The Machiavelli Covenant
The Machiavelli Covenant book cover

The Machiavelli Covenant

Mass Market Paperback – January 2, 2008

Price
$9.98
Publisher
Forge Books
Publication Date
ISBN-13
978-0765351586
Dimensions
4.17 x 1.48 x 7.45 inches
Weight
13.6 ounces

Description

"High-octane thriller writing with an almost visceral impact."-- Publishers Weekly on The Exile "A heart-thumping, stay-up-late novel . . . Wild, unputdownable . . . Brilliant."-- Los Angeles Times Book Review on The Day After Tomorrow ALLAN FOLSOM is the New York Times bestselling author of The Exile, The Day After Tomorrow, and The Day of Confession. He lives in Santa Barbara, California. Excerpt. © Reprinted by permission. All rights reserved. Sunday, April 21 Washington, D.C.George Washington University Hospital, Special Care Unit, 10:10 p.m. The slow pound of Nicholas Marten's heart sounded like a drum buried somewhere inside him. His own breath, as he inhaled and exhaled, resonated as if it were a movie sound track. So did the sound of Caroline's labored breathing as she lay on the bed next to him. For what seemed the tenth time in half that many minutes he looked at her. Her eyes were closed, as they had been, her hand resting gently in his. For all the life in it, it might as well have been a glove. Nothing more. How long had he been in Washington? Two days? Three? Flown there from his home in Manchester, England, almost immediately after Caroline's call asking him to come. He'd known the minute he heard her voice something was terribly wrong. It had been filled with dread and fear and helplessness, and then she'd told him what it was: She had a very aggressive, untreatable staph infection and was expected to live only a few days more. For all the horror and shock of it, there had been something more in her voice. Anger. Something had been done to her, she told him, suddenly whispering as if she were afraid someone would overhear. No matter what the doctors said or would say, she was certain that the infection killing her had been caused by bacteria that had deliberately been given to her. It had been then, judging from sounds in the background, that someone had come into the room. Abruptly she'd finished with an urgent plea for him to come to Washington, then hung up. He hadn't known what to think. All he knew was that she was terribly frightened and that her situation was made all the worse by the very recent deaths of her husband and twelve-year-old son in the crash of a private plane off the coast of California. Considering the physical and emotional toll the combination of these tragic things would have had on her, and with no other information, Marten found it impossible to know if there was any basis at all for her suspicion. Still, the reality was that she was desperately ill and wanted him to be with her. And from everything he'd heard in her voice he knew he'd better get there as quickly as he could. And he had. Within the day flying from Manchester in the north of England to London and then on to Washington, D.C., taking a taxi from Dulles International directly to the hospital, and later getting a room at a hotel nearby. That Caroline knew who he really was and the risk she dared subject him to by asking him to come back into the United States had not been brought up. It wasn't necessary. She would never have asked if something wasn't terribly wrong. So he had come hurriedly back to the country he had fled four years earlier in fear for his life and that of his sister. Come back--after so many years and the differing paths their lives had taken--because Caroline had been and was still the one true love of his life. He loved her more deeply than any woman he had ever known and in a way that was impossible for him to describe. He knew too that even though she was happily married and had been for a long time, in some unspoken, even profound way, she felt the same about him. Marten looked up sharply as the room door was suddenly flung open. A heavyset nurse entered followed by two men in dark suits. The first was broad-shouldered, in his early forties, with dark curly hair. "You'll have to leave, sir, please," he said respectfully. "The president is coming," the nurse said curtly, her manner abrupt and authoritative, as if she had suddenly become commander of the suits. A member of the Secret Service. At the same instant Marten felt Caroline's hand tighten around his. He looked down and saw her eyes were open. They were wide and clear, and looked into his the way they had that first day they met, when they were both sixteen and in high school. "I love you," she whispered. "I love you too," he whispered back. She looked at him for a half second more, then closed her eyes, and her hand relaxed. "Please, sir, you have to leave, now," the first suit said. At that same moment a tall, slim, silver-haired man in a dark blue suit stepped through the doorway. There was no question who he was--John Henry Harris, president of the United States. Marten looked at him directly. "Please," he said softly, "give me a moment alone with her. . . . She's just . . ."--the word caught in his throat, "died." The men's gaze held for the briefest moment, "Of course," the president said, his words hushed and reverent. Then, motioning to his Secret Service protectors, turned and left the room. 2 Thirty minutes later, head down against the world, barely aware of the direction he was going, Nicholas Marten walked the all but deserted Sunday-night streets of the city. He tried not to think of Caroline. Tried not to acknowledge the pain that told him she was no more. Tried not to think that it had been little more than three weeks since she had lost both her husband and son. Tried to put out of his mind the idea that she might have been intentionally given something that caused her fatal infection. "Something has been done to me." Her voice suddenly echoed inside him as if she had just spoken. It resonated with the same fear and vulnerability and anger it had had when she had first called him in England. "Something has been done to me." Caroline's words came again. As if she were still trying to reach him, trying to make him believe without doubt that she had not been merely ill, but murdered. What that "something" was, or at least what she thought it was and how it had begun, she'd told him during the first of the only two lucid moments she'd had since he arrived. It had happened following the twin funerals of her husband, Mike Parsons, a well-respected forty-two-year-old congressman from California in his second term in office, and their son, Charlie. Certain she was strong enough to see it all through, she had invited numerous friends to their home to join her in a celebration of their lives; but the shock of what had happened, coupled with the almost unbearable strain of the funerals and the crush of well-meaning people, had overwhelmed her, and she'd broken down, retreating in tears and near-hysteria to lock herself in her bedroom, screaming for people to go away and refusing even to answer the door. Congressional chaplain and pastor of their church, Reverend Rufus Beck, had been among the mourners and immediately sent for Caroline's personal physician, Lorraine Stephenson. Dr. Stephenson had come quickly and with the pastor's help convinced Caroline to open the bedroom door. Within minutes she had injected her, as Caroline said, "with a sedative of some kind." When she woke up she was in a room in a private clinic where Stephenson had prescribed several days' rest and where "I never felt the same again." Marten turned down one darkened street and then another, replaying the hours he had spent with her in the hospital. With the exception of the other instance when Caroline had been awake and talked to him, she had simply slept, and he had stayed by her side keeping vigil. Throughout those long hours health care personnel monitoring her condition had come and gone and there had been brief visits by friends during which Marten simply introduced himself and then quietly left the room. There had been two other visitors as well, the people who had been immediately involved when Caroline had broken down at home. The first had been an early-morning call by the woman who had given her the "sedative" and prescribed her stay in the clinic, her personal physician, Dr. Lorraine Stephenson: a tall, handsome woman in her mid-fifties. Stephenson had exchanged a brief pleasantry with him, then read Caroline's chart, listened to her heart and lungs through a stethoscope, and left. The second had been congressional chaplain Rufus Beck, who visited later in the day. A large, gentle, soft-spoken African-American, Beck had been accompanied by a young and attractive dark-haired Caucasian woman with a camera bag slung over one shoulder who'd stayed pretty much in the background. Like Stephenson, Reverend Beck had introduced himself to Marten, and they'd had a brief exchange. Afterward he'd spent a few moments in prayer as Caroline slept before telling Marten good-bye and leaving with the young woman. A light rain began to fall and Marten stopped to turn up the collar of his jacket against it. In the distance he could see the tall spire that was the Washington Monument. For the first time he had some concrete sense of where he was. Washington was not just the inside of an intensive-care hospital room but a large metropolitan city that just happened to be the capital of the United States of America. It was a place he'd never been, even though he'd lived all of his life in California before fleeing to England and could easily have visited. For some reason just being here gave him a deep sense of belonging, to one's country, to one's native land. It was a feeling he'd never had before, and he wondered if there would ever be a time when he could return from the exiled life he lived in Manchester. Marten moved on. As he did he noticed a car coming slowly down the street toward him. That the streets were all but empty made the vehicle's pace seem odd. It was late Sunday night and raining--wouldn't the driver of one of the very few vehicles on the street be anxious to get to wherever he or she was going? The car came abreast of him and he glanced at it as it passed. The driver was male and nondescript, middle-aged with dark hair. The car passed and Marten watched it continue down the street, its speed never changing. Maybe the guy was drunk or drugged out or--suddenly the reflection became personal--maybe he was somebody who had just lost someone extraordinarily dear to him and had no idea where he was or what he was doing other than just moving. 3 Marten's thoughts went back to Caroline. She had been the wife of a well-respected congressman who had become an increasingly popular figure in Washington and one who just happened to have been a close boyhood friend of the president, and the sudden, tragic deaths of both her husband and son had seen the political community embrace her with everything it had. It made him wonder why she would think "something had been done to her." Why she would think she had deliberately been injected with a disease that would kill her. Methodically Marten tried to assess her mental state over the last two days of her life. In particular he thought of the second instance when she had been awake. That time she'd taken hold of his hand and looked into his eyes. "Nicholas," she'd said weakly. "I--" Her mouth had been dry and her breathing labored. Just speaking took enormous effort. "I was to . . . have . . . been . . . on that plane with . . . my husband and my . . . son. There was a . . . last-minute change . . . of plans . . . and I . . . came back to . . . Washington a . . . day . . . earlier." She had stared at him intently. "They . . . murdered my . . . husband and . . . son . . . and now they have . . . killed . . . me." "Who are you talking about? Who is 'they'?" he'd pressed gently, trying to get something more tangible from her. "The . . . ca . . ." she'd said. She'd tried to say more but it had been as much as she could do. Her strength gone, she just lay back and fell asleep. And she had slept right up until those last moments of her life when she'd opened her eyes and stared into his and told him she loved him. Thinking about it now he realized the little she had told him had come in two sections, one quite separate from the other. The first had come in snippets: that she was originally to have been on the ill-fated plane with her husband and son but a last-minute change of plans brought her back to Washington a day earlier; what had happened at her home after the funerals; and finally what she had told him when she'd called him in England, saying she was dying from a staph infection caused by a strain of untreatable bacteria that she was certain had been given to her deliberately. "The . . . ca"--what she'd started to say when he'd asked her to explain it, and who the "they" were she was referring to, he had no idea. The second section had come from utterances she'd made in her sleep. Most had been everyday things, calling out the names of her husband, "Mike," or her son, "Charlie," or her sister "Katy," or saying things like "Charlie, please turn down the TV" or "The class is Tuesday." But she'd said other things too. These had seemingly been aimed at her husband and were filled with alarm or fear or both. "Mike, what is it?" Or "You're frightened. I can see it!" Or "Why won't you tell me what it is?" Or "It's the others, isn't it?" And then later, a sudden fearful blurting--"I don't like the white-haired man." That part he was familiar with because it was a piece of the story she had told him when she'd called him in Manchester and asked him to come. "The fever came less than a day after I woke up in the clinic," she'd said. "It got worse and they did tests. A white-haired man came, they said he was a specialist but I didn't like him. Everything about him frightened me. The way he stared at me. The way he touched my face and my legs with his long, hideous fingers; and that horrid thumb with its tiny balled cross. I asked him why he was there and what he was doing but he never answered. Later they discovered I had some kind of staph infection in the bone of my right leg. They tried to treat it with antibiotics. But they didn't work. Nothing worked." Marten walked on. The rain came down harder but he barely noticed. His entire focus was Caroline. They had met in high school and entered the same college certain they would marry and have children and be together for the rest of their lives. And then she had gone away for the summer and met a young lawyer named Mike Parsons. After that, his life and hers changed forever. But as deep as his hurt, as badly as he had been wounded, his love for her never diminished. In time he and Mike became friends, and he told Mike what Caroline and only a few others knew--who he really was and why he had been forced to leave his job as a homicide detective in the Los Angeles Police Department and move to the north of England to live under an assumed identity as a landscape architect. He wished now he had gone to the funeral of her husband and son as he'd wanted to. Because if he had he would have been there when she'd broken down and when Dr. Stephenson had come. But he hadn't, and that had been Caroline's doing. She had told him she was surrounded by friends and that her sister and husband were coming from their home in Hawaii, and that, considering the danger surrounding his own situation, it was better he stayed where he was. They would get together later, she'd told him. Later, when things had quieted down. She'd sounded alright then. Shaken maybe, but alright, and with the inner strength to carry on that she'd always had. And then all this had happened. God how he had loved her. How he still loved her. How he would always love her. He walked on thinking only that. Finally, he became aware of the rain and realized he was nearly soaked through. He knew he had to find his way back to his hotel and looked around trying to get his bearings. That was when he saw it. A lighted edifice in the distance. A structure embedded in his memory from childhood, from history, from newspapers, from television, from movies, from everything. The White House. At that same moment the tragic loss of Caroline caught up with him. And against the rain and the dark, and with no shame whatsoever, he wept. Copyright © 2006 by Allan Folsom. All rights reserved. Read more

Features & Highlights

  • In Washington, D.C., Former LAPD rogue detective Nicholas Marten has come out of hiding to hunt down the killers of his childhood sweetheart. The wife of a controversial United States congressman, she and her husband and son were mysteriously murdered soon after the congressman discovered a massive clandestine bioweapons program.In Europe to meet with distinguished heads of state prior to a crucial NATO summit in Warsaw, US President John Henry Harris may well face the same deadly fate. A secret cabal within his own administration orders Harris to have the president of France and the chancellor of Germany assassinated. Refusal, he knows, will mean his death.Afraid to trust anyone, even his Secret Service protectors, the President flees for his life. Pursued by the Secret Service, the CIA, and Spanish Intelligence who believe he is the victim of foul play, Harris joins forces with Nicholas Marten and the beautiful but enigmatic French photo-journalist, Demi Picard. Together the three uncover one of the most secretive and brutally powerful groups the world has ever known, a brotherhood of blood that will stop at nothing to realize their own depraved ambitions. The assassination of world leaders, a genocidal attack on a major civilian populace with of weapons of mass destruction -- nothing is beyond them. The origin of their evil reaches back to the Renaissance when the dying political thinker Niccolo Machiavelli fashioned a sinister addendum to his most infamous work,
  • The Prince
  • . Titled simply
  • The Covenant,
  • it is a terrifying blueprint for the gaining and keeping of true political power. For five hundred years this despotic order of the supremely rich and powerful has kept Machiavelli's original manuscript hidden away under heavy guard, the document itself worshiped like some divine artifact. Bonded by complicity in ritual murder and dedicated to a singular vision of global domination, over the centuries they have prospered far beyond any dreams of power and avarice. Outmanned, outnumbered, outgunned, three people now stand alone against it: Nicholas Marten, Demi Picard and John Henry Harris, President of the United States.

Customer Reviews

Rating Breakdown

★★★★★
30%
(66)
★★★★
25%
(55)
★★★
15%
(33)
★★
7%
(15)
23%
(50)

Most Helpful Reviews

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This Book Gets Dragged Down by its own Stupid Plotline

In some ways, Allan Folsom is a pretty remarkable writer. The first one hundred pages of his debut novel, THE DAY AFTER TOMORROW, are some of the most exciting pages of genre prose I have ever read in my life. The beginnings of all of his novels have a crazy momentum to them that is simply irresistible. There is little doubt in my mind that Dan Brown was heavily influenced by Folsom's lightning-fast plotting style when he wrote books like THE DA VINCI CODE.

Unfortunately, Folsom is the type of author who can never measure up to his great beginnings. His novels typically fall apart after the first 100-150 pages, as their storylines become more overblown and unrealistic. I've read three of his books now, and in each case I felt my intelligence being insulted further and further as I progressed through the book.

THE MACHIAVELLI COVENANT is an example of this flaw in Folsom's work. It has a very exciting beginning, but quickly disintegrates once Folsom reveals his far-flung conspiracy plot, a storyline that would make Oliver Stone blush with embarrassment. In this book, we have a President on the lam from his own cabinet, a plot to assassinate the Presidents of France and Germany, a scheme to annihalite the Middle East, and even some virgin sacrifice to boot.

All of this is dumb, dumb, dumb. It doesn't help that all of the novel's characters are essentially caricatures and that Folsom writes in a long-winded, expository, repetitive style. I found myself skipping a lot of pages just to finish this book, which is way too long for its own good.

I found THE MACHIAVELLI COVENANT frustrating, because I think Folsom has the raw talent to write a seriously good book. He came closest with the DAY AFTER TOMORROW, and I recommend giving that novel a try if you want to give his work a shot.
12 people found this helpful
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I've Never Felt Compelled to Review Before, But...

I don't write a lot of serious reviews here or anywhere else because I think we all have our own subjective biases about good and bad when it comes to literature and my opinion is just my opinion. However, in the interest of saving my fellow readers a few shekels I felt compelled to share my opinion that this was one of the most poorly written and edited books I have ever read. I really don't even know what the story is about because I couldn't get past the editing blunders and juvenile literary devices--which I found to be extremely intrusive--enough to get get a sense of the plot. The whole premise of "show, don't tell," the absolute hallmark of good fiction writing drilled into the head of every first-year English major, is totally absent in The Machiavelli Covenant. There's a whole lotta tellin' and very little showin' going on. I finally got so frustrated with the writing style I resorted to making vaguely threatening marginal notations like, "If the narrator parenthetically tells me one more time how something is pronounced I'm going tear this chapter out," etc., etc. The only other time I can remember being so enraged by the lousy quality of a "best seller" is back when the "Celestine Prophesy" came out to much fanfare many years ago. It was immediately clear to me why the author had to initially self-publish his ridiculous compilation of mystical baloney and I remember thinking "If the narrator says he was 'awestruck' one more time, I'm going to throw this book against the wall. Lo and behold, he was 'awestruck' in the very next paragraph and I ended up with a hole in my wall.

It's possible that The Machiavelli Covenant is engaging as a story if you can get past the bad editing, although I don't really see how. The characters seem to have stepped out of a D-list soap opera--lots of drama and allusions to mysterious pasts, but no true depth or development. Another pet peeve of mine is condescending authors who don't trust their readers to work out subtle allusions to features of character and instead blast them with a two-by-four so as to leave no doubt about the good guys vs. the bad guys. Sheesh. Even Ian Fleming managed to endow his cartoon villains with some recognizably human traits. Folsom's bad guys might just as well have had stickers on their foreheads that read "Mr. Sinister," "Captain Conspirator," and so on. I found it hard to care about what happened to any of his characters and since for me characters are the story, I found it hard to care at all about the story.

Must admit, in an effort to spare my walls from any untoward book- throwing violence, I did not finish this book, so it could be that the last half was remarkably better than the first. If this is the case, my sincere apologies to Mr. Folsom, Mr. Sinister and Captain Conspirator and all of their fans.
5 people found this helpful
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"Wholly" annoying...

Am I the only one who noticed (and was very annoyed) by his over use of the word "wholly"? It's like he attempted to jam this word in as many times as he could just because he liked the sound of it and it totally turned me off. Flat characters, ridiculous amount of repetition (really, the entire list of conspirators EACH AND EVERY TIME???) and dull scenes that were either totally preposterous or just plain stupid. 100 pages less and this book could have gotten two stars from me instead of just one.

That being said, I've been a huge fan of Folsom up to this point (The Day After Tomorrow is one of my favorites) so maybe he was just having an off day/year with this one. Don't be completely turned off by him until you've read The Day After Tomorrow...a much better read and truer to his style than this.
4 people found this helpful
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Entertaining from begining to end.

"The Machiavelli Covenant" was entertaining to say the least. It didn't waste any time drawing the reader in, which is something not enough books seem to do. Although the story was far fetched, it was action packed, and detailed vividly. Some of the narrating was repetitive, but I did appreciate the chronological structure Folsom created. It's certainly one of those books that will keep you up late, continuously saying "just one more chapter." I look forward to the sequel.
2 people found this helpful
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Someone Please - Get This Man a Copyeditor!

Amid other chronically annoying grammatical and style errors, the author's repeated use of the description of someone speaking "in a sotto voice" rather than "sotto voce" was one that fairly leapt off the page. Add to the poor writing a plot with numerous unbelievable twists, characters who often behave in ways that make no sense, and a "setup for the sequel" ending unworthy of even my 7th-grade daughter's stories . . .

The book is readable, if only as a way to kill time, because the characters are generally well-drawn and engaging. If you're expecting anything more, I think you'll be disappointed.
2 people found this helpful
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Fell flat as a thriller

This is the first book I've read by Allan Folsom and it will probably be my last. The storyline was intriguing and it was what led me to decide to read the book. It is your typical global conspiracy story of the shadowy organization seeking political and world power, with a few hardy heroes (in this case, the President of the United States, a former LAPD detective with a new identity, and a French journalist) determined in bringing the group's evil designs to light.

So the plot idea wasn't the problem (it's also not that original, but every author can bring their own twist to it). It was the execution of the story that was mediocre and what I considered a very poor and amateur effort.

At first, I couldn't figure out what exactly about the book annoyed me, but as I continued to read, I realized what it was. The writing was flat and passive, with the writing style very simple, maybe too simple. Maybe it's a preference of mine, but I think a more complex, rich and active writing style would have made the story more interesting. Sentences were wooden and choppy, with the scene changes not flowing well together. The dialogue between the characters was stilted and lifeless, and you are told the story instead of experiencing it with the characters.

I wanted an active voice in the main characters, some life and real emotion being shown would have been nice. For instance, you really don't feel the main character's emotions or thoughts. You don't get to know the characters at all, and I felt very dispassionate and detached from the characters. Even a detailed description of the background scenery or location would have been nice, but again, here you are told the description.

As a result, you can't really dive deep into the story and be there with the characters. You aren't a part of the author's fictional world. I felt this was a big issue with me reading this book as I am the type of reader that fully becomes a part of the story. I cry, laugh, or get angry with the characters and that is what makes a book great in my opinion.

I kept reading hoping it would get better but it didn't. The first half of the book was slow-moving, and I had to force myself to keep reading. The second half has more action and moves at a quicker pace, but it was still a chore trying to read through such poor writing.

This book makes you read from a distance, and you don't get the full immersion into the story, and as a result I felt the book to be very boring. If you are looking for a good suspense thriller to read, I recommend picking up a book by James Rollins, Douglas Preston, Matthew Reilly, or Clive Cussler.
2 people found this helpful
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Ridiculous premise

This just isn't a very good book. Folsom is an okay writer, and there are definitely worse out there. However, this book suffers from that most serious of all faults of fiction: you just cannot suspend your disbelief enough to accept the storyline.

In this case we are to believe that the most ineffectual man in the world is a US President who does not kowtow to an internal government conspiracy. Layered on to that seemingly ridiculous premise are the coincidences and chance events which are required to get to the climax of the book. Add in the absurd premise that a centuries old coven of witches is conspiring with a political movement born of Machiavelli's secret instructions [which is that complicity in murder makes for the strongest bonds, a concept long employed by the Mafia, and which informants like Sammy Gravano put the lie to]and the results are incredulity and an occasional wry chuckle rather than active immersion in the story.

Folsom came from television writing. Perhaps in that media all the absurdities can be overlooked as the visual excitement of the almost constant chase overwhelms you. In a book, where you can stop and think,you just can't get past the foundation of sand that this whole structure is built on. To use an expression from television, Folsom tried to jump the shark, and he got eaten.
1 people found this helpful
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Don't Bother!

How anyone can give this book a four or five star rating is beyond me. The only reason I gave it a two is that it does have an occasional moment of compelling action and a conspiracy scenario that in other hands might have been made into something semi-reasonable from a plot perspective.

Even as fiction it is totally unbelievable, as are most of the characters. You alternately want to laugh or throw the book in a garbage heap. It really is a weird concoction of disjointed and ridiculous plot lines that all culminate in a rather predictable ending (which out of shear frustration I skipped ahead to read about half way through this way too long book).

In summary--not on my recommended reading list.
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Fantastic

Upon finishing "The Machiavelli Covenant", I immediately went to Amazon to buy other books by Alan Folsom, and to write my very first book review on Amazon, because I thoroughly LOVED this book. While searching, I noticed there were some very negative reviews about this book, which was astounding, and wondered if they read the same book I literally just put down. The book I just read was very well written, exciting, full of intrigue, very thought provoking and I was most enchanted with the truly eclectic assortment of characters introduced.
I especially enjoyed how the author incorporated and encompassed so many thought provoking "conspiracy theories" in this story - from underground (pun not intended) ancient pagan rituals to a centuries old secret organization consisting of some of the world's most influential political and industry leaders (hmm, Bilderberg?). Whether you believe that any of these conspiracies/ secret rituals/organizations is remotely plausible, you still wonder/contemplate about the possibilities, because most of us have heard the whispers and credence referenced to them all.
I'll admit to finding some of the "twists and turns" a bit unrealistic and perhaps trite, but I was still intrigued and waited with baited breath at each turn to make sure our heroes overcame each and every obstacle encountered. In my humble opinion .... If you enjoy books by David Balducci, Robert Ludlum, Nelson DeMille, Robert North Patterson, Dan Brown and the like, you'll most likely be enthralled with the "The Machiavelli Covenant".
1 people found this helpful
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Missed Potential

This novel had the potential to be so much more. I found the story line interesting-enough to hold my interest until the end-but also too drawn out. Several times throughout the book, I found the author giving redundant descriptions of situations and conversations that occurred within the text. I also found the format to be awkward-chapter breaks in places for each minute or two of action, chopping the text into one and two sentence bites. This is a cheap, artificial way of building suspense and totally unnecessary. The body of the story was gripping and reminiscent of Robert Ludlum's novels, but tended to drag on too much. I feel the book should have ended much sooner and with a better finish. The ending was a disappointment and another example of cheap tactics to hold interest.
1 people found this helpful