properly illuminated by one of her nuns.

The story may lag in some places, not having the usual action and plot twists that I'm used to, but all around I enjoyed it and in the end found a little bit of my own spirituality. I'd recommend it to anyone who likes to read historical fiction. Also, I was delighted at the end when the author mentioned a handful of other authors as a "thank you" in her Author's Note. The first three noted were some of favorite authors and likely that of Ms. Sharratt's as well, for they obviously inspired her in her writing. If anyone wants to read some of the best, high quality historical fiction, then you have to turn to Karleen Koen, Sharon Kay Penman and Margaret George. The books of all of these ladies always receive a five-star rating from me.

And finally I must say that this book certainly was a miracle when it came to obtaining it. This was a book I was just dying to read, however, I'm trying to be frugal these days when it comes to buying books, so I wasn't willing to spend $12.99 for the Kindle version, nor $14.75 for the book. Only other option was the library, so, I quickly checked to see if my local library had it. Sure enough there was one copy available but it was checked out at the time. Every week or so I kept checking the library website to see if it was available and every time it was checked out. I don't know how many times I went on that website in-between now and its release last fall. By the beginning of March I had lost all hope of ever getting the chance of checking out the single copy from the library. Then, lo and behold on the morning of March 8th I check the Kindle Daily Deals on Amazon and what do I see in the first slot, none other than "Illuminations", for just $1.99. I wasted no time in purchasing it! Miracles do happen!
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A Beautiful Book

I knew very little about Hildegard when I started the book, just that she had lived in the 12th Century and some of her mystical writings survive. So once I got started the story became something of a page turner.....what's going to happen next. This impulse warred with the desire to read slowly to enjoy the fine writing by the author of this work.

The outline of her life is simple. Walled up (literally) as a child in a two room cell with an older girl who had chosen that life, Hildegard spent 30+ years in that situation. When she does gain her freedom (I won't spoil your enjoyment with describing how), she becomes famous for her mystical visions, music compositions and verse, and herbal healing. She gets championed by an Emperor and a Pope. She founds a religious house for women and spends 20 years traveling to preach against the corruptions in the Church.

The story can be enjoyed on several levels. The social mores and abuses possible when children had little or no say in how their elders directed their lives; the few choices available in everyone's life. The rigid hierarchy of males in the Church and the corrupt practices that would lead to the Reformation. The importance of music and song and pagentry, especially religious, in a world with few "entertainments."

The story concentrates mostly on Hildegard's years up to about age 50 when she establishes the religious house for women at Bingen. There is rich detail of her inner life and how she coped as a child, an adolescent, and as a woman with her "holy enprisonment." We see her experiencing visions where the face of God is a woman's face and in which she hears the message that Whoever does not Love, does not know God because God is Love. We see her struggles with pride and an impulse towards favoritism with a nun whose sympathetic care helped sustain her through her years of little freedom.

Hildegard lived to be about 80 (during a time when women were usually old by 30 from child-bearing). There is only brief mention of her older years spent traveling and preaching but it provides one of her orations chiding the fathers of the Church for their corrupt practices.

This is the story of the spirit within a person whose circumstances could never defeat. One need not be religious to find the beauty in the telling of it by this author. With simple words and images she does a wonderful job of creating the world of Hildegard. Especially as a child trying to understand and accept her life.

In this passage we see the child, who used to love to roam free in the woods, and now whose only contact with the outdoors is in a small walled courtyard open to the sky:

"...I kicked up my bare feet and pranced around the courtyard pretending I was on horseback, galloping away....My fists closed around imaginary reins, I careened in circles. Offering my face to the sun, I let it scorch me, let it soak into me, its warmth sinking into my muscle and bone, so that it would shine forever inside me, even on the darkest days of midwinter."
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NOT a Catholic book about a Catholic Saint

I read (and paid for, unfortunately) this extremely heretical and ridiculous novel about St. Hildegard von Bingen. I have been interested in her for a long time, because she was a great early female composer (in addition to all the other cool stuff she did). Anyway I went on an internet book-buying binge and thought this novel looked interesting. Plus, it had 5 stars and great reviews. LIES. It is written in 1st person a la teenage vampire novel (slang and all), which I thought highly inappropriate for an 80-year-old medieval nun who is a Saint and a Doctor of the Church. She starts as a bratty resentful kid, spends 30 years in a anchorage hating her cellmate/teacher/friend Jutta, then gets liberated, writes down visions about "God my Mother" (which is actually Julian of Norwich's heresy) and spouts opinions about how nuns should wear fancy silk dresses and have long flowing hair because modesty rules don't apply to them because, well, virginity. She also falls in love with another nun, sleeps in the same bed with her ("Whatevs, stupid Rule of St. Benedict. Love can't be a sin" (paraphrase)), tells her monk friend that breaking his vow of celibacy was really no big deal (again, "Love can't be a sin"), and then disses her own mother because she "wasted her youth and health" giving birth to 10 children, instead of being a cool virgin who gets to stay beautiful longer. Because obviously, earthly beauty is what God her Mother cares about. She never mentions Jesus Christ, love of God, sacrificing for others, Mary, the Eucharist, or anything. Just how great Nature is. (To clarify, she did think nature was great, but not the exclusion of God.) The author also fabricates sex scandals for Jutta of Sponheim (regarded as a saint at the time) and an apostate Hildegard shelters, in order to present the Church in the worst light possible.

Although she does some brave things, she is portrayed as an unholy person throughout the book, from beginning to end. If this was what Hildegard was really like, she would not be a canonized Saint, only a feminist revolutionary.

The liberties the author takes are really inexcuseable, because there were many biographies written about Hildegard in her lifetime, as well as about Jutta her friend, and Hildegard herself wrote a ton of books in which God her Mother is noticeably missing.
This book made me so mad. I think it's the first book I will ever recycle.

Nihil Obstats and Imprimaturs are so reassuring, aren't they? I think I'll go find a book with those.
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A women's world in 12th century Germany

4 1/2 stars

This short historical novel explores the life of a twelfth century German
nun who had an extraordinary life, and has been adopted by modern
women, both religious and feminist (not that one can't be both) as an
example of a strong woman who created a women's space in the middle of
a bleak and dangerous time for women. The author takes Hildegard's
visions, which she experienced from childhood, as fact, and as the
inspiration of her poetry. Hildegard was imprisoned (literally walled
in) as the eight year old servant of an anchorite, an
otherwise-solitary hermit, who oddly enough lived on the grounds of a
men's Benedictine monastery. Only after the anchorite's death did
Hildegard begin to write and create amazing songs that led to the fame
that has lasted to our time.

I found the beginning of the book fascinating and horrifying. It's
hard to understand a society as alien to us as twelfth century
Germany, but the author has done a creditable job of bringing it to
life. I felt the stench and the filth and mud of their lives.
Hildegard's life was so unusual for that time, as she loved to read,
sing, and the author gives her close, loving relationships with those
around her. The final crisis of the book didn't completely work.
It's extremely well-written and the songs beautiful and evocative.

Anybody who is interested in historical novels about women set in the
Middle Ages would enjoy this easy to read book. I particularly liked
that it's not about the usual queens and princesses, but about a
relatively ordinary woman who rose to prominence by her own strength.
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