Snow Flower and the Secret Fan: A Novel (Random House Reader's Circle)
Snow Flower and the Secret Fan: A Novel (Random House Reader's Circle) book cover

Snow Flower and the Secret Fan: A Novel (Random House Reader's Circle)

Paperback – May 31, 2011

Price
$9.53
Format
Paperback
Pages
277
Publisher
Random House Trade Paperbacks
Publication Date
ISBN-13
978-0812982718
Dimensions
5.15 x 0.63 x 8 inches
Weight
7.2 ounces

Description

Review Advance praise for Snow Flower and the Secret Fan“Lisa See has written her best book yet. Snow Flower and the Secret Fan is achingly beautiful, a marvel of imagination of a real and secret world that has only recently disappeared. It is a story so mesmerizing the pages float away and the story remains clearly before us from beginning to end.”– Amy Tan , author of The Joy Luck Club and The Opposite of Fate: A Book of Musings “I was mesmerized by this wondrous book–the story of a secret civilization of women, who actually lived in China not long ago. . . . Magical, haunting fiction. Beautiful.”– Maxine Hong Kingston , author of The Fifth Book of Peace “Only the best novelists can do what Lisa See has done, to bring to life not only a character but an entire culture, and a sensibility so strikingly different from our own. This is an engrossing and completely convincing portrayal of a woman shaped by suffering forced upon her from her earliest years, and of the friendship that helps her to survive.”– Arthur Golden , author of Memoirs of a Geisha From the Hardcover edition. About the Author Lisa See is the author of Flower Net (an Edgar Award nominee), The Interior , and Dragon Bones , as well as the critically acclaimed memoir On Gold Mountain . The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles. To schedule a speaking engagement, please contact American Program Bureau at www.apbspeakers.com From the Hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1Milk YearsMy name is Lily. I came into this world on the fifth day of the six month of the third year of Emperor Daoguang’s reign. Puwei, my home village, is in Yongming County, the county of Everlasting Brightness. Most people who live here are descended from the Yao ethnic tribe. From the storytellers who visited Puwei when I was a girl, I learned that the Yao first arrived in this area twelve hundred years ago during the Tang dynasty, but most families came a century later, when they fled the Mongol armies who invaded the north. Although the people of our region have never been rich, we have rarely been so poor that women had to work in the fields.We were members of the Yi family line, one of the original Yao clans and the most common in the district. My father and uncle leased seven mou of land from a rich landowner who lived in the far west of the province. They cultivated that land with rice, cotton, taro, and kitchen crops. My family home was typical in the sense that it had two stories and faced south. A room upstairs was designated for women’s gathering and for unmarried girls to sleep. Rooms for each family unit and a special room for our animals flanked the downstairs main room, where baskets filled with eggs or oranges and strings of drying chilies hung from the central beam to keep them safe from mice, chickens, or a roaming pig. We had a table and stools against one wall. A hearth where Mama and Aunt did the cooking occupied a corner on the opposite wall. We did not have windows in our main room, so we kept open the door to the alley outside our house for light and air in the warm months. The rest of our rooms were small, our floor was hard-packed earth, and, as I said, our animals lived with us.I’ve never thought much about whether I was happy or if I had fun as a child. I was a so-so girl who lived with a so-so family in a so-so village. I didn’t know that there might be another way to live, and I didn’t worry about it either. But I remember the day I began to notice and think about what was around me. I had just turned five and felt as though I had crossed a big threshold. I woke up before dawn with something like a tickle in my brain. That bit of irritation made me alert to everything I saw and experienced that day.I lay between Elder Sister and Third Sister. I glanced across the room to my cousin’s bed. Beautiful Moon, who was my age, hadn’t woken up yet, so I stayed still, waiting for my sisters to stir. I faced Elder Sister, who was four years older than I. Although we slept in the same bed, I didn’t get to know her well until I had my feet bound and joined the women’s chamber myself. I was glad I wasn’t looking in Third Sister’s direction. I always told myself that since she was a year younger she was too insignificant to think about. I don’t think my sisters adored me either, but the indifference we showed one another was just a face we put on to mask our true desires. We each wanted Mama to notice us. We each vied for Baba’s attention. We each hoped we would spend time every day with Elder Brother, since as the first son he was the most precious person in our family. I did not feel that kind of jealousy with Beautiful Moon. We were good friends and happy that our lives would be linked together until we both married out.The four of us looked very similar. We each had black hair that was cut short, we were very thin, and we were close in height. Otherwise, our distinguishing features were few. Elder Sister had a mole above her lip. Third Sister’s hair was always tied up in little tufts, because she did not like Mama to comb it. Beautiful Moon had a pretty round face, while my legs were sturdy from running and my arms strong from carrying my baby brother.“Girls!” Mama called up the stairs to us.That was enough to wake up the others and get us all out of bed. Elder Sister hurriedly got dressed and went downstairs. Beautiful Moon and I were slower, because we had to dress not only ourselves but Third Sister as well. Then together we went downstairs, where Aunt swept the floor, Uncle sang a morning song, Mama—with Second Brother swaddled on her back—poured the last of the water into the teapot to heat, and Elder Sister chopped scallions for the rice porridge we call congee. My sister gave me a tranquil look that I took to mean that she had already earned the approval of my family this morning and was safe for the rest of the day. I tucked away my resentment, not understanding that what I saw as her self-satisfaction was something closer to the cheerless resignation that would settle on my sister after she married out.“Beautiful Moon! Lily! Come here! Come here!”My aunt greeted us this way each and every morning. We ran to her. Aunt kissed Beautiful Moon and patted my bottom affectionately. Then Uncle swooped in, swept up Beautiful Moon in his arms, and kissed her. After he set her back down, he winked at me and pinched my cheek.You know the old saying about beautiful people marrying beautiful people and talented people marrying talented people? That morning I concluded that Uncle and Aunt were two ugly people and therefore perfectly matched. Uncle, my father’s younger brother, had bowlegs, a bald head, and a full shiny face. Aunt was plump, and her teeth were like jagged stones protruding from a karst cave. Her bound feet were not very small, maybe fourteen centimeters long, twice the size of what mine eventually became. I’d heard wicked tongues in our village say that this was the reason Aunt—who was of healthy stock, with wide hips—could not carry a son to term. I’d never heard these kinds of reproaches in our home, not even from Uncle. To me, they had an ideal marriage; he was an affectionate rat and she was a dutiful ox. Every day they provided happiness around the hearth.My mother had yet to acknowledge that I was in the room. This is how it had been for as long as I could remember, but on that day I perceived and felt her disregard. Melancholy sank into me, whisking away the joy I had just felt with Aunt and Uncle, stunning me with its power. Then, just as quickly, the feeling disappeared, because Elder Brother, who was six years older than I was, called me to help him with his morning chores. Having been born in the year of the horse, it is in my nature to love the outdoors, but even more important I got to have Elder Brother completely to myself. I knew I was lucky and that my sisters would hold this against me, but I didn’t care. When he talked to me or smiled at me I didn’t feel invisible.We ran outside. Elder Brother hauled water up from the well and filled buckets for us to carry. We took them back to the house and set out again to gather firewood. We made a pile, then Elder Brother loaded my arms with the smaller sticks. He scooped up the rest and we headed home. When we got there, I handed the sticks to Mama, hoping for her praise. After all, it’s not so easy for a little girl to lug a bucket of water or carry firewood. But Mama didn’t say anything.Even now, after all these years, it is difficult for me to think about Mama and what I realized on that day. I saw so clearly that I was inconsequential to her. I was a third child, a second worthless girl, too little to waste time on until it looked like I would survive my milk years. She looked at me the way all mothers look at their daughters—as a temporary visitor who was another mouth to feed and a body to dress until I went to my husband’s home. I was five, old enough to know I didn’t deserve her attention, but suddenly I craved it. I longed for her to look at me and talk to me the way she did with Elder Brother. But even in that moment of my first truly deep desire, I was smart enough to know that Mama wouldn’t want me to interrupt her during this busy time when so often she had scolded me for talking too loudly or had swatted at the air around me because I got in her way. Instead, I vowed to be like Elder Sister and help as quietly and carefully as I could.Grandmother tottered into the room. Her face looked like a dried plum, and her back bent so far forward that she and I saw eye to eye.“Help your grandmother,” Mama ordered. “See if she needs anything.”Even though I had just made a promise to myself, I hesitated. Grandmother’s gums were sour and sticky in the mornings, and no one wanted to get near her. I sidled up to her, holding my breath, but she waved me away impatiently. I moved so quickly that I bumped into my father—the eleventh and most important person in our household.He didn’t reprimand me or say anything to anyone else. As far as I knew, he wouldn’t speak until this day was behind him. He sat down and waited to be served. I watched Mama closely as she wordlessly poured his tea. I may have been afraid that she would notice me during her morning routine, but she was even more mindful in her dealings with my father. He rarely hit my mother and he never took a concubine, but her caution with him made us all heedful.Aunt put bowls on the table and spooned out the congee, while Mama nursed the baby. After we ate, my father and my uncle set out for the fields, and my mother, aunt, grandmother, and older sister went upstairs to the women’s chamber. I wanted to go with Mama and the other women in our family, but I wasn’t old enough. To make matters worse, I now had to share Elder Brother with my baby brother and Third Sister when we went back outside.I carried the baby on my back as we cut grass and foraged for roots for our pig. Third Sister followed us as best she could. She was a funny, ornery little thing. She acted spoiled, when the only ones who had a right to be spoiled were our brothers. She thought she wa... Read more

Features & Highlights

  • Lily is haunted by memories–of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness.In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu (“women’s writing”). Some girls were paired with laotongs, “old sames,” in emotional matches that lasted throughout their lives. They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments.With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become “old sames” at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.Snow Flower and the Secret Fan is a brilliantly realistic journey back to an era of Chinese history that is as deeply moving as it is sorrowful. With the period detail and deep resonance of Memoirs of a Geisha, this lyrical and emotionally charged novel delves into one of the most mysterious of human relationships: female friendship.
  • From the Hardcover edition.

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.9K)
★★★★
25%
(1.6K)
★★★
15%
(970)
★★
7%
(453)
23%
(1.5K)

Most Helpful Reviews

✓ Verified Purchase

Same old story in an exotic setting

The story of the loving cruelty of women's friendships has been told and re-told. But what disturbed me the most was the book's treatment of food binding. She tells us in great detail the excruciating pain experienced by Lily and her sisters as their mother breaks their toes and arches to conform to this bizarre standard of beauty. But she glosses over what Lily experiences as she does this to her own beloved daughter. How did women harden their hearts enough to inflict that kind of pain on their daughters? How did they ignore their screams and their pleas? How did they make peace with the knowledge that their daughters may have ended up permanently maimed, crippled, or dead rather than having perfect "golden lilies" for feet? The author maunders on ad nauseum about the emotional pain Lily and Snowflower inflict on each other, yet makes no effort to help us understand how mothers did this to their daughters for over a thousand years, and what impact it had on that core familial bond. In her interview, she appeals to cultural relativism. We stopped corseting our daughters and readily condemn the practice today based on the objective evidence of what it did to women's health. Surely, we should be allowed to speak frankly about this even more barbaric custom so that we can better understand how cultures undermine core familial relationships to achieve questionable ends. Lily and Snowflower are bound to each other in large part because they both suffered through this cruel practice at the hands of their own mothers. Is it any wonder that they are closer to each other than to their own mothers?
10 people found this helpful
✓ Verified Purchase

Too bland to be a favorite

Putting this short and sweet, I would not consider this text a book of the year. I would not even consider it book of the day. What intrigued me to read this story was the supposed explanative stance the author takes in describing the art of nu shu, what it means to have a "laotong", and what life for women was like in China back in late 1800s. At a glance, this subject enticed me immensely. However, both the subject matter as well as the writing style proved to bore me practically to tears.

First, the first person narrative, to me, seemed like an excellent choice when portraying this story. After just finishing Memoirs of a Geisha (exceptional!), I thought another story revolving around a woman's first person narrative would be a great way for me to get interested in the book. I was sadly mistaken. The main character appeared completely removed emotionally to any event portrayed in the story. This made the story feel very detached, and thus boring beyond belief. It was a chore to even finish this small, 200+ page book...

Second, the laotongs' relationship. It got to a point where I had no idea where this book was going. It is noted in the text that a "laotong" is meant to be a stronger bond than even a husband and wife, sibling to sibling, or mother to daughter. That being said, although the protagonist offered vast insight into her worries and expectations throughout having a laotong, there was (again!) a huge lack of emotion. This apparent problem in stoicism in what is SUPPOSED to be a highly riveting work of female companionship really irked me. There is even a scene half-way through the book when the two laotongs experience a highly intimate event... Yet it is barely reflected upon AT ALL for the rest of the book.

In short, I did not care at all for this book and will never be reading it again.
9 people found this helpful
✓ Verified Purchase

Lily's Remorse

Lisa See's "Snow Flower And The Secret Fan" is a beautifully written novel, in the form of a memoir, about the love between two chinese girls growing up in rural mainland China a century ago. One of the girls was named Lily, the other, Snow Flower.

At the age of seven the two unrelated girls sign a contract and write reciprocal vows of eternal love and understanding. The love is intended to supersede the love they feel toward their parents and other family members, the love they would come to feel toward their future husbands, and even the love they would feel toward their children. In signing the contract the two girls become laotong ("old sames").

In the story of the two girls and their changing statuses, in a society where caste was important, one learns about the horrific and often deadly practice of foot binding - - now outlawed - - which distinguished the highest caste from lower castes.

Central to the story is nu shu the phonetic secret language of upper-caste women, passed down for centuries from woman to woman, that allowed women to complain to one another about their arranged marriages without incurring the risk of execution or other retribution from husbands. While husbands were aware of nu shu, they looked the other way.

The reader learns of the misery to families when Britain used its military to enforce the sale of opium, of match makers, of arranged laotongs, of arranged marriages, of mother in laws, of concubines, of sworn sisters, and of Confuscism. Nevertheless, these topics are not what the story is about.

The story is about the transformation of Lily, from a frightened seven year old craving the love of her mother, who when not ignoring the child, physically and emotionally abuses her, into the matriarch of a powerful family. The story is about honesty, trust, honor, hubris, vituperation, and ultimately, it is about Lily's remorse.

The skill of the author is such that the reader comes to be much less critical of Lily's cold and impersonal treatment of her own daughter, the identical treatment that appalled the reader when the reader began the story.
4 people found this helpful
✓ Verified Purchase

Missing something...

I still can't decide how I feel about this book, which is essentially it's biggest failing. There is no passion in this story. No depth to the characters. And while, yes, I would recommend it and am glad I forced myself to finish it, I did sort of feel I was reading a Wikipedia entry about foot-binding and not a novel.

I agree with some of the other reviews that See did significantly more telling than showing. Over and over we read that women are worthless, that footbinding (aka "golden lillies") will bring a woman happiness through a good marriage. And after a while, this got really boring. We never hear how the characters felt about it besides physical pain. At the end of a book that didn't have much of a story and was too long, I still don't feel like I got to know any of the characters. I'm not sure if this was See's intention, but in my mind this story felt short. All the great reviews say it's about how powerful women's friendship can be, but honestly, I just didn't get any of that from this book. At the end of the day, this entire story was a disappointment.
3 people found this helpful
✓ Verified Purchase

Beautiful Story of Friendship and Loss

She loves me. She loves me not. She loves me.

When they were eight years old Snow Flower and Lily were bound to each other as laotong, old sames. This is a bond deeper and stronger than any a man or woman could share, even marriage. The communicated all their life's joys and their sorrows in the private language of women, nu-shu, on the folds of a fan and swore that never would an untruth or a harsh word pass between them. This proved to be an impossible promise to keep, for both girls, as their life's circumstances veered off in completely different directions. It is only at the end of her life, after having outlived almost everyone, even two of her sons, that Lily is able to speak freely and tell the story of the words written on the secret fan and of her life's deepest regrets and shame.

What a beautiful reflection on love and friendship this book turned out to be. Rarely does a book live up to the hype surrounding it. Snow Flower not only lives up to the hype, it surpasses it. Lisa See told a flawless story, sickening me with the descriptions of the torturous process of foot binding, making me cry weep when Lily and Snow Flower feel sorrow, and drawing the reader into the private world of the women's chamber where everything was dictated by tradition. This is definitely a book written for women and though it takes place in pre-Mao China it could tell the story of all women if you strip away the cultural details - the cattiness that naturally erupts when too many women are forced to live in close quarters, the expectations and fears a mother has for her daughter, the rarity of a deep-abiding love between two girls as they mature into women, and the inevitable misunderstandings that can sever a previously close bond in an instant. I loved every word of this book, even those that made me cry, and read it in one-sitting, unable to put it down or go to sleep until I knew the whole story. I can only join the chorus of voices proclaiming it's place as one of the most loved stories of the past decade.
3 people found this helpful
✓ Verified Purchase

Interwoven Multigenerational Stories of Four Womenis Engrossing

I have just finished reading Snow Flower and the Secret Fan, a novel by Lisa See. I was very fortunate to receive this book as a First Reads Book Giveaway from Goodreads.com. As a bonus, I also received a DVD of the film which was adapted from the book.

This is a book about lifelong friendship between two girls, as they grow up in nineteenth century China in the Hunan province. It follows them through their lives. The story of these woman is alternated with the modern day story of two other young woman who were lifelong friends, too. The women's lives run parallel to each other, even as they lived a couple of hundred years apart.

I have long had a fondness for reading about Asia, it's history and the people who live there. I had the opportunity of visiting Hong Kong and the former Canton, China several years ago and it made quite an impression on me.

I have enjoyed reading other books by Lisa See. She is a fine story-teller. Her books make you feel for her characters and make faraway places seem real and familiar. I recommend this book to all who are interested in reading about friendship, historical fiction regarding China, and to all that enjoy reading a good story.
2 people found this helpful
✓ Verified Purchase

Left me with a lot to think about...

Once in a while, one will come across a book in which one can get a true glimpse of a culture. Of course, there are some references to the different dynasties and general geography in this book--but the profound impact that status and the role foot binding played on everyday life of a Chinese woman could not have been portrayed better! Though the beginning was almost too difficult to read and prompted me to youtube some visuals on foot binding, I believe that taking the time to read and appreciate what these women went through (or what they went through if they did not participate) honors them in a way they deserve. Also, to know that we, today, in western culture still are impacted by this tradition--YES, we do not bind our feet...BUT, we wear heals and the look is the same! How unbelievalbe!

This book is captivating, suspensful, and unpredictable. There are lessons to be learned in the cultural aspect as well as with the Laotong relationship. After finishing this book, I had difficulty sleeping because I felt so attached to the characters and the lessons taught had a true impact on me. To me, all of these things add up to a 5 star read and a truly talented author!!! Thank you Lisa See!!
2 people found this helpful
✓ Verified Purchase

sdon

The sadness throughout this book resonated with me as a mother, a daughter, a friend. However, I found it difficult to relate to the character Lily. Her arrogance in her good fortune made her cold, and she lacked empathy to those she loved the most. From the age of 80, she looked back on her life with regret, but with some sense of justification for her behaviour, buried deep in traditions and superstitions. This book is a compelling read about how women struglle, not only in this time and setting, but in today's modern world. However, the author drops some moments of compassion also for the men in the story, and the sorrows they too bear.
2 people found this helpful
✓ Verified Purchase

It was amazing to see how women communicated with each other despite ...

While interested in Asian history, I found this book to be enlightening as to the empowerment of women. It was amazing to see how women communicated with each other despite this time in history/ Would recommend for good reading.
1 people found this helpful
✓ Verified Purchase

Five Stars

Enjoyable read.
1 people found this helpful