Paris in the Dark (The Christopher Marlowe Cobb Thrillers Book 4)
Paris in the Dark (The Christopher Marlowe Cobb Thrillers Book 4) book cover

Paris in the Dark (The Christopher Marlowe Cobb Thrillers Book 4)

Kindle Edition

Price
$8.01
Publisher
Mysterious Press
Publication Date

Description

Praise for Paris in the Dark : " Paris in the Dark , with its ironic twists, is reminiscent of Somerset Maugham’s World War I espionage tales...Mr. Butler...brings an earlier era to such convincing life through details, attitudes and reactions at once realistic and surprising." ―Tom Nolan, The Wall Street Journal "Butler returns to his outstanding historical-mystery series starring Christopher "Kit" Marlowe Cobb with WWI in full swing...There are strong echoes of Hemingway...in the melancholy and sense of tragic inevitability that hangs over the book. Beneath the frame story, this is a surprisingly introspective and quite moving novel about love and war." ―Booklist "Best is Butler's feel for the black-and-white-movie atmospherics of a war zone after hours: It's a thrill to follow Kit to German hangouts like Le Rouge et le Noir, where a password will get you in, but ther's no guarantee you'll get out." ―Marilyn Stasio, The New York Times Book Reivew " Paris in the Dark ...starts with that literal bang and doesn’t let up, surrounding its engaging protagonist with rich atmosphere and a propulsive plot...a satisfying, stylish thrill." ― The Tampa Bay Times Praise for Robert Olen Butler and the Christopher Marlowe Cobb series: “[A] thrilling historical series . . . Butler does a terrific job of depicting both the journalist’s facility for teasing information from his subjects and the spy’s incessant fear of being discovered. There’s something almost magical about the way the author re-creates this 1915 milieu.” ― Wall Street Journal , on The Empire of Night “This high-spirited adventure by the Pulitzer Prize-winning author Robert Olen Butler is an antic concoction of genre clichés, literary sendups, personal homages, fanciful history and passages of great writing.” ― New York Times Book Review , on The Hot Country “[Butler’s] writing is both crisp and thoughtful, his people ring true and he offers an amusing portrait of a golden age in journalism . . . A thinking person’s thriller, the kind of exotic adventure that, in better days, would have been filmed by Sam Peckinpah.” ― Washington Post , on The Hot Country “A cracking good spy thriller, with a cast of memorable characters and a terrifically suspenseful plot that will have you casting the movie as you read. And Butler’s elegant writing elevates the book―he is a master of everything from lyrical description to believable dialogue.” ― Tampa Bay Times , on The Empire of Night “[An] outstanding work of historical fiction.” ― Huntington News , on The Star of Istanbul “A smart and layered yarn . . . propulsive reading . . . Butler has developed a knack for snapping off taut, Hammett-esque sentences at tense moments.” ― Minneapolis Star Tribune , on The Empire of Night “The novel commingles character-driven historical fiction with melodrama and swashbuckling action . . . [Butler] holds the reader transfixed, like a kid at a Saturday matinee.” ― Booklist (starred review), on The Star of Istanbul “Robert Olen Butler is having fun in The Hot Country and readers will too. An intelligent entertainment with colorful history.” ― Joseph Kanon , on The Hot Country --This text refers to the hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. From off to the west the air cracked. The sound brass-knuckled us and faded away. A bomb. Awful big or very near. All around me the shadows of men had risen up and were retreating into the bar. They had the Zepps in mind. I jumped up too but stepped out onto the pavement of Boulevard Montparnasse. It wasn’t Zepps. I’d have heard their engines. And the crack and fade were distinctive. Dynamite. This was a hand-delivered explosive. I looked west. Five hundred yards along the boulevard I could make out a billow of smoke glowing piss-yellow in the dark. I made off in that direction at a swift jog. My footfalls rang loud. As I neared, there were sounds. Battlefield sounds just after an engagement. The silence of ceased weapon fire filled with the afterclap of moaning, of gasping babble. The police were wading into the bomb site now. I took a step off the island and onto the cobbles. My foot nudged something and I stopped again. I looked down. A man’s naked arm, severed at the elbow, its hand with palm turned upward, its fingers splayed in the direction of the café, as if it were the master of ceremonies to this production of the Grand Guignol. Mesdames et messieurs, je vous présente la Grande Guerre . The goddamn Great War. --This text refers to the hardcover edition. Robert Olen Butler is the Pulitzer Prize-winning author of seventeen novels, including Hell , A Small Hotel , Perfume River , and the Christopher Marlowe Cobb series. He is also the author of six short story collections and a book on the creative process, From Where You Dream . He has twice won a National Magazine Award in Fiction and received the 2013 F. Scott Fitzgerald Award for Outstanding Achievement in American Literature. He teaches creative writing at Florida State University. --This text refers to the hardcover edition. Read more

Features & Highlights

  • A novel of murder and espionage during the First World War: “Rich atmosphere and a propulsive plot...a satisfying, stylish thrill.”―
  • The Tampa Bay Times
  • Autumn 1915. World War I is raging across Europe, but Woodrow Wilson has kept Americans out of the trenches—though that hasn’t stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher “Kit” Cobb, a Chicago reporter with a second job as undercover agent for the U.S. government, is officially in Paris doing a story on American ambulance drivers, but his intelligence handler, James Polk Trask, soon broadens his mission. City-dwelling civilians are meeting death by dynamite in a new string of bombings, and the German-speaking Kit seems just the man to figure out who is behind them—possibly a German operative who has snuck in with the waves of refugees coming in from the provinces and across the border in Belgium. But there are elements in this pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits, and talents for survival. With
  • Paris in the Dark
  • , Pulitzer Prize winner Robert Olen Butler returns to his lauded Christopher Marlowe Cobb series and proves once again that he can craft “a ripping good yarn” (
  • Wall Street Journal
  • ) with unmistakably literary underpinnings and a rich sense of the political and cultural atmosphere of the time.   “Best is Butler's feel for the black-and-white-movie atmospherics of a war zone after hours: It's a thrill to follow Kit to German hangouts like Le Rouge et le Noir, where a password will get you in, but there’s no guarantee you'll get out.”―Marilyn Stasio,
  • The New York Times Book Review

Customer Reviews

Rating Breakdown

★★★★★
30%
(161)
★★★★
25%
(135)
★★★
15%
(81)
★★
7%
(38)
23%
(123)

Most Helpful Reviews

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Solid Research; Unexpected Turns; Ambulance Drivers in WWI

I have been REALLY LIKING this series featuring journalist/patriot/agent Christopher Marlowe Cobb. Paris in the Dark is just as strong an entry as earlier books. Marlowe's 'calling' is as a serious reporter and journalistic writer but he grew up with a theatrical mother and played many parts throughout his formative years. He is well-prepared for the many parts he plays in teasing out a story or in finding and removing threats to American interests in WWI Paris. Characterization is deftly-handled and many characters do pop up as the story takes its many turns. At its core is the central problem of The Great War: the chewing up of human lives and human bodies as they are thrown against modern ordinance. Butler turns to the American Volunteer Ambulance Corps as a hinge for these concerns. (Shades of Ernest Hemingway in Spain!) Idealistic American volunteers went to France to serve as non-combatants, driving wounded officers and men from the front lines back to Paris hospitals. WWI was set off by an Anarchist assassination and Anarchism is also explored in this novel in the context that it embraced acts of violence on the home front as a way of showing complacent political leaders and the middle class what the death and maiming of warfare means and has always meant.
6 people found this helpful
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Not very impressed

Loved the setting, clearly a lot of research done on the time period. But poorly drawn characters, little character development to explain characters' motives, clunky plot and some very unlikely and impractical choices made by characters.
5 people found this helpful
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The best climax I have read in a long time

I have now read three of the four books Robert Owen Butler has written in his Kit Cobb series. I particularly enjoyed the first one, “The Hot Country”, set in Mexico, pre-WWl. I was disappointed with the second, “Star of Istanbul”, and swore off the series, passing on the third book. But I’m a sucker for just about anything with “Paris” in the title so I read 256 page #4, “Paris in the Dark” (PD) and I’m delighted I did. Maybe I’ll read #3 after all, “The Empire of Night”.

As PD begins, Cobb is in Paris on assignment from his Chicago based newspaper. It is 1915, the French are suffering tremendous losses, and Cobb is positioning to get to the front to witness the War for himself and to interview soldiers. He needs two things, appropriate permissions from the French bureaucracy (he has them) and transportation (he is attempting to bum rides from the volunteer ambulance corps) – yes, Model T’s modified – who are bringing wounded from the front to Paris hospitals. When all of a sudden his other boss pops up, with another mission. There’s a mad bomber in town, and the suspect is an unidentified German saboteur, posing as a war refugee.

The story is well paced, lots of tension, well written. Some romance, sexy scenes without being graphic. I wish it had been longer, but Butler chose not to go into great detail about the War, nor about the scenes involving bombing incidents. It’s a well told story and doesn’t rely on twist after twist. What it does have is a tremendous climax, one of the best I have read in a long time. From two aspects – it is very nail biting, and it is truly novel. I don’t recall an ending in a location quite like this one. Truly scary.

Flashlights were invented in 1899. Did you know that?! If you haven’t read any of the Cobb books before you can read this one as a great stand-alone, and ditto for the other two I mentioned above. I am curious if any aspect of this story will link to the next……
3 people found this helpful
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Not my favotite read.

Did not like the writing style. It is difficult at times to figure out what a sentence is teferring to. However, there are many intellectials who love the brusk, oblique sentences, thinking there was an intellectual thought behind it. I found the many split personality references disconcerting: Kit the spy v. Kit the journalist.
2 people found this helpful
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Fair to good

Fairly shallow stuff. I would not recommend. Not even for a TV series. Just fair to good. Not much else I can add.
2 people found this helpful
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Weak Style

Lots of simple language maybe for teen readers if there are any, another travelog if you are out beyond wi-fi
2 people found this helpful
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A Contrived, Faux-Historical Thriller

This supposedly historical thriller set in a Paris supposedly during 1915, but in this world the evil spy isn't Mata Hari but a terrorist cell that resembles the sort of crazed murderous fantasy villains in the TV series "24", as well as a heroic protagonist not unlike Jack Bauer. If you read this book, consider, there weren't any terrorist bombings in Paris during WWI.

As depicted in this book, Paris wasn't so much affected by the war - not a city under military government where a remarkable surge of patriotism that manifested itself in a heroic effort to maintain industrial and military production to make up for German occupation pretty much everything north of Paris. (The battle lines were about 50 km away at this point.) You wouldn't know that French losses were around half a million soldiers killed by the beginning of the book or that France was in pretty desperate straits and only survived due to heroic sacrifice of its population and some very bad tactical decisions by German commanders as they advanced on Paris. Wartime shortages? Not a factor. Lots of erroneous details, including distorted renditions of actual historical characters.

The plot is driven by very unlikely coincidences and equally unlikely characters, and becomes extremely predictable less than halfway through the book. The hero is introspective the way Jack Bauer is introspective, so it might appeal to you if you like guys who are introspective, but get a kick out of killing bad guys.

Spoiler alert: What comes below will give away plot developments

I particularly found it offensive that the author chose to use names of actual historical characters as plot devices, but to present them in a pretty twisted way. This isn't a historical novel in the sense of an interesting or insightful account of the past, but rather, in the sense of using some historical names as a sort of prop or stage setting for a pretty routine spy thriller. In particular, it invokes Albert Parsons, a Chicago leftist who published an anarchist newspaper. Parsons was executed after the Haymarket bombing, though he had left the demonstration and was at a tavern when the event occurred, and there was no connection between him and any violence other than his radical political beliefs. The book uses a snippet from an article Parsons wrote that seemed to praise violence by exploited workers, but he was never a leader in advocating this, and even wanted to stay away from the Haymarket meeting altogether because he feared violence. Parsons devoted much of his life to working politically for labor and socialist ideals, and was anything but a terrorist himself.

Nevertheless, the plot of this book turns on Parsons' relative, supposedly still under his malign influence nearly 30 years after Parsons was hung, creating a terrorist cell and carrying out bombings in Paris, complete with a car bomb. Nothing even remotely like this actually happened. It's "historical fiction" that rewrites rather than resembles history. While the book has nothing at all to do with the political situation in Chicago in the 1880's and takes place 3 decades later, Parsons is brought into it, presumably to give a preposterous plot some semblance of connection to actual history. But it's really a silly thriller. Like I said, it's a book for fans of "24".
1 people found this helpful
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A late find for me.

Not a typical genre for me, but both "Paris" and "The Hot Country" satisfy greatly. History, pace, fearlessness to write in the voice of the day, all make Butler a winner. And great female characters as well.
1 people found this helpful
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A Wonderful Adventure

WWI virtually destroyed Western Civilization. The fact that, within a generation, it revived so strongly that its mutual hatreds and desires once again threatened that Civilization and all life on earth, is eerily reassuring and frightening at the same time - it can and will happen again.
Against that backdrop, stories illustrating the human emotions at play at the time, are intriguing, educational and pleasurable, all at the same time. This is such a story.
1 people found this helpful
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Wish there were more in the series

To someone just starting to study The Great War, I found the plots far more than simply interesting, and the writing completely engaging.