Description
"Fielding knows how to turn the screws of suspense." --The Plain Dealer (Cleveland)"Honest, strong narration [drives] this novel of a family in turmoil to its bloody if redeeming resolution." --Publishers Weekly "Fielding has made the woman-in-jeopardy genre her own." --People "An excellent piece of psychological suspense." --Toronto Star "Nightmarish...Fielding turns up the heat." --Kirkus Reviews A main selection of the Literary Guild and the Doubleday Book Club From the Inside Flap How far will a mother go to protect her family from a madman? An unrivaled master of psychological suspense, Joy Fielding has written her most chilling and intricate novel yet--a compulsively readable look at the razor-thin line between daily domesticity and nerve-shattering terror. It had to end in blood.Family therapist Kate Sinclair, healer of lost souls, perfect wife and mother, has suddenly become trapped in a nightmare of her own.Her teenage daughter has just discovered sex, lies, and rebellion.Her ex-boyfriend has returned to threaten her marriage.Her once-peaceful hometown is being awakened by chilling headlines: Another woman is missing.Kate can sense the darkness gathering around her, can see the mistakes, the missteps, the missing pieces.She is afraid of what tomorrow will bring. Enter Colin Friendly, a man on trial for abducting and killing thirteen women--the handsome, "misunderstood" sociopath Kate's troubled sister plans to marry.Colin loves women to death.He can't wait to see Kate and the girls again.One dark night when they are home alone, disarmed, ready for bed... How far will a mother go to protect her family from a madman? An unrivaled master of psychological suspense, Joy Fielding has written her most chilling and intricate novel yet--a compulsively readable look at the razor-thin line between daily domesticity and nerve-shattering terror. It had to end in blood. Family therapist Kate Sinclair, healer of lost souls, perfect wife and mother, has suddenly become trapped in a nightmare of her own. Her teenage daughter has just discovered sex, lies, and rebellion. Her ex-boyfriend has returned to threaten her marriage. Her once-peaceful hometown is being awakened by chilling headlines: Another woman is missing. Kate can sense the darkness gathering around her, can see the mistakes, the missteps, the missing pieces. She is afraid of what tomorrow will bring. Enter Colin Friendly, a man on trial for abducting and killing thirteen women--the handsome, "misunderstood" sociopath Kate's troubled sister plans to marry. Colin loves women to death. He can't wait to see Kate and the girls again. One dark night when they are home alone, disarmed, ready for bed... Joy Fielding is the author of Don't Cry Now, Tell Me No Secrets, See Jane Run, Good Intentions, The Deep End, Life Penalty, The Other Woman, Kiss Mommy Goodbye, Trance, The Transformation, and The Best of Friends. A graduate of the University of Toronto, she lives with her family in Toronto and Palm Beach. Excerpt. © Reprinted by permission. All rights reserved. Another woman is missing.Her name is Millie Potton and she was last seen two days ago.xa0xa0According to today's paper, Millie is tall and thin and walks with a slight limp.xa0xa0She is fifty-four years old, which isn't surprising.xa0xa0Only women over fifty have names like Millie anymore.The small article on page three of the local news section of the Palm Beach Post states that she was last seen wandering down the street in her bathrobe by a neighbor, a woman who obviously saw nothing particularly peculiar in the incident.xa0xa0Millie Potton, the article continues, has a long history of mental problems, the implication being that it is these mental problems that are responsible for her disappearance and are not therefore anything the rest of us have to be concerned about.Over two dozen women have disappeared from the Palm Beach area in the last five years.xa0xa0I know because I've been keeping track, not consciously, at least not at first, but after a while their numbers just started adding up, and a vague figure affixed itself to my conscious mind.xa0xa0The women range in age from sixteen to sixty.xa0xa0The police have dismissed some as runaways, especially the younger ones, girls like Amy Lokash, age seventeen, who left a friend's house at ten o'clock one evening and was never seen or heard from again.xa0xa0Others, and Millie Potton will undoubtedly be among them, have been dismissed for any number of indisputably logical reasons, even though the police were wrong about Amy Lokash.Still, until a body turns up somewhere, stuffed into a garbage bin behind Burger King like Marilyn Greenwood, age twenty-four, or floating facedown in a Port Everglades swamp like Christine McDermott, age thirty-three, there really isn't anything the police can do.xa0xa0Or so they say.xa0xa0Women, it seems, go missing all the time.It's quiet in the house this morning, what with everybody gone.xa0xa0I have lots of time to tape my report.xa0xa0I call it a report, but really it isn't anything so clearly defined.xa0xa0It's more a series of reminiscences, although the police have asked me to be as specific and as orderly as I can, to be careful not to leave anything out, no matter how insignificant--or how personal--something may seem.xa0xa0They will decide what is important, they tell me.I'm not sure I understand the point.xa0xa0What's done is done.xa0xa0It's not as if I can go back and change any of the things that have happened, much as I'd like to, much as I tried to before they occurred.xa0xa0But I was just hitting my head against a brick wall.xa0xa0I knew it at the time.xa0xa0I know it now.xa0xa0There are certain things over which we have no control--the actions of others being the prime example.xa0xa0Much as we may not like it, we have to stand back and let people go their own way, make their own mistakes, no matter how clearly we see disaster looming.xa0xa0Isn't that what I'm always telling my clients?Of course, it's much easier to give advice than it is to follow it.xa0xa0Maybe that's one of the reasons I became a family therapist, although that certainly wasn't the reason I gave on my college entry application.xa0xa0There, if memory serves me correctly, and it does so with alarmingly less frequency all the time, I listed my intense desire to help others, my reputation among friends as someone to whom they could always turn in times of trouble, my experience with my own dysfunctional family, although the term "dysfunctional" had yet to be coined at the time I entered university way back in 1966.xa0xa0It's so common now, so much a part of the everyday vernacular, that it's hard to imagine how we managed for so long without it, despite the fact that it's essentially meaningless.xa0xa0What constitutes dysfunction, after all?xa0xa0What family doesn't have problems?xa0xa0I'm certain my own daughters could give you an earful.So, where to start?xa0xa0This is what my first-time clients ask all the time.xa0xa0They come into my office, which is on the third floor of a five-story Pepto-Bismol pink building on Royal Palm Way, their eyes wary, the fingers of one hand chipping at the wedding band on the other, as they perch on the ends of the upholstered gray-and-white chairs, their lips parting in anticipation, their mouths eager to give voice to their rage, their fears, their displeasure, and the first thing that tumbles out is always the same: Where do I start?Do I start at the very beginning, announce myself like a label stuck to a lapel: Hello, my name is Kate Sinclair?xa0xa0Do I say that I was born forty-seven years ago in Pittsburgh on an uncharacteristically warm day in April, that I'm five feet six and a half inches tall and one hundred and twenty-five pounds, that my hair is light brown and my eyes a shade darker, that I have small breasts and good legs and a slightly lopsided smile?xa0xa0That Larry affectionately calls me funny face, that Robert said I was beautiful?It would be much easier to start at the end, to recite facts already known, give name to the dead, wipe away the blood once and for all, instead of trying to search for motivations, for explanations, for answers that might never be found.But the police don't want that.xa0xa0They already know the basic facts.xa0xa0They've seen the end results.xa0xa0What they want are details, and I've agreed, as best I can, to provide them.xa0xa0I could start with Amy Lokash's disappearance, or the first time her mother came to my office.xa0xa0I could begin with my mother's fears she was being followed, or with the day Sara's teacher called to voice her growing concerns about my daughter's behavior.xa0xa0I could talk about that first phone call from Robert, or Larry's sudden trip to South Carolina.xa0xa0But I guess if I have to choose one moment over all the others, it would have to be that Saturday morning last October when Jo Lynn and I were sitting at the kitchen table, relaxing and enjoying our third cup of coffee, and my sister put down the morning paper and calmly announced that she was going to marry a man who was on trial for the murder of thirteen women.Yes, I think I'll start there. 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Features & Highlights
- How far will a mother go to protect her family from a madman?An unrivaled master of psychological suspense, Joy Fielding has written her most chilling and intricate novel yet--a compulsively readable look at the razor-thin line between daily domesticity and nerve-shattering terror.It had to end in blood. Family therapist Kate Sinclair, healer of lost souls, perfect wife and mother, has suddenly become trapped in a nightmare of her own. Her teenage daughter has just discovered sex, lies, and rebellion. Her ex-boyfriend has returned to threaten her marriage. Her once-peaceful hometown is being awakened by chilling headlines: Another woman is missing. Kate can sense the darkness gathering around her, can see the mistakes, the missteps, the missing pieces. She is afraid of what tomorrow will bring.Enter Colin Friendly, a man on trial for abducting and killing thirteen women--the handsome, "misunderstood" sociopath Kate's troubled sister plans to marry. Colin loves women to death. He can't wait to see Kate and the girls again. One dark night when they are home alone, disarmed, ready for bed...



