The Long Fall (Leonid McGill)
The Long Fall (Leonid McGill) book cover

The Long Fall (Leonid McGill)

Paperback – February 2, 2010

Price
$16.83
Format
Paperback
Pages
335
Publisher
New American Library
Publication Date
ISBN-13
978-0451230256
Dimensions
5.53 x 0.81 x 8.23 inches
Weight
11.2 ounces

Description

a"The Long Fall" is an astounding performance by a master, a searing X-ray of grasping, conspiratorial New York and of the penitent soul of a wily, battle-scarred private-eye. Dark: because it takes us express to the lower depths. Beautiful: because Mosley never leaves us without light. This is, simply, Mosleyas best work yet.a aJunot DA-az Walter Mosley is one of America’s most celebrated, beloved, and bestselling writers. His books have been translated into at least twenty-one languages, and have won numerous awards. Born in Los Angeles, Mosley lives in New York City. Excerpt. © Reprinted by permission. All rights reserved. Table of Contents Title Page Copyright Page Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 ALSO BY WALTER MOSLEY EASY RAWLINS MYSTERIES Blonde Faith Cinnamon Kiss Little Scarlet Six Easy Pieces Bad Boy Brawly Brown A Little Yellow Dog Black Betty Gone Fishin’ White Butterfly A Red Death Devil in a Blue Dress other FICTION The Tempest Tales Diablerie Killing Johnny Fry The Man in My Basement Fear of the Dark Fortunate Son The Wave Fear Itself Futureland Fearless Jones Walkin’ the Dog Blue Light Always Outnumbered, Always Outgunned RL’s Dream 47 The Right Mistake NONFICTION This Year You Write Your Novel What Next: A Memoir Toward World Peace Life Out of Context Workin’ on the Chain Gang RIVERHEAD BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Copyright © 2009 by Walter Mosley All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. Published simultaneously in Canada Library of Congress Cataloging-in-Publication Data Mosley, Walter. The long fall / Walter Mosley. p. cm. eISBN : 978-1-101-01137-9 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. 1 I ’m sorry, Mr. um? . . .” the skinny receptionist said. Her baby-blue-on-white nameplate merely read JULIET. She had short blond hair that was longer in the front than in the back and wore a violet T-shirt that I was sure would expose a pierced navel if she were to stand up. Behind her was a mostly open-air-boutique-like office space with ten or twelve brightly colored plastic desks that were interspersed by big, leafy, green plants. The eastern wall, to my right, was a series of ceiling-to-floor segmented windowpanes that were not intended to open. All the secretaries and gofers that worked for Berg, Lewis & Takayama were young and pretty, regardless of their gender. All except one. There was a chubby woman who sat in a far corner to the left, under an exit sign. She had bad skin and a utilitarian fashion sense. She was looking down, working hard. I immediately identified with her. I imagined sitting in that corner, hating everyone else in the room. “Mr. Brown isn’t in?” I asked, ignoring Juliet’s request for a name. “He can’t be disturbed.” “Couldn’t you just give him a note from me?” Juliet, who hadn’t smiled once, not even when I first walked in, actually sneered, looking at me as if I were a city trash collector walking right from my garbage truck into the White House and asking for an audience with the president. I was wearing a suit and tie. Maybe my shoe leather was dull, but there weren’t any scuffs. There were no spots on my navy lapels, but, like that woman in the corner, I was obviously out of my depth: a vacuum-cleaner salesman among high-paid lawyers, a hausfrau thrown in with a bevy of Playboy bunnies. “What is your business with Mr. Brown?” the snotty child asked. “He gives financial advice, right?” She almost answered but then decided it was beneath her. “I’m a friend of a friend of his,” I said. “Jumper told me that Roger might show me what to do with my money.” Juliet was getting bored. She took in a deep breath, letting her head tilt to the side as she exhaled. It wasn’t my skin color that bothered her. People on Madison Avenue didn’t mind dark skins in 2008. This woman might have considered voting for Obama, if she voted. She might have flirted with a rap star at some chic nightclub that only served imported champagne and caviar. Roger Brown was black. So were two of the denizens of the airy workspace. No. Juliet didn’t like me because of my big calloused hands and no-frills suit. She didn’t like me because I was two inches shorter and forty pounds heavier than a man should be. “If I leave you my card, will you make sure that he gets it?” After another sigh she held out a hand, palm up. My fat red-brown wallet was older than the child, no doubt. I opened it and rooted among the fake business cards that were the hallmark of my trade. I decided on one that I hadn’t brought out since a woman I hardly knew had died at my feet. ARNOLD DUBOIS Van Der Zee Domestics and In-home Service Aides I went down on one knee, taking a pen from the red plastic desktop. “Excuse me,” Juliet said in protest. I scrawled for Roger (aka B-Brain) Brown across the bottom. Beneath that I added a number from a lost, or maybe stolen, cell phone that I had purchased specifically for this job. I stood up easily, without grunting, because, unknown to Juliet, most of my extra weight was muscle. I handed her the card and she took it gingerly by a corner. “Is that all?” she said. The chubby woman in the corner looked up at just that moment. I grinned at her and waved. She returned the gesture with a slightly puzzled smile. “Thank you for your time,” I said, pretending I was talking to the woman under the exit sign. “This means a lot to me.” Juliet sucked a tooth and pulled in her chin. I remember a time when only black women did that. STOMPING DOWN THE two flights to the street, I was thinking about when I would have pushed harder to get past that girl. All I had to do was get a look at Roger Brown. I had never even seen a photograph of the man but I knew he was black and in his thirties with a small crescent scar under his right eye. All I needed was one look. At an earlier point in my career I would have probably done something extreme to achieve that simple goal. I might have raised my voice and demanded to see her supervisor, or just walked past her, looking into offices until Roger Brown showed his face, or not. I could have pulled the fire alarm in the hallway or even put a smoke bomb in a trash can. But those days were pretty much over for me. I hadn’t given up on being a private detective; that was all I knew. I still took incriminating photographs and located people who didn’t necessarily want to be found. I exposed frauds and cheats without feeling much guilt. In other words, I still plied my trade but now I worried about things. In the years before, I had no problem bringing people down, even framing them with false evidence if that’s what the client paid for. I didn’t mind sending an innocent man, or woman, to prison because I didn’t believe in innocence—and virtue didn’t pay the bills. That was before my past caught up with me and died, spitting blood and curses on the rug. I STILL HAD a family that looked to me for their sustenance. My wife didn’t love me and two out of three grown and nearly grown children were not of my blood. But none of that mattered. I had a job to do, and more than one debt to pay. So I had contracted to find four men. I’d already located three of them. One was dead, one in prison, and the third was awaiting trial. Of the four, only Roger Brown, if this was indeed the Roger Brown I was looking for, had made some kind of life for himself, the kind of life where a pretty young white girl protected his privacy and called him Mister in an office of first names. Maybe I went easy on Juliet because I was worried about Roger. The job was presented as a straightforward case, with no criminal prosecution involved. But if you find three bad apples, you know there’s got to be something rotten somewhere. I walked down Madison in the bright summer sunshine, hoping that this Roger wasn’t the Roger I was looking for; and even if he was, I would have been happy if he never called. 2 F rom the Sixties on the East Side of Manhattan I took a yellow cab down to Thirty-fourth Street, a little west of Penn Station. Gordo’s Gym took up the entire fifth floor of a dirty brick building that was built sometime before Joe Louis knocked out the Cinderella Man. At noon on a Wednesday the ring was empty, as most of Gordo’s hopefuls were out plying day jobs to pay for their protein and locker space. I set myself up in the corner where a heavy bag hung. That particular piece of real estate was next to a big window that was painted shut and so murky that you couldn’t see a thing through it. But I didn’t go to Gordo’s Gym three days a week for the view or the smell of men’s sweat, or for the company, for that matter. I stripped down right there, put on my thick leather gloves (which were also older than Juliet), and started in on a rhythm of violence that kept up my balance in the rotted infrastructure of my city and my life. Throwing a punch is the yang of a boxer’s life. The yin is being able to avoid getting hit. I’m pretty good at the yang part. Everybody knows but few can exploit the fact that a good punch comes first from the foot, moves in circular motion around the hips, and only then connects with the arm, fist, and if you’re lucky, your opponent’s jaw or rib cage. Fighting therefore is like the dance of a mighty Scot stamping and swinging in a dewy Highland morning. For nearly twenty minutes I did my barbarian dance, punishing the big bag, allowing it to swing forward and hit me in the chest now and again. Since I’d given up smoking my wind was getting longer. I needed anaerobic exercise to vent my anger. I hated Roger Brown and Juliet along with so many things I had done over the years. At one time I had been able to live with myself because I could say that I only set up people who were already crooked, guilty of something—usually something bad—but not any longer. I hit that bag with dozens of deadly combinations but in the end I was the one who was defeated, crouched over with my gloves on my knees. “Not half bad,” a man said, his voice raspy and familiar. “Hey, Gordo.” I didn’t raise my head because I didn’t have the strength. “You still know how to give it yer all when you decide to give.” “And even with that I come up short nine times out of ten.” “You shoulda been a boxer,” one of New York’s unsung master trainers said to me. “I liked late nights and cheap wine too much.” “Beard like you got belongs in the ring.” I’m a clean-shaven guy. Gordo was complimenting the iron in my jaw. “Hit me enough,” I said, “and I’d go down like all the rest.” “You coulda cleaned the clock of every light heavy in 1989.” “Somebody woulda beat me.” “That somebody was you,” Gordo said with emphasis. “You hung back when you coulda stood tall.” “Lucky for the world that I’m a short man in inches and stature.” I straightened up and turned to face my best friend and toughest critic. Gordo was a short guy too, somewhere between seventy-five and eighty-eight. He was black by American racial terminology but in actuality he was more the color of untanned leather informed by a lifetime’s worth of calluses, hard knocks, and hollering. The blood had risen to his face so often that his mug had darkened into a kind of permanent rage-color. I was still breathing hard. After all, I’m past fifty. “Why you wanna put yourself down like that, LT?” the veteran trainer said. “You coulda been sumpin’.” He wouldn’t have been talking to me if any of his young prospects were in the gym. Gordo hovered over his young boxers like a mama crocodile over her brood. I slumped down on the floor, letting my wet T-shirt slap against the wall. “That’s just not me, G. I never could take any kinda order or regimen.” “You know how to hit that bag three times a week.” “Is that enough?” The sour-faced little guy frowned and shook his head, as much in disgust as in answer to my question. He turned away and limped toward his office on the other side of the big, low-ceilinged room. After five minutes or so I made it back to my feet. I pawed the bag three or four times before my knees and hips got into it. After a minute had passed I was in a kind of frenzy. Before, I had just been angry, now I was desperate. I think I went to Gordo’s just so that he could kick me in the ass. The foundation of our friendship was the simple fact that he never held back. I was a failure because I wasn’t a boxer—at least in his eyes. He never cared if his boys lost, only if they didn’t try. I pounded that bag with everything I had. The sweat was streaming down my face and back and thighs. I felt lighter and lighter, stronger and stronger. For a moment there I was throwing punches like a real contender in a title match; the underdog who intended to prove the oddsmakers wrong. Everything fell into place and I wasn’t anything but ready. And then, in an instant, the feeling slipped away. My legs gave out and I crumpled to the floor. All that I had was spent. Gordo leaned back in his office chair and glanced out the door in my direction. He saw me lying there and leaned forward again. Ten minutes later I got to my feet. Twenty minutes after that I’d showered and gotten dressed. A few guys were in the gym by then. Not boxers but office workers who wanted to feel what it was like to work out next to real athletes. I was headed for the stairs when Gordo called out to me. “LT.” The visitor’s chair in his matchbox office was a boxing stool. I squatted down on that and took a deep breath. “What’s wrong with you, kid?” “It’s nuthin’, G. Not a thing.” “Naw, uh-uh,” the man who knew me as well as anyone said. “For over a year you been comin’ in here hittin’ that bag hard enough and long enough to give a young man cardiac arrest. You wasn’t all that friendly before but now even the smart-asses around here leave you alone. Don’t tell me it’s nuthin’. Uh-uh. It’s sumpin’ and it’s gettin’ worse.” “I got it under control,” I said. “Talk to me, Leonid.” Gordo never used my given name. He called me Kid or LT or McGill in everyday banter. But there was no humor in him right then. “You once told me that you didn’t want to know about what I did to make a living,” I said in a last-ditch attempt to stave him off. The old man grinned and tapped his forehead with the four fingers of his left hand. “I got more dirty secrets up here than a slot machine got nickels,” he said. “I didn’t wanna know about your business ’cause I knew that you couldn’t talk about it an’ still come around.” In order to be a good trainer you had to be a teacher, a counselor, a psychologist, and a priest. In order to be a great trainer—add to that list, an irrefutable liar. “You can do it, kid,” the trainer says when his fighter is down on points with his good eye swollen shut. “He’s gettin’ tired. It’s time to pour it on,” the trainer says when the opponent is grinning and bouncing on his toes in the opposite corner. Gordo never wanted to hear about my shady doings before. But before ceased to exist and all we had was now. But I couldn’t tell him the truth. I mean, how could I confess that after twenty years a young woman had found out that I’d framed her father, sending him to prison and ultimately to his death? His daughter called herself Karma, and she framed me for her own murder using seduction and a hired assassin. I killed the killer but still the young woman, Karmen Brown, died in my arms cursing me with spittle and blood on her lips. Karmen’s last breath was a curse for me. “Let’s just say that I realized that I’ve done some things wrong,” I said. “I’m tryin’ to backtrack now. Tryin’ to make right what I can.” Gordo was studying me, giving away nothing of his own thoughts. “I got a kid tells me that he can be a middleweight,” he said at last. “Problem is he thinks he’s an artist instead of a worker. Comes in here and batters around some of the rejects and thinks that he’s Marvin Hagler or somethin’.” “Yeah? What’s his name?” “Punterelle, Jimmy Punterelle. Italian kid. He’ll be in here the next three days. If I put some fifty-year-old warhorse in front of him and point he’ll put on a shit-eatin’ grin and go to town.” I pretended to consider these words for a moment or two and then said, “Okay.” It was Gordo’s brief smile that eased my sadness, somewhat. He was my de facto confessor, and Jimmy Punterelle was going to be my Hail Mary. 3 I checked my illegal cell phone for messages but Roger Brown hadn’t called. So when I was out on the street again I felt lighter, easier. Maybe everything would be okay. It didn’t matter if my client only found out about three lowlifes. It didn’t matter at all. Read more

Features & Highlights

  • The widely praised
  • New York Times
  • bestseller, and Mosley's first new series since his acclaimed Easy Rawlins novels...
  • Leonid McGill is an ex-boxer and a hard drinker looking to clean up his act. He's an old-school P.I. working a New York City that's gotten a little too fancy all around him. But it's still full of dirty secrets, and as McGill unearths them, his commitment to the straight and narrow is going to be tested to the limit...

Customer Reviews

Rating Breakdown

★★★★★
30%
(340)
★★★★
25%
(284)
★★★
15%
(170)
★★
7%
(79)
23%
(261)

Most Helpful Reviews

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Wait and See approach

Once upon a time, Mr. Mosley was my favorite author. I never missed an Easy Rawlins or Fearless novel and I still long for their adventures. "Devil in a Blue Dress" is one of my favorite movies of all time and I have seen it at least 6 times. I adored Easy Rawlins so much, I bought the last few novels in hardcover for the full price!! I wanted Mr. Mosley to benefit from the hardcover royalties.

Now on to his new book, "The Long Fall". To put it bluntly, I don't like it. Hold on, let me back up a bit. I don't like any of the leading characters. Leonid McGill made a career of setting up innocent people and now he wants to change. Really, then get all of those people you set up OUT OF JAIL. The other major characters, his wife, favorite son, and friend (former assassin) are all despicable. Mr. Mosley, why didn't you make a good major character? Everyone in the book, except for the cop, are terrible people with terrible past. This book reminds me of the former show "Oz". There wasn't anyone in the show that you could call a good person. I feel the same way about this book. Mr. Mosley could have made his son a good person instead of a born criminal. His wife could have been good person. By the way, does Mr. Mosley have something against marriage? Easy Rawlins couldn't have a happy relationship either. I have been married happily for 16 years and MANY of my friends have been married longer. Mr. Mosley, there are people out there whose wife doesn't cheat on them at every opportunity.

Right now I don't know if I will read "Known to Evil". If I do decide to read it, I will definitely wait for the paperback or get it from a discount bookseller. I only gave this three stars because of my fondness for Mr. Mosley's previous works. I even bought "This year you write your novel" because he inspired me to write one. I feel so bad criticizing this book. I still adore Mr. Mosley's previous work and will think fondly of him because of it. Go back to writing about "Fearless" Mr. Mosley. At least he and Paris are a characters I can cheer on and if I am not mistaken, others share my opinion.
13 people found this helpful
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Finally

I can remember when "Devil in a Blue Dress" came out. It was all over the bookstores, in dumps and displays in the front of various stores. Everyone who read mysteries read it that year. I'm the guy who sees what everyone else is doing, and does something else, just out of stubbornness, so I didn't read it for a year or so, but when I did, I realized that the hype wasn't in this case just manufactured. "Devil" is a truly great detective novel, one of the best first ones in the last 25-30 years, up there with Dennis Lehane's "A Drink Before the War" and Jonathan Kellerman's "When the Bough Breaks".

Mosley's had a somewhat uneven career since, in my opinion anyway. Several of the Easy Rawlins books since have been good (I especially liked "The Little Yellow Dog") and I liked the series of short stories featuring Socrates Fortlow, the guy who'd spent 20 years in jail for killing his wife and her lover. On the other hand, he's branched out and tried to be a "serious novelist", and that can be dangerous. I avoided "Blue Light" and his other more experimental stuff, and I didn't care for "The Man in my Basement" much at all. The whole series with Paris Minton, sidekick of Fearless Jones, just annoyed me, and the last book, where Paris in one passage modestly tells you he has a big schlong, while bedding one of many different women he enjoys during the course of the book, just struck me as a juvenile fantasy, predictable and not very interesting. I keep waiting for Mosley to recapture what he had when he started, before he got ideas and tried to be taken seriously.

The author is from Los Angeles, but he's moved to New York City (I gather his wife's in the "theatah") and so his new series is set in that city. Leonid McGill is a different character from Easy Rawlins. He's more of a shifty character, someone who in the past framed others for crimes they didn't commit (though most of the time they'd done *something*) and even occasionally fingered a target for a hit man. He finally did something that touched his soul in a profound way, and so now he's decided to walk the straight and narrow, and only take jobs where he can help people. Unfortunately, the past has a way of catching up with people in Mosley's books, and McGill is no exception to the rule. Someone hires him to find a list of people, against his better judgment he does it because he needs the money to pay the rent, and soon the men he's found wind up dead. When he goes looking for the guy who hired him, it turns out that individual is dead also, and soon after someone tries to kill McGill.

This is a standard private eye novel in the Chandler style. The plot is a bit over-complicated, has too many characters, and is really more about the setting (New York City) and the people that inhabit it than it is about the plot. McGill's a fascinating character, resenting his Communist father (who renamed himself Tolstoy and named his sons Leonid and Nikita), and feeling a sense of obligation to the wife who temporarily left him for a disgraced Wall Street hotshot, but came back and is trying to provide a home for him. The secondary characters, from the rest of Leonid's family to the various underworld figures he knows and interacts with, is pretty much completely fascinating. At one point one of the rich white people actually calls Leonid the "n" word, and he just ignores the guy. Easy would have been enraged, and I think Mouse would have shot the guy twice in the face.

This is a different character for a different world. I really enjoyed this book, and would recommend it. Very very good.
10 people found this helpful
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Not Easy Rawlins

This is another Walter Mosley character and he is very entertaining this Leonid McGill - a long time boxer of less than 5 feet six inches he CAN take car of himself and deduce facts with some speed. His family is rich in texture - a wholly original series.
5 people found this helpful
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Leonid McGill is not Easy Rawlings

Mosley changes the venue from Southern California to New York but keeps many tried and true plot devices-the conflicted main character, family problems, a shady past, clients who conceal motives, police a love-hate relationship with the police. If you have not read al of Mosley's Easy Rawlings novels, grab one of them instead of this. If you have Leonid McGill will have to do.
1 people found this helpful
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Gift

This book was a gift
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You may like it

I am a fan but this book was no great departure from the Easy Rawlins franchise.
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Not finished yet, so review is very general

It's the first in a new character's development. I just started reading it and it's good. Mosley knows how to write. I have been reading his L.A. set books for years, as I grew up there. It's interesting to see him move the action to NYC.
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A fan of his writing

Read all of his books really enjoyed them all
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A PI who struggles to make the rent and leave a life of crime behind

“The pain doesn’t ease but you begin to understand it”
_ _ _
In the first installment of the Leonid McGill series, we meet a middle aged Leonid who is a self proclaimed reformed private investigator who struggles to leave a life of shady dealings and questionable investigations behind.

He is contacted by a fellow private investigator for his assistance to locate 4 young men for a wealthy client. Although once Leonid completes what seemed like a simple case, He is reminded just how hard it is to leave the dark side as all 4 men are murdered and on his quest as to understand why, Leonid finds he’s next on the list .

All as he navigates the realm of a loveless marriage, keeping an eye on his son who drawn to a life of crime, and struggling to make his barely legal 1800 rent in the Tesla building .

Leonid McGill is truly one slip away from losing it all.
***
I definitely enjoyed this book. It kept me fully engaged with its realism and ability to feel as though you are right with Leonid as he uncovers one secret to reveal there were 4 more he hadn’t know about.

The book will require your full attention (which Mosely makes easy enough) as there are a lot of characters introduced and if your not careful you’ll forget why they were relevant.
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Five Stars

Bought this for a friend who loved it. I also love Walter Mosley's writing.