Outrun the Moon
Outrun the Moon book cover

Outrun the Moon

Hardcover – May 24, 2016

Price
$16.93
Format
Hardcover
Pages
400
Publisher
G.P. Putnam's Sons Books for Young Readers
Publication Date
ISBN-13
978-0399175411
Dimensions
5.88 x 1.27 x 8.56 inches
Weight
1.1 pounds

Description

From School Library Journal Gr 7 Up-Mercy is ambitious: she wants to own her own tea importing business, but the options for a young Chinese American girl in San Francisco in 1906 are severely limited. Mercy uses her cunning and business sense to bribe her way into St. Clare's, an elite school for girls. Not long after her arrival, the teen finds out that she will be learning comportment, not business. Mercy's disappointment compounds with a hostile roommate, skeptical classmates, and her end of the bribe she must uphold to stay enrolled. Everyone seems to be hiding secrets, and the 1906 earthquake is coming. Will Mercy be able to outrun and outwit her fate as a laundryman's daughter? Lee creates characters full of depth and nuance that seem historically accurate but still relatable to today's teens. Mercy is a strong protagonist full of determination and adventure who moves the story and will compel readers. Her drive to succeed; her love of her brother, Jack; and her goodness will endear her to readers. VERDICT A diverse, engaging historical fiction that should not be missed.-Cyndi Hamann, Cook Memorial Public Library District, Libertyville, ILα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. * "Full of beautiful turns of phrase, lessons in Chinese customs and superstitions, and a refreshing protagonist representing intersectional diversity, this is a must-read for followers of historical fiction . . . .xa0xa0powerful, evocative, and thought-provoking."— Kirkus Reviews, starred reviewxa0“Lee creates characters full of depth and nuance that seem historically accurate but still relatable to today’s teens. . . . . A diverse, engaging historical fiction that should not be missed.”— School Library Journal “Mercy’s narrative is flecked with witty puns, pithy wisdom from her fortune-telling mother, aphorisms from her favorite business book, and her obsession with bad-luck number four, all of which provide meaningful insight into both her character and her culture. While slipping in plenty of meaty historical context, particularly about the discrimination facing Chinese immigrants at the time, Lee tells a resoundingly warmhearted story about community arising amidst earth-shattering disaster.”— Booklist “Mercy is a splendid narrator; her grit and humor makes the steady flow of racism she encounters even more jarring. Historical fiction fans are in for a real treat.”— Bulletin of the Center for Children’s Books “Lee brings an awareness of a (perhaps) lesser known time, place, and immigration issue. Mercy has one adventure after another; dramatic situations that she creates by leaping right into action. Despite her impulsiveness, Mercy is a very believable heroine who is sure to inspire readers to keep following their dreams.”— VOYA “[A]n original exploration of a time and place not often depicted in historical fiction.” —Publishers Weekly “Stacey Lee is an incredible voice in historical fiction, but she may have outdone even herself in her recent Outrun the Moon. ” — Bustle.com"Stacey Lee’s second novel weaves in compelling topics including class inequality, fall-out from natural disaster, and the drive of a 'bossy girl.' A historical fiction that features a fierce female protagonist." — TeenVogue.com xa0 “Immersive and riveting. Mercy Wong had my heart from page one.”—Sabaa Tahir, New York Times bestselling author of An Ember in the Ashes “A fantastic read! Emotional, entertaining, and bewitching as it brings to life San Francisco in 1906.”—Cynthia Kadohata, author of the Newbery Award-winning Kira-Kira and the National Book Award-winning The Thing About Luck — Stacey Lee is a fourth-generation Chinese American with roots in San Francisco Chinatown.xa0She has lots of experience with earthquakes, having skinned her knees more times than she wants to remember diving under tables.xa0She is the critically acclaimed author of the novels Under a Painted Sky and Outrun the Moon , the winner of the PEN Center USA Literary Award for Young Adult Fiction. Stacey was also a founding member of We Need Diverse Books. Born in Southern California, she graduated from UCLA and then got her law degree at UC Davis King Hall. She lives with her family outside San Francisco. You can visit Stacey at staceyhlee.com. Or follow her on Twitter @staceyleeauthor. Excerpt. © Reprinted by permission. All rights reserved. In my fifteen years, I have stuck my arm in a vat of slithering eels, climbed all the major hills of San Francisco, and tiptoed over the graves of a hundred souls. Today, I will walk on air. Tom’s hot-air balloon, the Floating Island, hovers above us, a cloud of tofu-colored silk trapped in netting. After scores of solo flights, Tom finally deemed it safe enough to bring me aboard. I run my hands over the inner wall of the bamboo basket, which strains at the stakes pinning it to the ground. Both the balloon and I are itching to take off. Outside the basket, Tom holds out his tongue to test the wind. The bald spot on his head is growing back, to my relief. He hadn’t wanted the haircut, but I had insisted after he agreed to swipe me a costly chuen pooi bulb from his father’s next shipment. “Wind’s blowier than I thought,” he mutters, looking askance at the deserted hills of the Presidio Military Reservation. We use English with each other out of habit. At school, they prohibit us from speaking our native Cantonese. “It’s hardly more than a baby’s breath! You’re not having second thoughts, are you?” “No.” His smooth “good fortune” forehead wrinkles. Tom has the kind of golden face that stays handsome even when he’s worried or annoyed. “I’m already onto third and fourth.” I wince at the mention of “four.” Tom glances at me standing motionless. I’ve never told him that I don’t like fours, after a lifelong string of mishaps involving that digit. He knows I normally scoff at my ma’s fortune-telling superstitions. He would just tease me. But today, I refuse to be outdone by a number. I force a grin. “I didn’t spend two hours pumping the balloon with air to keep my feet on the ground.” The predawn April chill makes me shiver through my quilted jacket. I can’t deny the light breeze. But we’re only making a quick trip up and down—ten minutes of weightless suspension, tops. A portable stove with a funnel top directs heat through a hose into the throat of the balloon. It puffs up like a proud mother owl. I fill my own lungs, and my excitement surges once again. Flying! Crouching, Tom scoops more coal into the stove with his spench, the half-spade half-wrench tool he made himself. He uses the wrench side to lock the stove door. “Stop bouncing. You’ll break my basket.” “Stop worrying. They use bamboo for tiger cages. I can’t be worse than a tiger.” “You don’t know yourself very well.” Hardy-har. “I’ll need to be a tiger if I want to have my own global business.” “Just don’t bite anyone.” A smile slips out, and my heart jumps. After Ma read our signs last month and pronounced us harmonious, Tom had gone strange on me, rarely smiling. I grin back, but his gaze slides away. He pulls his newsboy cap over his head and tugs on his gloves, licking the wind one more time. Liftoff is imminent. He yanks out the first few stakes with the spench. “Be careful near the drag rope, and don’t touch anything. By that, I mean do not make contact between yourself and any part of the Island.” “Even my feet?” He groans. The basket jerks as he digs out a stake. Once the last one is removed, he’ll swing over the rim like an acrobat as the balloon floats upward. My skin warms as I imagine the two of us snuggled in this bamboo capsule. The silk deflates ever so slightly on one side. Maybe the winds are more combatant than I thought. With my hands folded behind my back, I examine the key-shaped valve on the hose that controls airflow into the balloon. His teakwood eyes peer evenly at me. “I forgot something. Be back in a second. Don’t touch anything . Remember the kite?” “You don’t stop mentioning it long enough for me to forget.” Last August, he told me not to let the string run on the peony kite he made me, but I couldn’t resist, and it flew right into the Pacific Ocean. He hikes back to his cart and is soon hidden by a grove of pine trees. What did he forget? We unloaded everything—tools, ropes, and candied ginger in case of nausea. The silk caves even more. “Tom? The Island is collapsing!” The breeze eats my words. I tug at my hair. My arms still ache from holding up the silk as it inflated earlier. If the balloon collapses, we’ll have to come back, and we may not get another opportunity for weeks. Ba expects me at the laundry at eight, and Tom’s father rarely gives him a day off from the herb shop. No response. I promised I wouldn’t touch anything, but surely he’d understand. I finger the key used to regulate hot air flow into the balloon. It’s warm. I slowly twist, and within seconds, the silk becomes plump again. Ha! Easy as catching rain. The basket suddenly lifts. Too much heat! I try to return the key to its original position, but I’m thrown off-balance as one of only four remaining stakes pops out of the ground. Four . “Oh!” I grab onto the side of the basket, watching in horror as another stake begins to uproot, then another. In desperation, I grab again at the key but somehow pull it straight out of the socket. Heart thundering, I jam it back in, twisting and twisting, but nothing catches. The last stake unplugs like a rotting tooth, and the Island breaks free. I start to rise, up, up, and away. I clutch the side of the basket, hanging on for dear life. For a moment, I consider jumping off, but the balloon rises too fast, and soon I’m high enough to see Tom and Winter, his father’s draft horse, over the trees. “Tom!” Tom tears at his hair when he sees me. He hurries back, cupping his hands to his mouth and yelling something, but the wind blows his words away. He shakes his fist. Is he angry? There’s a panicked jerkiness to his movements that I’ve never seen before. My stomach drops as the balloon tips to one side. I glance down at the shrinking scenery, a hundred feet below me now. Ropes hang from the ring that secures the netting, but I don’t dare tamper with them, as any mistakes this high up could be catastrophic. Ancestors! I’m not ready to join you in the afterlife. Good-bye, solid Earth. I hope you remember how I always tried to sweep up after myself, and how I did not dig a single unnecessary hole upon your surface. Good-bye, dear Tom. There are few girls in Chinatown, but with your quick mind and warm heart, you will have your choice of any of them—just please do not choose the dainty Ling-Ling, who has held a candle for you since the fifth grade. A flock of seagulls squawks insults beside the basket, and a cold streak runs through me. They’ll puncture the silk. “Shoo, you flying rats!” The Island rocks and bobs, and I can barely hang on to the contents of my stomach as the seagulls swoop around me. I never thought too hard about my convictions and wonder if it’s too late now. Ba is Catholic, but Ma prefers the traditionals—Buddhism and Taoism, sprinkled with a good dose of Confucianism, which is more of a philosophy, anyway. With Eastern religion, no one cares if you pick and choose the ingredients for your particular moral soup, as long as you have some soup, preferably one with lots of ginger and— I remember the candied ginger in my pocket. As I unwrap the waxy package, I drop most of the candies but manage to hang onto one, and I hurl it as best I can at the seagulls. In a flurry of wings and beaks, they fly off after it. I nearly sob in relief. That’s one bridge crossed. Now what? My eyes catch on the grappling hook that Tom called the drag rope. Maybe it’s like an anchor? I drop it over the side. The basket jerks as the hook reaches the end of the line. Nothing happens at first, but after a good minute, the Island finally stops swinging about. I am not descending, but neither am I ascending. The basket has leveled out about a hundred and fifty feet above the ground and is slowly drifting west. I can make out the blond blocks of St. Clare’s School for Girls in the distance. The irony that I will finally glimpse its inner courtyard just when I’m about to expire leaves a bitter note on my tongue. A new sun has rinsed the sky pink and yellow. Ma will be stirring the juk , rice porridge, right about now, believing me to be gathering mushrooms with Tom. My brother, Jack, will be wiping condensation from the windows before leaving for the Oriental Public School. I must get out of this alive. That chuen pooi bulb was going to be our ticket to a good life. “I could’ve bought us out of Chinatown! I had a plan!” I’ve gone stark raving mad. I am talking to a balloon, one hot air bag to another. A rope hits me in the head, and I grab it to steady myself. When I pull, the silk deflates a little, then the basket falls a notch, and a moment of weightlessness sends a shock through me. Was that why Tom was shaking his fist at me? He was telling me to pull. I peer into the throat of the balloon and cautiously give the rope another tug. The basket spins, then drops several feet. I fall down in a heap, as dizzy as a fly in a whisk. The balloon jerks, but I don’t dare peek over the side, afraid of tumbling out. Once my head stops spinning, I stare up into the throat again. There are three ropes hanging. I give one of the others the barest tug, bracing myself, and the balloon begins to rotate in the other direction. “Mercy, keep your weight on the floor. You’re doing great.” Tom’s voice sounds distant, coming from somewhere under the basket. I want to sob in relief. “Tom?” I cry. Not a minute later, he swings a leg over the side and starts expertly manning the ropes inside the basket with me. I stop myself from hugging his ankles. “You did well. Dropped it enough for me to catch the grapple. See, this pulls the main vent and helps you go straight down.” In no time, we’re back on the ground, the silk billowing like a cream-colored ocean. Tom helps me up, and I hug him close, trembling. His solid warmth defuses all my fear, replacing it with something giddy and hopeful. If I had known my flight of terror would have ended in Tom’s arms, I might have volunteered for it. “I’m sorry,” I say. “I should’ve listened.” “No, I’m sorry. I shouldn’t have left you.” For a moment, his eyes look haunted and I dare to hope his concern is more than brotherly. Then his features harden. He gently pushes me away. My cheeks brighten at the rebuke. Keeping the injury out of my voice, I ask, “What did you have to go back for?” He digs into his pocket and holds up an ugly wrinkled bulb. “It looks like a man’s energy pouch,” I say when I see the chuen pooi . The tips of his ears grow pink, and my laugh rings out like a shovel striking gold. Our ticket to a good life just blew in. Read more

Features & Highlights

  • From the author of the critically acclaimed
  • Under a Painted Sky,
  • an unforgettable story of determination set against a backdrop of devastating tragedy. Perfect for fans of
  • Code Name Verity
  • .Winner of the PEN Center USA Literary Award for Young AdultWinner of the Asian/Pacific American Award for Literature
  • San Francisco, 1906: Fifteen-year-old Mercy Wong is determined to break from the poverty of Chinatown, and an education at St. Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes. On April 18, a historic earthquake rocks San Francisco, destroying Mercy’s home and school. Now she’s forced to wait with her classmates for their families in a temporary park encampment. Though fires might rage, and the city may be in shambles, Mercy can’t sit by while they wait for the army to bring help—she still has the “bossy” cheeks that mark her as someone who gets things done. But what can one teenage girl do to heal so many suffering in her broken city? Stacey Lee masterfully crafts another remarkable novel set against a unique historical backdrop. Strong-willed Mercy Wong leads a cast of diverse characters in this extraordinary tale of survival.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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A truly engaging story of a Chinese-American girl's coming of age set against the Great San Francisco Earthquake of 1906

Stacey Lee's Outrun the Moon is an extraordinary novel, a combination of historical fiction and a YA coming-of-age story about a young Chinese-American girl in San Francisco whose pursuit of her dream is interrupted by the Great Earthquake of 1906 that devastated the city.

Mercy Wong is fifteen years old, a Chinese-American girl living in San Francisco's Chinatown with her parents and younger brother. Life is hard - her father works long and grueling hours in his laundry, her mother helps out with occasional fortune-telling, and her younger brother suffers from weak lungs - but Mercy is enterprising, ambitious and tenacious... and determined to find a way to get her family out of poverty-ridden Chinatown to a better life in the world beyond. And Mercy has a plan: to make her dream come true, she must first gain entry to the prestigious St. Clare's School for Girl where the elite - and exclusively white - families of San Francisco send their daughters for an education. With no money to pay for it, no family connections, and the racial and class prejudices of the time all set against her, her chances are seemingly nil. But Mercy has a plan for that too. And she also has her high cheekbones that her fortune-telling mom says are "bossy cheeks", a sign of inner assertiveness and will. And she has Mrs. Lowry's The Book for Business-Minded Women as her constant source of both inspiration and guidance.

One of the things that really adds to Outrun the Moon as a good read is Ms. Lee's extensive research that really brings the period and the place of 1906 San Francisco to life, the vivid details immersing the reader in the look and feel of Mercy's San Francisco. And of what it was like to have been there when the Great Earthquake hit and to deal with the devastation and chaos that followed in its wake.

But the other thing that I much appreciated in Outrun the Moon was the complexity of the characters and of their relationships to each other, and the complexity of the social structures and attitudes that existed at that time and place. All of which make the characters believable and engaging, each having their individual merits and flaws, their strengths and their frailties, and the little quirks and characteristics that make us come to care about them. Her best friend - Tom - is Chinese-American like her, and like her, he wants to forge a new path for himself that means experimenting with the budding field of aviation instead of following in his father's footsteps and becoming a traditional Chinese herbalist. Just as Mercy wants a different path for her younger brother, Jack, so that he won't have to do the backbreaking work of a laundryman like their father. Needless to say these dreams cause considerable tension in both families where tradition and paternal authority are powerful forces. A lot of what makes the story work are the surprises and discoveries Mercy makes along the way. An enemy turns into an unexpected ally. Hidden talents are discovered. And if sometimes certain people seem disagreeable and hard to get along with, sometimes, she learns, there are reasons they are the way they are, causing her to see them in a different light. Part of growing up, Mercy learns, is to challenge assumptions, not only those of others about her but also of her own about them as well.

Another plus, in my opinion, is that Ms. Lee does not treat her characters with kid gloves, Mercy in particular. In the course of the novel, Mercy has to deal with the all-too-real problems young people must sometimes face, like having to deal with setbacks, at school and in her personal life as she works towards her dreams. And sometimes, even having to experience tragedy and even death. In the actual earthquake and the subsequent fires that broke out, 80% of San Francisco was destroyed. Thousands of people died and hundreds of thousands were left homeless. It is not a spoiler to say that some of the characters in Outrun the Moon do not make it either. It is a testament to Ms. Lee's writing skill that you come to care about these characters so much that when death strikes, either directly or indirectly, you feel it as intensely as the characters' themselves do.

Highly, highly recommended to anyone interested in the Great San Francisco Earthquake of 1906, in what life was like for Chinese-Americans back then, or in reading a truly engaging can't-put-it-down story of a young girl going up against incredible odds and persevering in spite of everything.
5 people found this helpful
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but I’ve started things off with this FANTASTIC book, and I really just need to impress ...

I haven’t read many books this year. I’ve tried to keep up with things, but I’ve had SO much work, and I fell behind on my Goodreads goal sometime in February. The year hadn’t even really got started before I crapped out. Now I’m playing catch-up, but I’ve started things off with this FANTASTIC book, and I really just need to impress upon you how much you should be reading Outrun the Moon as soon as it comes out. I have never been much of a historical reader, but I have read at least THREE historical books this year that have been absolutely fabulous, and so far this has been my favorite.

I decided to pick this one, obviously because of the Chinatown setting. I will read anything and everything with Asian characters or settings, because I am just fascinated and love learning about the culture and geography so much. I’ve been lucky enough to visit two Chinatowns (Philly and NYC) but San Francisco is most definitely on the top of my list because of its rich cultural heritage and history.

Outrun the Moon takes place in San Fran Chinatown 1906 days before, during, and after the major earthquake and fires that hit the city. The protagonist is Mercy Wong, and she lives in Chinatown with her mother, who is a fortune teller, and her father, who works at a dry cleaners/laundry. 1906 San Francisco is a very racist place, and a Chinese girl going to an all white girls’ school in the rich part of the city is unheard of. But Mercy has higher aspirations, and plots a way to get herself there. The synopsis covers much of the novel, and as most historical books are, this one is about the characters, and the snapshot of life they go through that the author has chosen to write about.

But most of all, I just really love what this book made me feel. It took me a little bit of time to get attached to the characters, but about one-third of the way into the book I was completely invested and adored all the characters, even the ones that were a little hard to love. This book is not for the faint of heart. There is death, destruction, and devastation, but there is also hope, redemption, and recovery. My emotions ran the gamut of the ENTIRE spectrum, and the author completely broke my heart before piecing it back together again. It’s important for me to note just how emotional this book made me–like sobbing-in-the fetal-position emotional.

The writing is also really, really great. Outrun the Moon is incredibly quotable, but also, it’s just really great at setting the scene and creating the atmospheric sense of place a book like this really needs. I’ve never felt more like I was standing right there next to the main character like I did while reading this novel. It’s moderately paced, but it’s perfect for the storytelling and letting you get to know the characters, their motivations, and what makes them who they are. By the time the book closed, the characters felt like old friends. And I didn’t want them to go away and leave me alone.

My most favorite part of Outrun the Moon though were all the strong women, the girl power, and the ladies working together towards a common goal. It made me feel really, REALLY good. I just got this tingly feeling all throughout me because how often is it that girls work together and work through their problems? This is a book that you can hand to your daughter (or son) and feel good about doing so. Man, if I had a kid, as soon as she hit this reading level I would be thrusting this book into her hands. That’s how good it was. I wish I could read it all over again for the first time. And I’m mad that I can’t.
5 people found this helpful
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An incredible historical novel

For the most part, I do my best to stay clear of historical fiction entirely. I liked some of these books when I was younger, (like the Dear America series and even the American Girl books) but I haven't been able to find many that are YA that I enjoy. That being said, I was hesitant going into Outrun the Moon. However, I decided to try it anyway since I've heard nothing but good things about Stacey Lee's books. I'm so glad that I read this book because it was a fun yet also very emotional tale that I found enchanting from start to finish.

So this takes place in 1906 in the city of San Francisco. Mercy Wong is a girl who is desperate to leave Chinatown behind so she can get a quality education at the best school possible so she can better provide for her parents and younger brother Jack. Beating the odds that were heavily stacked against her, she ends up getting into the St. Clare's School for Girls, which has never admitted a Chinese student before. Though some of the other girls and the Headmistress make it difficult for her, she still finds herself getting by, until a devastating Earthquake hits the city. Instead of cowering in fear, Mercy and her classmates make the best of the circumstances by trying to help the survivors in any ways that they can.

There's no way to deny the fact that Stacey Lee is an incredible writer. There are countless sentences in this book that are so quotable. She just has this effortless way of weaving words together that's unbelievable. It seems like she's a seasoned professional, though this is only her second book. Though I doubt historical fiction will ever be my favorite genre, I'm still impressed at the beautiful way she was able to mix these horrifying real events, and create a story that I won't be forgetting anytime soon. I didn't give this book the full five stars because I feel like the pacing was slow at times and Outrun the Moon was a bit longer than it probably should've been, but this was still seriously well done. I highly recommend reading this one, regardless of whether or not historical fiction is the genre for you.
4 people found this helpful
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A beautiful story about friendship, family, and the strength to perservere

Mercy Wong is an ambitious young woman with dreams for her future that are bigger than her current circumstances. Unwilling to accept a life of physically exhausting labor in 1906 Chinatown, she comes up with a plan to get into Saint Clare's, a boarding school for girls. But even when admitted, Mercy has to deal with a suspicious headmistress, an antagonistic roommate, and her skeptical classmates. Then disaster strikes, and Mercy must choose how to react to a world in complete disorder.

I loved the characters in this novel! Each one was layered and nuanced, and came alive as I read. From the opening scene, Mercy stole my heart and I couldn't help but root for her and hope she succeeded. Filled with genuine laugh out loud moments, the story also had real complexity and showed the heartbreak that came out of this disaster while showcasing the beauty and power of humanity.

Stacey Lee is able to weave in historical and cultural details with such skill that the world of the novel came alive. The writing is gorgeous and every emotional high and low is earned. Fans of historical fiction will love this book!
3 people found this helpful
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This is a beautiful piece of historical fiction

This is a beautiful piece of historical fiction. Such a great sense of time, place, and culture with exquisite details that make it all feel real, even after a fantastical first chapter featuring a runaway hot air balloon.

Mercy's father is Catholic. Her mother is a fortuneteller. Mercy has developed her own belief system. Her "Bible" is a book on business written by a famous businesswoman. She prays to God and honors her ancestors with offerings. Her classmates ask her questions about China and its culture, and when she doesn't know the answer, she makes it up, sort of like a "fake it 'til you make it" contestant on Shark Tank. She's a full, wholly realized character, and I loved spending time with her, drinking in her experiences. I would have devoured her story even without the earthquake narrative, and the earthquake narrative was a big selling point for me, because this is a time period I have read very little about.

I've seen other reviews state this as well, but this is a book with two halves, with the earthquake splitting everything down the middle. The two halves are very different because Mercy's goals changes with as her circumstances change. The second half shows very different relationships than the first half. But Mercy is still Mercy. She's still persuading people, still selling her ideas, still making the most of her scant resources. In the first half she's desperate to pull her family out of poverty. In the second half the stakes are higher; she's desperate to help those she cares about survive in the rubble of San Francisco.

I savored every page of this book because it felt fresh and timeless simultaneously. Would recommend to any reader of any age.
3 people found this helpful
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I can't tell y'all how much I love historical fiction

Grade: B+
An e-galley was provided by the publisher in exchange for an honest review.

I can't tell y'all how much I love historical fiction, especially when the author gets me invested in the story and characters. Stacey Lee is great at creating strong characters that I care about: first Samantha in Under a Painted Sky and now Mercy in Outrun the Moon. Mercy is driven and doesn't give up easily. She fights for her happiness, and she is kind, even if she is careful with her kindness. She mainly reserves it for her family, especially her brother, and those who have earned it, but she also helps the headmistress of St. Clare's, even when many would say the woman doesn't deserve Mercy's help.
I loved the Mrs. Lowry plot thread. It added depth to Mercy's character and was such a great motivating factor. The best part of the St. Clare's storyline is that I probably would've read a whole book about just that. I even forgot the earthquake was going to happen because I was so invested in Mercy at the school. I liked how the earthquake shook up (pun intended) the dynamics of the girls at the school. Disasters create strong bonds that might not have happened otherwise, and that's certainly the case here. The earthquake also meant we got to know the supporting characters a little better, and I appreciated that development for a lot of them.
The earthquake also caused a lot of sadness and, not gonna lie, there was one moment where my heart sank and I wanted to hug Mercy. I didn't cry, but I don't cry during a lot of books. On another note, the romance in this book is minor, and I think it needed a little more attention to make me care about Tom with Mercy.

The Verdict: Really good. There just wasn't that extra oomph to make this a five-star favorite read of mine.
3 people found this helpful
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Can't Miss Historical Fiction

I absolutely love this book. It's the best kind of historical fiction - it gives readers a glance info the past while still making the characters task in the present of YA lives. A strong female character with a huge heart and an unstoppable will, a thrilling race against time to save a city in ruins: what's not to love? You'll have a hard time putting this one down. Highly recommended for fans of historical fiction, page turners, and teens who know the world is wide and ready to be saved.
2 people found this helpful
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it was very easy to picture the very locations mentioned

This was not a fast paced novel, but it is full of first hand experiences of those effected by the san francisco earthquake of the early 1900s. Having spent some time in that city, it was very easy to picture the very locations mentioned. Very enjoyable! Read it!
1 people found this helpful
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When a law isn’t just, I believe it’s okay to disobey it.

Outrun the Moon by Stacey Lee
🌟🌟🌟🌟🌟🍫🔥💔😭💋
My heart is both heavy and uplifted. Outrun the Moon by Stacey Lee is brilliant, terrifying, unifying, and brave. If you aren’t familiar with this novel, Outrun the Moon is about a very intelligent young woman from Chinatown in San Francisco following her studious, entrepreneurial dreams in 1906. This means the story takes place during the historic earthquake, and the disaster definitely changes everything and everyone. If you’re looking for a culturally rich and historically moving piece, this book is for you. I loved everything about Mercy Wong and her family, and I was absolutely enthralled with the world she lived in and how she planned to change it. Between hot air balloons, specialty chocolates, and wealthy schools for the elite, Mercy promises to fight her way into a school for a proper education, and once she makes it, her entire world falls apart. How she handles her life during the earthquake disaster is moving—I definitely cried—and nothing short of inspirational.
One of my favorite reads this year.
Highly recommended for all.
~SAT
Recommended to: YA historical readers, and those looking to broaden their support of diverse books (as everyone should be doing). Light romance. Prepare those tissues for a sob fest.
Favorite Quote: “When a law isn’t just, I believe it’s okay to disobey it. In fact, I believe we are morally obligated to disobey it.”
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The book I needed younger me to read

I heard so much about this book before I picked it up. I always knew I wanted to get to it, but I never had the time. Then I got a job that required me to spend long amounts of time mailing books and I have now devoured audiobooks. And that was the best decision ever. I was able to finish this book is under a week - in a few days actually. I read it while I walked, did dishes, packed books, even brushed my teeth. Quickly I became obsessed.

With so much good reason. I knew from the first line I would love this book. That is literally one of my notes. Mercy immediately spoke to my heart. She is a character I needed to read growing up and even now. Growing up I needed to see her spark, her fight, and her kind heart. Now I need to see those more than ever. I need to remind myself in hope, the power of compassion, and representation.