Old Filth (Old Filth Trilogy)
Old Filth (Old Filth Trilogy) book cover

Old Filth (Old Filth Trilogy)

Paperback – June 1, 2006

Price
$18.00
Format
Paperback
Pages
289
Publisher
Europa Editions
Publication Date
ISBN-13
978-1933372136
Dimensions
5.26 x 0.89 x 8.22 inches
Weight
11.8 ounces

Description

From Publishers Weekly British novelist Gardam has twice won the Whitbread and was shortlisted for the Man Booker. This, her 15th novel, was shortlisted in Britain for the Orange Prize; it outlines 20th-century British history through the life of Sir Edward Feathers, a barrister whose acronymic nickname provides the title: "Failed in London, Try Hong Kong." At nearly 80, Feathers, retired in Dorset after many years as a respected Hong Kong judge, is a hollow man with few real friends and a cold, sexless marriage that has just ended with the death of his wife, Betty. For the first time, "Filth" (as even Betty called him) delves into the past that produced him: a "Raj orphan" raised by a series of surrogates while his father worked in Singapore, Filth served briefly in WWII (guarding the Queen) and had a lackluster stint as a London barrister before emigrating. The flashbacks contrast British privilege and the chaos that ensues when the empire (especially Filth's childhood Malaya), starts to crumble. As Filth undertakes chaotic visits to his Welsh foster home and other sites, Gardam's sharp, acerbic style counterpoints Feathers's dryness. Well-rounded secondary figures further highlight his emptiness and that of empire. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The New Yorker This mordantly funny novel examines the life of Sir Edward Feathers, a desiccated barrister known to colleagues and friends as Old Filth (the nickname stands for "Failed in London Try Hong Kong"). After a lucrative career in Asia, Filth settles into retirement in Dorset. With anatomical precision, Gardam reveals that, contrary to appearances, Sir Edward's life is seething with incident: a "raj orphan," whose mother died when he was born and whose father took no notice of him, he was shipped from Malaysia to Wales (cheaper than England) and entrusted to a foster mother who was cruel to him. What happened in the years before he settled into school, and was casually adopted by his best friend's kindly English country family, haunts, corrodes, and quickens Filth's heart; Gardam's prose is so economical that no moment she describes is either gratuitous or wasted. Copyright © 2006 The New Yorker From Booklist *Starred Review* Anglophile readers wondering who their next favorite British writer will be need look no further than Gardam, who, despite having won numerous literary awards and been short-listed for the Booker Prize, is not nearly as well known in the U.S. as she deserves. The title of this, her twelfth novel, seems to promise that satiric bite British authors do so well, but although there's plenty of sharp humor here, the book has many other moods. Sir Edward Feathers--called Filth (even by his wife, Betty) for "Failed in London Try Hong Kong"--is now retired and living in Dorset after a distinguished career as a barrister in the Far East. Betty's sudden death sends him on both a real and an imagined journey to rediscover his past as a "Raj orphan" born in Malaya but shipped back home early and brought to manhood at the hands of a variety of surrogate parents and guides, some good, some bad. For everything else Gardam's richly layered story and acute observation provide, this is finally a portrait of old age, offered with unflinching realism but also deep compassion. Mary Ellen Quinn Copyright © American Library Association. All rights reserved SHORTLISTED FOR THE 2005 ORANGE PRIZEPraise for Old Filth "Excellent and compulsively readable...Old Filth belongs in the Dickensian pantheon of memorable characters."— The New York Times Book Review "[ Old Filth ] will bring immense pleasure to readers who treasure fiction that is intelligent, witty, sophisticated and—a quality encountered all too rarely in contemporary culture—adult."— The Washington Post "Gardam is an exquisite storyteller, picking up threads, laying them down, returning to them and giving them new meaning... Old Filth is sad, funny, beautiful and haunting."— The Seattle Times "A masterpiece of storytelling."— The Dallas Morning News "Jane Gardam's beautiful, vivid, defiantly funny novel is a must."— The Times Praise for Jane Gardam "[Gardam] is a brilliant writer. Her prose sparkles with wit, compassion and humor." —The Washington Post "[Gardam] is the best kind of literary escape: serious, mesmerizing, and deeply satisfying." —Los Angeles Review of Books "It's hard...not to be charmed by a writer with Gardam's substantial gifts." —The New York Times Book Review "Gardam's prose is so economical that no moment she describes is either gratuitous or wasted." —The New Yorker "Gardam is a unique and wonderful writer." —The Huffington Post Jane Gardam has been twice awarded the Whitbread Prize and was also a Booker prize finalist. She is winner of the David Higham Prize, the Royal Society for Literature’s Winifred Holtby Prize, the Katherine Mansfield Prize, and the Silver Pen Award from PEN. Her novels include God on the Rocks , shortlisted for the Booker Prize; Old Filth , finalist for the Orange Prize; The Man in the Wooden Hat , finalist for the Los Angeles Times Book Prize; and Last Friends , finalist for the Folio Award. She lives in the south of England near the sea. In 1999 Jane Gardam was awarded the Heywood Hill Literary Prize in recognition of a distinguished literary career. Read more

Features & Highlights

  • First in the Old Filth trilogy. A
  • New York Times
  • Notable Book. “Old Filth belongs in the Dickensian pantheon of memorable characters” (
  • The New York Times Book Review
  • ).
  • Sir Edward Feathers has had a brilliant career, from his early days as a lawyer in Southeast Asia, where he earned the nickname Old Filth (FILTH being an acronym for Failed In London Try Hong Kong) to his final working days as a respected judge at the English bar. Yet through it all he has carried with him the wounds of a difficult childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away.
  • Borrowing from biography and history, Jane Gardam has written an unforgettable novel reminiscent of Evan S. Connell’s books
  • Mr. Bridge
  • and
  • Mrs. Bridge
  • , and Rudyard Kipling’s
  • Baa Baa, Black Sheep
  • . Retracing much of the twentieth century’s torrid and momentous history, Old Filth is the first installment of an immersive and atmospheric trilogy that, taken together, tells the moving story of a long, complicated marriage. “
  • Old Filth
  • is an extraordinary novel―the structure, the characters, the sweep of time.”―Ann Patchett, author of
  • The Dutch House
  • “I don't know why Gardam isn't universally celebrated and beloved. Her prose is dazzling, and she writes with a kind of subdued but wicked humor that takes a moment to clamp down on you.”―Lauren Groff, author of
  • Fates and Furies
  • “I think Jane Gardam is a genius and should be far more widely read. She has actually made me gasp, slap a book shut and say, ‘She can’t do that!,’ open it up and realize that she can, she has, and it works.”―Denise Mina, author of
  • Conviction
  • SHORTLISTED FOR THE ORANGE PRIZE
  • A BEST BOOK OF THE YEAR
  • The New York Times Book ReviewThe Washington PostThe San Francisco ChronicleNew York MagazineThe Globe & MailSlate
  • “Will bring immense pleasure to readers who treasure fiction that is intelligent, witty, sophisticated and―a quality encountered all too rarely in contemporary culture―adult.”―
  • The Washington Post
  • “Gardam is an exquisite storyteller, picking up threads, laying them down, returning to them and giving them new meaning . . .
  • Old Filth
  • is sad, funny, beautiful and haunting.”―
  • The Seattle Times
  • “A masterpiece of storytelling.”―
  • The Dallas Morning News
  • “[Jane Gardam is] the best contemporary British writer you probably haven’t heard of.”―Maureen Corrigan, NPR

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.9K)
★★★★
25%
(1.6K)
★★★
15%
(956)
★★
7%
(446)
23%
(1.5K)

Most Helpful Reviews

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Return to Youth

A wonderful novel! However, I should say right away that my enthusiasm for the book is probably enhanced by its personal resonances; more about that in a moment.

Only the title is awkward. "Filth" stands for "Failed in London, try Hong Kong," which is a misleading soubriquet for the central character, Sir Edward Feathers, a distinguished advocate and judge, and a man of the utmost probity. Born in the Far East, he was educated in England, spent most of his brilliant professional career in Hong Kong, and has now as returned to England in retirement. He is shown as a lonely old man, unable to make close personal connections, even with his wife of over fifty years. One of the book's many beauties is the way in which Feathers reaches out in old age to repair at least a few of these missed connections.

The book takes the central portion of Sir Edward's career mainly for granted, concentrating instead upon the way memories of his first quarter-century come back to haunt him as he enters his last. Born in Malaya of a mother who died in childbirth and a half-mad father who never spoke to him, he was shipped off to Britain as a young child, spending his formative years with an abusive foster-mother in Wales, and then at various boarding schools. The book describes his dysfunctional relationship with various distant relatives and close friendships with a family who are not relatives at all, his sexual education, and his wartime service guarding the Queen Mother -- all experiences that turn out to have shaped his life. The warmest contacts seem to be the most transient, and he almost entirely lacks the strong family structure that would have given him stability. As the story progresses, dodging backwards and forwards in time, the reader begins to understand how the man could have become so aloof and afraid of emotion. More importantly, Feathers begins to understand a little in himself also.

Gardam uses a term that I had not heard before, "Raj Orphan." It refers to the children of British colonial administrators sent Home in early childhood, often not seeing their parents again for many years. My father had such a childhood, and I believe was seared by it; his two brothers, like Sir Edward Feathers, both went into the law; and all of us, including myself, underwent a similarly spartan education. At times, I felt I was reading a family biography!

But I think it would work for other readers also, especially if they have an interest in a vanished past or of an age when it is more fascinating to look back than to peer forward. I am not convinced that it all quite hangs together as a unified narrative; there is an encounter with two distant cousins of the next generation that seems a little out of place, and I find myself wanting to know more about Old Filth's adult years than I do, but that would have made a much longer book. Gardam's style is lucid and sometimes luminous, her comparison of lives and attitudes over a sixty-year span rings entirely true, and -- even though writing about a man who cannot easily feel emotion -- her own power to evoke feeling is quite remarkable.

I also want to say that the Europa paperback edition is a real joy: flexible yet solid, with distinguished typesetting on quality paper with lots of space.
301 people found this helpful
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"All my life I have been left or dumped...I want to know why."

Sir Edward Feathers, known as "Old Filth," is, ironically, "spectacularly...ostentatiously clean." His nickname derives from the fact that as a lawyer, he "Failed In London, Tried Hongkong." A "Raj Orphan," Filth is a child of British civil servants of the Empire in Malaya. Like other Raj children, he is sent back to England, alone, at the age of five , to begin school in a country he's never seen among people he does not know. For Filth, the alienation is tripled--his mother died when he was born; his father, suffering from shellshock and alcoholism, always ignored him; and, living in the Malayan longhouse with the servants, he saw himself as Malay, more comfortable with that language and culture than "his own."

Gardam writes a powerful character study of this intriguing character whose fate it was "always to be left and forgotten." Now in his early eighties and living in Dorset, his wife dead, he reminisces about the past and hints at some terrible event that took place when he was eight, living in Wales with Ma Dibbs, who took care of him and two young cousins.

The narrative moves gracefully between present and past, following the life of Filth as he attends school in England, becomes part of his best friend's family, gets caught between cultures when World War II breaks out, begins his London law career, and, eventually, "tries Hongkong." Now, at the end of his life, he is in Dorset, aware that he has never really known love and has never had a home, and equally aware that he must now reach out, deal with his memories, and take control of his life if he is ever to find peace.

Gardam's supplementary characters appear and reappear throughout Filth's reminiscences--his wife Betty, more a friend than a lover; his best friend Pat Ingoldby, whose family "adopted" him; his two cousins, who survived Ma Dibbs with him; his golf-obsessed aunts who ignore him; and Veneering, a man he and Betty knew in Malaya, who becomes his neighbor in Dorset. Gradually, Filth reveals his secrets and his fears, while maintaining his elegant outward reserve, and the reader empathizes with this man, a product of his culture forced to fend for himself from the age of five.

Subtle and elegantly written, this novel, shortlisted for the Orange Prize in 2005, is also compulsively readable with its poignant scenes and ironic humor. Filth, for all his class-consciousness, is likeable and often earnest, and he engages the reader's emotions from the outset. His late-in-life questions about whether his life has had meaning resonate with the reader. n Mary Whipple
100 people found this helpful
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Rich and moving portrait

What a wonderful book - the writing is exquisite. I loved Faith Fox and Queen of the Tambourine also, and can't wait to read more of Jane Gardam. She has such insight and empathy for her characters, and is also wickedly funny.

Sir Edward Feathers, a retired and elderly judge, is from all appearances a man who has lived an uneventful life and been smiled on by fortune - or so his colleagues apparently believe. We are taken back to his earliest days in Malaysia, where we look in at a little boy happily playing in the mud, not knowing the English language, and living an uncomplicated life. He is soon wrenched away, sent to a foster family in England and we then peek in on his life at various stages.

It's heart-wrenching to see the pain inflicted on the little boy in his new circumstances, all the more painful as we have seen his innocence and delight in his former life. We witness the effect this pain - as well as the casual indifference of other adults who should have cared for him - had on his sense of self. He is shown kindness by his headmaster, "Sir", and I believe he would have been lost if not for it. We end up with a rich portrait of Edward Feathers - with each glimpse into his life another nuance is added. The story of his journey from childhood into old age is powerful and moving, and the juxtaposition of the small boy playing in the Malaysian mud, innocent of the hurt that people can inflict, and the "spectacularly clean" and proper judge soldiering on into old age will stay with you.
75 people found this helpful
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Raj Orphans

The most interesting theme in this book is the history of the raj orphans. I was not aware that these children had a name and were sent away from their parents with regularity. Dumping off one's children is the basis of the plot. Our main character, Old Filth, an esteemed judge who presided in Hong Kong seemed to live his life through abandonment. His mother left him by dying in childbirth and his wife left him by dying during their retirement. In between, he experienced loneliness and often destructive relationships. His most positive influence was Sir, the headmaster of his school when he was a very young man.
He was blessed with an excellent intellect which enabled him to do well in school and beyond. The author takes the reader back and forth through his history which I found confusing and not at all compelling. It is no surprise that he would have difficulty with relationships based on his childhood and elusive father. But he was also lucky in his career when teaming up with Loess, another orphan, he met up with on one of his journeys during the war. Old Filth amassed a fortune and a solid reputation but I found his story predictable and rather boring.
45 people found this helpful
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Exotic settings, unusual plot line, good read

Others have done a good job of reviewing "Old Filth." I would like to add several things:

For those who relish learning, or learning more, about life in what for most of us are unusual, even exotic, locations and cultures, "Old Filth" is a very good read. For those who enjoy delving into not-so-obvious aspects of history, especially that of the British Empire, this is a very good read. I highly recommend this book to either kind of reader.

In addition, however, "Old Filth" is not just any old story. This book, which tells so much about the experiences and inner lives of "Raj Orphans" - a topic I have never before read about - is strangely timely, I think. In this world of fast-increasing globalization, there are more and more "global nomads," many of them children of those who work worldwide for diplomatic, international business, military, religious, NGO, and education enterprises. The question of what to do about the children - to keep uprooting them and moving them from place to place? to send them "home" (wherever home might be) at some point? to send them to whom? at what cost? - is still a very real one for such families. The impacts - positive, negative, short-term, long-lasting, emotional, psychological, social, educational, familial - that international, multi-cultural living has on human beings (especially children) are interesting ones, and are increasingly important for all of us to understand. Look, for instance, at President Barack Obama's childhood history, at what seems to be his self-containment / aloofness / detachment, and at his broad world view. Such issues as these are well laid out in Gardam's book and, even though her novel is set in an era that might appear to be no longer relevant, I suggest that these are, in fact, altogether relevant issues in today's world.

I give this book four, rather than five, stars, because there are some difficulties with Gardam's writing, as other reviewers have pointed out. These can be viewed as off-putting, subtly skillful, or a combination of both, but the reader does have to work a bit to stay engaged to the very end. Still, for my money, the effort is well worth the effort.
37 people found this helpful
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Cradle-to-Grave fictional biography that really works

Gardam, Jane, Old Filth

I found this cradle-to-grave fictional biography fascinating for several reasons. One is the portrayal of infancy of an English child in India under the Raj and the sudden transportation of that child to an unforgiving foster parent in Wales, in the footsteps of Rudyard Kipling's "Baa, Baa, Black Sheep." The characters of Filth's relatives come through clearly and stay with the reader throughout the rest of the book. The other reason is the description of Filth in his old age, nearing 80, and then moving on to his death at almost 90. The author has a peculiar sensitivity to this period in a person's life, when friends and spouses die off and one loses one's independence and faculties gradually, with occasional bright intervals. Another striking feature of the novel is the description of Britain's decay, not only as it lost its empire but as it is today, boiled down to crowds, cell phones and a Ferris wheel. Certain passages are poetic and memorable: "Garbutt found Filth, looped up to drips and scans, trying to shut out the quack of the television sets and the clatter of the public ward where male and female lay alongside each other in various stages of ill health, like Pompeii." I can't describe the novel as comic or inspiring, but it lays out things we would rather not think about, and does so masterfully. Kudos to the author.
34 people found this helpful
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Terrible title for a terrible book

I am really tired of books that go back and forth in time with story lines. This one, in particular, did not have to be like this..... Authors, please get away from this trend! Just tell the story in the proper sequence! I found the portrayed English language to be a bore. Most of the characters are off-the-wall crazy. And, I think the title became really boring being used over and over again as his name. I just didn't get it. It was highly recommended to me but I won't be recommending it to anyone!
27 people found this helpful
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Le Carre without the spies

This review serves for all three books of Jane Gardam's Old Filth trilogy.
I think many Americans miss out on much of what is going on in le Carre's novels of espionage because we tend to read them for the spy aspect. However, in large part, they are about the very rigid class structure of English society and the loss of empire. So many of the characters seem locked into their courses in life and their relationships with others, so much so that it allows the villains to shield their activities beneath a veneer of propriety. Ms. Gardam has written a series of novels that tells much of the same stories without the trappings of spies. Not for everyone, perhaps, certainly outside of England, but the effort is well rewarded, I read all three one right after another like a binge weekend rereading Quest for Karla. The characters are more fully drawn and there is quite a bit of humor in them as well, an aspect almost completely absent from Mr le Carre's books, perhaps in an effort to distance himself from Ian Fleming. Humor and the sort of Keep Calm and Carry on feel of these people eliminates the self pity that pervades le Carre's characters.
Ms. Gardam uses a great dal of skipping around in time in the telling of her multiple tales coming back to the same story multiple times telling it from another perspective, and this aspect is reminiscent of The Alexandrian Quartet which covered many of the same themes. Old Filth is narrated, however in a kind imitation of a person telling the story with omissions that arise as the teller is distracted by outside events or reminders of other things or even of memories thought lost now recovered or imagined.
26 people found this helpful
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Curried egs for breakfast

This is a book by an old author about an old lawyer looking back over a long and very British life and in large part about a world that no longer exists, the British Empire in the far East. It is full of strange, wonderful and unlikely things and people. People think the protaganist was an old stick. Well, yes he was but oh the things that happened to him. And less of a stick than people thought., The book is about being old, the end of empire, the oddnesses of life and the elusiveness of happiness. It is likehaving a meal from an exotic cuisine--Malaysian perhaps?--in the middle of ordinaary days and an ordinary diet. You might not want it for your daily diet but it's quite wonderful. It takes a certain amount of age and experience to enjoy the book properly but if you have them you will have the time of your life. Is it "relevant". Yes really. I'm an old lawyer myself and the newspapers are warning about the end of our empire.
24 people found this helpful
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Superbly crafted

The best part of this book, imho, is the way the author weaves the storyline, jumping from past to present to future, and from fantasy to reality to the ambiguous frail human memory, and all without losing the reader. Very well done.

I felt that I had lost an interesting friend when the book ended so I wish the book had been double the length. The only reason I don't give 5 full stars is that I didn't feel any closeness to Old Filth despite his travails (and I'm not an unsympathetic person). I felt detached, but that is exactly how he felt too, half living inside his own memory. I wish there was an entire series about him.

The history of the Raj Orphans and that plot device in the book was extremely interesting. I did have a tiny bit of trouble in the beginning with British terminology but after 2-3 google searches for definitions, I didn't have any problems.

I think one of the reviews says that this book is truly "adult" and I completely agree in many ways. You rarely get to tie up loose ends neatly in the real world and as you age, the loose ends just pile up like a mountain of dirty laundry on the bedroom floor. Suddenly you lose the ability to tie up loose ends because people die, countries change, and so forth. All the while, the meaning of everything you've experienced keeps shifting. Old memories and emotions are replaced with your new understanding of what really happened. It's difficult to grasp onto something while everything around you is shifting, including your own self, and you try to relive your life experiences from the beginning, this time with a more accurate understanding of what actually happened to you.
20 people found this helpful