The Deerslayer (Bantam Classics)
The Deerslayer (Bantam Classics) book cover

The Deerslayer (Bantam Classics)

Mass Market Paperback – February 1, 1991

Price
$5.95
Publisher
Bantam Classics
Publication Date
ISBN-13
978-0553210859
Dimensions
4.2 x 1.2 x 6.9 inches
Weight
12 ounces

Description

“James Fenimore Cooper was the first great American novelist.”—A. B. Guthrie From the Publisher The deadly crack of a long rifle and the piercing cries of Indians on the warpath shatter the serenity of beautiful lake Glimmerglass. Danger has invaded the vast forests of upper New York State as Deerslayer and his loyal Mohican friend Chingachgook attempt the daring rescue of an Indian maiden imprisoned in a Huron camp. Soon they are caught in the crossfire between a cunning enemy and two white bounty hunters who mercilessly kill for profit. The last of the Leatherstocking tales to be written, though first in the chronology of the hero's life, The Deerslayer is James Fenimore Cooper's masterpiece. A fine combination of romance, adventure, and morality; this classic novel of the frontier is an eloquent beginning for Cooper's great wilderness saga--and an unforgettable introduction to the famous character who has said to embody the conscience of America: the noble woodsman Deerslayer. From the Inside Flap The deadly crack of a long rifle and the piercing cries of Indians on the warpath shatter the serenity of beautiful lake Glimmerglass. Danger has invaded the vast forests of upper New York State as Deerslayer and his loyal Mohican friend Chingachgook attempt the daring rescue of an Indian maiden imprisoned in a Huron camp. Soon they are caught in the crossfire between a cunning enemy and two white bounty hunters who mercilessly kill for profit. The last of the Leatherstocking tales to be written, though first in the chronology of the hero's life, "The Deerslayer is James Fenimore Cooper's masterpiece. A fine combination of romance, adventure, and morality; this classic novel of the frontier is an eloquent beginning for Cooper's great wilderness saga--and an unforgettable introduction to the famous character who has said to embody the conscience of America: the noble woodsman Deerslayer. The Deerslayer is the last-written of Cooper's Leatherstocking tales, but the first in the development of the hero, Natty Bumppo. Here Cooper returns Leatherstocking to his youth and to a pristine wilderness that D.H. Lawrence said was perhaps 'lovelier than any place created in language'. James Fenimore Cooper was the great professional American author. He was born on Septenber 15, 1789, in Burlington, New Jersey, and grew up in the frontier village of Cooperstown, New Yorrk, in the heart of the wilderness he was to immortalize in his frontier novels. A high-spirited youth, he was expelled from Yale because of a prank and was finally signed by the navy by his strong-willed father. In 1819 a trfling incident repordatly led to the writing of his first book. Reading aloud to his wife from a populr English novel, he exclaimed, “I could write you a better book myself!” The result was Precausion (1820), which followed in 1821 by his first real success, The Spy. Cooper became a prolific writer, creating two unique genres that were to become staples in American literature–the sea romance and the frontier adventure story. The first of the famous Leatherstocking tales, The Pioneers, appeared in 1823 and introduced the wilderness scout Natty Bumppo. This detailed portrait of frontier life has been called the first truly American novel. In The Last of the Mohicans (1826) Natty Bumppo becomes the well-loved Hawkeye befriended by the noble Indian Chingachgook; the novel remains a favorite American classic. Other Leatherstocking tales were The Prairie (1827), The Pathfinder (1840) influenced both Herman Melville and Joseph Conrad and led to the use of the sea novel as vehicle for spiritual and moral explorations. Cooper also wrote political satire, romance, and the meticulously researched History of the Navy of the United States of America (1839). By the time of his death on September 14, 1851, he was considered America’s “national novelist.” Excerpt. © Reprinted by permission. All rights reserved. From the Introduction by Leslie A. Fiedler In 1789, the year James Fenimore Cooper was born, the thirteen North Americancade he enjoyed a leisured existence as a gentleman farmer on inherited lands in both Cooperstown and Westchester County. Popular legend holds that Cooper turned to writing when his wife jokingly suggested that he attempt a novel, but it is now known thatme a gentleman farmer and householder. The one thing he still needed was a proper wife, which he was lucky enough to find in Susan DeLancey. She, as he already knew, came from a family richer and more securely upper class than his own and, as he learned, was also an affable, intelligent woman who was fond of reading. Cooper was content with this, yet at first he did not join her when she was busy with her books but indulged in the male pastimes of hunting and hiking in the nearby hills.After Susan had given birth to four daughters, to whom she at first read and then taught to read to each other, Cooper would stay close enough to wherever they were reading to hear them. Surely some of the erotic and sentimental passages read in the voices of those he loved must have moved him deeply. But there is no record of any positive responses on his part. A single negative one, however, is recorded in almost everything that has ever been written about him.One time, those accounts tell us, annoyed by the ineptitude of the text being read, he cried out, “Why do you waste time and money reading trash that anybody who can spell his own name could write better. Even me!” To this Susan is said to have answered–jokingly, according to some–“Why don’t you give it a try? I’d love to see you try.” Cooper responded that he would and, surprisingly enough, did, finally producing a full-length imitation of Jane Austen. When it was in print he would tell anyone who would listen that he was now a professional writer who would write fifty more books–and sell them. This almost no one believed he would do, and many wished he would not even try.Though Cooper was aware that neither the critics nor the general reader were interested in any more Jane Austen clones, he felt he had to keep on writing because the family inheritance on which he had been living had begun to shrink, and at the same time it had become much more expensive to feed, clothe, and educate his growing daughters. What he really wanted to write was another book that saw the world through female eyes and talked about it in a female voice. In fact, he continued for a little while to experiment with transvestite fiction, even publishing two such short stories under the female pseudonym of Jane Morgan. Read more

Features & Highlights

  • The deadly crack of a long rifle and the piercing cries of Indians on the warpath shatter the serenity of beautiful Lake Glimmerglass. Danger has invaded the vast forests of upper New York State as Deerslayer and his loyal Mohican friend Chingachgook attempt the daring rescue of an Indian maiden imprisoned in a Huron camp. Soon they are caught in the cross fire between a cunning enemy and two white bounty hunters who mercilessly kill for profit.The last of the Leatherstocking Tales to be written, though first in the chronology of the hero’s life,
  • The Deerslayer
  • is James Fenimore Cooper’s masterpiece. A fine combination of romance, adventure, and morality, this classic novel of the frontier is an eloquent beginning for Cooper’s great wildernes saga—and an unforgettable introduction to the famous character who has been said to embody the conscience of America: the noble woodsman Deerslayer.

Customer Reviews

Rating Breakdown

★★★★★
30%
(76)
★★★★
25%
(63)
★★★
15%
(38)
★★
7%
(18)
23%
(57)

Most Helpful Reviews

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Not The Last of the Mohicans, unfortunately...

Seeking to reprise his earlier success with The Last of the Mohicans, James Fenimore Cooper went on to write several other tales built around his heroic character Natty Bumppo (called "Hawkeye" in Mohicans and "Pathfinder" in the book of THAT name). In this one our hero is known as "Deerslayer" for his facility on the hunt and is shown as the younger incarnation of that paragon of frontier virtue we got to know in the earlier books. In this one, too, we see how he got his most famous appellation: "Hawkeye". But, this time out, our hero comes across as woefully tiresome (perhaps it's because we see too much of him in this book, where he's almost a side character in Mohicans). Yet some of Cooper's writing skills seem sharper here (he no longer avers that Natty is the taciturn type, for instance, while having the fellow forever running off at the mouth). But, while there are some good moments & excitement, this tale really doesn't go all that far -- and its rife with cliches already overworked from the earlier books. The worst part is the verbose, simple-minded self-righteousness of our hero, himself, taken to the point of absolute unbelievability. He spurns the love of a beautiful young woman (though he obviously admires her) for the forester's life (as though he couldn't really have both), yet we're expected to believe he's a full-blooded young American male. And he's insufferably "moral", a veritable goody two-shoes of the woodlands. At the same time, the Indians huff & puff a lot on the shore of the lake where Deerslayer finds himself in this tale (in alliance with a settler, his two daughters, a boorish fellow woodsman, and Deerslayer's own erstwhile but loyal Indian companion Chingachgook -- "The Big Sarpent," as Natty translates his name). But the native Americans seem ultimately unable to overwhelm the less numerous settlers who have taken refuge from them in the middle of Lake Glimmerglass (inside a frontier house built of logs and set in the lake bed on stilts). There is much racing around the lake as Deerslayer and the others strive to keep the few canoes in the vicinity from falling into the hands of the tribe of marauding Hurons who have stopped in the nearby woods on their way back up to Canada (fleeing the American colonists and the British at the outbreak of English-French hostilities -- since these Hurons are allied with the French). And there are lots of dramatic encounters, with some deaths, but the Indians seem to take it all with relative equanimity, while trying to find a way to get at the whites who are precariously ensconced out on the lake. (It seems to take them the better part of two days, for instance, to figure out they can build rafts to make up for their lack of canoes -- and why couldn't they just build their own canoes, in any case -- and how is it they don't have any along with them since it's obvious they'll have to cross a number of waterways to successfully make it back to the homeland in Canada?) The settler and the boorish woodsman, for their part, do their stupid best to attack the Indians unnecessarily, getting captured then ransomed in the process, while Deerslayer and Chingachgook contrive to get the loyal Indian's betrothed free from the Hurons (it seems she has been kidnapped by them -- the reason Deerslayer and Chingachgook are in the vicinity in the first place). In the meantime the simple-minded younger daughter of the settler (Cooper seems to like this motif since he used a strong daughter and a simpler sister in Mohicans, as well) wanders in and out of the Indian's encampment without sustaining any hurt on the grounds that the noble red men recognize the "special" nature of this poor afflicted young woman (Cooper used this motif in Mohicans, too). In the end there's lots of sturm und drang but not much of a tale -- at least not one which rings true or touches the right chords for the modern reader. Cooper tried to give us more of Hawkeye in keeping with what he thought his readers wanted but, in this case, more is definitely too much. --- Stuart W. Mirsky, author of [[ASIN:0738801526 The King of Vinland's Saga]]
12 people found this helpful
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Remember James Fenimore Cooper?

I loved this book. Cooper paints vivid stories with words that allow the imagination to run better-than-blockbuster action movies in your head. Cooper wrote about actual places that let 19th century Americans appreciate what natural woodlands were like before more and more settlers moved here and cut down trees for wood, building and farming. He knew and studied Indian people so that his portrayal of them has made him one of few authors, especially at that time, to appreciate their cultures and also to see how tribes varied, and how individuals within tribes vary, as all humans do. Cooper reflects in his characters the prevalent view in the superiority of his Christian faith over the faith in the natural world held by the native people; and in the"correctness" of the separation of the races. But these views are subordinate in this book to the uniqueness of the characters he created. Now I've read the first two of the Leatherstocking series (read Last of the Mohicans years ago), and am looking forward to reading the remaining three.
9 people found this helpful
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Cooper Knew America

Race relations, environmental concerns, independent womanhood, the importance of personal character, survivalism, heroism, religion, cultural relativism, nature v. nurture, independence v. inter-dependency--sound like the latest hot topics in American TV, movies, and magazines? Actually, these constitute the bevy of themes that James Fenimore Cooper explored as foundational to the American experience when he wrote *Deerslayer* in 1841, setting it even farther back at the time of the French and Indian War, 1754-63. Some readers, not surprisingly, are put off by the ornate writing style of the early nineteenth century, but it doesn't hurt us post-moderns to turn off the TV and take a slower pace, interacting slowly with the writer and his thoughts. In Natty Bumppo, we find the first--and definitive--delineation of the American hero: selfless, dependable, restrained, tolerant, cagey, and moral. A generation raised on anti-heroes sometimes has a bit of a problem with the morality of Bumppo, but since 9/11, we have seen a revival of the American ideal that Cooper first defined in his Leatherstocking Tales. Don't give up on this one because of the language. Sit a bit and mull it over. You'll find Cooper will deliver remarkably well.
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Holds Your Interest!

"The Deerslayer" is the sequentially first in the Leatherstocking series of America's first, great, professional novelist, James Fenimore Cooper. I read it in preparation for a trip to Cooperstown, New York and I am glad that I did. Set in upstate New York in the 1740s, it provides the reader with an idolized introduction to the society of white and red of this colonial frontier.

The criticisms that the dialogue and actions are totally unbelievable, while justified, do not detract from the story. While the simple, faith-filled actions of the "Feeble Minded Hetty" and the dialogue between Deerslayer and Chingachgook seem highly improbable, the do hold the readers' interest. While I am generally not one to pick up readily on character development, this novel is an exception. The contrast between Deerslayer and Chingachgook, the romance between Chingachgook and Wah-ta-Wah, the romantic web among Judith, Hurry Harry and Deerslayer, and the varying responses to changes in circumstance coming from sisters Judith and Hetty all contribute to the persistent popularity of this work.

Despite all the criticisms directed against Cooper as to form, the one thing that cannot be denied is that this book is very difficult to put down. I found myself always wondering what would come next and what would happen to the characters whom I had come to know. Whether you are looking for an insight into early American literature or just a good story, your search should lead to "The Deerslayer".
6 people found this helpful
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One of the Greats!

One of the great classics from American Romanticism, The Deerslayer truly stands up to its British and German counterparts. Cooper's rich descriptions and idealist driven tale of man vs nature is captivating and worthwhile for any serious reader of American Fiction. This copy is perfectly adequate for any occasion or purpose. Nothing special- but a complete and faithful edition.
4 people found this helpful
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Coming of Age in the Garden of Eden

James Fenimore Cooper wrote his Leatherstocking tales out of chronological order. The Deerslayer or The First Warpath was the last of the Natty Bumppo novels and because Cooper had matured both in age and artistic ability it is perhaps the best.

From the beginning we know this is a darker novel than the preceding tales. In the first few pages Deerslayer's companion, Hurry Harry, asks the young man, "...Did you ever hit any thing human, or intelligible: did you ever pull trigger on an inimy that was capable of pulling one upon you?"

Bumppo's answer is, of course, no. He is at the beginning of his career. He is known as Deerslayer by the Delawares because that's what he does. He has yet to take a human life. As soon as we read this we know this novel, above all else, is a coming-of-age story and someone's life is ticking away....

In the interim Deerslayer meets Tom Hutter and his two daughters, the dark-haired Judith and the feeble-minded Hetty. The family lives on a castle-on-piers in the middle of Lake Glimmerglass, a secluded spot akin to the Garden of Eden -- the perfect setting for a coming-of-age story. Except things are not what they seem. This area is actually more of a haunt of savagery, with not a little of it supplied by both Hurry Harry and Tom Hutter against the local Native American tribe, the Hurons.

Judith Hutter, however, is the engine that drives this story. She's a woman with questionable morals, and though she's somewhat older than Deerslayer she falls in love with his open honesty and his natural way of looking at the world. In a telling exchange she asks him if he has a sweetheart. He answers:

"She's in the forest, Judith--hanging from the boughs of the trees, in a soft rain--in the dew on the open grass--the clouds that float about in the blue heavens--the birds that sing in the woods--the sweet springs where I slake my thirst...."

Judith perseveres. Has he never heard the laugh of a girl he loves? Deerslayer remains true to form:

"...To me there's no music so sweet as the sighing of the wind in the treetops, and the rippling of a stream from a full, sparkling, natyve fountain of fresh water, unless...it be the open mouth of a sartain hound, when I'm on the track of a fat buck."

In the pages that follow Deerslayer kills a man, a Native American attempting to take his life by deceit. He earns the reputation as "Hawkeye" for his deft shooting and helps Chingachgook secure the safety of his future wife, Hist. (She will be mother to the Last of the Mohicans, Uncas.) Further violence and treachery abound as Deerslayer is captured by the Hurons and tortured. Tom Hutter dies in an extremely gruesome manner and there's the mystery of Judith's past --even down to her parentage-- to be solved. But her love for Deerslayer is true and in the end she gives him her father's gun, a weapon of exquisite manufacture and excellent bore, which he will make famous--the long rifle, Killdeer.

In the end Deerslayer leaves Judith after yet more tragedy ensues. The novel ends fifteen years later with Hawkeye returning with Chingachgook and a stripling Uncas to Lake Glimmerglass. Everything has changed. The castle is abandoned and in disrepair, and the graves can no longer be found. Hawkeye tries to find out what happened to Judith, and we are awarded a glimpse of her fate, but no more.

As I said earlier this is a fairly dark book in the Leatherstocking Tales, but well-written. It's a good story and the characters really do come to life. There are the usual elements of humor and long-winded conversations but they don't detract too much from the overall enjoyment of this tale. Cooper also doesn't hold back in showing that violence, both necessary and ignoble, can come from anyone for any reason...at anytime.

This is one great book and I highly recommend it.
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Incredibly repetitive

Interesting at first and very unique. But oh so repetitive. Good luck finishing it.
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A overly tedious narrative

I read many American classics. This was an atrocious work. Tedious. Overly dramatic. An impossible read! Do not waste your time.
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It's amazing how fresh Cooper was able to be today.

Loved them all. It's amazing how fresh Cooper was able to be today.
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Great buy

I love used books and this one was in very good condition for used! Very happy!