The Holy Thief: A Novel (Captain Alexei Korolev Novels)
The Holy Thief: A Novel (Captain Alexei Korolev Novels) book cover

The Holy Thief: A Novel (Captain Alexei Korolev Novels)

Hardcover – August 31, 2010

Price
$20.84
Format
Hardcover
Pages
352
Publisher
Minotaur Books
Publication Date
ISBN-13
978-0312586454
Dimensions
6.4 x 1.25 x 9.57 inches
Weight
1.2 pounds

Description

From Publishers Weekly Starred Review. Set in 1936, Ryan's impressive debut introduces Capt. Alexei Korolev of the Moscow Militia's Criminal Investigation Division, who looks into the murder of a young woman found butchered in a church. Signs of torture suggest the killer may have been trying to get information out of the victim. Colonel Gregorin, an NKVD officer who takes an interest in the case, believes the crime has "a political element." With Gregorin's help, the captain identifies the woman as an American nun, who may have been involved with smuggling valuables out of the Soviet Union for sale abroad. After a second similar murder, Korolev enlists the help of a motley assortment of allies, including a contingent of would-be Baker Street Irregulars and acclaimed writer Isaac Babel. Ryan, who merits comparison to Tom Rob Smith, makes palpable the perpetual state of fear of being reported as disloyal, besides dramatizing the difficulty of being an honest cop in a repressive police state. Readers will hope Korolev has a long career ahead of him. 125,000 first printing; author tour. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Fans of Philip Kerr, Tom Rob Smith, and Olen Steinhauer have a treat in store with this strong period thriller from British debut author Ryan. Like Kerr’s Bernie Gunther, committed to solving crimes in 1930s Berlin, even when his investigations implicate Nazi thugs, so Ryan’s hero, Captain Alexei Korolev of Moscow’s Criminal Investigative Division, bucks resistance from Stalin’s party-liners in 1936 Russia. The case that causes trouble here is the murder of a young woman, whose mutilated body is found displayed on an altar in one of Moscow’s “deconsecrated” churches. The political angle to the crime sharpens when Korolev determines that the victim was an American nun who may have been involved in smuggling religious icons out of the Soviet Union. The plot gets a bit convoluted, with the main icon taking on a Maltese Falcon–like status, but the period detail is impeccable, and Korolev has the makings of a great character; like Steinhauer’s Bruno Sev and Martin Cruz Smith’s Arkady Renko, he is committed to ferreting out truth in a world defined by institutional falsehood. A series to watch very closely. --Bill Ott "Impressive.... Ryan, who merits comparison to Tom Rob Smith, makes palpable the perpetual state of fear of being reported as disloyal, besides dramatizing the difficulty of being an honest cop in a repressive police state. Readers will hope Korolev has a long career ahead of him." xa0-- Publishers Weekly (starred review) xa0"In his solitude and resolve, Ryan’s Korolev evokes Martin Cruz Smith’s fierce Arkady Renko, while the period detail and gore call to mind Tom Rob Smith. Remarkable thriller..." xa0-- Library Journal (starred review) xa0"William Ryan brilliantly captures the eerie paranoia of Stalinist Moscow, which serves as an endlessly fascinating background for his compelling tale.xa0This is a non-stop page-turner and a remarkable debut." xa0--David Liss, author of The Whiskey Rebels “A subtle, superb mystery, a wonderful central character and with a sense of place and period to rival even the greatest of the Russian masters. More please!”xa0--Kate Mosse, author of Sepulchre "With The Holy Thief , Ryan establishes himself as a fresh voice, rendering the snow-slicked streets of Thirties' Moscow with brilliant clarity. His picture of Captain Korolev as a conflicted, yet loyal, state servant is acutely real, as is his world, slouching toward terror and war. A masterful evocation of a dark time, wrapped around an even darker mystery, The Holy Thief does its magic on the head as well as the nerves.” -- Olen Steinhauer, author of The Nearest Exit “A powerhouse debut, intricately plotted, tautly written, richly imagined. With effortless, page-turning ease Ryan leads us into the mirror-world of 1930s Stalinist Russia where nothing is quite what it seems and no one is quite who they claim to be. For Captain Alexei Korolev of the Moscow Militia, the price of failure is a bullet through the head—and so is the price of success. Thrilling.” --Paul Sussman, author of The Hidden Oasis “A first-rate crime novel: a genuinely memorable detective, powerful story and a seamlessly convincing setting. William Ryan is the real thing.” xa0–A. L. Kennedy, author of Day " The Holy Thief is an utterly compelling and beautifully lucid novel, in which murder, history and suspicion combine to create an atmosphere of ever-increasing and constantly shifting suspense." xa0--John Burnside, author of The Glister WILLIAM RYAN was born in London in 1965 and attended Trinity College, Dublin. He practiced briefly as a barrister before completing his Masters in Creative Writing at St Andrews University. His work has appeared in the short story collection, Cool Britannia . He lives in London with his wife. The Holy Thief is his first novel. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONEIt was later than usual when Captain Alexei Dmitriyevich Korolev climbed the steps in front of Number 38 Petrovka Street, headquarters of the Moscow Militia’s Criminal Investigation Division. The morning had started badly, wasn’t getting any better and he still hadn’t shaken off the pounding vodka headache from the night before, so it was with weary resignation rather than Stakhanovite enthusiasm that he pushed open one of the heavy oak doors. It took his eyes, dazzled from walking into the flat morning sun, a moment to adjust to the relative darkness of the vestibule, and it didn’t help that thick clouds of masonry dust swirled around where he’d expected to find uniformed duty officers and bustling activity. He stopped for a moment, confused, wondering what on earth was going on and looking for a source of all the dust and debris. He was rewarded with a blurred movement that shifted the billowing haze on the landing—up where the statue of former General Commissar of State Security, Genrikh Grigoryevich Yagoda, stood. The movement was cut short by the crash of something very solid hitting what he strongly suspected was the plinth on which the commissar’s statue rested. The noise, amplified by the marble floor and walls of the atrium, hit Korolev like a slap.Korolev moved forward warily and began to climb the staircase toward the landing where the statue stood, fragments crunching underfoot. The commissar, swathed in blankets, was a muffled shape around the base of which four workers, stripped to the waist, toiled with crowbars, hammers and a mechanical drill which now thudded into action. Their objective appeared to be the statue’s removal, but the plinth appeared to have other ideas. As Korolev approached, a worker looked up at him and smiled, white teeth cracking open a face plastered with gray dust.“They meant the Comrade Commissar to stay here until the building fell down around him, that’s for sure,” he shouted over the racket. “He’s cemented into the floor itself. We’ll be lucky to get him out in one piece.”Korolev saw the sledgehammer, wielded by one of the worker’s comrades, arc through the air once again, hitting a metal chisel that scattered debris in all directions as it wedged itself further underneath the marble block on which the commissar stood. Korolev swallowed several times in an attempt to return some saliva to a tongue that felt like he’d eaten sand.“There. He shifted. We’ll have him out yet,” the hammer-wielder called to his fellows, spitting. The gob landed black on a piece of rubble at his feet. Korolev nodded thoughtfully, a stratagem he found useful when he’d no idea what was going on, and took a tentative step forward. As far as he was aware, Yagoda was still a senior Politburo member and entitled to the respect such a position was due—but clearly something had changed if his statue was being removed.Korolev mumbled a gruff but firm, “Good morning, Comrades,” as he passed the workmen, thinking that in Moscow, in October of the year of our Lord nineteen hundred and thirty-six, it was best not to comment on such things, particularly not if one had a hangover. Korolev was a man of well above average height, at least according to the norms published by the Ministry of Health the week before, standing close to six foot tall. He was also above the average weight for a Soviet citizen, but this he put down to his height and certainly not overeating, as if such a thing were possible in this period of transition to full Communism. Anyway, being his size had its advantages when a little muscle was needed.He looked like what he was, a Militia detective of considerable experience. It probably didn’t help that he had a solid face, the kind that policemen often had, with a broad jaw and wide cheekbones and skin raw from years in the sun and the snow. Even the short brown hair clinging to his scalp like dead grass marked him out as a cop. Curiously, however, the thick ribbon of a scar that ran from his left ear to the tip of his chin, a souvenir of an encounter with a White Cossack during the Civil War, made him seem more genial than ferocious, and his eyes, kind and warily amused, saved him from looking like a bruiser. For some reason those eyes made citizens consider Korolev a good sort, even if he happened to be arresting them, and more often than not they found themselves disclosing thoughts and information to him they’d really have preferred not to. But the eyes were misleading; Korolev had fought his way from the Ukraine to Siberia and back again for seven long years, against Germans, Austrians, Poles and anyone else who pointed a gun in his direction, and come through all of it more or less intact. When necessary, Captain Alexei Dmitriyevich Korolev wasn’t soft—on the contrary.Korolev scratched his neck as he mounted the stairs toward the second floor and considered what the removal of Commissar Yagoda’s statue might mean for the Moscow Criminal Investigation Division. Up until now the Workers’ and Peasants’ Militia, to give the Soviet Union’s regular police force its full title, included among its responsibilities maintaining public order, directing traffic, guarding important buildings, and sundry other tasks, not least of which was, of course, the investigation and prevention of criminal activity—which was where he and the rest of Moscow CID came in. Most of the political work was left to the NKVD—State Security—although, when you lived in a worker state, almost everything was political to some extent. In some people’s eyes, any crime was an attack on the entire socialist system, but the distinction between traditional crimes and political crimes still remained, for the moment at least. Of course, the Militia uniforms often helped the NKVD with political matters—even the Red Army did that from time to time—but generally Korolev and the other Militia detectives had been left to do what they were best at, which was tracking down and catching the perpetrators of serious crimes that did not stray into the political realm. As a result, when a Muscovite referred to 38 Petrovka Street, the home of Moscow CID, it was in the same way a Londoner might refer to Scotland Yard, and was completely different from how they might speak of the Lubianka, if they even dared mention the feared headquarters of the NKVD. Korolev hoped the positive perception of Petrovka Street would persist in these times of change.The awkward truth of the matter, however, was that now the Militia, and therefore Moscow CID, formed part of the Ministry of State Security, and when these days citizens referred to the “Organs”—the Organs of State Security—they meant both the NKVD and the Militia, and everyone knew the Militia’s role might well be changed to a more political one by the new commissar, Ezhov. What was more, judging from his statue’s removal, Ezhov’s predecessor’s arrest might well be imminent, if it hadn’t happened already. And if that happened, then a purge of the Organs would be likely to follow. Korolev knew the pattern by now—he had one of the highest detection rates in the department but no one would be safe if there was a purge. He’d seen too much in the last few years to be in any doubt of that.Korolev entered Room 2F with a greeting that was closer to a grunt than a pleasantry, turned toward the coat hooks on the back of the door and began to maneuver himself out of his winter coat, which was tighter across the shoulders than was comfortable since he’d last worn it six months before. The room was painted battleship gray and furnished with four desks, two facing two, and eight filing cabinets that lined the walls. It smelled of men and cigarettes, and the light that streamed in through the window struggled against the smoke that the three other investigators already present were furiously producing. For decoration the walls had a functional map of Moscow and a portrait of Stalin. Up until yesterday there had also been a photograph of Commissar Yagoda, but now there was only a square patch of lighter paint. That fact alone was enough to make anyone light up a cigarette.Korolev finally succeeded in peeling the coat from his body, revealing his seldom-worn uniform. He turned and found he had the complete attention of his colleagues’ pale faces and round eyes. Three cigarette ends flared as one as they regarded him. Korolev shrugged, noticing that his uniform was also tighter since the last time he’d worn it, and nodded to them.“Good morning, Comrades,” he said, once again, but this time more distinctly. Larinin recovered first.“What time is this to come to work, Comrade? It’s well past nine o’clock. It’s not what the Party expects. It’s my duty to raise it at the Works Council.”Larinin looked like a pig in Korolev’s opinion, and the chipped and broken gray teeth that snarled between his fleshy lips looked like a pig’s teeth. His voice was higher than usual today, however, and Korolev noticed how the pudgy fingers that held his cigarette were shaking slightly. He’s rattled, Korolev thought, looking at him, and wasn’t surprised. He was always careful of the bald investigator with the belly that spilled over the desk like a tidal wave, but today he’d be especially careful. The hammer blows still echoing up the stairwell might mark the end for a political man like Larinin. The desk, after all, had belonged to Knuckles Mendeleyev until a short time before, and Larinin had won no friends with the way he’d gained it. Mendeleyev had been a hard and effective investigator who’d been the scourge of the Moscow Thieves until Larinin, a traffic policeman, had denounced him for spreading anti-Soviet propaganda. Now Larinin sat among Mendeleyev’s former colleagues, filling Knuckles’ space, if not his shoes, while no one knew for certain where Knuckles had gone except that it was probably somewhere in the far north and against his will and all because of a stupid joke about the Chekists that the traffic policeman had overheard and exploited. So it was no wonder that Larinin looked nervous, knowing as he did how quickly the wind could shift these days, and conscious that after three weeks sitting among them he had not resolved a single case. It was hardly an achievement to boast of to his Party friends.“I know what time it is, Grigoriy Denisovich,” Korolev said. “I had to visit Staff Colonel Gregorin at the Lubianka. He kept me waiting. Would you like me to give you his telephone number so that you can check?”Looking down, he noticed that moths had been at his sleeve over the summer. He rubbed the chewed fabric and sat down at his desk, placing his fur hat in the bottom drawer where it belonged. He turned on his reading light and began to look through the papers in the file he was due to forward to the procurator’s office later that day, but paused as he became aware of the strange silence that had fallen over the room.“Comrades?” Korolev asked, looking up. The other investigators were staring at him in open-mouthed fascination, a mixture of terror and pity on their faces. Larinin was wiping sweat from his hairless scalp with his shirt sleeve.“The Lubianka, Alexei Dmitriyevich?” Junior Lieutenant Ivan Ivanovich Semionov said. Semionov was the youngest of the investigators, only twenty-two, although sometimes, as now, he seemed even younger. He resembled a Komsomol poster boy with his floppy blond hair, almost feminine good looks and straightforward demeanor. Semionov had only been with them for two months—most of it spent assisting Korolev with simple tasks and learning the ropes—and had yet to learn when not to say what was on his mind.“Yes, Ivan Ivanovich,” Korolev replied. “Comrade Gregorin wants me to give a lecture to the final-year cadets at the NKVD Higher School.”The three men relaxed. Larinin’s pasty face seemed suddenly a little less pasty, Semionov smiled and Dmitry Alexandrovich Yasimov, a wiry fellow of Korolev’s age with a professor’s face and a cynical wit, leaned back in his chair, wincing as the movement stretched a stomach wound, and pulled at the end of his thin, barbered mustache.“So, Lyoshka, that’s why you’re wearing the uniform. I suppose we thought there might be some other reason. It’s rare to see you in one.” Yasimov used the familiar form of Korolev’s name, as was his right after twelve years of working and drinking with him. Korolev looked at the chewed sleeve and scowled. It was true; he preferred to wear civilian clothes. Nothing stopped a citizen confiding in an investigator more surely than a brown uniform, in his opinion at least.“It needed an outing, mind you. Look at this—the damned moths have been at it.”“And it looks a little tighter now. Putting on weight, are you?” Yasimov’s eyes twinkled and Korolev smiled, the old saber scar that ran along his jaw drawing his left eye to the side and giving him a dreamy look, accentuated by the way his eyes lurked indistinctly under his thick eyebrows. Yasimov would joke that Korolev’s eyes seemed always to be focused on his dinner. But Korolev, while acknowledging an element of truth in the assertion, thought that this dreamy quality made people trust him, and that was certainly useful in their line of work.“Muscle, Dmitry. I’ve been in training. Keeps me sharp, stops old ladies from stabbing me.”Semionov snorted behind a hastily opened file and Larinin forgot his troubles enough to laugh openly. Even Yasimov had to smile as he rubbed at the spot where an elderly woman had placed the business end of a pair of scissors when he’d tried to help her across the street. It was the uniform, she’d told them later, and Korolev hadn’t been surprised; uniforms made people nervous these days. She’d thought Yasimov was going to arrest her, even though she’d done nothing wrong, and Korolev had had to lift her gently by the arms to stop her puncturing Yasimov for a second time. Even the innocent were jumping at shadows these days, and she’d just happened to have a pair of scissors in her fist when she did so. Korolev tried not to laugh, but to get the better of his friend was such a rare event that he had to put his hand in front of his mouth. Yasimov shook his head in admonishment.“Very funny. But yes, I’m following your example now, Lyoshka. Strictly plain clothes after that experience. Anyway, tell us, if you’re passing on your wisdom to young Chekists, on what subject will you be exhibiting your pedagogical abilities?”Korolev had found the file he was looking for and now it lay open in front of him; the perpetrator’s arrest photograph staring up at him, bruises dark on his pale young face. It hadn’t been a pleasant case, but still he felt his conscience shy at the sight of the man’s battered features. Korolev hadn’t been in the room when they’d roughed the youth up, and he couldn’t really condemn the uniforms who’d done it—they each had sisters and daughters, after all. Nonetheless, punishment was best left to the People’s Courts—otherwise things would be no better than before the Revolution.Distracted by the photograph, he wasn’t really paying attention to Yasimov and when he looked up he cursed under his breath, half-smiling, seeing that Semionov and even Larinin had warmed to the game.“Come on, Comrade,” Yasimov said, “it’s a great honor. You must share the news with your fellow workers. In what area of expertise are you so pre-eminent that a staff colonel should have picked you, an aging captain in Moscow CID, to address the bright young Chekists of the F. E. Dzerzhinsky Higher School of State Security? The cream of Soviet youth, no less. Even our boy hero here wouldn’t get a look in with that lot.”He nodded his head toward Semionov, who smiled good-naturedly. The three of them waited for Korolev’s answer, knowing it already.“Case file management, you rat,” Korolev said in a rush, unable to stop a smile at his own expense. He was rewarded with a burst of laughter from the other three men.“A worthy topic, Alexei,” Yasimov said, pleased that the natural order of things had been re-established. “The little Chekists will learn a thing or two from an old hand like you.”“I hope so, Dimka, although I’m surprised they didn’t think to ask you to give a lecture on self-defense.”Yasimov wagged a warning finger at Korolev, who was somewhat surprised himself to score off his friend twice in the same morning. Semionov was coughing behind his file and Larinin was looking for something in his bottom drawer, shoulders heaving. Yasimov was about to respond when a loud crash echoed up the stairwell. It sounded like a former General Commissar of State Security’s statue collapsing to the floor and breaking into several pieces, blankets notwithstanding. In the silence that followed the four of them looked at each other. The noise was a reminder, particularly to Larinin, that now was the time for results, not for idle laughter. Soon the only sounds in the room were the rustle of pages being turned in case files and the scratch of Soviet-made nibs against Soviet-made paper. Comrade Stalin looked down on them with approval.It was Korolev’s habit to review every page of his case file before it went to the procurator’s office. On the one hand, the purpose of the exercise was to ensure the file contained everything the procurator’s office needed to ensure a successful conviction, but Korolev also performed the task to see if he could identify anything he’d missed in the course of the investigation that, with hindsight, might have brought the matter to a close sooner. It was a practice that often yielded interesting results and was never entirely a waste of time. Sometimes Korolev found patterns of behavior repeating themselves that he found intriguing and stored away for future reference. Now, as he looked at the student Voroshilov’s photograph, Korolev wondered whether the rapist would ever have committed his crimes if he’d stayed in the small town near Smolensk where he’d grown up. Obviously, he must have had an inclination toward this kind of violence, but, perhaps, if he hadn’t been sent to study in Moscow, he might have settled down, married a nice girl and contributed usefully to society. Instead, when he’d been accepted at one of the new Moscow engineering academies, he’d discovered the anonymity, and opportunity, at the heart of a Soviet city in transition, where people, buildings and even entire neighborhoods were in a constant state of flux. Workers coming and going, factories opening, new construction projects: the development of Moscow into a capital worthy of the great Soviet Revolution had given young Voroshilov the space and opportunity to rape six young women over a four-week period, and he’d taken advantage.Excerpted from The Holy Thief by William Ryan.Copyright © 2010 by William Ryan.Published in September 2010 by Minotaur Books.All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Read more

Features & Highlights

  • Moscow, 1936, and Stalin’s Great Terror is beginning. In a deconsecrated church, a young woman is found dead, her mutilated body displayed on the altar for all to see. Captain Alexei Korolev, finally beginning to enjoy the benefits of his success with the Criminal Investigation Division of the Moscow Militia, is asked to investigate. But when he discovers that the victim is an American citizen, the NKVD—the most feared organization in Russia—becomes involved. Soon, Korolev’s every step is under close scrutiny and one false move will mean exile to The Zone, where enemies of the Soviet State, both real and imagined, meet their fate in the frozen camps of the far north.
  • Committed to uncovering the truth behind the gruesome murder, Korolev enters the realm of the Thieves, rulers of Moscow’s underworld. As more bodies are discovered and pressure from above builds, Korolev begins to question who he can trust and who, in a Russia where fear, uncertainty and hunger prevail, are the real criminals. Soon, Korolev will find not only his moral and political ideals threatened, but also his life.
  • William Ryan’s remarkable debut will storm into ten countries in what is sure to be an international publishing event. With Captain Alexei Korolev, William Ryan has given us one of the most compelling detectives in modern literature, a man dogged and humble, a man who will lead us through a fear-choked Russia to find the only thing that can save him or any of us— the truth.

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Rating Breakdown

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Most Helpful Reviews

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Not quite "enough" - Reads like the introduction to a Series

The Holy Thief should be the perfect read for me, as I have an interest in Stalinist Russia and the Soviet Militia (Police). Unfortunately, it is likely that these interests worked against me as a reader, as I found myself a bit too too much on the lookout to see if the writer was historically accurate in terms of setting, political tension and culture, and police procedure.

Was the Author able to preserve historical accuracy while remaining a good storyteller? Well, sort of. I would say that if you have a passing knowledge of Russia in the mid 1930s, and you're a reader of Martin Cruz Smith, then you should find much to admire here. Any period novel has to sacrifice some accuracy to enable the drama, but as I read it I kept feeling that there were a few too many things worth noting that the author overlooked, and that the main character was simply far, far, FAR too naive about life in Stalinist Russia for me to retain my suspension of disbelief.

The main character - a Militia (Police) Detective - is painted to be "a Believer", both in terms of God and his faith in Soviet Society - which is believable, as many people of that time and place tried to thread that needle. What's not believable is that a character could be a criminal Detective in Moscow and to remain as willfully naive as he is, both at the beginning and the end of the novel. I can't imagine this Detective as a character in [[ASIN:B000MZ4Q9E CHILDREN OF THE ARBAT. Translated by Harold Shukman.]] another Book by a Russian author, which takes place in Moscow at nearly the same time period.

I'm sure the Author intends to show the crumbling of that naivete in further books, and will most likely read them, but I would have liked to have seen more of it in ~this~ book.
11 people found this helpful
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A Mystery in the Dialog of Proper Stalinist Soviet Union

After reading the first several chapters I found myself referring to our Greater Swiss Mountain Dog as "Comrade Dog," and entering into self-criticism for not giving him the attention that he deserves for being a Hero of the Great Household in which we both reside. Such is the dialog of the Militiaman detective in 1936 Stalinist USSR (not, the once and future bourgeois Russia, mind you). Even a joke about the regime is enough to get you shot (or if you're unlucky, sent to the Zone) and all of the dialog is carefully set so that any utterance can be justified by a reference to Stalin or the Central Committee. (Think of Sherlock Holmes in an Orwellian 1984.)

If you're at all a history buff, as am I, you'll be confused and enlightened by references to the 'Polish War' -- not the 1939 invasion into Poland by both the Nazis and the Bolsheviks, but the 1919-1921 war between the Soviets (Russian and part of Ukraine) and the Poles (and another part of Ukraine). The good and bad guys in that conflict weren't quite as clear as they were in 1939. The flashback to a Polish officer swinging a saber at the detective is not unlike the post-tramautic stress soldiers have returning from Iraq and Afghanistan. Different time and place; same kind of trauma to color your perspective.

It is rich in characters and groups. My favorite is the order of the Thieves who have their own rules and seem to thrive unchanged (or at least survive) from Tsarist Russia to the era of Stalinist USSR--not to mention tattoos to die for -- those Thieves really know how to ink! Ironically, the Thieves were tolerated more by Beria's secret police than were political dissidents -- including those who had repeated a joke that hinted at criticism of Comrade Stalin. So to tell a joke was dangerous; to steal one; not so bad.

What a collection characters Ryan creates! He's got a great mystery, a fabulously interesting historical period and a whodunit that not only keeps you guessing, but broaches the question of who's in more danger if the culprit is identified--the serial killer or those who hunt the killer since the killer may be the State.
4 people found this helpful
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A great discovery; a fascinating debut

I'm a bit wary of any book that gets quite as much hype as this one has. (Blurbs from David Liss, Olen Steinhauer and Kate Mosse? Promotional efforts that will include ads in the New Yorker?) Too often, that leads to a disappointing novel. Happily, that was far from being the case with William Ryan's debut mystery featuring Alexei Korolev, who has fought to create the Soviet state that he now finds himself living in. And Korolev takes much of that 1936-era world for granted, including the sudden disappearance of the portrait of the former security honcho and an upsurge in "suicides" in Moscow. But his struggles go beyond trying to reconcile the vestiges of religious conviction (he prays and crosses himself, but keeps a Bible hidden under a floorboard) with a regime that calls organized religion a "cult". When the tortured body of a young woman is discovered displayed on what once was the altar of a former church, Korolev finds himself in the heart of a mystery that will challenge all his beliefs and convictions.

This was a fascinating book, with Ryan blending detailed knowledge of ordinary life in Moscow in the 1930s with ominous little shadows here and there of the Terror that will soon descend on many parts of the Soviet system. In a way, this book chronicles Korolev's gradual awakening to some of the uglier realities of the Soviet regime, ranging from torture to mundane corruption. While not naive, Korolev is willing to assume that his superiors wouldn't lie to him; that like him, they are committed to building a better socialist system for all citizens. Korolev also encounters "ordinary" Muscovites, such as the widow with a young child whose apartment he ends up sharing, and the novelist Isaac Babel, who inhabits the same apartment building. It will be intriguing to see how Ryan develops both the broad story line and Korolev's character in subsequent books, which I hope won't be too long in coming.

This is a great novel for anyone with an interest in mysteries that focus as much on character as they do on action. (There's plenty of action here, but just as interesting is the detail that Ryan captures, such as the walls stained by innumberable "papirosa", or hand-rolled cigarettes.) One of the better mysteries I've read this year; I even found myself slowing down the pace at which I read so that it wouldn't end too quickly, and so that I'd be able to appreciate every detail. 4.5 stars, rounded up.
2 people found this helpful
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Murder at midnight in Moscow

Recently we've seen a slew of books based in Stalin era Russia, and involving murders and mysteries. "Child 44" immediately comes to mind, among others. This book also takes place in Russia, in 1936, right before Stalin initiated the great party purges, and millions disappeared forever.

The protagonist of this story is a detective Captain in the Militia, whose job it is to investigate and solve crimes. The Militia, as was the Cheka, was not loved by the average citizen, because they believed that these organizations merely carried out orders, often brutal, that targeted those who didn't think or act the way the regime felt that they should. The Captain is somewhat different from the usual Soviet police person, in that he is not disillusioned by Stalin's regime, but supports it, and expects it to eventually become the norm all over the world. Having said this, he is not the type of person who deliberately tortures or arrests someone for their unpopular beliefs, as he is a Believer, that is a person who still has religious inclinations even at that time.

The plot begins with the brutal murder of a young woman in a deconsecrated church, and moves on from there. It's a thrilling plot, and involves many people, including the writer Isaac Babel. There are many byways and dead ends in the plot, and not everyone the hero encounters is who or what they appear to be at first glance. As the book progresses, the hero begins to believe that he has been deliberately chosen to fail in his investigation, and ultimately to take the blame for this failure, while others succeed in what they are doing, or planning to do.

The author creates a very believable Stalinist Russia, and a gritty Moscow. The reader turns the pages quickly in order to see what is going to happen next. This is a first novel by this promising author, and I sincerely hope that he writes future books concerning his Russian character. I, for one, will certainly look forward to any new books from him.
2 people found this helpful
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Two Stars

a poor man's Arkady Renko, stick to Martin Cruz Smith
1 people found this helpful
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Best new mystery writer out there.

William Ryan has 3 of these books out. If you like Lee Child and others who absolutely capture your interest with a great story told in the usual "can't put this book down" style, you'll love this series. You'll find yourself reading in the bathroom at 3 AM as I did.
1 people found this helpful
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A 1930s Arkady Renko

If you enjoy Martin Cruz Smith and his stalwart soviet detective Arkady Renko, then I think you are going to enjoy William Ryan's honest militia detective Korolev. The writing is crisp and seems to capture the era in soviet history when the major purges were just beginning in 1936. Ryan's prose catches the sense of fear and hysteria that was just below the surface. His characters are at once aware that a madness was eating them up, even as they still sought to believe in the revolution and justify it all as a need to be vigilant in a sea of capitalists and fascists intent on their destruction. I can't help but hope this is just the first in a series of books featuring good detective Korolev. Ryan has produced a truly praiseworthy first effort.
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Better than expected

Promptly sent out. Arrived quickly.

Book itself is a very good read for my interests.

Recommended reading.

Good story line and ending.
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Historic Thriller That Keeps The Reader on Their Toes!

With his debut novel William Ryan has his readers turning pages as quickly as they can to follow the tale of mystery and intrigue set in post war Russia.

Under the dictatorship of Stalin, Russia walks tenuously through the daily tasks of life ever conscious of the possibility of imprisonment or exile on the word of a disgruntled neighbor or comrade. When the body of an American nun is found tortured and broken on a church altar, Alexei Korolev, captain with the Criminal Investigations unit of the Moscow Militia, is called in to take the case. Korolev has a reputation of a no nonsense investigator with a high rate of solved cases. Almost from the beginning, Korolev has a bad feeling that there is more than meets the eye so he's determined to find the killer and bring him to justice.

More bodies start turning up with a similar form of torture evident. With the help of a junior lieutenant, Ivan Semionov, Korolev is drawn into the underbelly of Russia. The world of thieves, the rulers of Moscow's underground. Korolev has found the reason for the tortures. It involves the theft of a well-known Russian icon thought lost long ago.

The investigation leaves Korolev wondering who he can trust when leads point in the direction of a senior member of the NKVD. Stepping carefully, Korolev pieces together a conspiracy to sell the stolen religious icon to the highest bidder. He must find the icon and bring the guilty party to justice before the killer tries to stop him with his own torture and death.

William Ryan draws the reader into this historical mystery winding them skilfully through the twists and turns of the story. With a sequel in the works, readers will be rooting for Korolev as he takes on his next case.

Reviewed by Jodi Hanson for Suspense Magazine
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A disturbing setting . . .

THE HOLY THIEF by William Ryan © 2010 was captivating with some clever twists.

For years I've complained that anyone whose life was not solely focused on a story would benefit from the help of a Cast of Characters, maps, and an index. Most memorably, William Tapply wrote that the presence of a Cast of Characters was an indicator to him of a poorly written book. THE HOLY THIEF is a case in point, and it's further complicated by the apparent Russian tendency to use the last, first and middle names in various combinations depending upon the intimacy between speakers. As it was, my attention skipped over any number of names whose history and relevance I couldn't quite remember.

The setting is Moscow in 1936 where persecution of anti-Communists is pervasive and ordinary citizens are terrorized. Further, it's the onset of winter and nobody has quite enough to eat or wear. Truthfully, this is an utterly miserable place to visit. If this is reasonable portrayal of pre-war Soviet Union, then I'm demmed glad to be an impoverished capitalist. Fair warning: the crimes are gruesome.

The most redeeming factor is the protagonist, Captain Alexei Dimitriyevich Korolev of the Moscow CID, a man whose charm becomes more endearing as the story wends.

An usual story with a disturbing setting, but I'm glad I read THE HOLY THIEF.

Theresa de Valence
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