Neuromancer
Neuromancer book cover

Neuromancer

Paperback – July 1, 2000

Price
$14.48
Format
Paperback
Pages
336
Publisher
Ace
Publication Date
ISBN-13
978-0441007462
Dimensions
5.49 x 0.7 x 8.2 inches
Weight
10.4 ounces

Description

Praise for Neuromancer “Freshly imagined, compellingly detailed, and chilling in its implications.”— The New York Times “Kaleidoscopic, picaresque, flashy, decadent...an amazing virtuoso performance.”— The Washington Post “Science fiction of exceptional texture and vision...Gibson opens up a new genre, with a finely crafted grittiness.”— San Francisco Chronicle “Epic in scale...shimmers like chrome in a desert sun.”— The Wall Street Journal “A revolutionary novel.”— Publishers Weekly “In with the ruthless violence, the hyperreality, the betrayal and death, is an unquenchable love of language. Gibson has that in common with Le Guin and with J. G. Ballard. Neuromancer sings to us as a collage of voices, a mixed chorus, some trustworthy and others malicious, some piped through masks.”—James Gleick xa0 “Streetwise SF... one of the most unusual and involving narratives to be read in many an artificially induced blue moon.”— London Times “Unforgettable...the richness of Gibson’s world is incredible.”— Chicago Sun-Times William Gibson ’s first novel, Neuromancer , won the Hugo Award, the Nebula Award, and the Philip K. Dick Award. He is the New York Times bestselling author of Count Zero , Burning Chrome , Mona Lisa Overdrive , Virtual Light , Idoru , All Tomorrow’s Parties , Pattern Recognition , Spook Country , Zero History , Distrust That Particular Flavor , and The Peripheral . He lives in Vancouver, British Columbia, with his wife. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1xa0The skyxa0above the port was the color of television, tuned to a dead channel.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “It’s not like I’m using,” Case heard someone say, as he shouldered his way through the crowd around the door of the Chat. “It’s like my body’s developed this massive drug deficiency.” It was a Sprawl voice and a Sprawl joke. The Chatsubo was a bar for professional expatriates; you could drink there for a week and never hear two words in Japanese.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Ratz was tending bar, h is prosthetic arm jerking monotonously as he filled a tray of glasses with draft Kirin. He saw Case and smiled, his teeth a webwork of East European steel and brown decay. Case found a place at the bar, between the unlikely tan on one of Lonny Zone’s whores and the crisp naval uniform of a tall African whose cheekbones were ridged with precise rows of tribal scars. “Wage was in her early, with two joeboys,” Ratz said, shoving a draft across the bar with his good hand. “Maybe some business with you, Case?”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Case shrugged. The girl to his right giggled and nudged him.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The bartender’s smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it. The antique arm whined as he reached for another mug. It was a Russian military prosthesis, a seven-function force-feedback manipulator, cased in grubby pink plastic. “You are too much the artiste, Herr Case.” Ratz grunted; the sound served him as laughter. He scratched his overhang of white-shirted belly with the pink claw. “You are the artiste of the slightly funny deal.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Sure,” Case said, and sipped his beer. “Somebody’s gotta be funny around here. Sure the fuck isn’t you.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The whore’s giggle went up an octave.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Isn’t you either, sister. So you vanish, okay? Zone, he’s a close personal friend of mine.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 She looked Case in the eye and made the softest possible spitting sound, her lips barely moving. But she left.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Jesus,” Case said, “what kinda creepjoint you running here? Man can’t have a drink?”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Ha,” Ratz said, swabbing the scarred wood with a rag, “Zone shows a percentage. You I let work here for entertainment value.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 As Case was picking up his beer, one of those strange instants of silence descended, as though a hundred unrelated conversations had simultaneously arrived at the same pause. Then the whore’s giggle rang out, tinged with certain hysteria.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Ratz grunted. “An angel has passed.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “The Chinese,” bellowed a drunken Australian, “Chinese bloody invented nerve-splicing. Give me the mainland for a nerve job any day. Fix you right, mate…;”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Now that,” Case said to his glass, all his bitterness suddenly rising in him like bile, “that is so much bullshit.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The Japanese had already forgotten more neurosurgery than the Chinese had ever known. The black clinics of Chiba were the cutting edge, whole bodies of technique supplanted monthly, and still they couldn’t repair the damage he’d suffered in that Memphis hotel.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he’d taken and the corners he’d cut in Night City, and still he’d see the matrix in his sleep, bright lattices of logic unfolding across that colorless void…;The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he’d cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn’t there.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “I saw your girl last night,” Ratz said, passing Case his second Kirin.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “I don’t have one,” he said, and drank.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “Miss Linda Lee.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Case shook his head.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “No girl? Nothing? Only biz, friend artiste? Dedication to commerce?” The bartender’s small brown eyes were nested deep in wrinkled flesh. “I think I liked you better, with her. You laughed more. Now, some night, you get maybe too artistic; you wind up in the clinic tanks, spare parts.”xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 “You’re breaking my heart, Ratz.” He finished his beer, paid and left, high narrow shoulders hunched beneath the rainstained khaki nylon of his windbreaker. Threading his way through the Ninsei crowds, he could smell his own stale sweat.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Case was twenty-four. At twenty-two, he’d been a cowboy, a rustler, one of the best in the Sprawl. He’d been trained by the best, by McCoy Pauley and Bobby Quine, legends in the biz. He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a custom cyberspace deck hat projected his disembodied consciousness into the consensual hallucination that was the matrix. A their, he’d worked for other, wealthier thieves, employers who provided the exotic software required to penetrate the bright walls of corporate systems, opening windows into rich fields of data.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He’s made the classic mistake, the one he’s sworn he’d never make. He stole from his employers. He kept something for himself and tried to move it through a fence in Amsterdam. He still wasn’t sure how he’d been discovered, not that it mattered now. He’d expected to die, then but they only smiled. Of course he was welcome, they told him, welcome to the money. And he was going to need it. Because––still smiling––they were going to make sure he never worked again.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 They damaged his nervous system with a wartime Russian mycotoxin.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Strapped to a bed in a Memphis hotel, his talent burning out micron by micron, he hallucinated for thirty hours.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The damage was minute, subtle, and utterly effective.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 For Case, who’d lived for the bodiless exultation of cyberspace, it was the Fall. In the bars he’d frequented as a cowboy hotshot, the elite stance involved a certain relaxed contempt for the flesh. The body was meat. Case fell into the prison of his own flesh.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 His total assets were quickly converted to New Yen, a fat sheaf of the old paper currency that circulated endlessly through the closed circuit of the world’s black markets like the seashells of the Trobriand islanders. It was difficult to transact legitimate business with cash in the Sprawl; in Japan, it was already illegal.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 In Japan, he’d known with a clenched and absolute certainty, he’d find his cure. In Chiba. Either in a registered clinic or in the shadowland of black medicine. Synonymous with implants, nerve-splicing, and microbionics, Chiba was a magnet for the Sprawl’s techno-criminal subcultures.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 In Chiba, he’d watched his New Yen vanish in a two-month round of examinations and consultations. The men in the black clinics, his last hope, had admired the expertise with which he’d been maimed, and then slowly shaken their heads.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Now he slept in the cheapest coffins, the ones nearest the port, beneath the quartz-halogen floods that lit the docks all night like vast stages; where you couldn’t see the lights of Tokyo for the glare of the television sky, not even the towering hologram logo of the Fuji Electric Company, and the Tokyo Bay was a black expanse where gulls wheeled above drifting shoals of white styrofoam. Behind the port lay the city, factory domes dominated by the vast cubes of corporate arcologies. Port and city were divided by a narrow borderland of older streets, an area with no official name. Night City, with Ninsei its heart. By day, the bars down Ninsei were shuttered and featureless, the neon dead, the holograms inert, waiting, under the poisoned silver sky.xa0--Reprinted from Neuromancer by William Gibson by permission of Berkley, a member of Penguin Putnam Inc. Copyright © 1984, William Gibson. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission. Read more

Features & Highlights

  • Winner of the Hugo, Nebula, and Philip K. Dick Awards,
  • Neuromancer
  • is a science fiction masterpiece—a classic that ranks as one of the twentieth century’s most potent visions of the future.
  • Case was the sharpest data-thief in the matrix—until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street-samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.
  • Neuromancer
  • was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.

Customer Reviews

Rating Breakdown

★★★★★
30%
(4.4K)
★★★★
25%
(3.7K)
★★★
15%
(2.2K)
★★
7%
(1K)
23%
(3.4K)

Most Helpful Reviews

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Way too confusing to be enjoyable

Really wanted to like this, but it was way too confusing to be a fun read. Maybe if there had been a list of what everything was, like a mini dictionary of the author’s made-up terms, I might have enjoyed it more. The author sort of talks in his own made-up language and I guess you’re supposed to take notes when you finally figure out what things are. I was doing that, but it seemed like work. I want to read to relax.

My husband read it first and hated it. He recommended that I not read it at all. I think he’d give it zero stars if he could. He said it was a total waste of time. I tried reading the first few chapters a few times, then decided to trash it.

Reminded me of the JRR Tolkien books, which were difficult to read, but I thouroughly enjoyed. I read those in high school, maybe I’m not as patient as I was back then.
54 people found this helpful
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Delightful, but challenging - don't stop at pg. 20!

Unless you've read Gibson (or his contemporaries) before, I suspect your first reading of Neuromancer will go something like: You'll crack open the book, reading the words but not necessarily digesting them. Even within the first few pages you'll re-read passages two or three (or more) times in an attempt to wrap your head around the rhythm and meaning of the story. By the time you hit page 20 you'll feel drained and unsure of what you've read so far.

And then you'll go to put the book down, feeling like it simply isn't for you. Or that you don't have the energy for it right now. Or some other excuse you'll use as a way of coping with Gibson's style. When you get to this point it is absolutely vital you keep going. Trust me.

Reading Neuromancer is like encountering a new genre of music for the first time. It's challenging, brilliantly succinct, poetic and with its own vocabulary that Gibson trusts you will pick up as you read, rather than padding his work with needless explanation. It takes time to acclimate to, but once you pick up the beat you'll wonder how you missed it the first time around.

Part of the reason it's so challenging is that the ideas within are also challenging. Gibson proves himself as a visionary here and I urge you to remember just when this book was published (and then realize when it was likely written) so you may appreciate just how forward-thinking this novel is. There are a few weak spots in Gibson's articulation of his vision -- in particular, I didn't enjoy the geometric approach to ice and hacking -- but those are just tiny blips compared to the ultra-stylized world of tomorrow that Gibson's created. And, just as you consider what year the book was published/written in, take a moment to think of all the major sci-fi works which came afterwards and were highly inspired by Neuromancer.

You'll be surprised.
9 people found this helpful
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Why can't he just call the sky blue if its blue??

Okay, so I recently got into Science Fiction having only read literature, philosophy, and science. But I've always loved Sci-Fi because it was combination of the things I read. It was good writing combined with philosophy and science and having Orson Scott Card to start with drew me in completely. Two of my male friends recommended Neuromancer to me, saying it started the cyber-punk whatever. So I was excited to get into this book. I started with the audio version. But for some reason I couldn't get into the audio version. I blamed it on the reader and thought I just needed to read the book myself. So I bought the book, all excited to get started. Needless to say, it was not the reader that couldn't captivate me, but the writing itself.

Initially when I started this book, I had to wonder if I was an idiot. I just didn't get it. But I knew I wasn't an idiot, having read all kinds of literature, philosohpy, science...well, anyway I thought, no big deal, eventually it'll all come together. I realized though that it wasn't coming together. Not that I didn't understand the words he was using, or the jargon, or the plot or characters...i just couldn't follow his train of thought or the lack of it! Why does he have to write his sentences like that? Why can' he just state the sky is blue if it is? So I found myself just standing there and starring at the book when I wanted to read, unable to pick it up and saying at loud "I HATE this book." I would say that everytime I passed by the book..."I HATE this book." After several passings, I knew I should just give up and stop reading it. The book was irritating me and starting to really piss me off. In fact, the sight of the book still pisses me off. I HATE this book!

So I've never actually finished this book. And going by what others have written I feel redeemed. I'm glad to know that there are others who thought this book was nonsense. For clear cut writing with great characters and plot, read Orson Scott Card instead...or the Diamond Age by Neal Stephenson.
9 people found this helpful
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Forced myself to finish.

Like a lot of other reviewers, I was unable to really get involved with this book. I couldn't care less what happened to any of the characters and was most relieved when I finished the book.

The jargon is way out of my league (this coming from an Engineering graduate with a fair background in computers) and it is never explained. Gibson should have used a similar style to Michael Crichton's Great Train Robbery where he explains the mental sentiment of the time and helped the reader understand the setting. Instead he assumes the reader knows what he's talking about, and crams a lot of the jargon into a dense mess that was mostly incoherent to me.

If possible find an excerpt of this book and read it. You will hopefully be deterred from buying this book.
7 people found this helpful
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A Uniquely Valuable Work

"The Sky above the port was the color of television tuned to a dead channel"

Even now, more than 20 years after its initial publication, Neuromancer's richness and complexity mark it as a work of quality that has been seldom matched in science fiction.

At its most basic, Neuromancer is nothing but a 'big heist' story that we know well from movies and television, but this one comes wrapped in prose that was almost unimaginable for science fiction writing. It combined voices, techniques and imagery that were simply beyond most science-fiction--using elements of voice recognizable from writers as diverse as Dashiel Hammet to William Burroughs--that lift the book high above what you expect genre-fiction to achieve with descriptions of future places, characters and technologies that capture the imagination on page one and that never, ever let go.

Like any book, Neuromancer is not without its flaws; but without its groundbreaking influence, Neal Stephenson would be famous not for Snow crash or the Cryptonomicon but for his essays on computers and technology and for his mercifully obscure first novel, 'the Big U.'
7 people found this helpful
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Couldn't get through it

I bought this book 12 years ago. At that time I gave up after reading 50 pages. I tried it again 12 years later and this time gave up after reading 150 pages. This book is a difficult read. If you have visited Japan or are familiar with Japanese culture I think you will have an easier time reading the book. I struggled to understand what's going on. Too may terms, sentences I couldn't make sense of. Didn't care for gangster talk and drug use either. Also, the story now seems dated (but that's not the books' fault). I have read Stanislaw Lem's works so I can handle dense sci-fi but this I couldn't get through.
4 people found this helpful
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Defining Cyberpunk

While William Gibson may not have created the cyberpunk genre, he could be considered its godfather. Not only was he the first to coin the term "cyberspace," but Neuromancer sparked the cyberpunk movement while winning the Hugo, Nebula, and Philip K. Dick awards.

Set in the noir dystopia of the near future, the story is a tour of the world-to-be through the eyes of hacker anti-hero Case, a burned-out cyber jockey who begins the novel in the gutters of Chiba City looking for his next fix. Enter Armitage, a mysterious ex-military man who invites Case to run a hacking job and the opportunity to jack back into the digital world - an offer he can't refuse.

What follows is a suspenseful story of twists and revelations, and an exploration of many themes in an intricately layered narrative: hypercapitalism, artificial intelligence, biomechanical enhancement, individuality, persona, and drug culture (the latter a reflection of the 80s in which it was written). Its information-dense style works well to set tone and tempo while masterfully weaving everything into a modern masterpiece of science fiction.
4 people found this helpful
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Too Much Jargon to Wade Through

I must admit I am not a frequent reader of sci-fi and had never read cyberpunk. Gibson uses great dialogue and fast-paced action to keep the reader enthralled. However, I found my interest frequently halted by Gibson's use of terms. Many parts were slow to wade through. This book explains why many people are turned off by sci-fi, they may feel as though they have to be an expert in its jargon to read a book.
4 people found this helpful
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Defective Book, 1st 15 pages miscut. They hang out sides

The 1st 15 or so pages were not cut properly. They hang out the side of the book by almost a half an inch. What's even worse is the person who packed this book OBVIOUSLY knew it was messed up so they folded these pages in half so they wouldn't stick out. I paid a decent amount for this paperback and I could see getting a defective book if it was sold as one and the price was discounted. Very odd though, I've never received a book with this type of problem. I am sure there are lots of miscut books but they are never sold so someone literally dug this out of the trash (reject pile) and sold it for FULL price.
3 people found this helpful
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Interesting premise, but had trouble staying engaged

I struggled a little with this book, which was kind of disappointing because I've always really loved all kinds of futuristic/sci-fi stories. Parts of it kept my attention and left me wanting to know what happened next, and parts of it were extremely dull in my opinion. More often than not, the style of writing made it difficult for me to understand what was going on. In that sense, I was glad it was a group read for school because class discussions helped me understand everything better and think more critically about what was going on.

I didn't feel particularly attached to any of the characters, although they all did get progressively interesting as the story went on. I did get a kick out of Dixie Flatline and definitely pictured him sounding like Bob Odenkirk
3 people found this helpful