Mouthful of Birds: Stories
Mouthful of Birds: Stories book cover

Mouthful of Birds: Stories

Hardcover – January 8, 2019

Price
$12.99
Format
Hardcover
Pages
240
Publisher
Riverhead Books
Publication Date
ISBN-13
978-0399184628
Dimensions
5.34 x 0.89 x 8.34 inches
Weight
10.6 ounces

Description

"Schweblin is among the most acclaimed Spanish-language writers of her generation.... [H]er true ancestor could only be David Lynch; her tales are woven out of dread, doubles and confident loose ends....xa0What makes Schweblin so startling as a writer, however, what makes her rare and important , is that she is impelled not by mere talent or ambition but by vision, and that vision emerges from intense concernxa0withxa0the world, with the hidden cruelties in our relationships with all that is vulnerable — children, rivers, language, one another."xa0— New York Times "The author’s flair for intertwining surrealism with delicate emotionality is again on full display inxa0Mouthful of Birds, a collection of short stories that sit somewhere between miniature mysteries and fairy tales. In this slim and superb book, Schweblin takes on the desire to love, to parent, and to care for one’s own body—hardly extraordinary themes—and invests them with a fresh poignancy."xa0— Vogue "Admirers of Schweblin's work will be delighted to learn that she hasn't lost any of the atmospheric creepiness that made Fever Dream such an unsettling ride. Mouthful of Birds , is just as ethereal and bizarre as its predecessor, and it proves that Schweblin is a master of elegant and uncanny fiction ....xa0Schweblin is gifted at treating the otherworldly with a matter-of-fact attitude, writing about the surreal as if it were unremarkable....xa0And her writing, beautifully translated by Megan McDowell, is consistently perfect ; she can evoke more feelings in one sentence than many writers can in a whole story. Fans of literature that looks at the world from a skewed point of view will find much to love in Schweblin's book, and so will anyone who appreciates originality and bold risk-taking. Mouthful of Birds is a stunning achievement from a writer whose potential is beginning to seem limitless ."xa0—NPR“[T]he stories cumulatively summon a world in which the civilized is constantly receding and to be a human is to live in a state of desperation.”xa0— The New Yorker "Strange and beautiful."xa0— Tommy Orange , The Guardian "Chilling.... confirm her as a master of the macabre.... [T]his collection of short stories brings to life vivid worlds of terror and unease.xa0Her particular genius lies in the fact that there’s something inherently savage and ungovernable about her work: each of these eerie, shocking stories crouches like a tiny feral beast, luring you in with false promises of docility, only to then sideswipe you with sharpened claws and bared fangs."xa0— Financial Times "Surreal, disturbing, and decidedly original.”xa0— Library Journal, starred review"Schweblin once again deploys a heavy dose of nightmare fuel in this frightening, addictive collection…canny, provocative, and profoundly unsettling." — Publishers Weekly , starred review"The Grimm brothers and Franz Kafka pay a visit to Argentina in Samanta Schweblin’s darkly humorous tales of people who have slipped through cracks or fallen down holes into alternate realities." — JM Coetzee "The way Schweblin writes is luxurious, and also incredibly direct....xa0One of the routine pleasures of Schweblin’s storytelling, in both Fever Dream and in these stories, is getting swept up in her mad effects. While each story immerses and orients the reader, it also keeps them guessing....xa0While Schweblin executes each narrative move with propulsive confidence, as though of course it would not go any other way, it is also impossible to guess where a Schweblin story is going. One of the greatest effects of Schweblin’s writing is the sensation of having a trapdoor kicked open in your own mind — of not knowing this weird space even existed, but of course. There you are." -- Los Angeles Review of Books "Schweblin's imagination seemingly knows no bounds.”xa0—Refinery29“Like her previous work and her award-nominated novel Fever Dream , Mouthful of Birds blurs the line between what is reality, what is fantasy, and what is madness.”xa0— Bustle “Schweblin is back with this book of short stories, each more unnerving than the last, and all with the unique ability to leave you with that throbbing, pulsing feeling following an electric shock or a sleepless night or a solid scare or all of the above.”xa0— Nylon "Schweblin builds dense and uncanny worlds, probing the psychology of human relationships and the ways we perceive existence and interpret culture, with dark humor and sharp teeth. An assemblage of both gauzy and substantial stories from an unquestionably imaginative author."xa0— Kirkus R eview"Intense… [has] a visceral effect as Schweblin navigates the extremes of her characters’ actions and thoughts, both healing and destructive.” — Booklist “In simple, uncluttered prose, these stories manage to dismantle society’s accepted norms then prompt you wonder how to navigate morality without them and question why we ever accepted them in the first place.”xa0— Broadly "[E]xplores the delicate line between real life and fantasy to devastating effect....xa0Each story’s disorienting effect lies in its ability to waver between the concretely real and the hazily unreal. There’s a sense of the paranormal—rather than the magic—at play."xa0— Paste Samanta Schweblin is the author of the novel, Fever Dream , a finalist for the Man Booker International Prize and her first book translated into English. She was chosen as one of the twenty-two best writers in Spanish under the age of 35 by Granta and is on the Bogotá39-2017 list. Her stories in Spanish have won numerous awards, including the prestigious Juan Rulfo Story Prize, and in English have appeared in The New Yorker , Harper's , and elsewhere. Her work has been translated into twenty languages. Originally from Buenos Aires, she lives in Berlin. Megan McDowell has translated books by many contemporary South American and Spanish authors, and her translations have been published in The New Yorker , Harper's , The Paris Review , McSweeney's , Words Without Borders , and Vice, among other publications. She lives in Chile.

Features & Highlights

  • "Superb" --
  • Vogue
  • "What makes Schweblin so startling as a writer, however, what makes her
  • rare and important
  • , is that she is impelled not by mere talent or ambition but by vision." --
  • New York Times
  • A powerful, eerily unsettling story collection from a major international literary star.
  • The brilliant stories in
  • Mouthful of Birds
  • burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary collection featuring women on the edge, men turned upside down, the natural world at odds with reality. We think life is one way, but often, it's not -- our expectations for how people act, love, fear can all be upended. Each character in
  • Mouthful of Birds
  • must contend with the unexpected, whether a family coming apart at the seams or a child transforming or a ghostly hellscape or a murder. Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blurs.

Customer Reviews

Rating Breakdown

★★★★★
30%
(95)
★★★★
25%
(79)
★★★
15%
(47)
★★
7%
(22)
23%
(72)

Most Helpful Reviews

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A little too grotesque...

I thought I could power through this but wow.. I just had to put it down after reading a story about an artist who only paints people’s heads being smashed against the ground, which then goes into some questionable (probably racist) territory. Some stories in this collection are quite lovely, though by some I mean maybe three. I expected magical tales that would be beautifully written, but what I read were under-developed ideas that seem to be randomly thrown together, many of which were unnecessarily gross or horrifying. A lot of these stories are very short, which I have nothing against, but these stories lack any development or connection to the characters. I often read a story and felt absolutely nothing, or if anything a little confused. A character would be introduced then some weird things would happen and then it would be over. There was no focus on characters in many of these stories, with many being vehicles for bizarre plot points and having the same personality traits from story to story. Many of these stories focus on men who are uninteresting, lacking in empathy or Introspection and just kinda suck.. The very few stories I enjoyed prior to putting this book down were more introspective, and character focused. Sadly, I’m now hesitant to pick up Fever Dream...
8 people found this helpful
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A worthwhile collection, esp. if you're interested in reading Schweblin's pre-Fever Dream writing

Fever Dream (Schweblin's novella published in English in 2017) is one of my favorite books -- precisely written and haunting, it captures the anxieties of motherhood amazingly well. So I was very excited to read this collection of short stories. From what I understand, Mouthful of Birds was originally published in Spanish in 2010 (and in English in 2019). Fever Dream was originally published in Spanish in 2014 (and published in English in 2017). Meaning the stories in Mouthful of Birds were originally written some time before Fever Dream. Some of these stories do feel like an author's early work. Rather than finding that a negative, I find it exciting to get to see how Schweblin's writing has progressed (and it makes me excited for what Schweblin will be publishing next). She is not a static writer by any means and appears interested in exploring and poking at boundaries. Two stories in this collection are some of my favorite short stories ever: "Olingiris" and "A Great Effort." ("A Great Effort" had interesting hints of Fever Dream - "Then the boy put down the puppet and he looked out from the stage himself. He hid behind the curtain for a few seconds and then appeared again. The pain he felt every time his son disappeared was something brutal. Every time the boy hid behind the curtain again, an invisible thread pulled at him violently."!!). These two pieces are odd, emotional, subtle, and moving in the best way. Other favorites from this collection include "Mouthful of Birds," "Heads Against Concrete," "Underground" (very creepy story about parenthood, also reminded me of Fever Dream a little), and "On the Steppe." Some of the other stories I didn't connect with as much, but I think that's expected in a collection.
1 people found this helpful
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Haunting. Powerful. Exquisite.

Schewblin's work is amazing. Not easy, not simple. Just amazing. Lovers of literature should grab anything by her they can.
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Hauntingly Surreal

One word: surreal. Two words: hauntingly surreal.

Imagine reading Franz Kafka and André Breton simultaneously while watching Frida Khalo paint her way out of a René Magritte painting into one by Salvador Dali as Andy Warhol films it and Rod Serling narrates it and Jim Morrison sings "When You're Strange" in Klingon.

This collection of short stories was a through-the-looking-glass take on normal everyday life, whether it be grabbing a bite to eat, buying a train ticket, or dealing with familial angst. There is a quality to these stories that reminded me of Aesop's fables or Grimm and Anderson fairytales turned upside down and inside out. At the heart of most, if not all, of these stories was disconnection. Characters that felt disconnected from something or someone. A disconnection I felt when it came to most of the endings of these short stories as many of them ended abruptly or in a way that was hard to understand. It was like switching the channel on a tv show before it was done or having the power go out unexpectedly.

But maybe that was the point. Because this doesn't strike me as a writer that just couldn't figure out how to end all these stories or wasn't aware of the strange endings or lack thereof. This collection feels very on purpose. When finishing each, one does feel incredibly unsettled. The last story sort of brings that home, how brutality and beauty do that dance, how life is that dance, and how life is art.

This collection as a whole was riveting. It felt like a smoking gun of some sort. Even as I felt disconnected, these stories crawled under my skin. Upon finishing the collection, I pondered the endings that I couldn't quite understand and asked if they were of my own making. Was my need to find meaning, even when there was none, being called into question? And who am I to say how a story should end. Lives end all the time without rhyme or reason or consideration of plot or character arc.

The stories were well written but not poetic. Being a translation, it's hard to know if that's the author or the translator. While the prose is spare, it didn't have the rhythm of someone like Hemingway who was able to squeeze poetry out of few words. But the author of this collection does have her own very matter-of-fact rhythm. Not once did I find her prose tripping over itself or clunky in anyway.

As I closed this collection of stories, I realized scenes from all the stories were milling about in my head. My mind went back to the first story and I could feel myself still there on the side of the road and then I find myself turning back time and then not being able to stop myself from the brutal sport of needing to capture beauty and to love unconditionally one that devours what I no longer understand. I get away and then make my get away and then try to get away with it and no dice. I feel trapped in a dead-end job and then in a dead-end family. I almost escape to have an exotic affair but then hunger for something that then rages against everyone as life imitates art. I then put away childish things, but not before I color coordinate them. I sit with a stranger and become unsettled before I slow down so fast before I die - or was it someone else? I am then on the hunt and then on the run and then on display for all that I am as brutality and beauty tear me asunder.

MY TAKE ON INDIVIDUAL STORIES AS I READ THEM

The collection starts off strong: A girl with disappointment, a wedding dress and a bathroom she shouldn't have taken so long in. She can see his taillights in the distance, he didn't wait for her. One paragraph in and I'm all in. And what I'm in is a surreal landscape overflowing with the road kill of unrequited love. This story is dark and humorous and haunting and one we can all relate to on some level. It could have gone more in depth but there was something about leaving all that room for me to move about and to color that was interesting.

As I read on into the next story, I felt something I couldn't quite put my finger on. It was as if the author was attacking the same one thing from different angles. The third story was beautiful and dark and so poignant. We humans are so clueless to the difference between holding beauty and beholding it. We are dumb to how captured beauty isn't beautiful anymore because it's not free. We so often in our need to possess beauty instead of appreciating it, destroy it. This story speaks to that ignorance.

By the time you get to the story for which this collection is named you start feeling very out of sorts. As I ventured into the fifth story about a depressed mother and her son, this is when it occurred to me that all the stories so far were about disconnection in some way.

The following story had me lamenting that there wasn't much distinction between the characters. The stories and characters started to seem like they resided in the dream world, crystal clear when in them but not at all upon leaving them. The endings at this point were reminding me of dreams that I've woken up in the middle of and not recovering when falling back asleep. It was also at this point that I started wondering if these stories strung together somehow, perhaps in a different order than presented. I also wondered if I knew more folklore of the author's homeland if it would help my understanding.

As I moved onward, the stories got quirkier and darker. Especially the one about a test to see if the protagonist could kill a random dog. This one was tough to read but it did have a good dark ending.

The story about waiting for a train for which the protagonist can't seem to get his hands on a ticket seemed straight out of "Twilight Zone" or Scorsese's Classic 1980's dark comedy "After Hours." It had a good twist of an ending.

The next one titled "Olingirks" peaked my curiosity (really all the stories did). It had an ending but I'm not sure what it was, but the disconnection was palpable. The whole story was odd, like some weird recurring dream from another life. Or a dream that belongs to someone else that gets rerouted to you by mistake. It also made me think of how any one of our lives can seem strange to anyone else if laid bare.

The story about the depressed brother seemed like a more down-to-earth story yet the ending made no sense or was trying too hard to say something. Again there's the theme of disconnection. This time in the face of a barrage of people trying to connect with the brother. The feeling of disconnection never wanes and is quite potent in this story.

I loved the story about the merman. It was bordering on Charlie Kaufman territory. It would make a fun short film, very campy and ethereal. The humor of an overprotective brother was stellar. The ending was great, though I wish this one had been longer. At its heart it explores the other, autonomy, and the desire to break free.

The story "Heads Against Concrete" has one of the most drawn protagonists of all the stories. The story about a kid that loves to paint and has a short fuse when bullied was very interesting on many levels. It was life imitating art and then imitating life again. It hints of the final story.

"The Size of Things" was an odd story, sweet and sour. A Peter-Pan-esque toy story that ends as strange as it starts. The ending fell flat for me and I wish it had gone in depth on the characters. This has potential for a longer story.

The need for human connection is highlighted in "Underground," a strange little story involving the protagonist that pays a stranger at a bar five pesos to tell a story.

The story of retired circus performers is equally odd and poignant. When asked what's wrong by a former circus performer, the other retired circus performer replies "I'm worried, I think I'm slowing down." Life, the thing you love, or anything you hold dear coming to an end does make things slow down.

The story about hunting for children, or at least that's what I think it was about, or rather being infertile, seemed like the flip side of the second story in the collection about slowing down a pregnancy (or saving it for another day).

The last story was dark, really dark. "The Heavy Suitcase of Benavides" was disturbing yet brilliant in its own twisted way. It's surreal and has something to do with disconnection and objectification of brutality. It touches on how we hold up those that commit atrocities. We are as fascinated as we are appalled. This story touches on the art world. A strange underground art world. I kept waiting for the other shoe to drop. Strangely the shoe that dropped was the protagonist being aware of his connection to all of humanity falling away. This touches on many things including that of fame and power. Surreal and creepy squared.
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excellent read

these stories gave me exquisite chills all the way through till the end
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Far too bewildering for my taste

A collection of bewildering and dark short stories that cover a range of human states, such as brokenness, violence, depression, and fear.

I can’t really provide you with a synopsis, as each of the several short stories stand alone and are completely unique. Think Black Mirror, but in written form and without always having a discernible point or meaning.

This collection was absolutely not for me. These stories are meant to be unsettling, and that is my least favorite feeling. It’s also possible that I don’t “get” short stories. I need meaning and at least an inkling of understanding, and ideally would like to learn something. Some of the stories were intriguing, but in general they did nothing for me.
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Overrated

A few good stories but don't expect to be scared, shocked or amazed. A long way from Kafka or Poe.
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Loved it

So weird and crazy and brilliant. I loved her book Fever Dream and these stories lived up to that novel. Her mind is like no one else's!