The Late Monsieur Gallet (Inspector Maigret)
The Late Monsieur Gallet (Inspector Maigret) book cover

The Late Monsieur Gallet (Inspector Maigret)

Paperback – January 28, 2014

Price
$10.00
Format
Paperback
Pages
176
Publisher
Penguin Books
Publication Date
ISBN-13
978-0141393377
Dimensions
5.14 x 0.45 x 7.76 inches
Weight
4.7 ounces

Description

Praise for Georges Simenon: “One of the greatest writers of the twentieth centuryxa0.xa0.xa0. Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” — The Guardian “These Maigret books are as timeless as Paris itself.” — The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” — People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writerxa0.xa0.xa0. Unforgettable vividness.” — The Independent (London) “Superbxa0.xa0.xa0. The most addictive of writersxa0.xa0.xa0. A unique teller of tales.” — The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writerxa0.xa0.xa0. Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probesxa0. . . not justxa0the world's bestselling detective series, butxa0an imperishable literary legendxa0. . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ―xa0Times (London)"Strangely comfortingxa0. . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ―xa0Margaret Atwood"One of the greatest writers of the 20th centuryxa0. . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ―xa0Financial Times"Grippingxa0. . .xa0richly rewardingxa0. . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ―xa0The Sunday Times (London) Georges Simenon (1903–1989)xa0was born on February 12th, 1903 in Liege, Belgium. At the age of nineteen, Simenon embarked to Paris to begin a career as a writer. xa0In 1923 he began publishing under various pseudonyms, and in 1929 began the Inspector Maigret series which helped elevate him to become a household name in continental Europe. xa0His prolific output of more than four hundred novels and the gripping, dark realism of his prose has cemented him as an inedlible fixture of twentieth century literature. xa0He died inxa01989 in Lausanne, Switzerland. Anthea Bell is the award-winning translator of numerous French and German works: from the Asterix comics to W. G. Sebald’s literary masterpiece Austerlitz .

Features & Highlights

  • “One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —
  • The Guardian
  • Georges Simenon’s devastating tale of misfortune, betrayal and the weakness of family ties
  • “Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.”
  • The circumstances of Monsieur Gallet’s death all ring false: the name the deceased was travelling under and his presumed profession, and more worryingly, his family's grief. Their haughtiness seems to hide ambiguous feelings about the hapless man. In this haunting story, Maigret discovers the appalling truth and the real crime hidden behind the surface of lies.

Customer Reviews

Rating Breakdown

★★★★★
30%
(350)
★★★★
25%
(291)
★★★
15%
(175)
★★
7%
(82)
23%
(267)

Most Helpful Reviews

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a very early maigret foreshadows what is to come

"The Late Monsieur Gallet," previously translated into English as "Maigret Stonewalled," is one of the first Simenon novels featuring the police inquiries of Jules Maigret. In this instance, Senior Inspector Maigret is sent northward to Normandy to clear up what first appears to be a routine murder. The case, like the later "Man on a Bench," focuses on a man who has led a double life. This neatly showcases Maigret's signature approach to field investigations, i.e., unraveling a mystery by getting to know the deceased.

As often occurs when Maigret investigates a crime far from the capital, this one has him solving the case largely on his own, and the story lacks the presence of Maigret's Paris-based colleagues, especially Lucas, Janvier, Torrence, and LaPointe. This absence of trusted associates exaggerates Maigret's tendency to communicate little about his thought process, making the plot twists at the end of the book especially startling.

Typical of the entire Maigret oeuvre, issues of class differences abound in "The Late Monsieur Gallet". They not only signal Simenon's subtle handling of the French preoccupation with family background, but are also at the heart of the death under investigation. Evident too in this book is Simenon's exceptional talent for description. In my mind's eye, for example, I see the deceased's straight-laced wife, at first attired in mauve silk and later in mourning. Likewise, i feel that I have accompanied Maigret throughout his investigation in a sweltering provincial town.

The Maigret we meet in "The Late Monsieur Gallet" is less self-assured than the man we will come to know as the series unfolds, and occasionally this is a bit jarring. The writer Simenon too is less polished than he will become in later novels wherein plot complexities are handled more adeptly. Still, this book will please the vast universe of Maigret and Simenon aficionados for it helps lay the groundwork for books that will follow.
29 people found this helpful
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Not my facorite

To me this book was boring, confusing, and convoluted. Though well received over 70 years ago, it is not the style of today. It is a short book (novella?), otherwise I would not have finished it.
5 people found this helpful
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but a little tedious after a while

One of the early Maigrets, so Simenon is still getting his feet on the ground here. He has to pause every fifteen pages to summarize what we know and where we stand. Helpful, but a little tedious after a while. Plus, Maigret does not seem as funny as he does in later books. But this is still a real Maigret, so if you like the series, you will enjoy this one.
3 people found this helpful
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Convoluted and Pathetic

Another Amazon reviewer titled his review of "The Late Monsieur Gallet" as "A Rough Beginning." I think this title is apt for this novel because it not only describes how a reader will experience the novel at the start but it also describes the main character's childhood and early marriage which Maigret explores in exacting detail. There is something herky-jerky about this novel's beginning which may be in part due to the author's clumsiness but it may have as well much more to do with the translation into English prose. It's rough, and I don't know exactly why.

if it weren't for the author making sure that Maigret has a strong sense of compassion for the main character, this novel would be almost unbearable to read. The plot is convoluted and the impact of the story finally is deeply pathetic.

If any insurance company knew how Maigret handles the whole truth and nothing but the truth, it would never hire Maigret and might even likely sue him in court for malfeasance.
2 people found this helpful
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Disappointment

This is Georges Simenon's third Maigret novel; and it does not yet capture the humanity of Maigret. The good point for followers of Maigret is that this helps us to see how Simenon developed the character in the fourth novel, The Hanged Man of Saint-Pholien. Even a disappointment has been useful.
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WITH INSP. MAIGRET YOU MAY BEGIN ANYWHERE

WITH NO SPOILERS COMING, YOU MAY BEGIN WITH THIS EXCELLENT NOVEL OR ANYWHERE. THERE ARE SEVENTY FIVE BOOKS. OR , WITH PETER THE LATVIAN, THE FIRST BOOK. MAIGRET REMAINS THE SAME. SOMEWHAT SIMILAR TO HERCULE POIROT, BUT WITH THE FULL POWER OF THE LAW, WHICH HE OCCASIONALLY BENDS IN THE INTEREST OF JUSTICE. MAIGRET IS THE CHIEF INSP.
FOR ALL OF GREATER PARIS. SIMENON HAS MADE HIS CHARACTER VERY VISCERAL AND COGNITIVE, OFTEN RELYING ON THE
WRITINGS OF CARL JUNG OR FREUD. A MESMERIZING SERIES. I HAVE ABOUT FIFTY OF HIS NOVELS. SOME ARE STUBBORNLY
DIFFICULT TO OBTAIN. TRY TO READ A BIT ABOUT SIMENON, HE WAS A VERY UNUSUAL MAN.
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Four Stars

Nice
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Never a dull moment.

This tale written in 1939 by George Simenon is as relevant today. Inspector Maigret is cerebral, determined and implacable as, say, Wallender, Holmes or Poirot. Well crafted plot and characters. Never a dull moment.
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Encore, Maigret

Simenon is a master at creating a time, a place, and a mood. Maigret is one of the most fully-developed of all fictional policemen.
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Excellent early Maigret

The Late Monsieur Gallet, published in 1931, is the third volume in Belgian author Georges Simenon’s series of mystery novels featuring Inspector Jules Maigret, though the recent line of reprints from Penguin Classics has it as book number two in their series. Originally titled M. Gallet décédé, it has also been published in English under the titles The Death of Monsieur Gallet and Maigret Stonewalled. In all Simenon wrote 75 novels and 28 short stories starring Maigret. I’ve read about ten of the Maigret novels so far, and this is the best one I’ve come across so far.

Maigret is Detective Chief Inspector with the Police Judiciaire in Paris. On a stifling hot summer day, he gets a telegram informing him that a traveling salesman named Émile Gallet has been found murdered at a hotel in Sancerre, a town on the Loire River. Maigret is tasked, much to his chagrin, with travelling to Saint-Fargeau, a town about 20 miles from Paris, informing Madame Gallet of her husband’s demise, and escorting her to Sancerre to identify the body. The widow greets Maigret’s notification of her husband’s death with disbelief, because he was murdered on June 25th, while she has received a postcard from him postmarked on the 26th. Unable to convince her, the reluctant Maigret drags the doubtful woman off to view the corpse. Once they arrive in Sancerre, details begin to emerge that suggest that the mysterious M. Gallet was not all he appeared to be.

Simenon handles this case with expert pacing and plotting. The more Maigret delves into the case, the more baffling details reveal themselves. Surprising revelations are rationed over the course of the book, so the reader is always just one step behind the truth. Some mystery novelists save up too many surprises for the big reveal at the end, causing the reader to become disoriented and disinterested. Not so, Simenon. He leaves the reader just enough of a trail of bread crumbs to see where the path of Maigret’s investigation is leading, but not enough to discern the final destination until the very end. The characters are both realistic and intriguing. There’s no shortage of sufficiently shady suspects among Gallet’s associates, and as is often the case in Maigret’s adventures, the dead man is the most engaging and sympathetic player in the ensemble cast.

This brisk 150-page mystery had me hooked from chapter one until the final page. It’s superior to the two volumes that preceded it—Pietr the Latvian and Lock 14—so if you’ve never read Maigret before and are thinking about giving him a try, this may be a good one to start with. It’s an excellent example of Simenon at his best.