The Cove (An FBI Thriller)
The Cove (An FBI Thriller) book cover

The Cove (An FBI Thriller)

Mass Market Paperback – Large Print, April 1, 1996

Price
$8.99
Publisher
Berkley
Publication Date
ISBN-13
978-0515118650
Dimensions
4.13 x 0.97 x 6.75 inches
Weight
4.8 ounces

Description

Catherine Coulter has written a truly suspenseful romance in this story of Sally Brainerd, hiding in a small town from the enemies who killed her father, and FBI agent James Quinlan, who believes she's the key to the murder he's trying to solve. Sally thinks she'll be safe in The Cove--but will she? From Publishers Weekly "So perfect, like a Hollywood set," FBI agent James Quinlan thinks as he enters The Cove, a seemingly tranquil, picture-postcard town situated on the Oregon coast. Quinlan has been on Sally Brainerd's trail since her arms-dealing father, Amory St. John, was murdered. Sally is the key witness, and it's Quinlan's job to bring her in. Quinlan, whose cover is working as a PI hired to find an old couple who had mysteriously disappeared three years earlier, quickly learns that when he starts asking questions, bad things start happening. Coulter (The Nightingale Legacy), whose contemporary suspense novels are, unfortunately, few and far between, delivers a fast-paced, solidly structured read despite the occasionally cartoonish characters. Copyright 1996 Reed Business Information, Inc. Praise for The Cove “Coulter...delivers a fast-paced, solidly structured read.”— Publishers Weekly “Fantastic...Action-packed...Spine-tingling.”—Affaire De Coeur More Praise for Catherine Coulter’s FBI Thrillers “Fast-paced.”— People “This terrific thriller will drag you into its chilling web of terror and not let go until the last paragraph…A ripping good read.”— The San Francisco Examiner “A good storyteller...Coulter always keeps the pace brisk.”— Fort Worth Star-Telegram “With possible blackmail, intra-judiciary rivalries and personal peccadilloes, there’s more than enough intrigue—and suspects—for full court standing in this snappy page-turner…A zesty read.”— Book Page “Twisted villains...intriguing escapism...The latest in the series featuring likable married FBI agents Lacey Sherlock and Dillon Savich.”— Lansing (MI) State Journal “Coulter takes readers on a chilling and suspenseful ride...taut, fast-paced, hard to put down.”— Cedar Rapids Gazette “The perfect suspense thriller, loaded with plenty of action.”—The Best Reviews “The newest installment in Coulter’s FBI series delivers...a fast-moving investigation, a mind-bending mystery.”— Publishers Weekly “Fast-paced, romantic...Coulter gets better and more cinematic with each of her suspenseful FBI adventures.”— Booklist Catherine Coulter is the #1 New York Times bestselling author of the FBI Thrillers featuring husband and wife team Dillon Savich and Lacey Sherlock. She is also the author—with J. T. Ellison—of the Brit in the FBI series. She lives in Sausalito, California. Excerpt. © Reprinted by permission. All rights reserved. SOMEONE WAS WATCHING her. She tugged on the black wig, flattening it against her ears, and quickly put on another coat of deep-red lipstick, holding the mirror up so she could see behind her. The young Marine saw her face in the mirror and grinned at her. She jumped as if she’d been shot. Just stop it. He’s harmless, he’s just flirting. He couldn’t be more than eighteen, his head all shaved, his cheeks as smooth as hers. She tilted the mirror to see more. The woman sitting beside him was reading a Dick Francis novel. In the seat behind them a young couple were leaning into each other, asleep. The seat in front of her was empty. The Greyhound driver was whistling Eric Clapton’s ‘‘Tears in Heaven,’’ a song that always twisted up her insides. The only one who seemed to notice her was that young Marine, who’d gotten on at the last stop in Portland. He was probably going home to see his eighteen-year-old girlfriend. He wasn’t after her, surely, but someone was. She wouldn’t be fooled again. They’d taught her so much. No, she’d never be fooled again. She put the mirror back into her purse and fastened the flap. She stared at her fingers, at the white line where the wedding ring had been until three days ago. She’d tried to pull it off for the past six months but hadn’t managed to do it. She had been too out of it even to fasten the Velcro on her sneakers—when they allowed her sneakers— much less work off a tight ring. Soon, she thought, soon she would be safe. Her mother would be safe too. Oh, God, Noelle—sobbing in the middle of the night when she didn’t know anyone could hear her. But without her there, they couldn’t do a thing to Noelle. Odd how she rarely thought of Noelle as her mother anymore, not like she had ten years before, when Noelle had listened to all her teenage problems, taken her shopping, driven her to her soccer games. So much they’d done together. Before. Yes, before that night when she’d seen her father slam his fist into her mother’s chest and she’d heard the cracking of at least two ribs. She’d run in, screaming at him to leave her mother alone, and jumped on his back. He was so surprised, so shocked, that he didn’t strike her. He shook her off, turned, and shouted down at her, ‘‘Mind your own business, Susan! This doesn’t concern you.’’ She stared at him, all the fear and hatred she felt for him at that moment clear on her face. ‘‘Doesn’t concern me? She’s my mother, you bastard. Don’t you dare hit her again!’’ He looked calm, but she wasn’t fooled; she saw the pulse pounding madly in his neck. ‘‘It was her fault, Susan. Mind your own damned business. Do you hear me? It was her fault.’’ He took a step toward her mother, his fist raised. She picked up the Waterford carafe off his desk, yelling, ‘‘Touch her and I’ll bash your head in.’’ He was panting now, turning swiftly to face her again, no more calm expression to fool her. His face was distorted with rage. ‘‘Bitch! Damned interfering little bitch! I’ll make you pay for this, Susan. No one goes against me, particularly a spoiled little girl who’s never done a thing in her life except spend her father’s money.’’ He didn’t hit Noelle again. He looked at both of them with naked fury, then strode out of the house, slamming the door behind him. ‘‘Yeah, right,’’ she said and very carefully and slowly set the Waterford carafe down before she dropped it. She wanted to call an ambulance but her mother wouldn’t allow it. ‘‘You can’t,’’ she said, her voice as cracked as her ribs. ‘‘You can’t, Sally. Your father would be ruined, if anyone believed us. I can’t allow that to happen.’’ ‘‘He deserves to be ruined,’’ Sally said, but she obeyed. She was only sixteen years old, home for the weekend from her private girls’ school in Laurelberg, Virginia. Why wouldn’t they be believed? ‘‘No, dearest,’’ her mother whispered, the pain bowing her in on herself. ‘‘No. Get me that blue bottle of pills in the medicine cabinet. Hurry, Sally. The blue bottle.’’ As she watched her mother swallow three of the pills, groaning as she did so, she realized the pills were there because her father had struck her mother before. Deep down, Sally had known it. She hated herself because she’d never asked, never said a word. That night her mother became Noelle, and the next week Sally left her girls’ school and moved back to her parents’ home in Washington, D.C., in hopes of protecting her mother. She read everything she could find on abuse— not that it helped. That was ten years ago, though sometimes it seemed like last week. Noelle had stayed with her husband, refusing to seek counseling, refusing to read any of the books Sally brought her. It made no sense to Sally, but she’d stayed as close as possible, until she’d met Scott Brainerd at the Whistler exhibition at the National Gallery of Art and married him two months later. She didn’t want to think about Scott or about her father now. Despite her vigilance, she knew her father had hit Noelle whenever she happened to be gone from the house. She’d seen the bruises her mother had tried to hide from her, seen her walking carefully, like an old woman. Once he broke her mother’s arm, but Noelle refused to go to the hospital, to the doctor, and ordered Susan to keep quiet. Her father just looked at her, daring her, and she did nothing. Nothing. Her fingers rubbed unconsciously over the white line where the ring had been. She could remember the past so clearly—her first day at school, when she was on the seesaw and a little boy pointed, laughing that he saw her panties. It was just the past week that was a near blank in her mind. The week her father had been killed. The whole week was like a very long dream that had almost dissolved into nothing more than an occasional wisp of memory with the coming of the morning. Sally knew she’d been at her parents’ house that night, but she couldn’t remember anything more, at least nothing she could grasp—just vague shadows that blurred, then faded in and out. But they didn’t know that. They wanted her badly, she’d realized that soon enough. If they couldn’t use her to prove that Noelle had killed her husband, why, then they’d take her and prove that she’d killed her father. Why not? Other children had murdered their fathers. Although there were plenty of times she’d wanted to, she didn’t believe she’d killed him. On the other hand, she just didn’t know. It was all a blank, locked tightly away in her brain. She knew she was capable of killing that bastard, but had she? There were many people who could have wanted her father dead. Perhaps they’d found out she’d been there after all. Yes, that was it. She’d been a witness and they knew it. She probably had been. She just didn’t remember. She had to stay focused on the present. She looked out the Greyhound window at the small town the bus was going through. Ugly gray exhaust spewed out the back of the bus. She bet the locals loved that. They were driving along Highway 101 southwest. Just another half hour, she thought, just thirty more minutes, and she wouldn’t have to worry anymore, at least for a while. She would take any safe time she could get. Soon she wouldn’t have to be afraid of anyone who chanced to look at her. No one knew about her aunt, no one. She was terrified that the young Marine would get off after her when she stepped down from the bus at the junction of Highways 101 and 101A. But he didn’t. No one did. She stood there with her one small bag, staring at the young Marine, who’d turned around in his seat and was looking back at her. She tamped down on her fear. He just wanted to flirt, not hurt her. She thought he had lousy taste in women. She watched for cars, but none were coming from either direction. She walked west along Highway 101A to The Cove. Highway 101A didn’t go east. ‘‘Yes?’’ She stared at the woman she’d seen once in her life when she was no more than seven years old. She looked like a hippie, a colorful scarf wrapped around her long, curling, dark hair, huge gold hoops dangling from her ears, her skirt ankle-length and painted all in dark blues and browns. She was wearing blue sneakers. Her face was strong, her cheekbones high and prominent, her chin sharp, her eyes dark and intelligent. Actually, she was the most beautiful woman Sally had ever seen. ‘‘Aunt Amabel?’’ ‘‘What did you say?’’ Amabel stared at the young woman who stood on her front doorstep, a young woman who didn’t look cheap with all that makeup she’d piled on her face, just exhausted and sickly pale. And frightened. Then, of course, she knew. She had known deep down that she would come. Yes, she’d known, but it still shook her. ‘‘I’m Sally,’’ she said and pulled off the black wig and took out half a dozen hairpins. Thick, waving dark-blond hair tumbled down to her shoulders. ‘‘Maybe you called me Susan? Not many people do anymore.’’ 6 Catherine Coulter The woman was shaking her head back and forth, those dazzling earrings slapping against her neck. ‘‘My God, it’s really you, Sally?’’ She rocked back on her heels. ‘‘Yes, Aunt.’’ ‘‘Oh, my,’’ Amabel said and quickly pulled her niece against her, hugged her tightly, then pushed her back to look at her. ‘‘Oh, my goodness. I’ve been so worried. I finally heard the news about your papa, but I didn’t know if I should call Noelle. You know how she is. I was going to call her tonight when the rates go down, but you’re here, Sally. I guess I hoped you’d come to me. What’s happened? Is your mama all right?’’ ‘‘Noelle is fine, I think,’’ Sally said. ‘‘I didn’t know where else to go, so I came here. Can I stay here, Aunt Amabel, just for a little while? Just until I can think of something, make some plans?’’ ‘‘Of course you can. Look at that black wig and all that makeup on your face. Why, baby?’’ The endearment undid her. She’d not cried, not once, until now, until this woman she didn’t really know called her ‘‘baby.’’ Her aunt’s hands were stroking her back, her voice was low and soothing. ‘‘It’s all right, lovey. I promise you, everything will be all right now. Come in, Sally, and I’ll take care of you. That’s what I told your mama when I first saw you. You were the cutest little thing, so skinny, your arms and legs wobbly like a colt’s, and the biggest smile I’d ever seen. I wanted to take care of you then. You’ll be safe here. Come on, baby.’’ The damnable tears wouldn’t stop. They just kept dripping down her face, ruining the god-awful thick black mascara. She even tasted it, and when she swiped her hand over her face it came away with black streaks. ‘‘I look like a circus clown,’’ she said, swallowing hard to stop the tears, to smile, to make herself smile. She took out the green-colored contacts. With the crying, they hurt. ‘‘No, you look like a little girl trying on her mama’s makeup. That’s right, take out those ugly contacts. Ah, now you’ve got your pretty blue eyes again. Come to the kitchen and I’ll make you some tea. I always put a drop of brandy in mine. It wouldn’t hurt you one little bit. How old are you now, Sally?’’ ‘‘Twenty-six, I think.’’ ‘‘What do you mean, you think?’’ her aunt said, cocking her head to one side, making the gold hoop earring hang straight down almost to her shoulder. Sally couldn’t tell her that though she thought her birthday had come and gone in that place, she couldn’t seem to see the day in her mind, couldn’t dredge up anyone saying anything to her, not that she could imagine it anyway. She couldn’t even remember if her father had been there. She prayed he hadn’t. She couldn’t tell Amabel about that, she just couldn’t. She shook her head, smiled, and said, not lying well, ‘‘It was just a way of speaking, Aunt Amabel. I’d love some tea and a drop of brandy.’’ Amabel sat her niece down in the kitchen at her old pine table that had three magazines under one leg to keep it steady. At least she’d made cushions for the wooden seats, so they were comfortable. She put the kettle on the gas burner and turned it on. ‘‘There,’’ she said. ‘‘That won’t take too long.’’ Sally watched her put a Lipton tea bag into each cup and pour in the brandy. Amabel said, ‘‘I always pour the brandy in first. It soaks into the tea bag and makes the flavor stronger. Brandy’s expensive and I’ve got to make it last. This bottle’’—she lifted the Christian Brothers— ‘‘is going on its third month. Not bad. You’ll see, you’ll like it.’’ ‘‘No one followed me, Aunt Amabel. I was really careful. I imagine you know that everyone is after me. But I managed to get away. As far as I know, no one knows about you. Noelle never told a soul. Only Father knew about you, and he’s dead.’’ Amabel just nodded. Sally sat quietly, watching Amabel move around her small kitchen, each action smooth 8 Catherine Coulter and efficient. She was graceful, this aunt of hers in her hippie clothes. She looked at those strong hands, the long fingers, the short, buffed nails painted an awesome bright red. Amabel was an artist, she remembered that now. She couldn’t see any resemblance at all to Noelle, Amabel’s younger sister. Amabel was dark as a gypsy, while Noelle was blond and fair-complexioned, blue-eyed and soft as a pillow. Like me, Sally thought. But Sally wasn’t soft anymore. She was hard as a brick. She waited, expecting Amabel to whip out a deck of cards and tell her fortune. She wondered why none of Noelle’s family ever spoke of Amabel. What had she done that was so terrible? Her fingers rubbed over the white band where the ring had been. She said as she looked around the old kitchen with its ancient refrigerator and porcelain sink, ‘‘You don’t mind that I’m here, Aunt Amabel?’’ ‘‘Call me Amabel, honey, that’ll be just fine. I don’t mind at all. Both of us will protect your mama. As for you, why, I don’t think you could hurt that little bug that’s scurrying across the kitchen floor.’’ Sally shook her head, got out of her seat, and squashed the bug beneath her heel. She sat down again. ‘‘I just want you to see me as I really am,’’ she said. Amabel only shrugged, turned back to the stove when the teakettle whistled, and poured the water into the teacups. She said, not turning around, ‘‘Things happen to people, change them. Take your mama. Everyone always protected your mama, including me. Why wouldn’t her daughter do the same? You are protecting her, aren’t you, Sally?’’ She handed Sally her cup of tea. She pulled the tea bag back and forth, making the tea darker and darker. Finally, she lifted the bag and placed it carefully on the saucer. She’d swished that tea bag just the way her mother always had when she’d been young. She took a drink, held the brandied tea in her mouth a moment, then swallowed. The tea was wonderful, thick, rich, and sinful. She felt less on edge almost immediately. That brandy was something. Surely she’d be safe here. Surely Amabel would take her in just for a little while until she figured out what to do. She imagined her aunt wanted to hear everything, but she wasn’t pushing. Sally was immensely grateful for that. ‘‘I’ve often wondered what kind of woman you’d become,’’ Amabel said. ‘‘Looks to me like you’ve become a fine one. This mess—and that’s what it is—it will pass. Everything will be resolved, you’ll see.’’ She was silent a moment, remembering the affection she’d felt for the little girl, that bone-deep desire to keep her close, to hug her until she squeaked. It surprised her that it was still there. She didn’t like it, nor did she want it. ‘‘Careful of leaning on that end of the table, Sally. Purn Davies wanted to fix it for me, but I wouldn’t let him.’’ She knew Sally wasn’t hearing her, but it didn’t matter, Amabel was just making noise until Sally got some of that brandy in her belly. ‘‘This tea’s something else, Amabel. Strange, but good.’’ She took another drink, then another. She felt warmth pooling in her stomach. She realized she hadn’t felt this warm in more than five days. ‘‘You might as well tell me now, Sally. You came here so you could protect your mama, didn’t you, baby?’’ Sally took another big drink of the tea. What could she say? She said nothing. ‘‘Did your mama kill your papa?’’ Sally set down her cup and stared into it, wishing she knew the truth of things, but that night was as murky in her mind as the tea in the bottom of her cup. ‘‘I don’t know,’’ she said finally. ‘‘I just don’t know, but they think I do. They think I’m either protecting Noelle or running because I did it. They’re trying to find me. I didn’t want to take a chance, so that’s why I’m here.’’ Was she lying? Amabel didn’t say anything. She 10 Catherine Coulter merely smiled at her niece, who looked exhausted, her face white and pinched, her lovely blue eyes as faded and worn as an old dress. She was too thin; her sweater and slacks hung on her. In that moment her niece looked very old, as if she had seen too much of the wicked side of life. Well, it was too bad, but there was more wickedness in the world than anyone cared to admit. She said quietly as she stared down into her teacup, ‘‘If your mama did kill her husband, I’ll bet the bastard deserved it.’’ Read more

Features & Highlights

  • A picturesque town. A woman on the run. An undercover agent. The first riveting novel in Catherine Coulter's #1
  • New York Times
  • bestselling FBI Thriller series.
  • Sally Brainerd can't remember what happened the night her father was murdered. Maybe she did it. Or maybe it was her poor, traumatized mother. Either way, the safest place for her is far away from Washington, D.C.. But while her aunt's home in The Cove should be a quiet refuge, Sally can't shake the feeling that there's something not quite right about the postcard perfect little town. Despite his target's checkered past and convenient memory loss, FBI Special Agent James Quinlan isn't convinced she's the killer—but maybe she knows who is. As he uses his cover to get close to Sally and unearth the memories her mind has hidden away, James can't deny his connection to the troubled woman. But as their lies and passions intertwine, Sally and James soon learn they aren't the only ones keeping deadly secrets in The Cove...

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.3K)
★★★★
25%
(1.1K)
★★★
15%
(664)
★★
7%
(310)
23%
(1K)

Most Helpful Reviews

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Great characters, intriguing mystery - Catherine's best!

I bought this book in an airport because the back sounded good. It was such an enthralling read I didn't put it down once - thank goodness it was an overseas flight so that I didn't have to wait to end the suspense!
I kept trying to guess what was going on but couldn't. I knew something was up with those old people, but I never suspected what was really going down until the end. It was quite shocking. And the bits in the insane asylum scared the ... out of me.
As for the hero, I adored John Quinlan. Catherine loves Savitch and puts him in every single book, but John Quinlan is MY first love, and I wish he were in more of them!
On the strength of this book, I went out and bought The Maze. It was so good I bought all of her other books! ... If you don't read anything else by Catherine Coulter, though, read this. It's worth your time!
...
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The Cove

If you are looking for a mystery, with a little romance thrown in, pick up The Cove. It is the story of Sally Brainerd and FBI Special Agent James Quinlan. Get involved in the twists and turns of the mystery of who killed Amory St. John, Sally's dear papa. Learn about the history and the present as Sally knows it. Be ready for the many cases of the FBI that all connect at the end in a very unique way. I have read this book three times, I like to think of it as once for each mystery. I enjoyed it throughly. It is the first of Coulter's comtemporary books I have read, and I am looking forward to reading the rest of the "FBI" series, as I call them.
40 people found this helpful
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Terrible!

Whenever I am off from school and have nothing better to do, I either go to the bookstore or the library and get a pile of Catherine Coulter books. Unfortunately, this time I got my hands on "The Cove". I was a bit taken aback from the very beginning, because the hero was not given any depth. Random thoughts and descriptions of other peoples' perception of the man were the only clue given to the reader about his personality. It would have been funny had it not been so painfully annoying and boring. The heroine was a very odd character. She had no depth and all I could discern about her was that she was confused and acted pretty stupid, despite Coulter's attempts at infusing some intelligence into the woman. I would recommend that no one read this book, because it will probably only result in a headache and a lot of wasted time. Read the "Bride" series by Coulter. Those books actually seem like romance novels.
12 people found this helpful
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Can you spell LAME?

I have now read several of Catherine Coulter's books...The Target, The Cove, and The Edge. I read The Cove first and since it appeared to be her first novel, I thought I'd give her another chance by reading several more before judging her as an author based on a single read. Unfortunately, her later works really didn't get any better. I was disappointed on almost every front and to be blunt, I'm just not impressed with her as an author. Frankly, the material seems incredibly amateurish on just about every level. When I finish her books I have an interesting mix of feeling both entertained and ripped off at the same time.

Although she does a reasonably good job of developing heroes and heroines that you root for, and it is nice to see many of the characters perpetuated from book to book, my problem with all of her books thus far are two-fold: 1) the plots are not just fanciful, they are downright corny and lack any kind of plausibility 2) The sex seems to be completely gratuitous. In all, they just read to me like really bad "B" movies where the story line is mostly secondary to the sex and special effects. Basically, her books over-promise with these breathless covers and liner notes, and then under-deliver.

First, I'll point out something that is more of a pet peeve for me than a major gripe, and perhaps won't bother other readers as much. However, I still found it annoying. The Cove and The Edge both take place on the Oregon coast...an area I am very familiar with because I grew up in Oregon and visited the coast frequently. In both, we're led to believe sunny, warm, windless days are fairly common. I can tell you from experience that a day like that occurs *maybe* three times a year on the Oregon coast. I've never been to Ireland, but you need to think more in terms of that coastline...treeless, windswept, mostly barren, and with absolutely brutal weather...usually cold and gray...and wind gales that can rip your car door off its hinges. The occasional tree you might find tends to be arthritic and gnarled because it is forced to grow in a hurricane-like environment. Coulter would have us believe that veritable forests of tranquil pines and spruce are growing within feet of the rocky coastal cliffs. Just not reality...sorry.

Of more concern to me is that her plots are just not plausible. They strike me as someone in junior high trying to make up a suspense story around the campfire...it simultaneously makes you groan at the absurdity while you end up hanging around for the whole thing to finish because it has just enough infrequent moments that keep you hooked. ***SPOILER WARNING*** In The Cove, for example, we're led to believe that an entire town has conspired successfully for a number of years to kill tourists and thereby make enough "revenue" to spruce up their community and turn it into a tourist destination. Uh, pardon me, but the premise here is just plain loony. How exactly does killing a couple of tourists a year, even wealthy ones, provide enough revenue to underwrite the infrastructure improvements of even the smallest town? Let's say the little old couple they decide to knock off is carrying even $5000 in cash...which would be quite a stretch in this age of credit cards, ATMs, and travelers checks. Last time I checked, $5K wouldn't go very far in terms of keeping every building in the village painted, landscaped, and maintained. Sorry, Catherine. It just can't possibly work on any level. I love imagination as much as the next person, and I'm willing to stretch quite a bit in the name of entertainment without demanding absolute authenticity and painstaking detail, but come on -- the average couple would have had to have their trunk stuffed with bags of cash to make this work. When I got to the final page, the only word that kept running through my mind was "lame."

In the same way, in The Target, we're led to believe that a federal judge - in touchy-feely California of all places - is basically Bruce Lee under that robe and was able to disarm 3 gang bangers with AK-47s using nothing more than his bare hands. Puh-leez. Sorry, Catherine. What's next...teenage mutant ninja lawyers? You managed to lose credibility from the very first page in this one. And, as our hero stumbles across a child in the forest that has been abducted and sexually abused, he does what anyone would naturally do in such circumstances...holes her up in his cabin rather than consulting the police and a hospital. Oh yeah. That would be anyone's reaction upon finding a kidnapped child. That and getting on the next plane to Disneyland with the kid to live happily ever after.

And in The Edge, it seemed as though the characters alternate between being shot at in one second, and eating chips and salsa and playing a board game the next. What do you do after somebody makes an attempt on your life, cuts the telephone and power lines to the house, and surrounds you? Why, make coffee and chit chat about the good 'ol days of course. Just another day at the office for us FBI types, dontchaknow.

I would have expected plots like these and adult dialog in something like maybe a "Spy Kids" movie...but certainly not something intended for a reader with any level of sophistication. Sorry to be so harsh, but with so many great authors in this genre out there, I'm not sure why you would opt for Coulter's work versus the other options available.

The other thing that bothers me about her novels is that the sex often seems to be just thrown in gratuitously. Some readers will no doubt find this a plus rather than a minus, but I just found it to be out of place and nonsensical. For example, in The Edge, our hero has this unexplained moment of passion with Cal that has absolutely no connection to...well...anything in the book. It was as though it was just plopped into the story line and might as well have been prefaced by "we interrupt this story for 3 pages of sex." Cal's character is never developed from that point on...it's as though she served her purpose (a single scene where "Ugly Betty" is shown to be this wild and passionate sex kitten underneath the frump) and then she just fades into oblivion. It would have been just as out of place to have her stand up, put on a viking helmet, and begin singing the national anthem in an opera voice.

I believe Coulter came to fame primarily in the romance genre, and she has more recently branched out into the thriller genre. In my opinion though, she's not only moved beyond her comfort zone, she's moved beyond her competency zone. Her romance roots bleed over into her thrillers quite a bit - overly much in my opinion. They are basically a combination of romance, rather lame mystery plots, and liberal splashes of sometimes gratuitous sex. Others may enjoy this combination, but it just isn't the mix I was looking for.

In fairness, Coulter's mysteries aren't without their moments, and given the choice between a 4-hour flight with the seatback magazine vesus one of Coulter's books, I'd choose the book. But if you like this genre, my advice is that you can do far better with other authors. For example, check out the first several books in the series of "Kay Scarpetta" thrillers by Patricia Cornwell. Or, all of the books in the "Harry Bosch" series by Michael Connelly instead. They are more intelligent, more plausible, and ultimately more enjoyable.
11 people found this helpful
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I loved it!

I read The Cove when it first came out but did not know I could write a review. I was fasinated with the book because I couldn't second guess what was going to happen next. I read ALL Catherine Coulter's "The" books in the order they came out and The Cove and The Maze are my favorites.
Also, I've read all your posted reviews and must stress to your readers that Catherine Coulter is a romance writer, not a Steven King. I like romance for the "romance/sex" hoping for a good story line and this one has it.
Happy reading.
11 people found this helpful
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I read The Maze

and had to read the others in this series. Very much enjoyed the charachters of Dillon, Quinlan and Sally. I am giving this book 4 stars because I find the violence disturbing at times. I couldn't even get through "Beyond Eden".
10 people found this helpful
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3 Issues - Contains Spoilers

Ok, so I had three main issues with this book. I'll start off by saying that it kept me reasonably entertained (through in the manner of watching a train wreck... an extremely long train wreck). I've read a lot of Catherine Coulter's stuff in the past. This one makes me wonder if this book was simply a (serious) flop or if I need to go back, reread and reevaluate the others.

Firstly, Ms. Coulter relies far too heavily on dialogue in this book - to the point where nothing any of the characters say sounds even remotely natural. She uses dialogue for description when she should be breaking it up with normal prose. The characters should not be describing scenes to the reader. That's the author's job.

Second, nothing about the "surprises" at the end was remotely plausible or interesting. Sally's father is still alive?!?! What a shock... I thought for a minute there that Ms. Coulter was going to go with the long hidden twin plot line. But no, she went for something even less plausible and less interesting: plastic surgery to create a replica of Sally's father. Now, I know as a reader, you have to learn to suspend disbelief, but this was just not able to be suspended. The guy was murdered. There is no way there would not have been an autopsy. Also, plastic surgery isn't magical transformation. It's small changes. If it isn't left to small changes, the person ends up looking, well, plastic.

The next surprise - Scott is gay! What a shock, no one is ever gay! Come on now, Ms. Coulter, there is no need to throw a token gay character in where he doesn't belong. It ends up being insulting (to my intelligence and my status as a lesbian). This plot turn also left some wide plot holes - if Scott didn't approach Sally's friends, why did they turn on her? If Scott was, indeed, gay, why did he want Sally home all the time? It's pretty clear that Ms. Coulter counldn't decide which angel to take (gay husband or abusive husband) and went with the gay one for the least resistance factor.

Another shocker - the towns people are killing outsiders for their money! Come on, Catherine, just because the people were old doesn't mean no one would have looked for them. There is no way that would have gone on for that long. Also, no one carries around enough money to complete the budget of an entire town. They'd have to kill about 15 people per day for that (and that's taking into account that it's a very small town). Additionally, I'm pretty sure the state would have instigated where that money came from.

And the last shocker (kind of a two for one deal on this one): Amabel was screwing Amory and Amory isn't Sally's father. Clearly Amabel was messed up, but that's just another ridiculous plot point thrown in without much care.

Alright, moving away from the ridiculous plot, this was just about the most misogynistic book I've ever read. Sally's father (oh, wait, I'm sorry, he isn't her father) gropes her and makes her watch him please himself (term used for a polite audience) while she's lying naked and drugged up in the hospital. Yet, the point keeps being stressed that she wasn't raped - just violently sexually assaulted, which isn't ever really addressed. Despite the physical and sexual abuse she's endured over the past six months, Sally is perfectly fine shacking up with Quinlan. He had, after all, saved her multiple times. What would she have done without him? Oh, that's right, die. Sure, she may have escaped a high security hospital on her own, but without Quinlan, she would have met her peril.

In closing, this book is contrived, poorly written, and just plain silly. However, Ms. Coulter was right, I didn't guess the mysteries...
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Just not a good book!!

I tried. I honestly did try to get through this book but I finally had to admit that I was wasting my time. A friend of mine had suggested I read this author saying I would enjoy her books. If The Cove is any indication, then I think I'll have to pass on any of her other books. I found this particular book to be silly from the start. Plot, which one? And not that I don't like multiple plots, but there wasn't any depth at all to anything, including the characters. The conversations between the characters were almost juvenile. Don't get me wrong, I like a good love story mixed in with some intrique but the lack of a good foundation on the plot/s or characters in this book made the entire story unbelievable. I could go on but I won't. Suffice to say that this was the first, and last Catherine Coulter book for me. Just a badly written and thought out book all the way around.
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Characters and Story line unrealisitic

I really was hoping to find a new author to read when I picked up The Cove. I did not. The characters were bland, the story line was bad, and the dialogue of the characters seemed to me like rambling.
I did finish the book, hoping at each page that it would get better. It did not.
To be honest this book made me angry because I felt like I was wasting my time.
I would not recommend this book to anyone.
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How did this get published?

I did not enjoy this book at all, it was unbelievable, contained poorly written dialogue, and did not know when to end. Coulter tried to give her heroine as horrible a past as she could (without subjecting her to actual rape), but it was way over the top. Even the romance was tough to believe, especially that Quinlan, the FBI agent who fell in love with Sally/Susan (why make a distinction between the names?) would act so gaga in front of fellow agents is ridiculous. I am not going to read any more of the "FBI" series and hope that this review will keep you from reading also.
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