The Crowning Glory of Calla Lily Ponder: A Novel
The Crowning Glory of Calla Lily Ponder: A Novel book cover

The Crowning Glory of Calla Lily Ponder: A Novel

Hardcover – Deckle Edge, July 7, 2009

Price
$11.53
Format
Hardcover
Pages
395
Publisher
Harper
Publication Date
ISBN-13
978-0060175313
Dimensions
1.5 x 9 x 5.9 inches
Weight
0.01 ounces

Description

From Publishers Weekly Wells ( Divine Secrets of the Ya-Ya Sisterhood ) weaves more of the magic that made her a bestseller. At first, Calla Lily Ponder appears to be just like any other young woman growing up in the small town of La Luna, La., where life is simple and Calla Lily is supported by a loving, tightly knit family and a colorful cast of locals. But after a series of hometown heartbreaks, Calla Lily sets out for New Orleans to attend a prestigious beauty academy with dreams of one day opening her own salon. Calla Lily soon learns that while the Big Easy offers a fresh start, adventures and exhilarating new friends, it also presents its own set of tragedies and setbacks. The novel is chock-full of Southern charm and sassy wisdom, and despite its sugary sweetness, it benefits from a hearty dose of Wells's trademark charisma. Calla Lily's story may not be as involved or satisfying as that of the Ya-Yas, but she's sure to be a crowd-pleaser thanks to her humble aspirations, ever hopeful heart and perseverance no matter what fate throws at her. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. “ The Crowning Glory of Calla Lily Ponder will remind you of your first love and power of friendship. As the saying goes, ‘You’ll laugh, you’ll cry.’ But, really, you will.” — Real Simple “When readers are invited into novelist Rebecca Wells’ Louisiana, they follow as if led by the Pied Piper. Who can resist those moonlit nights, those swimming holes, that delicious cochon de lait, the dreamy little Louisiana towns, the women who are larger than life? Wells weaves that magic spell again.” — New Orleans Times-Picayune “Fans of Rebecca Wells’ tales of the ‘Ya-Ya Sisterhood’ will find themselves just as enchanted with this story full of Southern charm and lessons in life. . . . With wisdom and insight, Wells guides Calla on her path of self-discovery.” — Daytona Beach News-Journal “A novel full of miracles, with characters more colorful than a Crayola 64-crayon box. It’s just the right dose of Southern charm.” — Seattle Times “It’s hard not to fall in love with the people in this magical place, where love is as plentiful as the dancing, gumbo and ice-cold Cokes. . . . A perfect beach read about mothers and friends and sisters.” — Pittsburgh Post-Gazette “Many readers will recognize that all the characters . . . are creations of a literary goddess in her own right. . . . Down-to-earth and comforting . . . [A] good-hearted, wishful-thinking book.” — Washington Post “Charming and luminous . . . A perfect summer indulgence that’ll have you peeking out your window on a muggy night in search of the Moon Lady, who’ll wrap her nurturing arms around you from afar.” — Austin American-Statesman “Wide-eyed, big-hearted Calla has more faith than all the ya-yas put together. . . . As ever, the author’s strength lies in her ability to articulate the profound relationship between women.” — Miami Herald “Rebecca Wells spins a sweet Southern yarn about an aspiring beautician who overcomes tragedy to find love.” — Parade “[A] heaping helping of sugar . . . [for] when you’re feeling nostalgic for a sugarcoated past.” — USA Today “Calla Lily Ponder is every bit as affable as her name suggests. . . . Expect high demand from loyal Ya-Yas fans, who have eagerly awaited a new work from Wells.” — Booklist “Told in Wells’ signature style . . . Rich in anecdote and atmosphere . . . This is easily a three-hanky read. . . . the lessons of hope and promises of healing will be a balm to many.” — Bellingham Herald “Fiction junkies packing for vacation can without hesitation place The Crowning Glory of Calla Lily Ponder into the juicy reading pile. There’s period drama, there’s romance, and there’s a lot of fabulous hair all wrapped in a vibrantly Southern package.” — North Kitsap Herald “Another exuberant tale of Louisiana women . . . who can resist those moonlit nights, those swimming holes, that delicious cochon de lait, the dreamy little Louisiana towns, the women who are larger than life? Wells weaves that magic spell again.” — New Orleans Times-Picayune “All readers will embrace the themes of second chances.” — Library Journal “Rebecca Wells has done it again. . . . A new book full of Southern charm and unique characters . . . impossible to put down. . . . Wells delivers characters that are distinct and realistic.” — Houston Chronicle “Wells’s larger-than-life characters are custom made for summer reading.” — The Independent Weekly “The latest novel by Rebecca Wells, the belle of Southern fiction. . . . is a satisfying coming-of-age tale in a place where the moon glows and the lemonade flows.” — Columbus Dispatch “Wells knows how to paint a picture of small-town life and the wide world beyond that pulls at the heartstrings. Ya-Ya fans are likely to go gaga over The Crowning Glory of Calla Lily Ponder.” — Deseret News “Pure Southern comfort, and [Wells] continues the tradition.” — New York Daily News “Rebecca Wells is a master of . . . women’s fiction. . . . The novel teaches us that even the worst decisions can be rescued and that approaching the world with love will heal any brokenness in our hearts.” — Winnipeg Free Press “Wells delights in small-town life. . . . She makes the enchantment of daily life seem as plain as daylight.” — Richmond Times-Dispatch “[Wells’] descriptions are so lush and lyrical it feels like you could step through the pages into the hot, humid landscape so shaped by the Mississippi River.” — Denver Post Known for her beloved Ya-Ya books ( Divine Secrets of the Ya-Ya Sisterhood , Little Altars Everywhere , and Ya-Yas in Bloom ), Rebecca Wells has helped women name, claim, and celebrate their shared sisterhood for over a decade. Divine Secrets of the Ya-Ya Sisterhood held the top of the New York Times bestseller list for sixty-eight weeks, became a knockout feature film, sold more than 5 million copies, and inspired the creation of Ya-Ya clubs worldwide. Now Wells debuts an entirely new cast of characters in this shining stand-alone novel about the pull of first love, the power of life, and the human heart's vast capacity for healing. The Crowning Glory of Calla Lily Ponder is the sweet, sexy, funny journey of Calla Lily's life set in Wells's expanding fictional Louisiana landscape. In the small river town of La Luna, Calla bursts into being, a force of nature as luminous as the flower she is named for. Under the loving light of the Moon Lady, the feminine force that will guide and protect her throughout her life, Calla enjoys a blissful childhood—until it is cut short. Her mother, M'Dear, a woman of rapture and love, teaches Calla compassion, and passes on to her the art of healing through the humble womanly art of "fixing hair." At her mother's side, Calla further learns that this same touch of hands on the human body can quiet her own soul. It is also on the banks of the La Luna River that Calla encounters sweet, succulent first love, with a boy named Tuck. But when Tuck leaves Calla with a broken heart, she transforms hurt into inspiration and heads for the wild and colorful city of New Orleans to study at L'Académie de Beauté de Crescent. In that extravagant big river city, she finds her destiny—and comes to understand fully the power of her "healing hands" to change lives and soothe pain, including her own. When Tuck reappears years later, he presents her with an offer that is colored by the memories of lost love. But who knows how Calla Lily, a "daughter of the Moon Lady," will respond? A tale of family and friendship, tragedy and triumph, loss and love, The Crowning Glory of Calla Lily Ponder features the warmth, humor, soul, and wonder that have made Wells one of today's most cherished writers, and gives us an unforgettable new heroine to treasure. Writer, actor, and playwright Rebecca Wells is the author of the New York Times bestsellers Ya-Yas in Bloom , Little Altars Everywhere , and Divine Secrets of the Ya-Ya Sisterhood , which was made into a feature film. A native of Louisiana, she now lives on an island in the Pacific Northwest. From The Washington Post From The Washington Post's Book World/washingtonpost.com Reviewed by Carolyn See Calla Lily Ponder is born in the little Louisiana town of La Luna, or The Moon, which borders on a meandering river of the same name. This is fitting because the town's inhabitants -- particularly Calla's mother -- are under the direct protection of the Moon Lady, a beneficent goddess who wishes nothing more for all of us than that we engage in the construction of our own souls and dance, every chance we get, under the light of the moon. And many readers will recognize that all these characters, including the Moon Lady, are creations of a literary goddess in her own right, Rebecca Wells, who gave us the beloved ladies of the Ya-Ya Sisterhood and cheered up an entire generation of grateful female fans. Calla's mother, who dotes on her children, runs a beauty salon on the porch of her house: the Crowning Glory. Calla's parents also collaborate in running a dance studio, the Swing 'N Sway. Once a month, the entire town and folks from miles around come to spend the whole day dancing. La Luna is small, fewer than 2,000 people, but it supports these enterprises, as well as a general store and skating rink run by an eccentric (perhaps lesbian) woman who participated in a small piece of our national history. Back in the civil rights days, when Calla Lily was just a kid, she watched as this courageous store owner ran off an awful sheriff who had beaten an African American child. Here is the plot: Calla Lily enjoys an enchanted childhood until her mid-teens, when her beloved mother dies of cancer. Right around the time her mother takes sick, Calla falls mightily in love with a darling neighbor boy named Tuck, who is being raised by his kindly grandparents. (Tuck's dad, a homicidal drunk, is a major villain in the story.) Calla and Tuck plan to stay together forever, but to Calla's dazed surprise, Tuck goes off to Stanford after he graduates from high school. She's devastated, but she has already decided to follow in her mother's footsteps as a beautician. She embarks on her own great adventure -- heading out to the big city of New Orleans, where she becomes infatuated with Ricky, a gay hairdresser, attempting to entice him with homemade tuna casserole and voodoo powder. After this misunderstanding is cleared up, she, Ricky and his partner become fast friends. Calla then falls in love with Ricky's cousin, Sweet, who holds down a dangerous job ferrying workers and provisions to oil rigs out in the Gulf of Mexico. No one could make the argument that this novel isn't sappy. It's shamelessly sappy and eerily realistic; like listening to the airy ruminations of a sweet little girl who grows up to be a beautician. If Calla were talking to you on the phone, you might want to get off after 45 minutes. Calla's life is all about what happened to her, what people ate and what they wore. Male readers might want to pull out those ten-foot poles they carry around not to touch things with; highly educated women might feel the urge to turn up their noses as well, and the spiritually sophisticated among us might wince at all the homespun wisdom about kindness and forgiveness. But there's something down-to-earth and comforting about this novel. When Calla and her friend Sukey go to visit Ricky and Steve for brunch one morning, Calla devotes a page and a half to how the omelet is made and another half-page to how the table is set. When a funeral occurs, pages are devoted to what to wear, first to the viewing, then to the service. This may be an etiquette book, as well as a novel, a manual for correct living. A good portion of Calla's adventures have been thriftily recycled from Wells's earlier, one-woman show called "Splittin' Hairs." Calla's theatrical predecessor is Loretta Endless, a "pink-collar philosopher" who progresses from a little girl to a clueless vamp who tries to seduce a gay guy, then to an anti-nuclear activist. (In the novel, Calla gets upset with atom bombs and writes a polite letter to President Jimmy Carter, asking him to cease and desist his nuclear shenanigans.) The bad-sheriff episode is also recycled from the play. But, who cares? Many more people will read this novel than ever sat through the one-woman show. I think the audience for this good-hearted, wishful-thinking book is probably young mothers, staying home with their kids, beginning to feel the existential loneliness sink in and striving to make the best of the hands life has dealt. For them, being told to turn up the boombox and dance in the moonlight, trusting that life is basically good, may be sound advice indeed. Copyright 2009, The Washington Post. All Rights Reserved. Read more

Features & Highlights

  • “Rebecca Wells has done it again….A new book full of Southern charm and unique characters…impossible to put down.”—
  • Houston Chronicle
  • “Wells weaves that magic spell again.”—
  • New Orleans Times-Picayune
  • For Ya-Ya fans everywhere,
  • New York Times
  • bestselling author Rebecca Wells returns with
  • The Crowning Glory of Calla Lily Ponder
  • . The creator of the literary sensations
  • Divine Secrets of the Ya-Ya Sisterhood, Little Altars Everywhere,
  • and
  • Ya-Yas in Bloom
  • delivers an unforgettable new stand-alone novel about the pull of first love, the power of home, and everyday magic. No matter if you already adore the Ya-Yas or haven’t yet entered the miraculous world of Rebecca Wells, you are going to love—and never forget—Calla Lily Ponder.

Customer Reviews

Rating Breakdown

★★★★★
30%
(449)
★★★★
25%
(375)
★★★
15%
(225)
★★
7%
(105)
23%
(344)

Most Helpful Reviews

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Really Bad

Okay, I enjoyed The Divine Secrets of the Ya-Ya Sisterhood. This book, however, is a waste of time. Wells breaks the basic rule of good story telling. She tells the reader what happens without ever showing any characterization, motivation, emotion, or anything except page after page of comically rapid plot development. Consequently, the book reads like a high school freshman's essay on "My Imaginary Life." When the title character shows up for her wedding she is greated by a brass fanfare, and when her husband carries her over the threshold of their new home her friends have already put everything away and she doesn't even have to unpack. These type of events appear almost on every page and are almost always followed by an exclamation point to show just how gosh-gee-whiz wonderful life is!

The main character suffers through three traumatic events, but somehow everything keeps coming up roses. We don't know why, because all the characters in the book are completely one-dimensional stock figures. Several characters are introduced for absolutely no reason. Cally Lily didn't really need two brothers -- they did nothing for the book. Moreover, we even learn the name of the oldest brother's wife, but she never appears again.

The editing was slapdash. First Calla Lily is saving up to live in New Orleans for three months for beauty school, yet within a few chapters beauty school suddenly lasts for a year. She puts her drunken best friend to bed to sleep it off and on the next page she wraps her in a quilt to sleep on the floor. The description and explanation of the Catholic marriage ceremony was both anachronistic and incorrect at the same time.

It was truly a terribly written book. I only finished it so that I could write this review!
62 people found this helpful
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I expected better...

Having read the Divine Secrets of the Ya Ya Sisterhood and enjoying that thoroughly, I really expected better of The Crowning Glory of Calla Lily Ponder. J. D. Rowan's review says most of what I want to say about lack of story development and characterization in this novel. As I was preparing to write my review, I saw that someone said Rebecca Wells was suffering from Lyme disease while writing this novel. If that's the reason this book is so poorly written, then it's the fault of the publisher and/or editor for not waiting for rewrites. This book may have lost Rebecca Wells many fans. I know I'm one.

This novel is like a first written manuscript with no editing. It's a surface told story--there's no depth to the characters, plot, storyline, etc. Major incidents are thrown into the storyline, allowing the reader to believe that, for example, racism is a huge part of the story; however, that's never discussed again. The story is told, not shown, and the reader has a difficult time getting through the book. If I hadn't purchased this book based on Wells' previous novel, I wouldn't finish reading it.
47 people found this helpful
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This disappointing novel doesn't even sound like Rebecca Wells

Anyone else who loved the Ya-Yas understands how excited I was to see a new novel by Rebecca Wells. I dove right in and was prepared to love any character created by the author who brought us Vivi and Sidda. But I wasn't two chapters in before I was scratching my head trying to figure out what on earth I was reading. It reads like a middle-school girl trying to imitate Rebecca Wells' writing style, and not in a good way. About the crappy editing- there is a difference between editing the copy and editing the STORY, and it doesn't appear that there was much of either going on. I can live with typos, as annoying as they are - but we are introduced to a character in a later chapter that we already met back in chapter 2, but they're described as if for the first time. It's the same with situations and the characters' histories. So you're reading along thinking "I KNOW this already." Aside from that, there are so many details that are irrelevant and distracting and have nothing to do with the point (whatever it was.) Plus, I never felt as if I cared whether I kept reading or not. I gave up a third of the way in. As I was stuck in a cross-country flight at the time with plenty of time on my hands, that's saying a lot. Don't bother with this one.
34 people found this helpful
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Beautiful Southern Lit, and One of My Current Faves.

God to dear God, what is with all the negative reviews? I rented this book on CD from the library, narrated by the incomparable Judith Ivey, and fell completely addictively in love with it. Now I want to own it for myself, and don't give a hoot for Ya-Ya fanaticism. To be fair, I didn't read those books, but hated the movie--that's not fair, I know, so I will have to take your advice.

All I know is that this is a beautiful story about a woman who overcomes all sorts of obstacles while various forces keep her apart from the true love of her life. At the same time, there is heart, humor, acceptance, and secondary joy that could nearly have become primary if not for the soap operatic twists and turns involved here.

Slap me with a stupid stick, but I loved Sweet even when I was angry with Tuck for something that was obviously not his fault, already knowing he'd show up again. I loved these beautiful, rich, gracious characters, and Calla Lily had the grace of a saint to deal with all she went through. This book is an enviably written treasure as I am a struggling (and I mean STRUGGLING!) writer, and some people would rather have romantically nostalgic fluff than some kanker sore inducing vomit produced by a genuinely horrible author like Danielle Steele. Now you naysayers must admit this is several notches above that! M'Dear taught Calla Lily to use an inherent gift, and her father taught her that fathers can be great friends. How many of us can say that much? More than that, this book gives silly, idealistic me the idea that true love never dies under any circumstances. This book is a treasure, and it's too bad so few of us recognize it. That's alright. It's one worth holding dear.
19 people found this helpful
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Absolutely Breathtaking

I read this entire book within 24 hours. I simply could not put it down.

As the daughter of a woman who went to the beauty parlor every week for a "wash and set," reading this book was like stepping back into a different era, a time and place made special by the relationships between the women who connected with one another week after week, talking about their families and their lives.

My mother would head off to the beauty parlor every Friday, the stress of day-to-day life evident in her posture, her attitude and in the frown on her face. But after a couple of hours of female bonding over a cup of hot coffee or a frosty glass of sweet tea and relaxing with her gang of gals, Mama came home with a completely different attitude. She was carefree again, the mother that we adored.

I have no doubt that Calla Lily Ponder watched her mother work beauty shop magic. I have seen the results of that powerful stuff and it always leaves me feeling awed at the power of women-to-woman friendship. Even now when I get my hair done I feel lighter, brighter and more like myself afterward.

Reading this book also reminded me of the glory of first love. There's really nothing else like it. The fast-beating heart, the first time he holds your hand, that first tentative kiss... reading this book helped me travel back in time to relive my own "first love," and that was a glorious time for me.

I wish I had taken off and left home like Calla Lily did. Her experience in New Orleans was just what I would have liked to have done if I hadn't been such a scaredy cat. What fun she had! Reaching out, branching out, learning that life is more than what she knew in her small, small town.

There are so many scenes in this book that broke my heart and others that healed that heart back up again. I urge every woman to read this book. It will take you to places that you never expected to go and will remind you of bittersweet times that you'd forgotten all about.
13 people found this helpful
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Betrayed

This book is terrible - I was so disappointed as I loved the Ya-Ya books and was looking forward to reading something as good. Very little effort seems to have been made to edit, nor to have a real plot. It's just a bunch of stereotypes slapped together with some very false sounding dialogue. I read an interview with Rebecca Wells in which she said that she discovered what she had to do to make money - she was speaking about bartending but it seems the same is true of writing. I feel betrayed by Rebecca Wells but also by her editor and publisher - they're professionals, they should have done something about it - like refusing it. I read that Rebecca Wells was suffering from Lyme's Disease when she wrote it - I can believe that. It must have been very difficult but it wasn't worth it.
10 people found this helpful
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One star for a beautiful preface the rest pure southern drek

I loved the Ya-Ya books. I was therefore predisposed to love this book. I loved the title. It's a pity the writing failed so completely to deliver the goods. I find it difficult to believe that the same person even wrote this. It reeks of amateur writing. The dialog is stilted, phony and worst of all, corny. Writing teachers ought to use this book to teach writers how NOT to develop characters, how NOT to use dialog and how NOT to advance plot. Where the story (Hello? Plot? Has anyone seen a plot anywhere?) could have been saved with writing equal to her magical read-it-out-loud-to-people preface, instead she denuded it of believable characters. They are tacky cardboard cut-outs found at a Southern-Fried Theme Park. Overly dramatic, nauseatingly saccharine characters who have no depth, traits, motivation or flaws. The protagonist is such a goody-two-shoes naive twit you want to see her brought down like Kathy-Lee Gifford or Sarah Palin. There were endless chapters dedicated to a leading man who just...goes away. Hello?! The characters do not breathe. They all sound the same when they speak. This story drags. It seems like forever just reading this poorly paced drivel in the faint hope that sometime, sooner or later, something will happen. It doesn't.

The heroine's dream to go out into the big city of New Orleans and study beauty in order that she might come home and take over her mother's business, the Crowning Glory Beauty Porch. It feels like it could be a great parody of southern hicks, but it seems too sincere. It reminds me of that painfully tacky dialog in Steel Magnolias "There is no such thing as natural beauty." This book shares the oddly reverential treatment of the hair-do business even elevating it to the point of the protagonist being a "beauty healer". Urp...excuse me.

Also it takes place largely in the 70's but the author didn't do very good research into that era, either that or she spent it in such a remote swamp someplace that the fashion didn't filter through. It's suppose to be in the early 70's. People are wearing embroidered jeans that say "Peace" down the leg right? But she had the main character, Calla Lily, in the big city, wearing beehive hair-dos and lilac chiffon dresses. She feels like someone who would be right at home on Lawrence Welk. I'm surprised some of the other characters don't band together and stone her to death. Not that I'd care. I don't care about any of the characters, except maybe the river and the moon who come off nicely. But the people are stereotypical ignorant southern hicks without a hint of charm, intelligence or taste. Let me say here that I love southerners. I love New Orleans with a passion. I love rural Louisiana and its colourful, big-hearted people. None of whom deserves to be portrayed like this.

Another leading man appears named Sweet (Talk about saccharine!). When Calla Lily takes him home to meet her widower father they all go dancing. She and Sweet and Papa pretending to be dancing with his dead wife. If I were Sweet, I'd be loping off for the bus out of town. No wonder the first guy just went away. I would.

I wonder if Wells really even wrote this? I heard she was ill. It really seems like a 7th grader stepped up and wrote it for her. A fair trade, this book maybe for a Twinkie. Just about what it's worth. This book has a Twinkie's worth of writing in it.
9 people found this helpful
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A disappointment

As others have posted, this is a let-down after Ya-Ya Sisterhood and Little Alters Everywhere, and it reads like a light little romance novel trying to be more than it is (or even a student attempt). Magical realism is attempted but failed. Major themes are attempted but failed. The characters are one-dimensional. A few funny one-liners don't salvage the book, which evoked no laugh-out-loud moments or tears from me. There's just no "there" there.
6 people found this helpful
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Too Much

This story is just too much wonderful. A wonderful girl living in a wonderful town with wonderful parents wonderful friends and neighbors and a wonderful boyfriend. In spite of the negative things that happen it all turns out WONDERFUL. Too much Wonderful is depressing!
5 people found this helpful
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Amateur and Disappointing

Having read and loved Wells' "Ya-Ya Sisterhood" books, I couldn't wait to read this book after reading a synopsis. However, I quickly discovered that this book lacks the beautiful language and narrative that Wells' other books contain.
Everything about the book's plot and its characters is amateur; everything I was told not to do in my fiction writing classes could be found in this book. So many characters and details were pointless, and the amount of exclamation points used in Calla Lily's narrative was enough to make me puke. I wanted to like this book so badly, but right around the time that Calla throws herself at her gay teacher, I lost my desire to finish reading. I did finish, fueled by pure boredom at work, and the ending was trite and predictable.
If you like a quick and easy read that's not too intellectually stimulating, then I suggest you read this book when it comes to your local library. It's not worth spending money on.
4 people found this helpful