The Martian Chronicles (The Grand Master Editions)
The Martian Chronicles (The Grand Master Editions) book cover

The Martian Chronicles (The Grand Master Editions)

Mass Market Paperback – June 1, 1984

Price
$8.99
Publisher
Spectra
Publication Date
ISBN-13
978-0553278224
Dimensions
4.15 x 0.53 x 6.9 inches
Weight
3.21 ounces

Description

From "Rocket Summer" to "The Million-Year Picnic," Ray Bradbury's stories of the colonization of Mars form an eerie mesh of past and future. Written in the 1940s, the chronicles drip with nostalgic atmosphere--shady porches with tinkling pitchers of lemonade, grandfather clocks, chintz-covered sofas. But longing for this comfortable past proves dangerous in every way to Bradbury's characters--the golden-eyed Martians as well as the humans. Starting in the far-flung future of 1999, expedition after expedition leaves Earth to investigate Mars. The Martians guard their mysteries well, but they are decimated by the diseases that arrive with the rockets. Colonists appear, most with ideas no more lofty than starting a hot-dog stand, and with no respect for the culture they've displaced. Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. --Blaise Selby "Bradbury is an authentic original."— Time magazine From the Inside Flap Leaving behind a world on the brink of destruction, man came to the Red planet and found the Martians waiting, dreamlike. Seeking the promise of a new beginning, man brought with him his oldest fears and his deepest desires. Man conquered Mars?and in that instant, Mars conquered him. The strange new world with its ancient, dying race and vast, red-gold deserts cast a spell on him, settled into his dreams, and changed him forever. Here are the captivating chronicles of man and Mars?the modern classic by the peerless Ray Bradbury. Excerpt. © Reprinted by permission. All rights reserved. January 1999: Rocket SummerOne minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.Rocket summer. People leaned from their dripping porches and watched the reddening sky.The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land. . . .February 1999: YllaThey had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle.Mr. and Mrs. K had lived by the dead sea for twenty years, and their ancestors had lived in the same house, which turned and followed the sun, flower-like, for ten centuries.Mr. and Mrs. K were not old. They had the fair, brownish skin of the true Martian, the yellow coin eyes, the soft musical voices. Once they had liked painting pictures with chemical fire, swimming in the canals in the seasons when the wine trees filled them with green liquors, and talking into the dawn together by the blue phosphorous portraits in the speaking room.They were not happy now.This morning Mrs. K stood between the pillars, listening to the desert sands heat, melt into yellow wax, and seemingly run on the horizon.Something was going to happen.She waited.She watched the blue sky of Mars as if it might at any moment grip in on itself, contract, and expel a shining miracle down upon the sand.Nothing happened.Tired of waiting, she walked through the misting pillars. A gentle rain sprang from the fluted pillar tops, cooling the scorched air, falling gently on her. On hot days it was like walking in a creek. The floors of the house glittered with cool streams. In the distance she heard her husband playing his book steadily, his fingers never tired of the old songs. Quietly she wished he might one day again spend as much time holding and touching her like a little harp as he did his incredible books.But no. She shook her head, an imperceptible, forgiving shrug. Her eyelids closed softly down upon her golden eyes. Marriage made people old and familiar, while still young.She lay back in a chair that moved to take her shape even as she moved. She closed her eyes tightly and nervously.The dream occurred.Her brown fingers trembled, came up, grasped at the air. A moment later she sat up, startled, gasping.She glanced about swiftly, as if expecting someone there before her. She seemed disappointed; the space between the pillars was empty.Her husband appeared in a triangular door. "Did you call?" he asked irritably."No!" she cried."I thought I heard you cry out.""Did I? I was almost asleep and had a dream!""In the daytime? You don't often do that."She sat as if struck in the face by the dream. "How strange, how very strange," she murmured. "The dream.""Oh?" He evidently wished to return to his book."I dreamed about a man.""A man?""A tall man, six feet one inch tall.""How absurd; a giant, a misshapen giant.""Somehow"--she tried the words--"he looked all right. In spite of being tall. And he had--oh, I know you'll think it silly--he had blue eyes!""Blue eyes! Gods!" cried Mr. K. "What'll you dream next? I suppose he had black hair?""How did you guess?" She was excited."I picked the most unlikely color," he replied coldly."Well, black it was!" she cried. "And he had a very white skin; oh, he was most unusual! He was dressed in a strange uniform and he came down out of the sky and spoke pleasantly to me." She smiled."Out of the sky; what nonsense!""He came in a metal thing that glittered in the sun," she remembered. She closed her eyes to shape it again. "I dreamed there was the sky and something sparkled like a coin thrown into the air, and suddenly it grew large and fell down softly to land, a long silver craft, round and alien. And a door opened in the side of the silver object and this tall man stepped out.""If you worked harder you wouldn't have these silly dreams.""I rather enjoyed it," she replied, lying back. "I never suspected myself of such an imagination. Black hair, blue eyes, and white skin! What a strange man, and yet--quite handsome.""Wishful thinking.""You're unkind. I didn't think him up on purpose; he just came in my mind while I drowsed. It wasn't like a dream. It was so unexpected and different. He looked at me and he said, 'I've come from the third planet in my ship. My name is Nathaniel York----' ""A stupid name; it's no name at all," objected the husband."Of course it's stupid, because it's a dream," she explained softly. "And he said, 'This is the first trip across space. There are only two of us in our ship, myself and my friend Bert.' ""Another stupid name.""And he said, 'We're from a city on Earth; that's the name of our planet,' " continued Mrs. K. "That's what he said. 'Earth' was the name he spoke. And he used another language. Somehow I understood him. With my mind. Telepathy, I suppose."Mr. K turned away. She stopped him with a word. "Yll?" she called quietly. "Do you ever wonder if--well, if there are people living on the third planet?""The third planet is incapable of supporting life," stated the husband patiently. "Our scientists have said there's far too much oxygen in their atmosphere.""But wouldn't it be fascinating if there were people? And they traveled through space in some sort of ship?""Really, Ylla, you know how I hate this emotional wailing. Let's get on with our work."It was late in the day when she began singing the song as she moved among the whispering pillars of rain. She sang it over and over again."What's that song?" snapped her husband at last, walking in to sit at the fire table."I don't know." She looked up, surprised at herself. She put her hand to her mouth, unbelieving. The sun was setting. The house was closing itself in, like a giant flower, with the passing of light. A wind blew among the pillars; the fire tablebubbled its fierce pool of silver lava. The wind stirred her russet hair, crooning softly in her ears. She stood silently looking out into the great sallow distances of sea bottom, as if recalling something, her yellow eyes soft and moist. " 'Drink to me only with thine eyes, and I will pledge with mine,' " she sang, softly, quietly, slowly. " 'Or leave a kiss within the cup, and I'll not ask for wine.' " She hummed now, moving her hands in the wind ever so lightly, her eyes shut. She finished the song.It was very beautiful."Never heard that song before. Did you compose it?" he inquired, his eyes sharp."No. Yes. No, I don't know, really!" She hesitated wildly. "I don't even know what the words are; they're another language!""What language?"She dropped portions of meat numbly into the simmering lava. "I don't know." She drew the meat forth a moment later, cooked, served on a plate for him. "It's just a crazy thing I made up, I guess. I don't know why."He said nothing. He watched her drown meats in the hissing fire pool. The sun was gone. Slowly, slowly the night came in to fill the room, swallowing the pillars and both of them, like a dark wine poured to the ceiling. Only the silver lava's glow lit their faces.She hummed the strange song again.Instantly he leaped from his chair and stalked angrily from the room.Later, in isolation, he finished supper.When he arose he stretched, glanced at her, and suggested, yawning, "Let's take the flame birds to town tonight to see an entertainment.""You don't mean it?" she said. "Are you feeling well?""What's so strange about that?&quo... Read more

Features & Highlights

  • Leaving behind a world on the brink of destruction, man came to the Red planet and found the Martians waiting, dreamlike. Seeking the promise of a new beginning, man brought with him his oldest fears and his deepest desires. Man conquered Mars—and in that instant, Mars conquered him. The strange new world with its ancient, dying race and vast, red-gold deserts cast a spell on him, settled into his dreams, and changed him forever. Here are the captivating chronicles of man and Mars—the modern classic by the peerless Ray Bradbury.

Customer Reviews

Rating Breakdown

★★★★★
60%
(3.9K)
★★★★
25%
(1.6K)
★★★
15%
(984)
★★
7%
(459)
-7%
(-460)

Most Helpful Reviews

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A Masterpiece

The Martian Chronicles is, in many ways, one of science fiction's most important novels. It's deemed an essential read on almost all notable lists, is the book that broke Bradbury into the mainstream, and was the single most widely read SF book during the 1950's. This book is not a novel per se, but rather a collection of separately linked stories that chronicle, in about as many ways as you can imagine, Man's experiences with Mars, hence the title. Though it covers a span of time from 1999-2026, it is, like all great SF, a commentary on the times in which it was written, rather than the times it is set in. This book is a startling example of human folly. In contrast to much science fiction (from The War of the Worlds onward) the Martians in Bradbury's universe are calm, peaceful, and dreamlike (for the most part, anyway) rather than vicious and malicious. This book shows how humans-arrogant, self-righteous, and irrespectful-can and probably will ruin a beautiful, peaceful planet through ignorance and lack of respect. Also in the book are situations depicting ways in which other races we meet in space may react to us. I found these situations to be highly original and imaginative, sometimes we fail to realize that there are other ways for them to react besides peaceful, cooperative tranquility and war. Sprinkled throughout the seriousness of the stories mentioned above, are lighter, somewhat comical tales that liven up the pace a bit. Through fictional situations, this book also manages to comment on such issues as racism, slavery, social life, marriage, etc. A highly interesting read. Though it is a short read (less than 200 pages) it feels like an epic. By the time you are done with the book, you will feel like you have witnessed a saga, a great work of art, a feeling that few books indeed, much less ones this short, manage to accomplish. The last two stories in the book are startling in their differences. There Will Come Soft Rains is an utterly believable, highly pessimistic, and ultimately thought-provoking piece of work followed by The Million Year Picnic, a contrastly optimistic, hopeful story. These two situations are beautiful in their contrast and a fitting ending to a wonderful book.
49 people found this helpful
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If Bradbury was 14 . . . (Some minor, vague Spoilers)

. . . when he wrote this, I would have thought, nice job Ray. But he was 30. Writers at this age should not be this naive.

Admittedly, there are some interesting ideas in this book but it's too much for Bradbury to handle. He wants to address censorship, the American West and the treatment of the natives, racism, Nuclear War, and general ignorance. Unfortunately to do this in a short work, he has to populate Mars with idiots who all think in black and white and kill flies with sledge hammers. There's one dolt I particularly love who decides to start a hot dog stand. Then one day a martian tries to calmly talk to him and this guy shoots him. Now, by now he's got to be fully aware of their mind powers and how they could easily kill him. So instead of realizing he's already beaten, he shoots. Why? Because Bradbury's characters are two-dimensional idiots.

There's also the part where all of Bradbury's dialogue and depiction of behavior seem to come not so much from observing and experiencing human interaction first hand but by observing pulp fiction in print or at B-Movies. It's like reading the script to a 1930s gangster movie.

As a keen observer of human behavior, Ray gives us a scene where a party of astronauts land and decide to get drunk and make a lot of noise after the first three parties (maybe 2, I don't care enough to look it up) went missing and are presumed dead. What? Aren't these scientists and military people? Shouldn't they be a little more careful and perhaps not sing songs and get their drink on?

There's also Bradbury's utter lack of Scientific understanding and imagination. You know what he predicts? The answering machine. Wow, what an amazing future we have to look towards. I'm not saying he should have accurately predicted the future, but my god, shouldn't he have guessed that we'd advance a bit further than he allows us in his world? People are riding on Steam Boats and mailing letters to Earth!!! (Which costs $5, in case you're wondering.)

Hey guess what. According to Ray you can see Earth pretty well from Mars. No telescope required.

Oh, did I mention the dialogue is truly awful? I am now going to open any page and write the first thing I see. Here we go. "Sir it must be, it has to be that rocket travel to Mars began in the years before the first World War!" pg 36. You know, around 1910-1912. There's more, but I just can't read any more of it.

Well there is one more. This one actually rewards the star and not given because I can't go lower. Here it is: ". . . she tosses salads neatly, never once pausing for breath" page 162. Look it up. It's there.

Oh, finally, for some reason, Bradbury thinks that people would actually leave a peacful place to go fight in a nuclear war. Sure pal. You really got your finger on the pulse of the human psyche.

If you want to read a good book from this era from a guy who can actually write, read Arthur C. Clarke's "Childhood's End". Good story and readable dialogue.
25 people found this helpful
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A shame that the good is overshadowed by the bad

The Martian Chronicles is a group of stories that range from melodrama to quirky comedy, and everything in between.

I read this book at a slow pace, usually two or three of the stories a day. I think this was a good decision on my part as it helped to really demonstrate how drastically the stories change from the beginning of the novel to the end.

The quality of each story, just like their genres, range greatly. There are the very good ones such as 'Ylla', 'The Earth Man', and 'The Third Expedition; and there are the very bad ones such as 'Usher II', 'The Off Season', and 'The Silent Towns'. The only thing that seems to tie all of these tales together is their shared inherent aberrancy.

The book has a sloppy nature to it at times. Also, certain things were seemingly assumed, while they should have been explained in much more detail. The most notable example of this is the war on Earth and the mass migration from Mars. It all just seems very empty.

Overall, it was a very flawed book, and at times became highly confusing. Some of the stories were quite interesting, so it is a shame that the good is overshadowed by the bad. I would suggest reading it if you're a huge fan of Ray Bradbury, but if you don't like it from the beginning don't bother continuing, as it goes down hill very progressively.
4 people found this helpful
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The Champagne of Sci-Fi

Here is one of the highest examples of the sci-fi genre. Social commentary on the human race in the form of fiction about made-up beings from another planet. This is an almost flawless demonstration of the art form. Dated, but that only makes it more charming. Bradbury's Martians are superior to men (more sensitive, more warrior-like, more artistic, more philosophical, more cultured, more advanced, more intelligent) while at the same time not possessing any attributes that are not common to men (see the foregoing list). The synopsis is: humans repeatedly attempt to colonize Mars, only to be initially frustrated by successful defenses by the Martians. The Martians use telepathic mind games, old-fashioned gunfighting, and plain ol' marital jealousy to delay the inevitable for a few years. But we keep coming, and we turn the New World into a interplanetary suburb in short order. Eventually, after we've ruined Mars (like, goes this story line, the white man ruins everything), we answer the call to return to an Earth devasted by the stereotypical total nuclear (or "atomic") war. But this synopsis is like summarizing 'Gone With The Wind' as a Civil War book. Great one, not to be missed.
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Mixed Feelings

People are evil and callous! It's in our nature to go around knocking down ancient sculptures without a thought! What innocent but beautiful alien races could possibly survive our barbarous passage?! Though an interesting read, this book just about overdoes the whole pessimism about humankind thing. Almost all the human characters, even the first astronauts to land, are stupid, ignorant, and impulsive. Sure, there's people like that, but almost all humans in the story are glib thoughtless sorts you'd like to punch in the face. The descriptive language and writing style is brilliant, but sometimes the plot itself is almost too much to deal with.
The part where the black people go to Mars is ridiculous. Even as they're leaving for a new life, they are still cowed by some white guy on his creaky porch.
The sequence where this ugly lady chases the last man on Mars all around the planet made me roll my eyes.
On the other hand, the Poe chapter and the "There will be soft rains" chapter were particularly interesting.
I have very mixed feelings about this book and therefore give it three stars.
The book was written shortly after World War II, so like George Orwell, it's not surprising that Bradbury looked to a grim future.
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A Masterpiece

Just finished Ray Bradbury's The Martian Chronicles, and I thought it was absolutely beautiful. I'm not much one for "hard" sci fi, this is more my speed. He uses the sci fi setup to tell very human stories. And he touches on so many powerful subjects here. Politics, censorship, big business, war, racism, loss, loneliness...using the sci fi context, he can really delve into this issues in a way that is quite moving and unforgettable. Simply brilliant.
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One of My Favorite Books

This book has one of the most beautiful yet terrifying storylines. It is one of the best books I have ever read in my life (and I read 2-3 books a week). Ray Bradbury is my favorite author. His ability to describe something so uniquely and poetically inspires me. This book plays with the idea of mankind's potential and nature. Hauntingly portrays what America would do to Mars as Bradbury is living through the Cold War in his real life. GREAT BOOK!
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Short stories I actually enjoyed

I typically don't like short stories because I find that they are usually over before I am drawn into them. However, Bradbury delievers short stories in such a way that I found myself unable to put the book down. This stories are tied together thematically in that they collectively tell the story of the colonization of Mars. There is humor, tragedy, social commentary and more in this amazing collection. I appreicate how Bradbury uses the sci-fi genre as a platform to make some profound observations about human nature. This was my first exposure to Bradbury and I can't wait to try out some of his other works. Highly recommended.
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Bradbnury Falters, Sci-Fi Nerd Stumbles, Calamity Ensues

This book is HIGHLY overvalued. Most of the stories meander and are ultimately unsatisfying. Only a handful are meritorious, but they do not serve as justifiable rationale to purchase the book. Read Classic Stories I and The Illustrated Man instead.
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A Masterpiece

"The Martian Chronicles" is an incredible work of imagination by one of the Giants of Science Fiction. It is a combination of some previously published shorter works (in some cases altered a bit to fit with the other stories in the collection), and some newer pieces. The book as a whole was first published in May of 1950, with the earliest story first published in June of 1948.

Few writers in any genre can make the reader really feel the way Bradbury can. Here he blends longer works, with shorter vignettes, to lay a rich tapestry to the overall book. The longer works tend to be about specific individuals or groups, while the shorter pieces deal with society and the environment, and they set the overall tone and feel of the book. One of my personal favorites is "There Will Come Soft Rains" in which Bradbury effectively delivers his message with no characters.

Several of the stories included in this book, also are related to other short fiction that Bradbury has written but that doesn't appear in this book. For example, "Usher II" (originally published as "Carnival Of Madness") clearly comes after "The Exiles" (originally published as "The Mad Wizards Of Mars"), and "Way In The Middle Of The Air" clearly comes before "The Other Foot". Both "The Exiles" and "The Other Foot" appear in "The Illustrated Man".
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