Irma Voth: A Novel
Irma Voth: A Novel book cover

Irma Voth: A Novel

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Harper
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“Toews…combines an intimate coming-of-age tale with picaresque and extremely effective prose.” "Toews . . . is clearly an artistic powerhouse. . . . In this compelling and beautiful novel, Toews's quirky and authentic voice shows increasing range and maturity. She is well on her way to fulfilling her promise as an important and serious writer." --"The Gazette""There is something quite mesmerizing about Toews's prose. It's to do with the rhythm of her language, with the seeming effortlessness of it and, when combined with her quick, offhand wit, it can enliven even the darkest of moments." "-- Toronto Star" "Toews's ability to generate comedy and heartache at the same time just soars." "-- Maclean's" "Irma Voth is wryly funny and perceptive." "-- National Post" "It is beautiful, strange, and fascinating, and readers wise enough to trust in the author's sure hand will be rewarded with a novel that takes them someplace altogether unexpected." -- Kerry Clare, "Quill & Quire" "A beautiful, heartbreaking novel. . . . Calls to mind Ann-Marie MacDonald's 1996 epic, Fall On Your Knees." "-- Winnipeg Free Press" "A stunning culture clash between the Mennonite and art communities. . . . The internal conflict over when to reveal hard information, in life or in art, is one of Toews's key themes. A sequence about how it feels to tell the truth is a knockout." "-- NOW "(Toronto) NNNN --This text refers to an alternate kindle_edition edition. That rare coming-of-age story able to blend the dark with the uplifting, Irma Voth follows a young Mennonite woman, vulnerable yet wise beyond her years, who carries a terrible family secret with her on a remarkable journey to survival and redemption. Nineteen-year-old Irma lives in a rural Mennonite community in Mexico. She has already been cast out of her family for marrying a young Mexican ne’er-do-well she barely knows, although she remains close to her rebellious younger sister and yearns for the lost intimacy with her mother. With a husband who proves elusive and often absent, a punishing father, and a faith in God damaged beyond repair, Irma appears trapped in an untenable and desperate situation. When a celebrated Mexican filmmaker and his crew arrive from Mexico City to make a movie about the insular community in which she was raised, Irma is immediately drawn to the outsiders and is soon hired as a translator on the set. But her father, intractable and domineering, is determined to destroy the film and get rid of the interlopers. His action sets Irma on an irrevocable path toward something that feels like freedom. A novel of great humanity, written with dry wit, edgy humor, and emotional poignancy, Irma Voth is the powerful story of a young woman’s quest to discover all that she may become in the unexpectedly rich and confounding world that lies beyond the stifling, observant community she knows. --This text refers to an alternate kindle_edition edition. MIRIAM TOEWS is the author of five previous novels: Summer of My Amazing Luck ; A Boy of Good Breeding ; A Complicated Kindness (winner of the 2004 Governor General’s Literary Award for Fiction), The Flying Troutmans (winner of the Rogers Writers’ Trust Fiction Prize) and Irma Voth , and one work of non-fiction, Swing Low: A Life . She lives in Toronto. --This text refers to an out of print or unavailable edition of this title. Excerpt. © Reprinted by permission. All rights reserved. Jorge said he wasn’t coming back until I learned how to be a better wife. He said it’s okay to touch him with my arm or my leg or my foot, if it’s clean, when we’re sleeping but not to smother him like a second skin. I asked him how could that be, I hardly saw him any more and he said that’s a good thing for you. He said people always lie about their reasons for leaving and what difference does it make? I blocked the doorway so he wouldn’t leave and I begged him not to go. He put his hands on my shoulders and then he rubbed my arms like he was trying to warm me up and I put my hands on his waist.xa0I asked him how I was supposed to develop the skills to be a wife if I didn’t have a husband to practise with and he said that was the type of question that contributed to my loneliness. I asked him why he was trying to blindside me with answers that attempted only to categorize my questions and I asked him why he was acting so strange lately and where his problem with the way I slept with my leg over his leg had come from and why he kept going away and why he was trying so hard to be a tough guy instead of just Jorge and then he pulled me close to him and he asked me to please stop talking, to stop shivering, to stop blocking the door, to stop crying and to stop loving him.xa0I asked him how I was supposed to do that and he said no, Irma, we’re not kids anymore, don’t say anything else. I wanted to ask him what loving him had to do with being childish but I did what he told me to do and I kept my mouth shut. He looked so sad, his eyes were empty, they were half closed, and he kissed me and he left. But before he drove off he gave me a new flashlight with triple C batteries and I’m grateful for it because this is a very dark, pitch-black part of the world.xa0The first time I met Jorge was at the rodeo in Rubio. He wasn’t a cowboy or a roper, he was just a guy watching in the stands. We weren’t allowed to go to rodeos normally but my father was away from home, visiting another colony in Belize, and my mother told my sister Aggie and me that we could take the truck and go to the rodeo for the day if we took the boys with us so she could rest. She might have been pregnant. Or maybe she had just lost the baby. I’m not sure.xa0But she didn’t care about rules that afternoon so, miraculously, we found ourselves at a rodeo. Maybe it was the pure adrenalin rush of being away from the farm that made me feel bold but I noticed Jorge sitting there by himself, watching intently, and kind of moving his body subtly in a way that matched the movements of the real cowboys, and I thought it was funny, and so I decided to go up to him and say hello.xa0Are you pretending to be a cowboy? I asked him in Spanish.xa0He smiled, he was a little embarrassed, I think. Are you pretending to be a Mennonitzcha? he said.xa0No, I really am, I said.xa0He asked me if I wanted to sit next to him and I said yes, but only for a minute because I had to get back to Aggie and the boys.xa0We had a conversation in broken English and Spanish but it wasn’t much of one because as soon as I sat down beside him my boldness evaporated and my knees started to shake from nervousness. I was worried that somebody would see me talking to a Mexican boy and tell my father. Jorge told me he was in town buying something, I can’t remember what, for his mother who lived in Chihuahua city. He told me that he had a job delivering cars over the U.S. border from Juárez to El Paso and that he got paid forty American dollars a car and he didn’t ask questions.xa0Questions about what? I asked him.xa0Anything, he said.xa0But about what? I said.xa0About what’s in the cars or who’s paying me or when or just anything. I don’t ask, he said. He seemed a little nervous, so we both looked around at the people in the stands for a minute without saying much.xa0Some people are staring at us, he said.xa0No they’re not, I said.xa0Well, actually they are. Look at that guy over there. He was about to lift his arm and point but I said no, please, don’t.xa0He told me he thought it was strange that a Mennonite girl was at a rodeo and I told him that yeah it was. I tried to explain the rules my father had but that he was out of town and my mother was tired and all that and then we started talking about mothers and fathers and eventually he told me this story about his dad.xa0All I really understood was that his father had left his mother when he was a little boy and that one day his mother had told him he was going to meet him for the first time and he better look sharp and behave himself. She said she was going to drop him off on this corner by their house and his dad would be there waiting for him and then they could have a conversation, maybe get a meal together, and then the dad would drop him back off on that corner when they were done. So Jorge, he was five years old, decided he had better clean up his sneakers, especially if he wanted to look sharp for his dad. He washed them in the bathtub with shampoo and then he put them in the sun to dry. When it was time to go, his mom dropped him off at the corner and said goodbye and left and Jorge stood there for a long time, waiting. The sky got darker and darker. Finally it started to rain and Jorge started to worry. Where was his dad? Some men in cars drove past him but nobody stopped to pick him up. It started to rain harder. Then Jorge looked down at his shoes and noticed that they were foaming. Bubbles were floating around by his shoes and he didn’t know what was going on. He was too young to understand that he hadn’t rinsed his sneakers when he washed them with shampoo and now the rain was rinsing them for him and the soap was bubbling out of them and making them foam. Jorge felt like a fool. Like a clown. He was mortified. He was just about to take them off and rub them in the dirt on the sidewalk to try to make them stop foaming when a car pulled up and a man got out and introduced himself to Jorge as his father. He asked Jorge what was going on with his sneakers and Jorge told him that he didn’t know. That they had just strangely started foaming like that and his father looked at him and told him that shoes didn’t normally do that. Jorge had wanted to tell him that he had only been trying to look good and clean for his dad but he didn’t really know how to say that and so he just started crying out of shame.xa0And then what happened? I asked Jorge.xa0My father told me that he loved my shoes that way, that they were great, that he wanted a pair just like them, said Jorge. That made me feel a lot better. And then we went and had some shrimp cocktail. Afterwards he dropped me back off at the corner and I never saw him again.xa0Oh, I said. Where did he go?xa0I don’t know, said Jorge. But I was sure it was because of my stupid shoes that he never came back. I realized that he had lied to me. Obviously he didn’t want a pair of shoes that foamed up. Who would want that? So eventually I made this decision not to act like an idiot in life.xa0But you weren’t trying to be a clown, I said. You just wanted to have clean shoes to meet your dad. Your mom had told you to.xa0I know, he said, maybe it’s not rational. But after that I decided I would try to be a cooler boy and not try so hard for things.xa0I told Jorge that I was sorry about that but that I had to get back to Aggie and the boys.xa0I guess I’ll never see you again either, he said. He was smiling. He told me it was nice meeting me and I said he could visit me in our field, maybe, beside the broken cropduster that had crashed in it, and I gave him directions and told him to wait there later that evening.xa0Make sure you look sharp and behave yourself, I told him. But I didn’t really say it correctly in Spanish so he didn’t get the little joke which wasn’t funny anyway and he just nodded and said he’d wait all night and all year if he had to. And I wasn’t used to that kind of romantic speaking so I said no, it wouldn’t take that long. I wanted to tell him that I had tried most of my life to do things that would make people stay too, and that none of them had worked out, but then I thought that if I said that our relationship would always be defined by failure.xa0Jorge came to visit me a few times, secretly, on his way between El Paso and Chihuahua city. We would lie in the back of his truck and count the number of seconds it took for jet streams to evaporate. If you happened to fly over this place you’d see three houses in a row and nothing else for miles but cornfields and desert. Mine and Jorge’s in the middle and on one side of us my parents’ house and on the other side an empty house where my cousins used to live, the space between them approximately the size of a soccer pitch or a cemetery. On a clear day I can see the Sierra Madre mountains way off in the west, and sometimes I talk to them. I compliment them on their strength and solidity, and by hearing myself talk that way I am reminded that those words exist for a reason, that they’re applicable from time to time. It’s comforting. There are a few little villages around here. Some are Mexican and some are Mennonite, we’re sorted like buttons, and we’re expected to stay where we’re put.xa0If Jorge visited in the evening he and I would lie in the back of his truck and stare at the stars and trace the shapes of various constellations and touch each other’s bodies very gently like we were burn victims. Jorge told me that I didn’t have to be so nervous. Don’t you want to leave this place? he said.xa0I think so, I said.xa0So even if your father finds out about us the worst thing that can happen is we go away.xa0I know, but, I said. But then we can’t come back, really.xa0So, he said. Why would you want to?xa0Well, I said. I would miss my mother and my sister and— But Irma, he said, you could visit them secretly just like what we’re doing right now.xa0I don’t know, I said.xa0But you and I are in love, he said. We’re eighteen now. We don’t need our mothers so much. xa0He told me that it was like a star museum out here, there were so many of them, every different kind from all the ages, stored right here in my campo for safekeeping. He said I could be the curator of the star museum.xa0I’d rather not.xa0I was just saying stuff.xa0I know, I said, but I’m not good at keeping things safe.xa0I know, he said, I didn’t mean it for real, it was just a thing to say.xa0I know, I said, but I can’t be the curator of anything.xa0Okay, Irma. I understand. You don’t have to take care of the stars, okay? That was just stuff to say. It was stupid. I had meant to tell him, again, that I wasn’t good at keeping promises or secrets or people from leaving. I kept meaning to tell Jorge things.xa0On our wedding day nobody came except the justice of the peace from the Registro Civil in Cuauhtémoc, who finished the ceremony in under a minute. He got lost trying to follow Jorge’s directions to our campo and it was dark by the time he finally showed up. Jorge had brought a candle with him and he lit it and put it next to the piece of paper we had to sign and when I leaned over to write my name, Irma Voth, my veil caught on fire and Jorge pulled it off my head and threw it onto the ground and stomped the fire out. We were in a sheltered grove near my parents’ farm. The justice of the peace told me I was a lucky girl and Jorge grabbed my hand and we took off, running. He wore a white shirt that was too big on him and hard plastic shoes.xa0We didn’t really know what to do but after a while we stopped running and we walked around for a long time and then we went to my house and told my parents that we had got married and my mother went to her bedroom and closed the door softly and my father slapped me in the face. Jorge pinned him to the wall of the kitchen and said he’d kill him if he did it again. I went into my mother’s bedroom and we hugged each other and she asked me if I loved Jorge. I said yes. I told her that he and I were going to go to Chihuahua city now and that we would live with his mother for a while until we found jobs and our own place to live. Then my father came into the room and told me that Jorge and I weren’t going anywhere, that we were going to live in the house next door and work for him and that if we didn’t he’d turn Jorge over to the cops and that the cops would sooner put a bullet in the head of another greasy narco than bother with the paperwork of processing him. He didn’t say it in a fierce or menacing way, just in a way that made it clear and final. And then he left the house and my mother went into the kitchen and put some buns and cheese onto the table and a rhubarb platz that she cut up into small pieces.xa0Jorge and I sat down with her, on either side, and she held our hands and prayed for our happiness and for an everlasting love. She spoke quietly so the other kids wouldn’t wake up. After that she whispered congratulations to us in Low German and I told Jorge what she had said and they smiled at each other, I had forgotten how pretty her smile was. Jorge thanked her for the gift of me and she asked him to protect and cherish that gift. Then my father came back into the house and told us to get out and that we were no longer welcome in his home. Jorge and I walked down the road to our house and he took my hand and asked me if I believed what the justice of the peace had said, that I was a lucky girl. I looked west towards the Sierra Madre mountains but I couldn’t make them out in the darkness. Jorge’s hand was a little sweaty and I squeezed it and he was kind enough to let that be my answer.xa0We lived in the house for free but worked for my father for nothing. We looked after the cows so that he could work the fields and travel around from campo to campo imploring people to continue with old traditions even though the drought was killing us. The plan was that when my little brothers were older they would help him with the farm, and Jorge and I would be booted out of the house. Jorge said he wasn’t worried about that because he had other opportunities to make money and eventually he and I could follow our dream of living in a lighthouse. We didn’t know of one but he said he knew people in the Yucatán who would help us. I didn’t even really know exactly where the ocean was.xa0But none of that actually matters now and it’s embarrassing to talk about because Jorge is gone and I’m still here and there’s no lighthouse on my horizon as far as I can see. Jorge came and went all that year and I never knew when he’d show up but when he did it wasn’t for long so I really saw no one, except the cows.xa0One morning my little sister Aggie snuck over and gave me some news. She told me that filmmakers from Mexico City were moving into the empty house next to mine and our father said she wasn’t supposed to talk to them or in any way whatsoever to acknowledge them.xa0She also told me that she had a new dream of becoming a singer of canciones rancheras, which are ballads of love and infidelity and drunken husbands. She had new dreams every day.xa0I missed Aggie. I missed her big laugh and her little tricks. I missed listening to her practice her swearing deep under the blankets so our parents wouldn’t hear. She has white-blond hair and a brown face from the sun and blue eyes that are so light they’re almost translucent, like a wolf. She told me that the sun and the moon are the two eyes of God and when one disappears the other one pops up to keep spying on us. When we can see them both at the same time we’re in big trouble and all we can do is run. Since I married Jorge she hadn’t been allowed to talk to me, which is why she had to sneak over, but it wasn’t really sneaking, not entirely, because our mother usually knew when she was coming and sometimes sent things along.xa0According to my father, Jorge was more interested in searching for sensations in Chihuahua city than taking care of the cows and the corn in Campo 6.5. He had other reasons for not liking Jorge but the real reason was that I’d married a non-Mennonite. A long time ago, in the twenties, seven Mennonite men travelled from Manitoba to the Presidential Palace in Mexico City to make a deal. They’d been offered this land for cheap and they decided to accept the offer and move everyone from their colony in central Canada down to Mexico where they wouldn’t have to send their kids to regular school or teach them to speak English or dress them in normal clothing. Mennonites formed themselves in Holland five hundred years ago after a man named Menno Simons became so moved by hearing Anabaptist prisoners singing hymns before being executed by the Spanish Inquisition that he joined their cause and became their leader. Then they started to move all around the world in colonies looking for freedom and isolation and peace and opportunities to sell cheese. Different countries give us shelter if we agree to stay out of trouble and help with the economy by farming in obscurity. We live like ghosts. Then, sometimes, those countries decide they want us to be real citizens after all and start to force us to do things like join the army or pay taxes or respect laws and then we pack our stuff up in the middle of the night and move to another country where we can live purely but somewhat out of context. Our motto is from the “rebuke of wordliness,” which is from the Biblical book of James: Whosoever will be a friend of the world is the enemy of God. I once made the mistake of asking my father if it didn’t make sense that in all those years from then to now some Mennonite girl would fall for a Mexican boy and want to marry him. It’s called integration, Dad, it’s not a big deal. I mean if you accept their cheap offer of land . . . But he had stopped listening to me ages ago. The last real thing we talked about was the absurdity of life on earth. He was thinking about something he’d read in an old newspaper that had somehow managed to float into our field from El Paso or somewhere. We were in the truck on our way to Cuauhtémoc and he asked me how I thought it was possible that a crowd of people could stand on the street in front of a tall office building and cheer a suicidal man on to his death by encouraging him to jump. I was surprised by the question and said I didn’t know. What does that say about us? said my dad. That we’re cruel, I said. Then my dad said no, he didn’t think so, he thought it meant that we feel mocked, that we feel and appear stupid and cowardly in the presence of this suicidal man who has wisely concluded that life on earth is ridiculous. And we want him to die immediately so that the pain of being confronted with our own fear and ignorance will also, mercifully, end. Would you agree with that? my dad asked. What? I said. I didn’t know what he was asking me. It’s a sin to commit suicide, I thought. I said no, I still think it means we’re cruel. My dad said no, it doesn’t mean we’re cruel. He got a little mad at me and stopped talking to me for a while and then as time passed never got back into the habit.xa0My father had lost his family when he was a little kid, when they’d been driven off their farm near the Black Sea. His parents and his sisters had been slaughtered by soldiers on a road somewhere in Russia, beside trees, and buried quickly in the ditch. My father survived by singing some songs, German hymns I think, for the soldiers, who thought it was cute, this little blond boy, but eventually the novelty of that wore off and they foisted him onto some other fleeing Mennonite family who adopted him and brought him to Canada to help with the animals and baling. He hated his adopted family and ran away when he was twelve to work on some other farm where he met my mother and eventually married her. That’s all I know about that because by the time it occurred to me to ask him questions about it he had stopped talking to me. I tried to get more details from my mother but she said she didn’t know any more than that either.xa0We’d had fun, me and him, you know, typical farm fun, when I was young. He made me a swing that I could jump from into hay and he understood my grief when my favourite chicken died. He even brought me to the fabric store to buy some flannel to make a burial suit of little trousers and a vest and hat for my chicken and he let me bury it outside my bedroom window rather than tossing it into the rubble fire like the other dead ones. But it was colossal and swift like the sinking of the Titanic the way all that disappeared when he moved us overnight to Mexico. --This text refers to an out of print or unavailable edition of this title. Read more

Features & Highlights

  • "The nicely drawn contrast between what Irma knows and suspects and what the reader understands about her world gives
  • Irma Voth
  • a suspenseful charge from the first pages.” —Jane Smiley,
  • Globe and Mail
  • (Toronto)
  • In a rare coming-of-age novel that blends dark truths with uplifting transformations, acclaimed author Miriam Toews delivers the story of a young Mennonite woman, vulnerable yet wise beyond her years, who carries the burden of a terrible family secret with her during a remarkable journey of survival and redemption.
  • Irma Voth
  • , from the award-winning author of
  • Swing Low
  • and
  • A Complicated Kindness
  • , is a poignant and elegant exploration of one woman’s difficult odyssey to discover her own potential—a path that leads her away from her close-knit community and into the wide and unknown world beyond.

Customer Reviews

Rating Breakdown

★★★★★
30%
(79)
★★★★
25%
(66)
★★★
15%
(40)
★★
7%
(18)
23%
(61)

Most Helpful Reviews

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Secrets, Survival & Salvation

A beautiful, complex, emotionally raw, dark, hopeful coming of age story. Irma Voth is born into a ultra conservative Mennonite family living in Canada. The family mysteriously moves to Mexico taking with them horrific secrets and consistently hiding behind a religious conservatism that denies their humanity and attempts to prohibit and deny worldly customs and events.
3 people found this helpful
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Devastatingly beautiful

This author never ceases to amaze, perplex and dazzle with humor while looking at the dire circumstance of living in a world where one never quite fits. The immense darkness is spattered with light, like a blanket poked with holes emulating stars in the desert.
3 people found this helpful
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This intriguing and readable novel introduces us to the world ...

This intriguing and readable novel introduces us to the world of an Old Colony Mennonite teenager living in Northern Mexico. Irma Voth's family has recently moved their from Canada, and her strict father throws her out of the house when he learns that she has eloped with a Mexican. He forces Irma and Jorge to live on the adjoining farm and work for him. When a movie crew moves into another abandoned farm close by and needs a translator, Irma finds her way out of her father's control and learns about other ways of life. The novel explores issues of art, representation and culture in a novel in a powerful way, challenging stereotypes about both Mennonites and Mexicans.
3 people found this helpful
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You keep reading it to see if something is going ...

You keep reading it to see if something is going to be resolved, but it ends up a dissapointing ending and not knowing about the family's future.
2 people found this helpful
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Three Stars

Strange little novel of unusual experiences.
1 people found this helpful
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Five Stars

Great characters! I loved them.
1 people found this helpful
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JORGE SAID HE WASN'T COMING BACK UNTIL I LEARNED HOW TO BE A BETTER WIFE

IRMA VOTH

A young Mennonite girl, Irma Voth, has fled Canada for Mexico with her family. Now living a brand new life she enrages her father and is asked to leave her home. She gets involved with a crew shooting a film and is torn between her loyalty to her family and her discovery of fun and laughter with the movie crew. Events take place, life progresses, and again Irma moves on and forward.

Irma is young but has had plenty of sorrow in her life. She bears a terrible and horrible secret that is fated to be unspoken forever. Will she ever find true happiness and love? Can she ever forgive herself and others in her family for what has taken place?

There is plenty of dysfunction in this book. At times the book slogged along, but Toews writing is so wonderful and pure. I recently read THE FLYING TROUTMANS by Toews which was also about family dysfunction; however, for me, TROUTMANS was more enjoyable to read. I found IRMA much deeper and more complex; yet I loved the characters, in particular Irma and her younger sister, Aggie.

Toews can certainly write and digs deep into the human heart and soul. I am glad I have a stack of her books to enjoy.
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Opted for this book after reading All My Puny Sorrows

Though a good book, not as strong as the first Toews book I read. It is a good read but lacked the zaniness of AMPS, which I really loved. Would I recommend it. Yes but not strongly. And I would go out of my way to recommend AMPS.
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Read this book if you’ve seen Silent Light

The setting of this book is the filming of the enigmatic movie Silent Light (2007). If you’re obsessed by this movie (as I am), this book is a must read. Miriam Toews starred in the movie and wrote this novel. Each sheds light on the other. In 2016 The NY Times movie critics rated Silent Light as one of the 25 best films of the 21st century.
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A book in two phases

You need to read the second part of the book to fully appreciate the first one. Life comes in after a while, full life I mean, with all the contradictions and tensions, hopes and despair...
After an "out if the world' phase followed by extreme dissolute life and artistic loneliness you realise that real life is something else. Irma's heavy burdens will come out in the proper context