The Land of Painted Caves: Earth's Children, Book Six
The Land of Painted Caves: Earth's Children, Book Six book cover

The Land of Painted Caves: Earth's Children, Book Six

Mass Market Paperback – November 22, 2011

Price
$8.99
Publisher
Bantam
Publication Date
ISBN-13
978-0553289435
Dimensions
4.13 x 1.26 x 6.82 inches
Weight
14.1 ounces

Description

“Among modern epic spinners, [Jean M.] Auel has few peers. . . . She deftly creates a whole world, giving a sense of the origins of class, ethnic, and cultural differences that alternately divide and fascinate us today.” —Kirkus Reviews (starred review)xa0“[Ayla] remains plucky, inquisitive, inventive, brave, loyal. . . . There is real sweetness in the saga’s finale, when Ayla’s legacy to the world—both hers and ours—is made clear.” —The Washington Post “[Auel builds] her characters up to legendary proportions throughout The Land of Painted Caves . . . . [Ayla’s] journey has engrossed fans and turned the series into a bestselling phenomenon.”— Los Angeles Times “Prehistory comes to astounding life. . . . [Jean M.] Auel’s descriptive powers are top-notch.” —USA Today Jean M. Auel is an international phenomenon. Her Earth’s Children® series have sold more than 45 million copies worldwide and includes The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, and The Land of Painted Caves . Her extensive research has earned her the respect of archaeologists and anthropologists around the world. She has honorary degrees from four universities and was named an Officer in the Order of Arts and Letters by the French government’s Ministry of Culture. She lives with her husband, Ray, in Oregon. Excerpt. © Reprinted by permission. All rights reserved. 1The band of travelers walked along the path between the clear sparkling water of Grass River and the xadblack-xadstreaked white limestone cliff, following the trail that paralleled the right bank. They went single file around the bend where the stone wall jutted out closer to the water’s edge. Ahead a smaller path split off at an angle xadtoward the crossing place, where the flowing water spread out and became shallower, bubbling around exposed rocks.Before they reached the fork in the trail a young woman near the front suddenly stopped, her eyes opening wide as she stood perfectly still, staring ahead. She pointed with her chin, not wanting to move. “Look! Over there!” she said in a hissing whisper of fear. “Lions!”Joharran, the leader, lifted his arm, signaling the band to a halt. Just beyond the place where the trail diverged, they now saw xadpale-xadtawny cave lions moving around in the grass. The grass was such effective camouflage, however, that they might not have noticed them until they were much closer, if it xadhadn’t been for the sharp eyes of Thefona. The young woman from the Third Cave had exceptionally good vision, and though she was quite young, she was noted for her ability to see far and well. Her innate talent had been recognized early and they had begun training her when she was a small girl; she was their best lookout.Near the back of the group, walking in front of three horses, Ayla and Jondalar looked up to see what was causing the delay. “I wonder why we’ve stopped,” Jondalar said, a familiar frown of worry wrinkling his forehead.Ayla observed the leader and the people around him closely, and instinctively moved her hand to shield the warm bundle that she carried in the soft leather blanket tied to her chest. Jonayla had recently nursed and was sleeping, but moved slightly at her mother’s touch. Ayla had an uncanny ability to interpret meaning from body language, learned young when she lived with the Clan. She knew Joharran was alarmed and Thefona was frightened.Ayla, too, had extraordinarily sharp vision. She could also pick up sounds above the range of normal hearing and feel the deep tones of those that were below. Her sense of smell and taste were also keen, but she had never compared herself with anyone, and xaddidn’t realize how extraordinary her perceptions were. She was born with heightened acuity in all her senses, which no doubt contributed to her survival after losing her parents and everything she knew at five years. Her only training had come from herself. She had developed her natural abilities during the years she studied animals, chiefly carnivores, when she was teaching herself to hunt.In the stillness, she discerned the faint but familiar rumblings of lions, detected their distinctive scent on a slight breeze, and noticed that several people in front of the group were gazing ahead. When she looked, she saw something move. Suddenly the cats hidden by the grass seemed to jump into clear focus. She could make out two young and three or four adult cave lions. As she started moving forward, she reached with one hand for her xadspear-xadthrower, fastened to a carrying loop on her belt, and with the other for a spear from the holder hanging on her back.“Where are you going?” Jondalar asked.She stopped. “There are lions up ahead just beyond the split in the trail,” she said under her breath.Jondalar turned to look, and noticed movement that he interpreted as lions now that he knew what to look for. He reached for his weapons as well. “You should stay here with Jonayla. I’ll go.”Ayla glanced down at her sleeping baby, then looked up at him. “You’re good with the xadspear-xadthrower, Jondalar, but there are at least two cubs and three grown lions, probably more. If the lions think the cubs are in danger and decide to attack, you’ll need help, someone to back you up, and you know I’m better than anyone, except you.”His brow furrowed again as he paused to think, looking at her. Then he nodded. “All right . . . but stay behind me.” He detected movement out of the corner of his eye and glanced back. “What about the horses?”“They know lions are near. Look at them,” Ayla said.Jondalar looked. All three horses, including the new young filly, were staring ahead, obviously aware of the huge felines. Jondalar frowned again. “Will they be all right? Especially little Gray?”“They know to stay out of the way of those lions, but I don’t see Wolf,” Ayla said. “I’d better whistle for him.”“You don’t have to,” Jondalar said, pointing in a different direction. “He must sense something, too. Look at him coming.”Ayla turned and saw a wolf racing xadtoward her. The canine was a magnificent animal, larger than most, but an injury from a fight with other wolves that left him with a bent ear gave him a rakish look. She made the special signal that she used when they hunted together. He knew it meant to stay near and pay close attention to her. They ducked around people as they hurried xadtoward the front, trying not to cause any undo commotion, and to remain as inconspicuous as possible.“I’m glad you’re here,” Joharran said softly when he saw his brother and Ayla with the wolf quietly appear with their xadspear-xadthrowers in hand.“Do you know how many there are?” Ayla asked.“More than I thought,” Thefona said, trying to seem calm and not let her fear show. “When I first saw them, I thought there were maybe three or four, but they are moving around in the grass, and now I think there may be ten or more. It’s a big pride.”“And they are feeling confident,” Joharran said.“How do you know that?” Thefona asked.“They’re ignoring us.”Jondalar knew his mate was very familiar with the huge felines. “Ayla knows cave lions,” he said. “Perhaps we should ask her what she thinks.” Joharran nodded in her direction, asking the question silently.“Joharran is right. They know we’re here. And they know how many they are and how many we are,” Ayla said, then added, “They may see us as something like a herd of horses or aurochs and think they may be able to single out a weak one. I think they are new to this region.”“What makes you think so?” Joharran said. He was always surprised at Ayla’s wealth of knowledge of xadfour-xadlegged hunters, but for some reason it was also at times like this that he noticed her unusual accent more.“They don’t know us, that’s why they’re so confident,” Ayla continued. “If they were a resident pride that lived around people and had been chased or hunted a few times, I don’t think they would be so unconcerned.”“Well, maybe we should give them something to be concerned about,” Jondalar said.Joharran’s brow wrinkled in a way that was so much like his taller though younger brother’s, it made Ayla want to smile, but it usually showed at a time when smiling would be inappropriate. “Perhaps it would be wiser just to avoid them,” the xaddark-xadhaired leader said.“I don’t think so,” Ayla said, bowing her head and looking down. It was still difficult for her to disagree with a man in public, especially a leader. Though she knew it was perfectly acceptable among the Zelandonii—after all, some leaders were women, including, at one time, Joharran and Jondalar’s mother—such behavior from a woman would not have been tolerated in the Clan, the ones who raised her.“Why not?” Joharran asked, his frown turning into a scowl.“Those lions are resting too close to the home of the Third Cave,” Ayla said quietly. “There will always be lions around, but if they are comfortable here, they might think of it as a place to return when they want to rest, and would see any people who come near as prey, especially children or elders. They could be a danger to the people who live at Two Rivers Rock, and the other nearby Caves, including the Ninth.”Joharran took a deep breath, then looked at his xadfair-xadhaired brother. “Your mate is right, and you as well, Jondalar. Perhaps now is the time to let those lions know they are not welcome to settle down so close to our homes.”“This would be a good time to use xadspear-xadthrowers so we can hunt from a safer distance. Several hunters here have been practicing,” Jondalar said. It was for just this sort of thing that he had wanted to come home and show everyone the weapon he had developed. “We may not even have to kill one, just injure a couple to teach them to stay away.”“Jondalar,” Ayla said, softly. Now she was getting ready to differ with him, or at least to make a point that he should consider. She looked down again, then raised her eyes and looked directly at him. She xadwasn’t afraid to speak her mind to him, but she wanted to be respectful. “It’s true that a xadspear-xadthrower is a very good weapon. With it, a spear can be thrown from a much greater distance than one thrown by hand, and that makes it safer. But safer is not safe. A wounded animal is unpredictable. And one with the strength and speed of a cave lion, hurt and wild with pain, could do anything. If you decide to use these weapons against those lions, they should not be used to injure, but to kill.”“She’s right, Jondalar,” Joharran said.Jondalar frowned at his brother, then grinned sheepishly. “Yes she is, but, as dangerous as they are, I always hate to kill a cave lion if I don’t have to. They are so beautiful, so lithe and graceful in the way they move. Cave lions don’t have much to be afraid of. Their strength gives them confidence.” He glanced at Ayla with a glint of pride and love. “I always thought Ayla’s Cave Lion totem was right for her.” Discomfited by showing his strong inner feelings for her, a hint of a flush colored his cheeks. “But I do think this is a time when xadspear-xadthrowers could be very useful.”Joharran noticed that most of the travelers had crowded closer. “How many are with us that can use one?” he asked his brother.“Well, there’s you, and me, and Ayla, of course,” Jondalar said, looking at the group. “Rushemar has been practicing a lot and is getting pretty good. Solaban’s been busy making some ivory handles for tools for some of us and hasn’t been working at it as much, but he’s got the basics.”“I’ve tried a xadspear-xadthrower a few times, Joharran. I don’t have one of my own, and I’m not very good at it,” Thefona said, “but I can throw a spear without one.”“Thank you, Thefona, for reminding me,” Joharran said. “Nearly everyone can handle a spear without a xadspear-xadthrower, including women. We xadshouldn’t forget that.” Then he directed his comments to the group at large. “We need to let those lions know that this is not a good place for them. Whoever wants to go after them, using a spear by hand or with the thrower, come over here.”Ayla started to loosen her baby’s carrying blanket. “Folara, would you watch Jonayla for me?” she said, approaching Jondalar’s younger sister, “unless you’d rather stay and hunt cave lions.”“I’ve gone out on drives, but I never was very good with a spear, and I don’t seem to be much better with the thrower,” Folara said. “I’ll take Jonayla.” The infant was now thoroughly awake, and when the young woman held out her arms for the baby, she willingly went to her aunt.“I’ll help her,” Proleva said to Ayla. Joharran’s mate also had a baby girl in a carrying blanket, just a few days older than Jonayla, and an active boy who could count six years to watch out for as well. “I think we should take all the children away from here, perhaps back behind the jutting rock, or up to the Third Cave.”“That’s a very good idea,” Joharran said. “Hunters stay here. The rest of you go back, but go slowly. No sudden moves. We want those cave lions to think we are just milling around, like a herd of aurochs. And when we pair off, each group keep together. They will probably go after anyone alone.”Ayla turned back xadtoward the xadfour-xadlegged hunters and saw many lion faces looking in their direction, very alert. She watched the animals move around, and began to see some distinguishing characteristics, helping her to count them. She watched a big female casually turn around—no, a male, she realized when she saw his male parts from the backside. She’d forgotten for a moment that the males here xaddidn’t have manes. The male cave lions near her valley to the east, including one that she knew quite well, did have some hair around the head and neck, but it was sparse. This is a big pride, she thought, more than two handsful of counting words, possibly as many as three, including the young ones. Read more

Features & Highlights

  • #1
  • NEW YORK TIMES
  • BESTSELLER
  • In this, the extraordinary conclusion of the ice-age epic series, Earth’s Children®, Ayla, Jondalar, and their infant daughter, Jonayla, are living with the Zelandonii in the Ninth Cave. Ayla has been chosen as an acolyte to a spiritual leader and begins arduous training tasks.  Whatever obstacles she faces, Ayla finds inventive ways to lessen the difficulties of daily life, searching for wild edibles to make meals and experimenting with techniques to ease the long journeys the Zelandonii must take while honing her skills as a healer and a leader. And there are the Sacred Caves that Ayla’s mentor takes her to see. They are filled with remarkable paintings of mammoths, lions, and bears, and their mystical aura at times overwhelms Ayla.  But all the time Ayla has spent in training rituals has caused Jondalar to drift away from her. The rituals themselves bring her close to death, but through them Ayla gains A Gift of Knowledge so important that it will change her world.
  • Sixth in the acclaimed Earth’s Children® series

Customer Reviews

Rating Breakdown

★★★★★
30%
(2.9K)
★★★★
25%
(2.4K)
★★★
15%
(1.4K)
★★
7%
(674)
23%
(2.2K)

Most Helpful Reviews

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Expecting disappointment doesn't make it any less disappointing

I wanted to like this book, even after the train wreck that was Shelters of Stone. I hoped against hope that things would get back on track and that this would be something a little more palatable. And I was wrong to do so.

It starts after Jondalar and Ayla's child is born, and she is pretty much an afterthought in the entire book. "Oh, you're here... um... go ride horses. Or I'll leave you with Jondalar. Or with bit character B." You don't get any of the tension from previous books, and all the build-up with her pregnancy is just gone. For that matter, for most of the book Jondalar is an afterthought too - he is present most of the time, but just to take care of the baby so Ayla can go look at caves.

That's most of the book: Ayla travels with Zelandoni, looks at caves. This cave has a moose. That cave has a mammoth. The other cave has a bison. But other caves have mammoths AND bison. What does it mean? (Don't worry - every character will tell you. Each cave is thirty pages of painting descriptions, each little room of the cave, Zelandoni getting tired because she's fat, acolytes giving their Art History critique of each painting, and Ayla having the right answer as usual.)

Ayla continues to be the Mary Sue she grew into post-Mammoth Hunters. What little plot there is - as others have said, the actual story is only something like fifty to a hundred pages - is pretty much the same as Plains of Passage.

Every character is flat and uninteresting. We're constantly reminded that yes, Ayla has an accent, that she is astonishingly beautiful and everyone desires her, and that anyone who has any issues with her in the book is not only completely wrong in doing so, they're really the scum of the Earth and have no value to anyone else in the entire series. Every new character has the following train of thought:

She sounds funny -> She's hot, I'd hit that -> Wow, horses -> Still sounds funny -> I see why everyone likes her -> She's so awesome -> Is she a wizard?

The only good thing I can say about it is that she only includes a couple of the expected stale, formulaic sex scenes. I never thought I would get bored of reading about sex until this series.
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The Top 10 Reasons Why This Book Is A Heartbreaking Work of Staggering HORROR!

So here they are... enjoy! :)

1.) First of all, this book is an incomparable masterpiece. All of y'all are just HATERS. The plot is stunningly intricate and suspenseful, the characters beautifully drawn, the action well-written and page-turning, the descriptions of the caves short and terse! No, I haven't read the book yet. I haven't even opened the cardboard box. Actually, I haven't even ordered it. Why do you ask?

2.) Amazon delivered the book in perfect condition and in just two days. The cover is really shiny, and Ayla looks like a supermodel. When I put my nose up to it, the pages have that hallucinogenic new-book smell, just like Ayla's tea.

3.) The publisher/a professional review site/I ain't saying paid me to write a good review. `Nuff said.

4.) I listened to the CD's, and I am now in a catatonic trance. Everything seems like a great idea now, including a new season of Jersey Shore set in the Yukon.

(oopsie!)

Sorry--those were the top four reasons why anyone would give a five-star rating to this book.

(falls on grass and blinks up at the sky)

Did I drink some of that hallucinogenic tea?

No, actually; I know exactly what happened. I listened to all TWENTY-NINE CD'S of *Painted Caves*. That means that I did not have the luxury of skipping the 1,000,000th repetition of the Mother's Song, the agonizingly intricate description of the googillionth cave painting, etc. I listened to every word! Every single mind-numbing one, I tell ya! (Can I have my medal now?) I didn't even need to wait in line at the library to check out the set. How... odd. Maybe I should have gotten a clue from that little tidbit.

Anyway. Almost everything bad that can be said about this book has already been said... except for possibly a couple of new surprises. But what hasn't' been done yet? Getting together the top 10 fan reasons into a brand spankin' new list, collected in one easy-to-find location! (Just how many of the reviews have I read? Um... quite a few. More than I'm about to admit. They exert a weird fascination, you see...)

So, without further ado...

(drumroll)

10.) Unending repetition. Page after page of the Mother's song, cave after cave of the same pictures, and the overdone 'formal introductions' listing all the names, titles, and ties. Ayla has an accent. Again. The animals are introduced AGAIN. The Zelandonii gets off the travois AGAIN.

9.) Not the tiniest shred of plot to be had-- until the last section, and then I started praying for a few more visits to the caves.

8.) I eventually got to the point where I was writing *ends of sentences*. I think this deserves its own number, because I can't believe I was the only one who was doing this. "The Zelandonii called Ayla to come over to where she was standing, because..." Me: "She wanted to push her into a crevasse!!!" "Jondalar said he felt exactly the same way about the zillionth repetition of the Mother's Song as the Great Mother herself did, because..." Me: "The Great Goddess wanted to blast every living being on earth just so she wouldn't have to hear the song again too!"

7.) At the end, 1,000,000,000,000,000 loose ends of plot left dangling. "Did Ayla ever have a son who would meet up with Durc? "Would Ayla get word of Durc, as foreshadowed by the author in an interview?" "What's Ayla going to do when she actually becomes First?" "What about the journey she's been making as a human being for the past four book?

And so on, and so on... Actually, it reminded me of when JKR promised that we'd see Ginny Weasley finally perform some "impressive magic" in Deathly Hallows, only to get.... Absolutely nothing, and a trashed character (rescued in D/G fanfic, of course!). But at least JKR was capable of pulling out a completed plot, which Jean wasn't.

6.) The stunning perfection of Ayla and Jondalar. Actually, one thing I haven't seen anyone else really bring up is that the First is suspiciously perfect, too. Come on! She's an authorial insertion. She's described as looking EXACTLY like Jean herself.

5.)The fact that the supposedly perfect characters were less than one-dimensional all the way through. No--make that less than zero-dimensional. The central problem, really, is that the main characters never seem very interested or engaged in much of anything. Ayla is barely seen interacting with the supposedly long-awaited daughter, Jonalya, yet she never musters up much enthusiasm for Zelandonii training either. Everything is easy, she never has to work at anything, and it all just feels half-hearted and more as if she's performing according to expectations of her than anything else. Case in point? I searched the book for some statement, ANY statement, which showed that Ayla actually had any desire of her own to become a Zelandonii. We simply get nothing at all through parts one and two, even though it's the driving force of the """plot""". (sic) There is not so much as one single word in her interior monologue related to her feelings or emotions regarding this: "I love the idea" "I hate the idea" "I really want to do this; it's important to me", "I secretly hate the entire plan.... " SOMETHING!!

Okay; then comes Part Three... Then, we get "She hated being away from Jondalar and Jonayla, yet she found the information she was learning fascinating." That's it. That's all we have. We get nothing that contains any real feeling of curiousity, of seeking, of spiritual growth. Ayla dispassionately relates her "vision calling" in third-person, but she does not note the slightest trace of inner experience related to it. There is no personal reaction; it does not change her, she does not engage with it, she does not note even one single emotion related to it. The first thing we get even a hint of emotional reaction to is Ayla's miscarriage during her calling (when we FINALLY get an emotion word, namely, "grief." We only had to wait almost 600 pages!) But Ayla still has absolutely no reaction at all to the fact that she's been called as a Zelandonii. How does she feel about it? What does she think? Is she glad? Are her feelings mixed? Does she feel it wasn't worth the price? What? We don't have the slightest clue. Ms. Auel, wouldn't a third-grader know that giving your readers NO clue as the thoughts and feelings of your main character about the central plot point of the entire book makes no sense at all?

And the message of Ayla having to "choose" between motherhood and being First is so arbitrary. Why is the work of a Zelandonii so much harder and so much more demanding than leading an entire cave? And yet both Marthona and Deegie somehow managed to do that without having to give up/ignore their kids. Well, it's harder because... um.... It has to be in order to suit the story, such as it is. You know.

4.)But once there was an actual plot, it got much worse. The characters we'd grown to know and love were suddenly, inexplicably, hideously trashed. We don't really need to go into the details of the Jondalar/Marona disaster AGAIN, but when the hero has an extended affair with the one woman on earth who hates his mate (and it's been going on maybe for as long as two years!), you know, they may not be the ideal couple. The thing that struck me the most, though, was that the Zelondonii knew about the affair for at least a year, they knew Jondalar almost mated with Marona at one time, they knew she was trying to get her hooks back into him, we were told specifically that the tribe had a prohibition against "people trying to stir up jealousy"... and yet nobody thought this might be a problem? Really?

3.) A lot of inaccuracies and typos--this is really insult added to injury. Bad grammar runs rampant, as do horrible runon sentences. And as others have pointed out, there are plenty of factual bloopers too. When you think about how much research went into this thing, at least the plants should be accurate to the area. Joplaya's son should have been the same age as Jonayla-- Joplaya was pregnant in SoS. But he is three years younger. Unspeakably lengthy descriptions of the caves AND NOT A SINGLE PICTURE OR EVEN A DRAWING???" I have to take this on faith from the comments of others because I listened on CD, but at least other books had maps and a drawing of artworks or two!

2.) Lack of sex. Whether you think the detailed sex scenes of the other books are good or bad, we don't get them here. They might have at least livened things up a bit.

Before we get to #1, I'll just say here that I tried to find something positive. Anything? Anyone? Anywhere? (tumbleweeds blow)

HELLO?

Okay, there's one thing: don't eat datura, whatever you do. It's also known as jimsonweed, and it grows in an awful lot of places. However, as others have noted, ancient Europe was NOT one of them! It came from the Americas and was a traditional herb used in the voudon practices of Haiti. Oh. And it's also a good idea to avoid poison hemlock, just in case you didn't know.

Also, I narrowly missed an opportunity to see Jean Auel when she came to speak at the library that was literally six blocks away from my house a few months ago. I had to work late and couldn't go. Little did I know that my guardian angel was clearly watching over me... ;)

1.) She doesn't even get the research right. That was the ONLY thing supposedly "left", and we don't even get THAT!
'
Basically, .Auel's resurrection of the extremely outdated and long debunked sociological theory that the "discovery" of male paternity somehow causes oppressive patriarchal societies was actually what made me angriest about this book. Everything else made me bored, disgusted, glad I'd checked it out from the library-- but that just made me ANGRY. That theory does not match up with historical reality at ALL, and reputable researchers have known it for a very long time. Zelandonii was wrong. This knowledge didn't "change the earth forever", and you don't have to be a zelandonii--or a scientist--to see why. There is no evidence or proof to support the idea. There is absolutely no correlation between whether or not a society/culture/tribe knew about the process/concept of male paternity and whether this group was organized under the principles of patriarchy, matriarchy, or anything in between. This holds true no matter how much information we have about how much that culture actually knew about the process of conception.

The worst part is that Auel's research has long been her ONLY strong point She wove Nancy Makepeace Tanner's revolutionary theories about women's importance in prehistoric society into her books. so to see that happen... well... one reviewer had the idea of forcing her to plant trees to make up for the ones that were killed for this book. :) I think she should also do a library tour involving public apologies. She already did one promoting the book two months ago!!

So that's the end of the Top 10 Reasons. Thank you for being an Anise Rant Reader, and be sure to tip your waitress on the way out.
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Soooo Disappointed & Disgusted

Speaking as someone who really enjoyed the other books in this series....this last book was a complete piece of crap! Didn't resolve or wrap up any of the things I'd hoped for, instead wasted the entire first 2 parts of the book describing cave paintings in mind numbing detail while not driving the story on at all. Then we FINALLY have some character driven interactions at the very freaking end and the author left me ending the book not even liking one of the two characters I'd been rooting for for 6 freaking books. WTF?!? I cant even think about Jondalar without getting pissed off now. Of all the endless things you could have done to wrap up this epic series...this is the crap we get?! If I ever re-read this series (which I'm prone to do) I'm gonna just stop reading at book 5 and pretend that's the ending. Worst conclusion book I think I've ever read.
29 people found this helpful
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Stunning...

...that a publisher allowed this book to be released without a lot more editing. It reads like the author lost interest in the story a long time ago and hurried up at the end and repeated some plots already used in earlier books to make something that resembles a finished book. Well it doesn't resemble a finished book I'm sorry to say. Just because there are a lot of words doesn't mean it's finished. There are a lot of minor things that happen in the book that are pointless but what's even more frustrating is that the caves, which are important enough to be in the title and take up about a third of the book don't seem to have any purpose and even the characters get tired of them! A lot of reviewers complained about the repetitive detailed cave descriptions. These were not so bad for me because I love archaeology and caving, I've been in wild caves (not with paintings) and it was enjoyable to remember how awesome and mysterious that is. However in order to be so prominent in the book they should have had some purpose but all we are told is that a cave tour is part of becoming a spiritual leader. We are not told why or how the caves affected their spiritual beliefs. If you believe that a book should be edited and make sense before being released, don't buy this. If you believe that the book that ends a series should resolve (or even contain) the most interesting plot lines from earlier books don't buy this. If you believe that characters should behave in character don't buy this. If you believe the "big climax" at the end of six books should not be something we've known since the first book then don't buy this. I bought mine used because I'd been warned and I'm glad I didn't pay full price for it, I really would have been angry if I had. To tell the truth I'm really not as dissappointed in the author as I am in the publisher. It's the publisher's job to know what a finished book looks like and they let the readers down badly to make a buck.
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Overviews full series

Ayla and Jondalar are now back home settling into life and meeting all the family and the surrounding camps. This book represents the culmination of all Ayla's adventures and travels to her final destination and family. As the story progresses we see the daily family life, interactions with others and what Ayla's training is like to become a Zelandoni. Through dialogue Ayla and Jondalar tell of all their adventures and discoveries during their travels and how it is that Ayla knows how to hunt, tame animals, and her knowledge of plants and people.
It incorporates stories from all of the previous books through dialogue and story-telling. All the while still telling the story of the current day lives and activities. It was a great ending to the series.
The one and only thing that I personally found hard was the repetition of all the stories. As one that has read the whole series, I know the stories. So the majority of this book was just a reminder for me of what I have already read. For those that have not read any books in the series in a long time and just want to read the ending this would be a great way to do that. For those of use that read the other books recently, you may find 50% of this book very repetitive with 50% new story line.
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Disappointed

Like the others before me, I was *extremely* disappointed in this book. Clearly Ms. Auel was just tired of her own topic but still had a contract to fulfill and just wanted to get it done any way possible, and perhaps so did Bantam Books; after the first volume or two, I noticed a great many comma splices were present in the text, which should have been caught and fixed with, at least, semicolons. This volume, in its own sad way, was a fitting conclusion to a series that had become extremely repetitive, even though Auel had laid the groundwork for so many possible interesting offshoots. Whereas the previous couple of books ground painstakingly through a defined period of time (with endless wasted pages of formal introductions between characters -- a technique that had become little more than cut-and-paste text from one page to the next), this volume jumped across huge spans of time and just fizzled in all the places it should have sparkled. Enemies simply disappear like smoke in a breeze, as if Auel just got bored and didn't want to deal with them anymore. The opportunity to introduce the Zelandonii to the Clan people similarly disappeared (all the talk about trading with them -- where did that go?!). Many of us, I'm sure, wanted Auel to bring Durc back into Ayla's life, maybe by finding him if they had begun trading with the Clan (probably with members of the Clan of the man whose broken leg she had set). And where did Jondalar's affair come from? We were given precious little to go on with that one; apparently his dissatisfaction with his home life had come about during one of the massive time skips that happened here, but we were not privy to that until after the fact. Even the way they worked out their relationship was seriously lacking. I think it's really a shame that she led us through several good volumes, only to end on a too-lengthy and quite boring recounting of all the caves she had visited. Auel may have fulfilled her contract, but she certainly cheated her readers.
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Did I have to Give It a Star, I Wish It was Possible not to

A lot of the reviews had me dying laughing because they were so accurate. I also read all her other books and especially the early ones were hard to put down but this book is a nightmare.
I am forcing myself to complete it and it is as tedious as the many senseless journeys the characters go on in this book. What I particularly take exception to is not just the repetitive passages of previous events in former books but the fact that she now recounts events that happened a few chapters back. She repeats them verbatim. I am stunned and actually find myself merely reading words and not paying attention to what I am reading. There is no cohesiveness in the plot, wait a second, what plot, there is actually no storyline. She had so much to work with, she could have developed the marital relationship of Ayla and Jondalar or their relationship with Jonayla. She should have developed the character of Jonayla more fully. The attention to detail while fascinating in her earlier books has been reduced to a trial in overkill. I cannot find any need to understand how every current in a river flows over every rock and sends out every ripple in every direction and affects every blade of grass in the entire universe etc. etc. etc. My main question is what is the point of this book. Why did they go to all these caves to see these paintings over and over and over etc. etc. etc. Nothing ever happens. They just see the same stuff, Mammoths, Bison, Deer. So What! So, okay, I feel the need to complete the series and maybe I deserve the punishment I am receiving for being so headstrong. Here is a word to the wise. Do not stress over it, if you simply skim over the Mother's Song because it will be sung about fifty times in the book and do not bother with the introductions of the characters which are repeated every other page and do not get too caught up in the descriptions of plants, rocks, water bags, flint chips, the boiling of water, the gathering of plants, the changing of diapers, the details of the horses and wolf and how she met them, you will be able to navigate the book more comfortably because there will be nothing left to navigate. I think this book was the result of either of three circumstances. Ms. Auel was either being paid by the word or Ms. Auel had Alzheimers and somebody stuck a pen in her hand as therapy and she started to write out of habit or finally and most probably she was on crack.
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The suggestion for one star "I hate it" is so accurate it hurts

The suggestion for one star "I hate it" is so accurate it hurts.

I've spent most of the day reading through the reviews, and I get that laugh that slowly turns into tears of despair after particularly witty comments on this travesty.

Things that could have happened in this book that were foreshadowed and hinted at throughout the series:

1) Ayla could've had a more difficult transition into life as a Zelandonii. From what I read, it was mildly boring, and Jondalar didn't like it. What if the First had insisted Ayla abandon Jondalar and Jonayla to focus on her great Calling, and then there's some big drama as A&J fight to prove they can love each other when both sides are pulling them apart?

2) The cave could've collapsed and killed someone significant. This happened in CotCB, and it would have made a great plot point for Ayla to lose someone important to her in the same way that her mother and Creb died, by earthquake. There was even an earthquake, for god's sake!

3) Ayla's daughter could have been attacked by a cave lion or something, then been "marked" with the totem, and then Ayla's dream about her blonde "son" would hold significance since the Lion is a male totem.

4) Brukeval could have attacked some Clan people in order to prove that he wasn't like them, and Ayla would have had to go stop an oncoming war. Jonayla then could have met Durc, or held hostage by Clan members in retaliation for the trouble they'd been given, then Ayla would've had to save her.

5) ANYONE SIGNIFICANT COULD HAVE DIED.

6) Ayla could have gotten seriously injured and have to trust someone else to heal her again. Or, after her awful first pregnancy, her second pregnancy could have gone wrong (maybe it messed up her uterus or something) and it could have been as bad as the first.

7) Wolf could actually injure someone and Ayla would have to fight for him or leave or something.

8) People could find out about Durc and Ayla's humanity could be questioned, leading to difficulty being trusted as a Zelandonii

9) They could have met with the Clan and started a trading agreement, Brukeval could have met his nephew or something and formed a bond.

10) Anything other than what happened in this trash.

That's really all I have. I just had to get those out of my system.
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A better version

The actual lost manuscript for this book has been found and is published here for the first time. . .

Ayla opened the tent flap and stared at Jondalar, in the process of plunging into the expansive petals of Marona. He stopped in mid-stroke to stare at her.

"Jondalar," she said, "I have made your morning tea. It is made from the flowers of the peronia plant, which grows on the southern slopes of the mountains. It has green leaves and purple flowers, and is also used to cure gaping infected pus-soaked wounds. I added hickory leaf for male endurance, and the seeds of the carmikan plant for taming your lust. Then I steeped it for three minutes, and stirred it with a sharpened stick of licorice root. If you are done relieving your needs, would you like to come have some?"

During this speech, Marona had covered herself and now sat up haughtily and stared at Ayla.

"He only came to me because you don't know how to please your man!"

Jondalar stuttered. He was a man of the physical world, and not good at expressing himself verbally. He reached for Marona's folds, because that is what he was good at, and she slapped his hand away.

"You dingbat, your hearthmate is here with your tea and you must choose. Do you want to continue exploring the silky passages of me, or do you want your tea?"

Jondalar hesitated. He loved Ayla with all his heart, but he was a physical man, not good at understanding his emotions. The tea did sound good, but Marona was also very tasty. He reached his hands toward her plump womanhood. Again she smacked him.

"You are hopeless!! Go have your tea." Then she turned to Ayla. "You know why he came to me, don't you? You can't please him in all things because. . . You. . . Can't. . . SING."

Ayla staggered back as though she had been struck by a blow. Marona had struck at the heart of her insecurities. She was the most beautiful woman on the planet, with long and flowing golden locks, a body to die for, she had invented the domestication of animals, the sewing needle, she knew how to heal every ailment, and anyone who was unkind to her would come to a tragic end. But Marona was right. She could not sing. A single tear rolled down her cheek.

"She is right, Jondalar," Ayla acknowledged, "I cannot sing. But even so, you must still decide whether you wish to come have tea or stay here. Mamut would have said that a choice not made is a choice given to the Great Mother for recycling in the paws of the Cave Lion while the great moon lover travels the sky. But now I do not have much time. New people have come to the cave and I must greet them I will show them the firestarter, and explain that I discovered how to make fire when I was striking flint and picked up the wrong stone at first. The spark that occurred was long and hot and burned my toe, which had a small corn on the side. I was alone, and recognized the importance of this discovery at once, because the precarious existence I was experiencing while living in my valley alone," she directed her gaze at Jondalar, and continued, "before the Great Cave Lion chose you and led you to my valley, made me so aware of anything that might benefit my survival."

Jondalar hesitated. He wanted to tell Ayla that he loved her, but he might end this scene of contrived awkwardness if he spoke. He was a physical man, and didn't know enough of language to talk his way out of a hide sack. If he had some flint, he could carve a blade to slit his throat, as that would have been preferable to saying what he felt.

Marona had been listening to this with a bored expression, but she became more interested as she noticed that Ayla spoke with an accent. Although she spoke Zelandonii well, there was a difference in how she shaped some of the words, so much so that Marona thought perhaps she was different from everyone in the whole world, and perhaps even the Mother Incarnate. She jumped as she felt Jondalar's hands heading for her folds again.

"Oh Great Mother. GET OUT, you moron! Go have your tea." Marona pushed him off and breathed a sigh of relief as he exited with Ayla.

"Jondalar," Ayla said as they headed for their hearth, "I have had a dream. There were sparkles and blood and a wolf who walked like a man. The sun turned to twilight and it was revealed to me that 'Jonayla' is a stupid name, and the Great Mother will be angry if we do not change it. I shall change our daughter's name to 'Deega,' to honor my best friend. Does that please you?"

Jondalar hesitated. He was a physical man, and not comfortable making decisions about the names of girls. If he was knapping flint, he was in his element and could easily estimate the consequences of his actions. A simple question about a name was beyond his skills to answer.

" Whatever you think, Ayla. I liked Deegie. She used to smile at me admiringly, even though I could see her love was for another. But I'll bet she had nice petals."

Ayla beamed with pleasure at the man she loved. Jondalar was her chosen man, granted by the spirit of the Great Cave Lion, who had brought her the blessing of the Mother by spurting his manly essence. He had taught her to enjoy Pleasures even after she had been hurt by Broud. She was sure Iza would like him, even though Iza was a smart woman and had little tolerance for idiocy. She wondered briefly if, when Iza told her to find her own kind and to choose a mate, she was imagining the large and blonde oaf who currently shared her furs?

As Ayla and Jondalar walked toward their hearth, Ayla directed her gaze to a painting on the side of the cave. The painting depicted a female mammoth trampling a large blonde man. The brush strokes were delicate and deliberate, outlining the hump of fat on the top of the mammoth's back and the long trunk. The blonde man being trampled was clearly writhing in pain, and in his hand, he held a chunk of flint, The artistry was extreme and moving, and Ayla smiled to herself. She might not be able to sing, but she could paint with the best.

Ayla stopped at the entrance to the hearth and smiled fondly at Wolf, who was rolling about, chewing on her footwear, and bowing to her on his belly. He hadn't upset the tea though, so that was nice.

"Jondalar!" she called, as she realized he was walking past their hearth. He was a physical man, and interested in his surroundings, and had been staring at the ceiling as they walked through the cave. He paused, and returned to her, and accepted the cup of tea she held out to him. He sipped, looked bemused, then smiled at her.

"This tea has the flowers of the peronia plant, which grows on the southern slopes of the mountains. There is also hickory leaf and the seeds of the carmikan plant! I taste one other thing that I can't quite identify!"

"Think hard dear--I told you not ten minutes ago! You can do it!"

Jondalar wrinkled his brow over his blue eyes, reminding Ayla for a moment of the expression Creb would have when he told her about the places he could not go, then his face lit up.

"Licorice! You stirred it with a licorice stick! I can clean my teeth with it, too!"

"That's right. I make tea for you and it is a pleasure to see you struggle to figure out what is in it, even after I tell you exactly what is in it."

Jondalar felt his pants get tight as Ayla mentioned Pleasure. She was his beloved hearthmate and he was a physical man. Ayla saw the expansion and headed it off with a quick change of subject.

"So now that you've had your tea and guessed what is in it, I need to talk to you about something important. I am going to leave the service of the Mother. All they do is talk nonsense about caves and write bad poetry. I want to take our daughter and our horses and Wolf and go back to the Mamutoi and then go see my son. These are the most boring people on the planet and I would rather live with Frebec for the rest of my life than spend another day here. So I am leaving tomorrow, and you can come with me if you like. But if you need to stay here with your Mommy, I understand."

Jondalar wrinkled his brow, reminding Ayla again of Creb. She shook her head to clear the image. Creb had been a smart and perceptive man.

"I am a physical man, Ayla, and I am not good at. . . "

She cut him off quickly. "Yes, I know. But this is a simple choice. Do you want to come with me on a long journey, or stay here? I don't plan to ever return because these people are appallingly boring."

"The choice is difficult. I need a piece of flint to hold so I can make up my mind."

Ayla sighed and handed him a piece of flint and a hammerstone. She watched pensively as he began to knock off the chalky outer cortex of the stone, shaping a spear point. His control over the flint was admirable; he could remove a long, thin shaving with one blow. He turned the flint and began to use a technique he had learned from Wymez to shape it.

"Well?" she prompted, after he had created a bifacially-retouched spearpoint that glistened like the light off the water of a still pond.

"I think I would like to go with you. But I do love my Mommy and I will miss her. But we are joined and I want to be with you. Can I touch your petals now?"

As programmed as she had been to accept a man's needs whenever he wanted, Ayla had things to do before they left in the morning. In fact, now that he had agreed, she wanted to leave immediately. She thought it might be a good idea to simply slip away without telling anyone, otherwise they'd have to hear everyone's cave ties over and over as each person said goodbye.

"Well then Jondalar, my physical man, would you please pack your things and I will go get the horses and Deega and get us ready to leave."

Jondalar smiled. A simple task to complete was what he enjoyed. He began happily pawing through the soft and luxuriant furs that lined their sleeping place.

As they were leaving, Ayla mounted on Whinny with Deega behind her, and Jondalar on Racer, unfortunately Zolena spotted them.

"Jondalar, Ayla! Where are you going, burdened by the accoutrements of travel, and heading for the east, where the Mother's sun comes from? You are passing the painted caves on your way to a journey. My great mounds of flesh can feel your eagerness to go. Where are you going? If you are leaving, we must assemble the whole cave to bid you farewell and repeat our kinship ties."

Jondalar turned toward his former lover, glad that he no longer felt attraction to her, because fat-shaming has apparently always been a thing.

"I am a physical man, and not well-spoken, and I would like. . . "

Ayla rolled her eyes, leaned forward on Whinny and shrieked a war cry of encouragement as she drummed her heels on the mare's sides to GO! She dashed away in a cloud of dust, and Racer scampered to catch his dam, nearly dumping Jondalar in the dust. Ayla pondered, “Would I have stopped to pick him up?” She shook her head and sighed. Better not entertain thoughts in that direction, or she might start remembering how smart and funny Ranec was . . .

Zolena held her hand up in a "come back" gesture and tears rolled down her plump cheeks as she sent a blessing to the Mother to look after them.

The group disappeared down the slope and the last thing Zolena saw was the large wolf, Wolf, named because that's what a wolf is, running after them, tail wagging. The last thing she heard was Deega's laughter as she bounced on Whinny behind her mother.

“I must paint about this,” Zolena said to herself as she returned to the caves, “and write 27 more verses about the Mother and her hot milk that comes from the earth. The entire cave will be thrilled to hear more about this and repeat them endlessly.”

A year later, after Ayla and Jondalar and Deega and Whinny and Racer and Wolf had traveled past every known geographic feature of prehistoric Europe, described in excruciating detail, Ayla spotted the home of the Lion Camp of the Mamutoi, her favorite people in the whole world--people who had actual personalities and interests. As they approached the dwellings, Ayla noticed several horses gathered around the entrance, and knew that Latie had been busy!

Sadly, that is where the manuscript ends, so we don't get to find out if Ayla goes back to see her son and the Clan of the Cave Bear. Maybe it will turn up someday?
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Least Favorite Volume

I adored the sense of primeval times with the Clan of the Cave Bear. Traveling to a distant pre-historic past had a great simplistic appeal, and Jean Auel did a great job of taking you to that place. The simplicity was tarnished some with the Valley of the Horses. Jondalar and the civilizations he and his brother visited added complications and stole from the simplicity of the tone from the first book. In addition, Ayla, for me, became a metaphor for the entire human species. Her innovations were always touted as the best. Too much telling how awesome she was, with less actual SHOWING, the story-telling had lost something. But I still enjoyed the Valley of the Horses.

Moving on to the Mammoth Hunters seemed to include more inventions that Ayla took part in, making her less realistic. The character of Jondalar was not painted as very mature, and of course he was supposed to be this thoughtful, intelligent, and gentle man, whilst demonstrating vanity and very little in the way of characters worthy of liking. I still enjoyed the chance to disappear and revel in the world of the Mammoth Hunters themselves, but liked this novel less than the Clan of the Cave Bear. And considering the metropolis from which Jondalar began his journey (relatively speaking) his reactions and thoughts about the people he visited -- who were quite primitive compared to the Zelandonii -- just didn't gel in retrospect. But Mammoth Hunters was still a good read -- though I skipped over all of the more intimate moments as they got repetitive very fast.

While many who have reviewed it seemed to dislike the Plains of Passage, I think that for me it was tied for second place with the Valley of the Horses. I again got a sense, however muted compared to the first book, of a time lost to history, but vibrantly alive. Again Ayla was more of a metaphor of the human spirit. I also hungered for the Clan from the second book through the end, never learning the fate of Durc or the Clan. Except for the time with Attaroa, I really liked that book. The Attaroa parts were just beyond credulity and I have skipped that part many times. But I did like that large volume second to the Valley of the Horses.

The Shelters of Stone and the Land of Painted Caves were undoubtedly the worst two books in the series, with the Land of Painted Caves dead last to my perspective. The book is divided into three parts. It's more than 700 pages long. But in the first two parts the actual plot elements and conflict and resolution are so weak that it's more like a poorly written travelogue with stilted language and the inability to truly bring the reader into the past and have them feel the surging reality of that time so long ago. Marauding Bandits, Earthquakes, Measles, Lion hunts, Failed healing, nearly all of the "plot" elements from the first two thirds of the book are so weak that they barely involve much more than a subtle mention, rather than actual buildup to a final denouement. The first four hundred pages you're wondering when will the story begin?

The last part of the book actually has some plot and was more interesting, but even so, it leaves the reader less involved with Ayla, less caring. Her separation from her Cave Lion Totem is perhaps one of those things that seemed out of character. None of her decisions after she chose to become Mamutoi were ever sanctioned by her totem, and as she changed in her basic character, she became less likable. The threads left dangling -- Madroman's departure, Brukeval's departure, her son, and Racer's need to be a real horse... all of those dangling threads left the "end of the series" as very weak. For those who have loved Ayla and read the first five, and hunger for more, I would suggest reading the third part for a weak sprinkling of plot, and reading the first two parts if bored. I actually began to doubt I'd have the stamina to finish. Only the final insertion of plot (albeit weak) made the book finishable. For a "life's work" that this series resembles, it is sad to think of the books final drift to stodgy tasteless pap. On its own merit, it never would have been accepted for publication.
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