Mudbound
Mudbound book cover

Mudbound

Paperback – March 17, 2009

Price
$8.79
Format
Paperback
Pages
368
Publisher
Algonquin Books
Publication Date
ISBN-13
978-1565126770
Dimensions
5.45 x 1.05 x 8.25 inches
Weight
12 ounces

Description

"A supremely readable debut novel . . . Mudbound is packed with drama. Pick it up, then pass it on." — People "A compelling family tragedy, a confluence of romantic attraction and racial hatred that eventually falls like an avalanche . . . An engaging story." — The Washington Post "The forces of change and resistance collide with terrible consequences." — The New York Times "Stunning. . . . You are truly taken there by Jordan's powerful, evocative writing and complex characters." — The Boston Globe "By the end of the very short first chapter, I was completely hooked . . . This inside understanding of conflicting emotions and motivations leads to a complicated stew in which the distinction between good and evil isn't always clear. This is a book in which love and rage cohabit. This is a book that made me cry." — Minneapolis Star-Tribune " Mudbound dramatizes the human cost of unthinking hatred . . . That Hillary Jordan makes a hopeful ending seem possible, after the violence and injustice that precedes it, is a tribute to the novel's voices and the contribution each makes to the story . . . [They] live in the novel as individuals, black and white, which gives Mudbound its impact." — Atlanta Journal Constitution " Mudbound is as much a tale of racism as it is the transcending powers of love and friendship." — Austin American Statesman "An absorbing debut novel . . . Is it too early to say, after just one book, that here's a voice that will echo for years to come?" — San Antonio Express News " Mudbound argues for humanity and equality, while highlighting the effects of war. For a historical novel, it has a most contemporary theme . . . [The] mixture of the predictable and the unpredictable will keep readers turning the pages. . . . It feels like a classic tragedy, whirling toward a climax . . . [An] ambitious first novel." — Dallas Morning News " Mudbound , which is the 2006 winner of Barbara Kingsolver's Bellwether Award, founded to recognize literature of social responsibility, does an excellent job of capturing the impacts of racism both casual and deliberate." — Denver Post "A superbly rendered depiction of the fury and terror wrought by racism." — Publishers Weekly "[A] sophisticated, complex first novel." — Booklist , starred review "[A] poignant and moving debut novel. . . . Jordan faultlessly portrays the values of the 1940s as she builds to a stunning conclusion. Highly recommended." — Library Journal , starred review “A confidently executed novel.” — Kirkus "This is storytelling at the height of its powers: the ache of wrongs not yet made right, the fierce attendance of history made as real as rain, as true as this minute. Hillary Jordan writes with the force of a Delta storm. Her characters walked straight out of 1940's Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still." — Barbara Kingsolver “A real page turner—a tangle of history, tragedy and romance powered by guilt, moral indignation and a near chorus of unstoppable voices. Any reader will appreciate the overlap of forbidden loves and deadly secrets.” — Stewart O'Nan "A compelling family tragedy, a confluence of romantic attraction and racial hatred that eventually falls like an avalanche...The last third of the book is downright breathless." ―The Washington Post Book World "[A] supremely readable debut novel...Fluidly narrated by engaging characters... Mudbound is packed with drama. Pick it up, then pass it on." ―People, four stars"An ambitious and affecting debut...Accessible, engaging and spiked with suspense...[A] tremendous gift." ―Paste, four stars From the Inside Flap A gripping and exquisitely rendered story of forbidden love, betrayal, and murder, set against the brutality of the Jim Crow South.When Henry McAllan moves his city-bred wife, Laura, to a cotton farm in the Mississippi Delta in 1946, she finds herself in a place both foreign and frightening. Laura does not share Henry's love of rural life, and she struggles to raise their two young children in an isolated shotgun shack with no indoor plumbing or electricity, all the while under the eye of her hateful, racist father-in-law. When it rains, the waters rise up and swallow the bridge to town, stranding the family in a sea of mud.As the McAllans are being tested in every way, two celebrated soldiers of World War II return home to help work the farm. Jamie McAllan is everything his older brother Henry is not: charming, handsome, and sensitive to Laura's plight, but also haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, comes home from fighting the Nazis with the shine of a war hero, only to face far more personaland dangerousbattles against the ingrained bigotry of his own countrymen. It is the unlikely friendship of these two brothers-in-arms, and the passions they arouse in others, that drive this powerful debut novel. Mudbound reveals how everyone becomes a player in a tragedy on the grandest scale, even as they strive for love and honor.Jordan's indelible portrayal of two families caught up in the blind hatred of a small Southern town earned the prestigious Bellwether Prize for Fiction, awarded biennially to a first literary novel that addresses issues of social injustice. A gripping and exquisitely rendered story of forbidden love, betrayal, and murder, set against the brutality of the Jim Crow South. When Henry McAllan moves his city-bred wife, Laura, to a cotton farm in the Mississippi Delta in 1946, she finds herself in a place both foreign and frightening. Laura does not share Henry's love of rural life, and she struggles to raise their two young children in an isolated shotgun shack with no indoor plumbing or electricity, all the while under the eye of her hateful, racist father-in-law. When it rains, the waters rise up and swallow the bridge to town, stranding the family in a sea of mud. As the McAllans are being tested in every way, two celebrated soldiers of World War II return home to help work the farm. Jamie McAllan is everything his older brother Henry is not: charming, handsome, and sensitive to Laura's plight, but also haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, comes home from fighting the Nazis with the shine of a war hero, only to face far more personal--and dangerous--battles against the ingrained bigotry of his own countrymen. It is the unlikely friendship of these two brothers-in-arms, and the passions they arouse in others, that drive this powerful debut novel. "Mudbound" reveals how everyone becomes a player in a tragedy on the grandest scale, even as they strive for love and honor. Jordan's indelible portrayal of two families caught up in the blind hatred of a small Southern town earned the prestigious Bellwether Prize for Fiction, awarded biennially to a first literary novel that addresses issues of social injustice. Hillary Jordan is the author of the novels Mudbound (2008) and When She Woke (2011), as well as the digital short “Aftermirth.” Mudbound won the 2006 Bellwether Prize, founded by Barbara Kingsolver to recognize socially conscious fiction, and a 2009 Alex Award from the American Library Association. It was the 2008 NAIBA Fiction Book of the Year and was long-listed for the 2010 International IMPAC Dublin Literary Award. Paste magazine named it one of the Top Ten Debut Novels of the Decade. Mudbound has been translated into French, Italian, Serbian, Swedish, and Norwegian, and the film version is forthcoming in fall 2017. When She Woke was long-listed for the 2013 International IMPAC Dublin Literary Award and was a 2012 Lambda Literary Award finalist. It has been translated into French, German, Spanish, Turkish, Brazilian Portuguese, and Chinese complex characters. Jordan has a BA from Wellesley College and an MFA in Creative Writing from Columbia University. She grew up in Dallas, Texas, and Muskogee, Oklahoma, and currently lives in Brooklyn, New York. Read more

Features & Highlights

  • The International Bestseller Now a major motion picture from Netflix, directed by Dee Rees, nominated in four categories for the Academy Awards.
  • In Jordan's prize-winning debut, prejudice takes many forms, both subtle and brutal. It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm—a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not—charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion. The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Barbara Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."

Customer Reviews

Rating Breakdown

★★★★★
60%
(2.6K)
★★★★
25%
(1.1K)
★★★
15%
(659)
★★
7%
(308)
-7%
(-308)

Most Helpful Reviews

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In Mudbound Ms Jordan chose to replicate racial stereotypes with word pictures that provide little more insight into racism than the centerfolds of Playboy provide about women.

Her depictions of Hap, Florence and their family are idealized to such an extent that they fail to adequately portray the myriad struggles faced by impoverished Blacks in the 40's.

Her depictions of racists are so shallow and one-dimensional that they fail to provide a clue about what drives them to evil.

Mudbound's final chapter is a mockery of the struggle required to escape poverty and prejudice. . .the equivalent of "and then they lived happily ever after."

At the end of the day, Mudbound is a form of intellecutal pornography which uses highly charged images to sell a product but adds nothing meaningful to our understanding of poverty and prejudice.
33 people found this helpful
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Another politically correct version of life in the south

Jordan attempts to tell too many stories while overpowering the reader with the theme of the terrible evils of a racist south. The book reads like a blatant attempt to win Oprah's notice and get mentioned on her show. The characters were so flat and so predictable that I couldn't finish the book. Please, read The Help by Stockett. It covers the same time and it's so much better.
29 people found this helpful
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well written, but predictable

This is a well written book that really sucks you in-I think I read it in about two days. I liked her use of different "voices" throughout the book, which kept the book from seeming too preachy at any one point. However, the further into it I got, the less I liked it. I got the feeling that I had read many bits of this before in other popular fiction-and there they were again. Death, check. Hardship because of foolish husband, check. Incest, check. Woman in a unhappy marriage who has a "fling" that somehow gives her the gumption to go on. That last one is starting to really annoy me. I guess it is currently popular, but I doubt you'd find much popular fiction these days that had a man using a woman in that way, and then talking dreamily about how his affair "clarified" things for him so that he could bravely continue in his unhappy marriage. It's fast paced, and well written, but I would have enjoyed it more if it had stuck more to the better parts of the story, namely the story about Ronsel and he and his family's battles against racism.
26 people found this helpful
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Social justice (and literature) lite

This book and I hit it off at first. It's a quick, easy read and I enjoyed the first 2/3 or so. But looking back, I wouldn't recommend it to anyone.

Mudbound is about two families living in the Mississippi Delta: one black and one white. It's 1946 and racial tensions are high: the black GIs returning from WW2 are no longer willing to put up with being second-class citizens, but the white population is equally unwilling to allow change. The book is written in the first person from 6 (six!) different viewpoints (and a debut novel at that.... had I not loved Jordan's [[ASIN:B006TQUSQU When She Woke]] I would never have attempted this), including Ronsel (a black soldier), Hap and Florence (his parents), Jamie (a white soldier), Henry (his older brother) and Laura (Henry's wife). To her credit, Jordan does do a passable job with the multiple narrators, who don't sound too much alike--the streamlined nature of the writing, without much figurative language or description, helps with this, and the dialect works well enough without being impenetrable.

As I said, I liked the story at first; it drew me in quickly and entertained me. But there isn't much more I can say for it. So, then, the problems:

THE PLOT: Terribly predictable (and melodramatic). One-third of the way through I predicted all the dramatic events that would happen in the rest of the book. I was right. And I'm not usually good at that.

THE CHARACTERS: The black family are stock characters of the "sympathetic victims" variety: hardworking, family-values folk. Hap is the forgiving, scripture-quoting preacher. Florence is the closer-to-earth midwife. Ronsel is the bright young guy who's beat down by the system. They have potential but are too stuck in their stock roles and personalities to realize it.

The white family is more complex (they're allowed to have flaws), but not much more. Henry is a simple man who loves farming: exactly the same on the inside as he appears from the outside. His father, Pappy, is the stock evil racist with no redeeming qualities. Laura gets a lot of page time (and her voice feels the most authentic), but she's pathetic; she starts out pathetically grateful to Henry for marrying her at the ripe old age of 31 and despite a few attempts to act for herself, she's still pathetic at the end. Jamie is the most interesting of the bunch: he seems like a basically good guy whose PTSD leads him into destructive behavior, and he's racist in a subtle, Huckleberry-Finn kind of way (at least, the other white characters make him look subtle; more on that later).

THE SETTING: Black and white, in more ways than one. Essentially, the rural South = bad; cities, or anywhere in Europe = good. "Violence is part and parcel of country life," Laura tells us, and to prove the point, Jordan includes a family of bit-part characters whose purpose is solely to rape, murder, and drunkenly shoot off guns (and these are the only farm people we meet aside from the main characters). The Mississippi Delta is full of violent racists, while the Memphis-bred Laura has apparently never even heard of Jim Crow. Europe, meanwhile, is a colorblind paradise; even German women are happy to sleep with black men and have their babies mere months after their own government finished murdering millions of pale-skinned people for not being white enough. (I'm not disputing that such liaisons happened, but I do dispute the "colorblind paradise" portrayal. Read Andrea Levy's [[ASIN:0755331265 Small Island]] for a more nuanced portrayal of wartime and post-war England; as for Germany, its actions speak for themselves.) Finally, Jordan's failure to get even easily verifiable facts right makes me doubt her overall portrayal. The two closest towns to the McAllens' farm are Greenville and Marietta.... and while Greenville really is a Delta town, Marietta is actually over 200 miles away in the northeast part of the state.

THE MESSAGE: Several underwhelmed reviewers have mocked the Bellwether Prize, which is meant to recognize a book that advances social justice in some way. I think the prize is a good idea. But the Washington Post nailed this one: "the book doesn't challenge our prejudices so much as give us the easy satisfaction of feeling superior to these evil Southerners." The thing is, to advance social justice, you have to be timely. Tackle, say, the drug war's disproportionate impact on minority communities, the poor quality of education in inner-city schools, the location of environmental hazards in minority neighborhoods. There's no end to current social justice issues that Jordan might have written about. Instead, her message is one that even most unreformed racists of today wouldn't dispute: racially motivated hate crimes are bad, folks! It's no wonder most people like this book: its message is so uncontroversial that nobody is uncomfortable with it. But you can't change society by hammering home points everybody already agrees with.

(In fairness to Jordan, her second novel does take on timely, controversial issues; predictably, its reception has been more mixed. But it's much better.)

In the end, I don't hate this book. If you want a quick, unchallenging read about the evils of racism, it may be the book for you. If you're looking for some redeeming social or literary value, though, best look elsewhere.
18 people found this helpful
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Dissapointed in this predictable overrated book!

Being an avid reader, I was really looking forward to settling in for a good read. Not so... this is not a feel good book or one you particularly want to remember either.. I'm sorry but I found no humor in this at all. This book has a lot of John Grisham's "The Painted House" storyline and also a little of Kent Haruf "Where you once belonged" but not even close to those stories that gripped us in with the characters and plot and had humor. I got tired of the disjointed jumping chapter after chapter and it was so predictable with a lot of unnecessary brutal graphic descriptions. Find a used one or get it at the library because it is not worth the $.
18 people found this helpful
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Disappointed in its predictability

I rarely read fiction. This book made me realize why. It seemed to me that the author sat down and made a list of things she had to cover in a book in order to make it sell: race relations, war, sex, adultery, feminism, incest, the South. There wasn't a passionate and believable message, just a predictable plot, albeit narrated in a clever way, using six characters' voices. The character development was shallow. I never felt, for instance, by the end of the book, that I really knew Henry. I am surprised that so many readers liked the book and wonder if that speaks to what readers are willing to settle for--a short, easy read with the requisite subjects listed above. Not wanting to waste my time on such fluff again, I'll go back to reading non-fiction. Just finished "Hunting Eichmann", for instance. Now that's a well-written book, and the reader actually learns something.
17 people found this helpful
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A dissapointment.

This book felt like a cliche'. The characters did not feel new or inventive, their struggle felt tired and over told, and their predicaments totally foreseeable. I know people love this book, but I do not understand why. It may be that some are drawn to the voices Jordan has brought together, but the characters behind those voices felt like stereotypes. So far, I am not impressed with what has come out of the Bellweather Prize committee.
14 people found this helpful
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Sadly, Mudbound is yet another ironic twist of a title

The starting pace of Mudbound's smoldering southern class drama allowed the reader to enjoy Jordon's descriptive writing and southern dialog. And at first blush, Jordon's use of rotating the first first person account of an overlapping story was a refreshing literary device. But somewhere half way through the book the wheels fell off. Jordon's sub plots started over-reaching to the point of wild sensationalism. There is a sidecar story of incest and a resulting mother's demented double murder of her new born child and her husband. Another brief sojourn involves the liberation of Dockow's WW2 POWs. These are huge topics and their brief infusion into the story is distracting. Basically, Jordon's mudbound farm drama took off on a far flung road show. I watched, drop-jaw, as a perfectly good simple story unraveled at my feet. I suspect her publisher might have pushed her, "Hillery this is fine story, but you need more action, more range!" Sadly, Mudbound is yet another ironic twist of a title. I'd pass on Mudbound in favor of a several other authentic Southern fictional stories including; The Help, Plainsong, Heart is a Lonely Hunter and Peace Like a River. I've also found wonderful southern voices woven into a few great memoirs, i.e. A Girl Named Zippy, Glass Castle or Ava's Man.
9 people found this helpful
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Same old boring Southern stuff

This book was almost boring and not really worth the read. It seemed cliche and so similiar to many books written about The South, racism, etc. Not sure what it was really about - I kept waiting for that part in the story where you're willing to stay up all night and read, ya know like Kitchen House?

One positive is that it was at least written well, just lacking that great story.
8 people found this helpful
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Engrossing, disturbing, memorable!

Oh my! Breathtaking!

It has taken me a while to write this review. I usually post them withing a day or two of finishing, but with this one, I just had to wait, had to process it, had to calm my thoughts, had to savour it.

This is set in Mississippi just after the end of WW2. Social change and civil rights are not on the agenda. Mudbound is the sarcastic name bestowed the farm, but the storyline is mired in the murk of humanity. It is a sharp edged look at life in the 40's, a much harsher view of racism than The Help.

The characters are finely written and each gets to contribute to the story with chapters given from varying points of view. There are sour, mean-spirited bigots, there are damaged war veterans, there are the disenfranchised. If you have to draw a breath over the place of women in those days, then you have your breath taken away by the treatment of Negroes.

The story is shows the inhumanity of people towards each other but while the flavour of the story is one of extreme prejudice and cruelty, it is a touching and compelling read. This book will haunt you.

My only complaint is that I couldn't settle in to a new book after finishing (tried deep-and-meaningful, mindless-scholck) ... as this one seeps into your thoughts and takes hold!

Winner of the Bellwether Prize (This prize was founded by Barbara Kingsolver to reward books of conscience, social responsibility, and literary merit)
5 people found this helpful