The Last Watchman of Old Cairo: A Novel
The Last Watchman of Old Cairo: A Novel book cover

The Last Watchman of Old Cairo: A Novel

Hardcover – March 13, 2018

Price
$27.00
Format
Hardcover
Pages
288
Publisher
Random House
Publication Date
ISBN-13
978-0399181160
Dimensions
5.72 x 0.99 x 8.51 inches
Weight
14.1 ounces

Description

“Wonderfully rich . . . Both met and repressed desires—sensual and intellectual, compassionate and proprietary—create the novel’s driving force. . . . The deep pleasures of this novel come from the interconnecting narratives and how they inform one another [with] a mingling of history and imagination and mystery.” — The San Francisco Chronicle “A beautiful, richly textured novel, ambitious and delicately crafted, The Last Watchman of Old Cairo is both a coming-of-age story and a family history, a wide-ranging book about fathers and sons, religion, magic, love, and the essence of storytelling. This book is a joy.” —Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman “Lyrical, compassionate and illuminating.” —BBC “Michael David Lukas has given us an elegiac novel of Cairo—Old Cairo and modern Cairo. Lukas’s greatest flair is in capturing the essence of that beautiful, haunted, shabby, beleaguered yet still utterly sublime Middle Eastern city.” —Lucette Lagnado, author of The Man in the White Sharkskin Suit and The Arrogant Years “Brilliant . . . Lukas’s writing explodes with imaginative force and splendor [and he] demonstrates in this novel his sublime ability to enchant us with unforgettable characters and moving stories that linger with us long after we have finished his magical book.” — The Jerusalem Post “Lukas writes marvelously about Old Cairo, a city he cherishes. . . . The Last Watchman of Old Cairo delivers in polyphonic textures a timeless yet contemporary story set in ancient and modern Cairo and Berkeley.” — The San Jose Mercury News “Weaving together characters from medieval Cairo, Victorian Britain, and contemporary Berkeley, Michael David Lukas has crafted a rich, highly readable story. His themes—the ties between generations, between the West and Egypt, and between Jews and Muslims—are bittersweet and timely. His plot is beautifully paced, and his characters break your heart, even when they have to reach across the generations to do so.” —Carla Power, author of the Pulitzer finalist If the Oceans Were Ink “Of the novels set in Egypt, few if any have understood how Cairo’s place at the crossroads of many religions has broken communities’ and families’ hearts through the centuries. This novel explores the center of Cairo’s oldest places through the story of one family and their search for a mysterious artifact, and for closure.”— Trevor Naylor, American University in Cairo Bookstore “Captivating . . . Lukas’s warmly affecting sophomore work largely examines what happens to all that life, its memories and stories, when the people experiencing it are gone. . . . Novels like Lukas’s can believe in the potential of another version of the world, whether we call it possible or magical or both.” — East Bay Express “I just finished a wonderful novel by Michael David Lukas, The Last Watchman of Old Cairo . . . . I read the first few pages and I was hooked.” —Jeffrey Garret, Chicago Tribune “[A] romantic gem . . . Lukas’s desert outing soars thanks to its themes of inclusion and forgiveness. Deceptively brief, The Last Watchman of Old Cairo charms with its cast of misfits and lost souls who find their way with the dream of the Ezra Scroll to guide them.” — Shelf Awareness (starred review) “Evocative . . . Lukas turns the Egyptian city into a tantalizingly seductive place of mystery.” —Publishers Weekly “Fascinating . . . Blending his fictional creations with real characters . . . Lukas creates a thoroughly credible mystery [and] an appealing family drama.” — Kirkus Reviews “Part mystery, part character study, yet historically accurate, this book should appeal to a broad swath of readers.” —Library Journal “Lukas’ lyrical novel draws readers into a classic tale of family secrets, forbidden love, and religious rivalry that spans generations. . . . Parallel stories . . . intersect at a crucial juncture as family legends unfurl, coalesce, and enlighten.” — Booklist Michael David Lukas is the author of the internationally bestselling novel The Oracle of Stamboul, which was a finalist for the California Book Award, the Northern California Independent Booksellers Association Book of the Year Award, and the Harold U. Ribalow Prize and has been published in fifteen languages. He has been a Fulbright Scholar in Turkey, a student at the American University of Cairo, and a night-shift proofreader in Tel Aviv. A graduate of Brown University, he has received a fellowship from the National Endowment for the Arts, and his writing has appeared in The New York Times and The Wall Street Journal . He teaches at San Francisco State University and lives in Oakland, California. Excerpt. © Reprinted by permission. All rights reserved. 1A long, long time ago, before Mubarak and the revolution, before Sadat and Begin, before Nasser, the Free Officers, and the Suez Crisis, before the Suez Canal, before Herzl, before Dreyfus, before Solomon Schechter and the Cambridge University Library, before Ismail Pasha and Muhammad Ali Pasha, before the British, the French, the Ottomans, the Mamluks, and the Ayyubids, before the Great Plague and Saladin, before Maimonides the great sage—xadmay his memory be a blessing—xadour story begins before all this, in the reign of al-xadMustansir, when Cairo was still two cities and the Jews but a tribe among them.It was late summer in the forty-xadeight-xadhundredth year of creation, four centuries after Muhammad’s migration to Medina and more than a thousand years after the birth of Jesus. The Nile had crested a few days earlier, and its entire shallow valley shone with damp brilliance. Beneath the purple silhouetted swoop of storks, the clang of an eager blacksmith mingled with the call to prayer and the smell of baking bread. That particular morning there was another smell too, something sharp and unfamiliar at first. No one could put a name to it until, bleary-xadeyed and still warm from bed, they stepped out into the day and saw that neat black thread of smoke rising from the Ibn Ezra Synagogue.Before long a crowd gathered in the courtyard of the synagogue: women and children, dyers and glassblowers, pharmacists, money changers, and fishermen. For most, this was their first glimpse of the newly reconstructed synagogue. Still unfinished, still unconsecrated by prayer, and already this beautiful new building was blackened by fire. It was a terrible thing, and yet it could have been worse. Apart from the smell of smoke in the prayer hall, the damage was limited to a shadow of soot beneath the scaffolding where the fire had started.Who would do such a thing? Some more hopeful members of the crowd thought they saw signs of an accident, a stray coal or a clumsy housewife. Others insisted that the fire would turn out to be the work of petty vandals. And then there were those who regarded it as something more sinister, a reminder and portent of things to come, not that anyone needed reminding. Who could forget the reign of al-xadHakim the Horrible? Who did not shiver to think of that sister-xadloving false prophet who had destroyed nearly a dozen synagogues and churches, including the original Ibn Ezra? Who could forget that hateful despot who had gone so far as to outlaw molokhia, the leafy green vegetable also known as Jew’s mallow? He was gone now, al-xadHakim, dead for nearly twenty years, and the current caliph, al-xadMustansir, had proven himself to be a friend of the Jews. Still, one never knew.This discussion about the cause of the fire went on for some time. And all the while, Ali ibn al-xadMarwani was standing at the edge of the courtyard, waiting for the right moment to step forward. Fingering the sleeve of his robe, he tried to recall what he had been told to say, whom he was supposed to seek out. But in the effort to remember the directions to the synagogue—xada right at the old palace, a left at the Abu Serga Church—xadhe had forgotten what he was supposed to do when he got there.Eventually, as the crowd was beginning to disperse, someone noticed him. All at once, he felt the balance of attention shift. They were talking about him—xadan unfamiliar boy, thin cotton robe and cheap sandals, no older than thirteen—xadand as the murmur of insinuation collected to a boil, a circle formed around him. For a moment, Ali was alone in the middle of the courtyard. Then a young man stepped forward and grabbed him by the scruff of his robe.“Did you do this?” the young man demanded, forcing Ali’s gaze toward the remnants of the fire. Ali opened his mouth, but he was not able to speak.“It is said that a thief returns to the scene of his crime,” the young man continued. “Could not the same be said for our arsonist?”There was a buzz of agreement followed by a few muttered calls for revenge.“Why does he not respond? Why did he not announce himself? What is his business with us?”The young man paused and looked out over the crowd as if expecting an answer. Instead, the silence was punctured by the sound of an older man clearing his throat.“Shemarya the Pious,” someone said and everyone stepped aside, making way for a hunched man with a mane of white hair tangled in his beard. When he got to the center of the circle, he addressed himself to the young man, who was still holding Ali by the scruff of his robe.“Amram,” he said. “Is it not written that we should judge everyone from his most favorable side?”“Yes, Father, but would you not—xad”“Release him,” Shemarya the Pious said, then turned to Ali.He did not smile, but his eyes crinkled with compassion.“Tell us your business here, my child.”There was a long silence before Ali could bring himself to speak.“I have a message from Abu Saad,” he said finally.The crowd grew ever more silent as Ali produced a note from the sleeve of his galabiya. Abu Saad was chief adviser to the caliph and the Jews’ most important ally inside the palace. Correspondence from Abu Saad was always important, but on this day of uncertainty the Jews of Fustat were particularly eager for his reassurance.“You are not Abu Saad’s usual messenger,” Shemarya the Pious observed. “What is your name, my child?”“Ali ibn al-xadMarwani.”“You are Muslim.”Ali nodded.“And your father’s profession?”“He was a water carrier, but he died before I was born. I live with my mother’s brother near Bab Zuwayla.”“May God protect the orphans,” Shemarya the Pious said, and a murmur of assent rippled through the crowd.Once Ali’s business, name, faith, and patrimony were established, Shemarya the Pious unfolded Abu Saad’s note and read through it twice. He closed his eyes for a moment to think; then he pulled a reed pen from his pocket, requested a bit of ink, and composed a reply on the reverse.“This is for Abu Saad,” he said, handing the note back to Ali. “You must not give it to anyone else. Do you understand?”“Yes,” Ali said, and he returned the note to the folds of his sleeve.Shemarya the Pious concluded the exchange by addressing himself to the assembled crowd, though his words were clearly intended for his son Amram.“We should not stoop to unfounded accusations, especially not today. There is too much work to be done.”While the Jews of Fustat scrubbed soot off the light-xadgray stones of their synagogue, Ali ran back to Qahira with the message for Abu Saad. Through the jumbled crowd of pack animals outside Bab Zuwayla, past his uncle’s house, past the market of the coppersmiths and the students congregated around al-xadAzhar, darting between food vendors, camels, magicians, and slaves, he cut across the market of the money changers and made his way around to the back entrance of Abu Saad’s palace.Larger than all but the most magnificent of mosques, the residence of Abu Saad was one of the grandest buildings in all of Qahira, its outer walls decorated with turquoise banners and a thick band of calligraphy carved so intricately that the letters looked like a nest of snakes. Earlier that morning Abu Saad’s usual messenger—xadAli’s neighbor—xadhad lifted his head from his sickbed to describe the palace’s back entrance, a tall cedar door at the end of an unremarkable side street, home to a butcher, a knife sharpener, and a few unscrupulous-xadlooking money changers. Approaching the entrance for the second time that morning, Ali caught his breath, stepped up to the door, and knocked. He waited for some time before knocking again, louder this time. As he did, the door swung open to reveal an enormous guard wearing a white linen robe trimmed with turquoise of the same shade as the banners hanging outside. This guard was much more imposing than the one Ali had spoken with earlier that morning, and much uglier.“What do you want?”“I have a message for Abu Saad, from Shemarya the Pious.”The guard stuck out his hand and Ali took a small step backward.“Shemarya said I must not give the message to anyone but Abu Saad himself.”“To you, I am the same as Abu Saad.”Ali stared at the guard’s meaty palm and felt the sun on the base of his neck. As he tightened his grip on the note, a drop of sweat slid down the valley of his spine.“Shemarya said I must not give the message to anyone but Abu Saad himself,” Ali said again. It was a bold request, but he had his instructions and he intended to follow them.“Abu Saad himself,” the guard growled.A few moments later, Ali found himself standing less than an arm’s length from Abu Saad, the chief adviser to the caliph. He was a short man with an enormous stomach, and he wore a fine purple silk caftan embroidered on the collar with white and turquoise flowers. He introduced himself, took the note from Ali’s outstretched hand, and returned several minutes later with a tightly folded piece of vellum.“The note is for Shemarya the Pious,” he said. “And this is for you.”A servant stepped forward and presented Ali with a silver cup, filled to the brim with a deep-xadred liquid.“Pomegranate juice,” Abu Saad explained, noticing Ali’s hesitation. “In appreciation of your discretion. May it give you strength.”Over the course of the day, Ali ran seven times back and forth between Fustat and Qahira. Dodging donkey carts, refxaduse, and stray dogs, he delivered dozens of messages from the Jews of Fustat to their coreligionists, business partners, and other supporters throughout the city. Ali carried notes to tradesmen, qadis, merchants, and priests. Cutting through rank back alleys slick with sewage, squirming under locked gates, and sneaking across the shaded courtyards of great mansions, he delivered messages to the Hanging Church, the market of the glassblowers, the Garden of Kafur, and the secret inner sanctums of al-xadAzhar. In one day, Ali saw more of his native city than he had seen in his entire life.All day, Ali performed his duties with the utmost discretion and care. He always announced himself forthwith, never lingered or made inappropriate eye contact, and never once considered opening any of the notes he was carrying. Then, at the end of the day, as he ran back to Fustat with a final note from Abu Saad, Ali tripped over an exposed root and cut his hand on a pebble. He didn’t notice the wound at first, but when he pulled Abu Saad’s note from his sleeve, he saw that the top edge of it was smeared with red.“I’m sorry,” he mumbled to Shemarya the Pious, mortified by the sight of this elegant paper stained with his own sticky blood.Sinking into a dim corner of the courtyard, Ali watched the note pass among the council that governed the affairs of the Jewish community, from Shemarya to his sons, Amram and Ephraim, to a Tunisian spice merchant known as Ibn Kammuna, then on to Doctor Mevorakh, the scribe, the head cantor, and finally to al-xadZikri, a barber who also served as guardian of the synagogue. Ali held his breath, bracing himself for their censure, but none of the men seemed to notice the bloodstain. They were more interested in the message itself.While the council deliberated, speaking in hushed but urgent voices, Ali relaxed and let his gaze wander along the façade of the newly reconstructed synagogue. Aside from the subtle stonework just below the roof, the building’s only exterior decoration was the main entrance, two heavy wooden slabs adorned with the image of a grapevine twisting around four large Hebrew letters arranged in a square. Lost in his inspection of the mysterious script, Ali did not notice that a silence had fallen over the council. When he glanced up, he saw that the men were all looking at him.“We have a proposal,” said Shemarya the Pious.“We have decided,” Ephraim ibn Shemarya continued, “that it would be beneficial to employ a night watchman for the synagogue. We have al-xadZikri, of course, but he cannot be responsible for watching the building day and night.”“Since you have proven yourself to be trustworthy and discreet,” Ibn Kammuna said, “we would like to offer you the position. In addition to three dinars a month, you would be free to live in the old schoolroom at the other end of the courtyard.”“I imagine it should suffice for your purposes,” al-xadZikri added as he motioned toward the small structure, “and with a fresh coat of paint it will be very hospitable.”“Thank you,” Ali said, unsure how else to respond.Three dinars was more than he made in six months as a water carrier, and the schoolroom was larger than the house he currently shared with his uncle’s family. It was an unexpected and generous offer, a stroke of good fortune, but Ali had learned to be distrustful of fate and, although the Jews had treated him well, he knew nothing of them or their practices. While he could not see anything wrong with the offer, he was not ready to accept the position outright. Naturally, the Jews of Fustat understood such caution. It was to be expected, valued even, and only confirmed the good sense of Abu Saad’s suggestion.“There is no need to make your decision now,” said Doctor Mevorakh. “Sleep will be your best counsel.”There was a murmur of agreement, and it was decided that Ali should send word the next morning with his answer.Ali stayed up late that night, staring at the mud walls of the storage room where he slept. He wanted very much to leave his uncle Rashid and aunt Fatimah’s house. Although he was fond of his cousin Fawziyah and would always be indebted to the family that had raised him, life in his uncle’s house had been quite difficult for some time now. A few years earlier, an errant donkey kick had crippled his uncle’s right hand, leaving him unable to practice his trade as a blacksmith. The family became dependent on charity, and Ali was forced to work as a water carrier. Meanwhile, Uncle Rashid had grown increasingly bitter. He spent most of his days at the neighborhood café, chewing seeds, drinking palm wine, and gambling away any money he was able to obtain.The Jews’ offer seemed like the perfect solution to Ali’s problems. Even so, he was wary. He didn’t know if he could trust them—xadhe didn’t know anything about them, really—xadand either way, he wasn’t certain how his uncle would react. Following the night shadows across the ceiling of the storage room, Ali prepared a long list of answers to the questions his uncle might ask. In the end, however, all that was unnecessary. Once he learned how much Ali would be paid, Uncle Rashid had only one question; whether he would continue to contribute to the welfare of the poor relations who had so kindly taken him in.“A small price,” he said as he chewed over a mouthful of taamiya and pickled turnip, “to repay all we’ve done for you.”Eventually, Ali agreed to provide his uncle’s family with one dinar a month, a portion of which was to be reserved for the dowry of his cousin Fawziyah. It was nearly twice as much as he currently contributed to the household and he knew most of the money would disappear into his uncle’s vices. Still, his uncle was right. It was a small price to repay all they had done for him.“I will be forever indebted to your kindness,” Ali said, and so it was settled. He sent word to Fustat, and the following afternoon he departed.Waving farewell from atop his donkey cart, Ali felt as if he were a prince leaving home for distant battle. It was a luxury for him, traveling by cart. His possessions—xada few changes of clothes, some bedding, a basket of food, and an old teapot Aunt Fatimah had given him as a parting gift—xadcould easily have fit on the back of a donkey, but at the last minute he chose the cart, and he was glad he had.Following the east bank of the Nile past the Siba bridge, Ali leaned back against his bedroll and watched the midday sunlight reflect white off the sails of ships lining up to unload their cargo. It was a beautiful day, and he felt that all was right with the world. His only regret was leaving his cousin Fawziyah behind. He knew how much she hated being alone with her parents and, homely as she was, she could not count on marriage to deliver her a better situation. She was only fourteen, and already the matchmaker was trotting out widowers and cripples. If anything, Fawziyah’s married life would be worse than her current circumstances. Ali wanted to help his cousin, to give her some piece of the good fortune he had stumbled upon, but aside from contributing to her dowry, there was nothing he could do. He was starting a new life in Fustat, and there was no room in it for Fawziyah. Read more

Features & Highlights

  • In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling
  • The Oracle of Stamboul
  • , a young man journeys from California to Cairo to unravel centuries-old family secrets.
  • “This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist
  • An Unnecessary Woman
  • WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize • A Penguin Random House International One World, One Book Selection • Honorable Mention for the Middle East Book Award
  • Joseph, a literature student at Berkeley, is the son of a Jewish mother and a Muslim father. One day, a mysterious package arrives on his doorstep, pulling him into a mesmerizing adventure to uncover the centuries-old history that binds the two sides of his family.  From the storied Ibn Ezra Synagogue in Old Cairo, where generations of his family served as watchmen, to the lives of British twin sisters Agnes and Margaret, who in 1897 leave Cambridge on a mission to rescue sacred texts that have begun to disappear from the synagogue, this tightly woven multigenerational tale illuminates the tensions that have torn communities apart and the unlikely forces that attempt to bridge that divide.  Moving and richly textured,
  • The Last Watchman of Old Cairo
  • is a poignant portrait of the intricate relationship between fathers and sons, and an unforgettable testament to the stories we inherit and the places we are from.
  • Praise for
  • The Last Watchman of Old Cairo
  • “A beautiful, richly textured novel, ambitious and delicately crafted,
  • The Last Watchman of Old Cairo
  • is both a coming-of-age story and a family history, a wide-ranging book about fathers and sons, religion, magic, love, and the essence of storytelling. This book is a joy.”
  • —Rabih Alameddine, author of the National Book Award finalist
  • An Unnecessary Woman
  • “Lyrical, compassionate and illuminating.”
  • —BBC
  • “Michael David Lukas has given us an elegiac novel of Cairo—Old Cairo and modern Cairo. Lukas’s greatest flair is in capturing the essence of that beautiful, haunted, shabby, beleaguered yet still utterly sublime Middle Eastern city.”
  • —Lucette Lagnado, author of
  • The Man in the White Sharkskin Suit
  • and
  • The Arrogant Years
  • “Brilliant.”
  • The Jerusalem Post

Customer Reviews

Rating Breakdown

★★★★★
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(260)
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(217)
★★★
15%
(130)
★★
7%
(61)
23%
(200)

Most Helpful Reviews

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3 intriguing, linked stories - 1 more successful than others

Last Watchman of Cairo tells its story via three loosely related threads and timelines. In contemporaneous America, the Muslim Egyptian father of Joseph – the last watchman referenced in the title -- has died, and he has had a friend deliver to Joseph a keepsake without explanation. Joseph, raised exclusively by his Jewish Egyptian (by birth) mother in the US, had a cordial relationship with his father, at least until his father learned Joseph is gay. They didn’t have a falling out, but had communicated only by occasional phone call for several years prior to his dad’s demise. Nonetheless, Joseph heads to Egypt with the ostensible goal of looking up a friend of his dad’s and obtaining more information regarding the keepsake. Alternating chapters also tell the story of twin late-middle-aged very British women scholars in Egypt in approximately 1897 seeking to transport a significant collection of ostensibly important historical Jewish documents to Cambridge, and, finally, the story that takes place in approximately 1022 A.D. – the story of the original watchman of the Ibn Ezra Synagogue, Ali ibn al-Marwani, an ancestor of Joseph’s.

As is often the case with multiple timeline stories, one story is far more interesting and successful than the other or others. In this case, the ancient tale of Ali is captivating and Ali is an engaging protagonist. The descriptions of Cairo during his time are fascinating. One can feel the heat, the dust, the neighborhoods, and visualize the Synagogue in detail. His dialogue and his story, and that of the characters that interact with him, comes across largely authentic.

On the other hand, with respect to the twin sisters, comments attributed to them regarding the lack of good tea in Cairo, and references to the documents as “ours” and the importance of removing the document set to Cambridge in order to preserve them from thieving locals was sufficiently off-putting, even for the times, that I hurried through chapters devoted to their adventure with increasing speed as the book progressed. The side story regarding Dr. Schechter and his youthful assistant, for example, was a waste of time and detracted from this portion of the story.
And Joseph? He was neither engaging nor believable. When he finally learns the truth of his parents’ relationship via decades-old handwritten letters they exchanged, preserved by his father – a moment that in many another novel would have had great emotional impact – the reader feels nothing because Joseph feels nothing. The descriptions of present-day Cairo in his section lack any energy or flavor for one of the world’s most fascinating cities. Hence, since his is the framing story and Cairo is nigh unto missing from his story’s telling, it’s difficult for a reader to be fully engaged in the work, as a whole.

So, in the end, this novel is partly successful and adequately written. I found it ultimately disappointing, but it may well appeal to other readers seeking historical fiction written by a Western author and set in Cairo.

Thanks to the publisher and to NetGalley for providing an ecopy of this novel.
7 people found this helpful
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An Amazing Book

Just finished reading this book and am completely blown away. What a wonderful, thought provoking book! It should be on everyone’s bookshelf. I feel I am richer for having read this.
5 people found this helpful
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Enchanting story – but I don’t know why Amazon classified it as sci-fi/fantasy (it shold be literature/fiction)

Charming, interesting book that hops between three time periods – the more-or-less current day, when Jewish/Muslim Yusuf (Joseph) al Raqb returns to Cairo after the death of his father; 1897, when a pair of English twin sisters, language scholars in search of ancient documents come to Cairo to search for a legendary Torah; and early Cairo, almost a thousand years ago, when the first of what would be a continuous line of al Raqb men became the night watchman of the oldest synagogue in Cairo.

It's an intriguing story, well told (for the most part), which evokes the different time periods quite faithfully.
3 people found this helpful
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Start At The End Of The Story And Then Start Over Again At The Beginning

The Last Watchman of Old Cairo is a fusion of centuries of history and strong characters from three distinct time periods.

Joseph, born in Paris in 1973, narrates his life (1990s) when he takes a sabbatical from writing his doctoral thesis and travels from Berkeley, to Cairo Egypt, and Cambridge, Massachusetts. Ali al Raqb, Joseph's ancestor from the mid-11th century guards the Ibn Ezra Synagogue, a position held by the al Raqb ("the watcher") family for centuries, through the time of Joseph's father, Muhammad. Margaret Gibson and Agnes Lewis arrive in Cairo in 1897. They are sisters, twins in fact, who were raised in England to be scholars by their wealthy father. These women are Arabic translators in search of ancient manuscripts that might shed light on the origins of their faith.

Margaret and Agnes are in Cairo hoping to get permission to take historic documents from the geniza at the Ibn Ezra Synagogue back to England for translation and preservation. On a previous trip, the twins brought back a pile of papers that contained a page from the original Hebrew version of Ecclesiasticus. They received accolades for this find, and they now hope to find the ancient Ezra Scroll, a copy of the Mosaic law, written in the hand of Ezra the Scribe.

Joseph visited his father in Cairo during his childhood and has an impulse to go again to discover the meaning behind an ancient document he received in the mail before his father's recent death. Along with the ancient scrap of paper was a presentation case with an inscription to Joseph's father from the two women archivists, Margaret and Agnes, dated 1897.

Back in the mid-eleventh century, Ali gives a magician access to the geniza in exchange for a potent love charm. Did the magician steal the Ezra Scroll and if he did, was it later found? Because it happened so long ago, "it's difficult to know such things for certain."

The mystery of the Ezra Scroll, a major theme in this story, remains a mystery right up through the end.

In spite of its complexity, this novel was a pleasure to read, not only because of the well-written dialogue and sense of place, but also for the religion and history. I learned so much!
3 people found this helpful
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it's a wonderful representation of Egypt, Al Islam and Judaism!

this book is set in my country, it's a wonderful representation of Egypt and Al Islam!
so The book is set in 3 different times, every chapter in a different time:

One chapter is set in Al Motassem bellah era, more like 10th century? from Ali Al Raqb’s pov (the first watchman Of Ibn Ezra synagogue)
the other is from Agnes and Margret Gibson, in 1897, 2 British twins researchers s who are researching jwish documents and Ibn-Ezra’s synagogue history.
The last one is from Joseph’s pov, in at first and his journey in cairo. i guess in the early 2000’s i guess? im not sure tbh.

Each one of these periods are perfectly represented, I get so protective when someone mis-represent my country or my religion, these 2 subjects are an off-limit for me. But Michael did a wonderful job representing both! In the 3 periods he chose, he talked and described perfectly Egypt in them!

The characters were all a work of fiction but every place that was mentioned in this book actually exists, even the synagogue exists ( i’m so planing to visit soon).
The Jewish history is so interesting? Like super interesting i’m so planing to read more about this beautiful religion
The book had Quraan verses, Torah verses. The author, represented both religions so beautifully!
i even learned a thing or 2 about my country’s history!
2 people found this helpful
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A beautifully written family history of Jews and Muslims in Old Cairo

I was a Tutankhamen-loving, mythology-obsessed, Pyramid-building, Egypt Game-playing, Elizabeth Peters/Agatha Christie archaelogy mystery reading, Mummy watching kid. Did I cross the line from romanticizing the exoticism of the country to the point of convenient ignorance (nothing past the Suez Crisis, please) to a condescending Orientalism that avoids inconvenient history? I'm sure I did. So I've tried to become more careful about my reading choices about the place as I get older - more books by actual Eyptian writers, paying attention to the news about what is actually happening in the place, trying to see the region as a whole and not always through a Western shaped lens, etc. So I actually avoided Michael David Lukas' second book, which sounded like another prettified tale of Ye Old Cairo, until I was confronted with it at the library and couldn't resist.

I'm so glad I did, because Lukas is a beautiful wordsmith, a dexterous world builder - often with just a few paragraphs. He captures the desire of the child to capture their history in the midst of divorce, dislocation, awkward family visits straddling continents and cultures. Joseph, the lead character, has an especially charged narrative as the only child of a Jewish mother, an Egyptian father, a Northern Californian kid with a funny name (al-Raqb) which he slowly uncovers has a proud past as the watchmen of the Ibn Ezra synagogue of Old Cairo. Joseph is a would-be Berkely historican, a loving son, a lonely gay man searching for his identity. He finds his destiny in uncovering the larger mystery of the mythical Ezra Scroll, which resided for centuries in the very place his Muslim family was charged with protecting. Lukas blends Josephs' family history with real life historical figures such as Alice Lewis and Margeret Gibson, Scottish twins and amateur scholars who in 1897 aided English academic Solomon Schecter, and the Chief Rabbi of Cairo ,in saving thousands of Jewish and Islamic manuscript fragments and taking them to Cambridge, England, where they reside today.

The themes of co-religionists sharing history through stories and texts, and working together to preserve a shared heritage is all too necessary in the world today. The writing (and plot) does waft away at times in an effort to preserve a beautiful dream like state in the reader, but kudos to Lukas for taking us into the past so effortlessly. I'll read his first book, The Oracle of Stamboul, with an open heart.
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Mystery of Life or A Boy Grows Up

There’s a spark and a tingle of energy when a person is near it. It’s a mystery that persists across the centuries. This is a beautifully told tale that integrates three stories across centuries. Ali earns the title of being the first watchman around 1000 AD. Joseph is the one telling the tale. He is a college student at Berkley working on his master degree. He grew up in New Mexico with his mom and step dad Bill. The arrival of a mysterious package shortly after Joseph’s dad dies starts the story. Agnes and Margaret are twin English widows from the late 1800’s. It is the twin’s discovery that bridges the first to the last watchman.
Everything should be made as simple as possible, but not too simple. This book takes complex themes and places, like religion, war, rulers, politics, and culture, and creates a human story on top of it. There’s satisfaction in making the connections and seeing that the actions of a long distant relative can make a difference and change a life trajectory today. The wonderment, mystery, and connections make this a beautiful story. I love the cat theme too. This is a book that stayed with me weeks after reading it. It will make an excellent book group selection.
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Here we find people who strive to lead good lives, who demonstrate the many ways in which ...

In The Last Watchman of Old Cairo, Lukas masterfully weaves together three time periods, whose stories connect through a family mystery that is traced back a thousand years before the contemporary narrator. Each of the narrative threads is populated by characters who are peculiar to their time, and who fit perfectly within the specific Cairo in which they find themselves.

We care about these characters, whose struggles we identify with, no matter the background or epoch. Here we find people who strive to lead good lives, who demonstrate the many ways in which responsibility and forgiveness, love and kindness, shape the way we see and act in the world. Faith also plays an important role, but it is not the faith of only one religion or belief. It seems more the faith of striving to live a good life, and of knowing that it is worth the effort.

Lukas highlights the central role of story, the meaningful stories we tell ourselves and each other throughout our lives and through the ages. This beautiful tale provides us with some needed inspiration in our challenging times.
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Beautiful and well-written with much to think about

A beautiful book - one of the best I've read in a long time. I visited Egypt a few years ago and spent time in the Coptic museum, with a visit to the synagogue, so I could imagine many of the scenes in the book. I almost didn't request the book because it's listed as science fiction, yet it's strictly literary fiction. Because of Amazon's classification (which may be corrected by the time you read this) I kept waiting for something out of the ordinary to happen. But no: there are 3 narratives and no time travel.

Yusuf, the narrator and central figure, is a restless graduate student at Berkeley (where I studied myself, and I've seen many people get lost there). His father dies, and his father's friend sends a mysterious package of papers. Yusuf takes a leave of absence to go to Cairo to learn more about his father.

We readers discover his father's family history - how he's descended from a long line of Arab men who guarded the synagogue so closely, they seemed to belong in some way. As readers we see the first watchman, a teenage boy, and learn how a certain fragment was created.

We also learn about the documents held in the synagogue, especially through fifty-something female twins who visit in 1897. The section on the twins creates almost comic relief, as we see through their eyes the various people competing for the treasure. The degree of detail the author shares, in just a few pages of text, is remarkable: we learn their history, motivation and even their character. And we see how women in that era could travel alone and make significant accomplishments, as long as they politely deferred to men and gave up the credit.

As omniscient readers, we can appreciate some ironies in the context of the narrative, such as the coming together of Yusuf's parents. Patterns from the past are repeated in the future, and of course only the omniscient reader will know.

The writing is magnificent, with subtle phrases that convey a great deal without forcing the reader to notice. For instance, a hotel concierge is described as "a large man with the aspect of an overripe and somewhat bruised tropical fruit." (Did hotels have queen size beds in 1897? When I googled the term, queen beds seem to have appeared about 40-50 years later.)

Other reviewers describe the book as "gentle," and it's true there was no violence and only hints of intimacy (I want to avoid words that would get the review censored). However, the pace moves quickly and once started, the book was hard to put down.

I did feel sad to think of all the animals, especially the thousands of cats roaming loose; even today, spay/neuter practices are rare and when I visited, we would see so many cats living rough on the streets. The most significant cruelties - mentioned briefly - were related to expulsion of foreigners in the 1960s.

The narrator's status as a gay man adds a small note of tension to the story, but not enough to classify the book as LGBT genre.

It's not only a good read; I found myself putting the pieces together after I finished; it's the kind of book you may want to read and read again. If I were in a book club I'd want to suggest this book: the discussion would be thought-provoking and lively.
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Gently-crafted adventure novel about finding oneself

I am reviewing a copy of "The Last Watchman of Old Cairo" that I received at no charge from the Amazon Vine program.

I can say this is an historical novel, that it's told from three perspectives like Michael Cunningham's "The Hours" or "Specimen Days", that it crosses boundaries of forbidden love, prejudice, and the need to seek one's roots. All of those miss the point.

The point is that for each of these characters - 21st century Joseph Al-Raqb, 19th century twins Margaret and Agnes, 14th century orphan Ali - are seeking something greater than themselves, and how they grow along the way. I know, it's trite - the "leave home and find yourself" trope - but dammit it works here, Lukas weaves a good set of narratives with a gentle hand and develops characters I grew to like. Each is broken but finds purpose despite that brokenness. Joseph seems scarcely interested in his own life, aimlessly picking up students while working summers on scholarly articles he can't be bothered out of the California sun long enough to write. Ali carries water and knows well he's stuck sleeping on his uncle's floor in city that discards all but the strong and wealthy. Margaret and Agnes approach Middle Eastern scholarship in its golden day with brilliance and a sense of mission, but are constantly overshadowed on account of their gender. It would spoil the adventure terribly to yield any secrets as to how each overcomes this impedance.

Four stars for a well-written, gently-crafted novel of finding oneself
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