The Murderer's Daughter: A Novel
The Murderer's Daughter: A Novel book cover

The Murderer's Daughter: A Novel

Hardcover – August 18, 2015

Price
$14.35
Format
Hardcover
Pages
384
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345545312
Dimensions
6.5 x 1.25 x 9.5 inches
Weight
1.35 pounds

Description

Praise for The Murderer’s Daughter “[A] taut thriller . . . with the richness and resonance of literary fiction.” —Washington Independent Review of Books “A stunning page-turner with a truly fascinating femme fatale at its fast-beating heart . . . packed with ingenious, razor-sharp plotting, mesmerizing mind games and nail-biting suspense.” —Yorkshire Evening Post “A tight, fast-paced narrative [with] a brilliant, kick-ass heroine.” —Library Journal “[Jonathan] Kellerman doesn’t let off-the-charts genius Grace become one-dimensional. Her backstory and challenge to fit in, even into adulthood, are an engaging part of this satisfying mystery, which, though billed as a stand-alone, could certainly make a spin-off series.” — Booklist “An amazing tale of survival and adaptability in the face of neglect and murder.” — RT Book Reviews Praise for Jonathan Kellerman “Jonathan Kellerman has justly earned his reputation as a master of the psychological thriller.” — People “Kellerman’s psychology skills and dark imagination are a potent literary mix.” —Los Angeles Times “Kellerman doesn’t just write psychological thrillers—he owns the genre.” —Detroit Free Press Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives . With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes . With his son, bestselling novelist Jesse Kellerman, he co-authored The Golem of Hollywood and The Golem of Paris . He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars . He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1Five-xadyear-xadold Grace lived with two strangers on the fringes of a desert. Biology and the law labeled them her parents but Grace had never found them other than alien. As best she could tell, they felt the same way.Ardis Normand Blades was twenty-xadeight years old, tall, reedy, long-xadhaired, and patchily blond-xadbearded, with a sliver of morose face dramatized by jug ears. Those bat-xadlike appendages notwithstanding, he was semi–decent-looking in a greasy, vaguely dangerous way. Only semi because some of his God-xadgiven looks were long eroded by dope and alcohol and a near-xadperfect record of bad decisions.Ardis’s childhood had been a swamp of neglect and apathy. Troublesome at school, he’d been tested numerous times by counselors of uneven qualifications. Each of them had been surprised to find Ardis’s IQ significantly higher than his dull mien and chronically maladaptive behavior suggested. He’d made it through ninth grade grudgingly, could read at the fourth-xadgrade level, had abandoned arithmetic before mastering long division.All that limited Ardis’s occupational goals and when he wasn’t maxing out his welfare and his unemployment benefits, his jobs ranged from dishwasher to janitor to fry cook. The exception was a brief, unfortunate tenure as a carpenter’s assistant that left him minus a pinkie and phobic of heavy machinery.Women of a certain type were drawn to Ardis’s easy smile and good bone structure. Dodie Funderburk was one of those. Her academic achievements rivaled Ardis’s and helped cement a shallow rapport.Dodie and Ardis met when they both worked at Flapper-xadJack’s Pancake Palace, a struggling highway stop on the outskirts of the Antelope Valley. Ardis was charged with scraping the grill and mopping the floors after closing. Dodie bussed tables during the night shift then lingered so she could earn some extra money draining the grease traps and sweeping the dining room. The side benefit of her working late was hanging with Ardis, just the two of them smoking and trudging in the shabby eatery.They began flirting the first night they met, were doing it by the second, Dodie perched spread-xadlegged on the kitchen counter, Ardis just tall enough to get to the goal without a footstool. He was barely shy of twenty-xadtwo and already a serious alcoholic and dabbler in meth. Dodie, three years younger, had never enjoyed regular periods and she’d always been a little curvy so it took four months for her to realize she and Ardis had created an embryo.One night at Flapper she figured she should say something because her belly was getting swelled up. Walking over to Ardis, who was smoking a blunt and mopping, she lifted up her T-xadshirt.“Yeah,” he said. “That’s what happens.”Dodie said, “Sure does.”Ardis puffed and shrugged. “Got no money to get rid of it.”“Okay,” said Dodie. “Maybe I’ll keep it.”He walked away from her.“You love me, Ardie?”“Sure.”“Okay, I’ll keep it.”“You think?”“Maybe.”“Whatever.”Marriage had never been considered. Ardis had no desire for it and while Dodie might not have minded, the way she figured they were already living together in her single-xadwide in a nice slot at Desert Dreams Park because it was bigger than Ardis’s horse trailer at the rear of the long-xaddead palm tree farm where he’d been squatting for two years. On top of that, filing paper was a hassle and cost money and no one Dodie knew, including her own parents, ever bothered. Dodie’s father had booked before she was born and she figured Ardis might do the same thing. She could handle living alone, her mother had lived alone just fine and anything that retarded bitch could do, Dodie could do better.She didn’t show a real big bump for a while and went back to pretending it wasn’t happening. That got harder and harder and sometimes, when she was by herself, her thoughts tried to get happy with the situation. Other times she got low and had feelings deep inside that rose up like heartburn and made her cry. Maybe a baby would be fun, dressing it up, buying toys you could also play with. Having someone think she was smart.Pushing out the baby was eighteen hours of torture and Ardis wouldn’t stick around in the delivery room for more than a few minutes, getting grossed out or bored with Dodie’s screaming and cussing. Mostly, he just craved a smoke. Each time he returned, Dodie screamed at him worse, yelling filthy things that made the nurses flinch. Then she got too exhausted to even do that and became a crawled-xadup little worm, suffering by herself, oh God how long could she last this way?When Dodie cried out in agony she mostly got ignored unless a nurse felt like being nice and shot stuff into her I.V. that didn’t work so good, anyway. What Dodie really could’ve used she couldn’t have because it was illegal.After all that hell, the baby wasn’t laying right, had to be turned like a hot dog on a grill, and guess who that made feel like she was being all torn up? Finally, Dodie felt the slimy thing shoot out of her and the glimpse she caught was gray and not moving.The doctor, a black guy who’d just showed up, said, “That’s a serious cord, wrapped around .u2008.u2008. three places.”Then the room got all quiet and Dodie figured she’d pushed out something dead and at that moment, no big deal, main thing is she wasn’t hurting no more and her and Ardis could go back to the way it was before.A slapping noise then a humongous Waaaaah!“There we go,” said the doctor. “Nice and pink, Apgar two elevated to eight.”After that, there was all sorts of murmuring and clicking and buzzing. Dodie lay there feeling she’d been hollowed out like a melon, just wanting to sleep forever.One of the nurses, the short one with the cheeks like tomatoes, said, “Here’s your new daughter, dear. Fresh out of the oven, loud and healthy, good set of lungs on her.”Which was stupid, bread and cake didn’t make noise and they didn’t chew up your insides like a chain saw. But Dodie, too spent to argue, closed her eyes and felt the weight of the baby settle on her chest.The apple-xadcheeked nurse said, “Hold her, dear. With your arms, she needs your comfort.” Folding Dodie’s limbs over the blanket-xadwrapped bundle and pressing down so they’d stay there.Dodie wanted to smack the bitch. She kept her hands in place so the cow would finally let go.The nurse said, “There you go, dear, that’s right—xadoh, she’s a cute one. After all your hard work, a fine bit of grace, no?”Dodie thought: At least I got a name for it.That night, they brought the baby to her to feed, even though she said all she wanted was to sleep.“Oh, sweetie,” said another nurse, “you can forget about sleep for a while.”Two days later, Dodie and Ardis took the baby home.Bitch was right.Five-xadyear-xadold Grace had no idea how she’d survived from infancy. She’d seen other families with babies in the trailer park, had a notion of what it took to raise an infant. Had the strangers actually done all that when she was tiny and helpless? Hard to believe, they sure didn’t feed her much now.It wasn’t a matter of no food, there were always leftovers from the McDonald’s, where Ardis now worked along with junk pilfered from the Dairy Queen, where Dodie swept up nightly. Plus stuff each of them shoplifted. They just never had real meals where everyone sat down together. The few times it happened, Grace would cram as much as she could into her mouth, chew fast, swallow hard, and go for more. When Ardis was feeling mellow he’d slip her candy. But there was rarely an offer to prepare a meal and mostly Grace went to sleep with a gnawing in her tummy.Sometimes, when the strangers were asleep, she’d sneak into the kitchenette and stuff her face with whatever was there. Careful to clean up. Though she was the only one who really did any cleaning of the trailer.By five, Grace had learned how to take care of herself.Sometimes when she left the single-xadwide hungry, a neighbor would notice and give her something. Mrs. Reilly was the best. She actually cooked and baked and when she wasn’t wild-xadeyed and dehydrated from vodka and ranting about niggers and greasers, she’d be generous with Grace and the other kids in the trailer park. Even the Mexican kids.During the day, Mrs. Reilly cleaned model homes in sprawling developments that remained mostly unsold. The Antelope Valley, with its punishing heat and bitter night winds, was up and down economically, usually more down than up.The bulk of the residents at Desert Dreams worked low-xadpaying jobs. Some were disabled, mentally or physically or both, and sat around wondering how long they’d live. A few able-xadbodied idlers did nothing but drink and toke and loaf. Everyone at the trailer park was knowledgeable about the alphabet soup of government programs a person could score when functioning at or near the poverty line.One of those funds was for day care, which at Desert Dreams meant that the state and the county paid Mrs. Rodriguez to watch a dozen children at her Peach State double-xadwide with the pots of cactus ringing the trailer. With that many kids, no one got much attention, but with the TV always on to cartoons, and boxes of books and toys left over from Mrs. Rodriguez’s now-xadadult children, plus castoffs and dumpster-xaddive prizes, plus plenty of space in the dirt to crawl around, just be careful of the needly plants, the day care was okay with Grace.She wasn’t much for playing with other children, liked watching Sesame Street and Electric Company, and by four she’d learned from the shows how to put letters together into rudimentary words. Years later, she realized she’d been blessed with an inherent grasp of the architecture of language. At the day care, she just looked at it as word-xadfun, another way of figuring things out because that was her thing: figuring the strangers out, figuring out how to eat, how to stay clean, what people meant when they did and said things.Grace at five could read at an advanced first-xadgrade level but she never told anyone, why would she?For sure the strangers wouldn’t care; by now Ardis was mostly drunk when he bothered to show up at all and Dodie had taken to mumbling about getting the hell out of there and going somewhere she could be free.When drunk and mumbling collided, the result could be scary. Ardis never hit Dodie with a closed fist but there was plenty of faking blows like he was going to and a whole lot of open-xadhand slaps that connected with flesh haphazardly. Sometimes Ardis barely touched Dodie. Sometimes his hand on her flesh made loud, snappy noises.Sometimes Dodie had marks on her and had to use extra makeup. Lots of women at Desert Dreams were patching up the same way.Some of the men were hiding injuries, too. Like Mr. Rodriguez, who didn’t usually live with Mrs. Rodriguez—one day Grace saw him bleeding from his nose and running away from the double-xadwide, Mrs. Rodriguez stepping out and picking up a cactus pot like she was going to throw it at him.She didn’t. He was gone too fast and Mrs. Rodriguez loved her plants.With Ardis and Dodie, the damage could go both ways, Dodie butting into Ardis’s chair on purpose when he slumped in the kitchenette, snoring. That made him wake with a start and drool and start choking on his drool, then he’d nod off again and Dodie would point at him and make stupid faces and laugh.Sometimes she flipped him off behind his back or called him dirty names, not caring that Grace could see and hear.Sometimes, when Ardis was deeply asleep, really stoned, Dodie would sneak up behind him and use her nails to flick the back of his head hard and if that didn’t do the trick, she’d give his hair a yank and wait to see what happened.When Ardis’s droopy eyes opened, confused, Dodie would be standing behind him pointing and laughing silently.Grace pretended not to notice any of that. Mostly she crawled into the corner of the trailer’s front room that served as her sleeping space. The single fetid bedroom at the back of the trailer was reserved for Dodie and when Ardis showed up, both of them. Often at night, instead of sleeping Grace would turn on the TV and watch without sound, laughing to herself at how crazy people could look moving their lips. Or, she’d read one of the books she stole from Mrs. Rodriguez and, later, from the preschool.She had her collection of words, new ones arriving all the time, and she could also add up numbers and make sense of how numbers worked and how to figure things out without asking anyone.One day, she figured, she’d be by herself and that stuff could probably help.2Dr. Grace Blades cradled the woman in her arms.Many therapists shied away from physical contact. Grace shied away from nothing.The Haunted needed more than kind words, soft looks, and uh-xadhuhs. They deserved more than the pathetic lie known as empathy.Grace had no respect for the concept of empathy. She’d lived in the red room.The woman continued to cry on Grace’s shoulder. Her hands, nestled in Grace’s cool, firm grip, were small and moist and limp. Watching the way she melted into Grace’s comfort, an observer might guess this was an early phase of treatment.The woman was a therapeutic success who returned yearly for what Grace thought of as “show-xadoff” sessions.Look how well I’m doing, Doctor.Yes, you are.This year, as always, she’d requested an appointment on that worst of days, the anniversary, and Grace knew much of the forty-xadfive minutes would be spent in tears.The woman’s name was Helen. She’d begun treatment three years ago, seeing Grace as often as she needed, until moving from L.A. to Montana. Grace had offered to find her a local referral but Helen refused, as Grace figured she would.Four years ago, to the day, Helen’s nineteen-xadyear-xadold daughter had been raped, strangled, and mutilated. Identifying the monster who’d accomplished all that hadn’t taken much in the way of detection. He lived with his parents across an alley from the girl’s studio apartment in Culver City, with a rear window affording him a full view of the girl’s bedroom. Despite an extensive record of peeping that had escalated to sexual battery, he’d been coddled by the courts and allowed to live his life at will. Stupid and impulsive, he hadn’t bothered to dispose of his bloody clothing or the bent, crimson-xadstained knife he’d lifted from his victim’s kitchen. Read more

Features & Highlights

  • NEW YORK TIMES
  • BESTSELLER
  • From the creator of the acclaimed Alex Delaware series comes a tour de force standalone novel that illustrates perfectly why “Jonathan Kellerman has justly earned his reputation as a master of the psychological thriller” (
  • People
  • ).   A brilliant, deeply dedicated psychologist, Grace Blades has a gift for treating troubled souls and tormented psyches—perhaps because she bears her own invisible scars: Only five years old when she witnessed her parents’ deaths in a bloody murder-suicide, Grace took refuge in her fierce intellect and found comfort in the loving couple who adopted her. But even as an adult with an accomplished professional life, Grace still has a dark, secret side. When her two worlds shockingly converge, Grace’s harrowing past returns with a vengeance.   Both Grace and her newest patient are stunned when they recognize each other from a recent encounter. Haunted by his bleak past, mild-mannered Andrew Toner is desperate for Grace’s renowned therapeutic expertise and more than willing to ignore their connection. And while Grace is tempted to explore his case, which seems to eerily echo her grim early years, she refuses—a decision she regrets when a homicide detective appears on her doorstep.   An evil she thought she’d outrun has reared its head again, but Grace fears that a police inquiry will expose her double life. Launching her own personal investigation leads her to a murderously manipulative foe, one whose warped craving for power forces Grace back into the chaos and madness she’d long ago fled.
  • Praise for
  • The Murderer’s Daughter
  • “[A] taut thriller . . . with the richness and resonance of literary fiction.”
  • —Washington Independent Review of Books
  • “A stunning page-turner with a truly fascinating femme fatale at its fast-beating heart . . . packed with ingenious, razor-sharp plotting, mesmerizing mind games and nail-biting suspense.”
  • —Yorkshire Evening Post
  • “A tight, fast-paced narrative [with] a brilliant, kick-ass heroine.”
  • —Library Journal
  • “Kellerman doesn’t let off-the-charts genius Grace become one-dimensional. Her backstory and challenge to fit in, even into adulthood, are an engaging part of this satisfying mystery, which, though billed as a stand-alone, could certainly make a spin-off series.”
  • Booklist
  • “An amazing tale of survival and adaptability in the face of neglect and murder.”
  • RT Book Reviews
  • Praise for Jonathan Kellerman
  • “Kellerman’s psychology skills and dark imagination are a potent literary mix.”
  • —Los Angeles Times
  • “Kellerman doesn’t just write psychological thrillers—he owns the genre.”
  • —Detroit Free Press

Customer Reviews

Rating Breakdown

★★★★★
30%
(2K)
★★★★
20%
(1.3K)
★★★
15%
(1K)
★★
7%
(467)
28%
(1.9K)

Most Helpful Reviews

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Super Hero Psychologist

Life is a far cry from Grace's desperate beginnings. Now an independently wealthy, wildly successful psychologist, she was born into a family of violent, addicted losers. After the brutal deaths of her parents, she is shunted into the foster care system. Intellectually gifted, she quickly learns to keep to herself. Her life takes a turn for the better when she is placed at a ranch run by an elderly widow. The woman's brother-in-law, a brilliant psychologist, takes a strong interest in Grace. But death interrupts her happiness at the ranch after the admission of three strange children. Luckily the psychologist and his wife intervene and Grace thinks the nightmares of the past are long gone. But she is wrong. When a one night stand turned patient winds up murdered, Grace decides that no bad deed should be left unpunished.

Although well written, this book was not successful. I was not convinced by Grace. She seems as sociopathic as her quarry. Her transformation from emotionally unavailable, suspicious foster child to compassionate shrink was not credible. She is highly manipulative, faking empathy and affection. Her wild sexual forays were unhealthy and risky, certainly not the behavior of a well adjusted individual. Her promiscuity does not seem believable. She was not sexually abused as a child and detests physical contact. Similarly, her interest in weaponry and self defense is extreme. Selfish and cold, her role as defender of the downtrodden blessed with superhuman abilities was unconvincing. She stalks, she kills and disposes of the body and the evidence. Her detective skills are extraordinary. The cop on the case disappears after a limited appearance and the details of the crimes are, for the most part, speculation on Grace's part. I did like the portions about Grace as she was growing up but there was way to much attention paid to what she was eating, her vehicles owned and rented and her hotel rooms. The other characters were one dimensional and unbelievable. No attorney would act as rude and insulting as the one who is handling her parents' estate or as maudlin and unprofessional as the one who was friends with her adoptive father.

This is a serviceable thriller but not a satisfying read. The story suffers as Grace becomes a super hero. I have no problem with damaged heroines. Indeed, Kathy Mallory of Carol O'Connell's Mallory series is one of my favorites. But Grace's character doesn't compel and with her at the center, the story just fails.
75 people found this helpful
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Another Great Book from Jonathan Kellerman!

Wow! I never thought I would have to apologize for writing a 5 star review and enjoying a novel, and I am not going to start now. I loved this book and am proudly going to state that in the following review:

Jonathan Kellerman has written a stand-alone novel in the genre he is so famous for, mystery/thriller. In my usual manner with a JK novel, I devoured it from front to back within a few days. And, I was sad when it was over. Mr. Kellerman is the author of the popular Alex Delaware series of novels, and I have read every one, and thoroughly enjoyed them. This new book is no exception. As in the Delaware series, the protagonist is a psychologist. Grace has a traumatic past, herself, so this helped to propel her into becoming a therapist. In typical Kellerman fashion, the heroine's life intersects with someone from her past, and, before she knows it, she is knee deep in trouble with a murder and a mystery of her own to piece together and solve.

I think the reason people are having trouble relating to Grace as a "real" person is because I believe Kellerman created a sociopathic heroine. Not everyone who is a sociopath or psychopath leads a criminal lifestyle. Grace may be an example (albeit fictional) of a person with this psychological profile (stunted upbringing, lack of parental nurturing, foster care child, learned early to do/say what made people happy, highly intelligent, etc.) who turned their personality disorder into a productive lifestyle. Her character "flaw" actually works for the profession she is in--she knows exactly how to nurture others and tell them what they need to hear, although, may be unable to experience those feelings and emotions, herself (hence, her strange/detached sexual liaisons). So it, to me, is no wonder that so many people seem unable to relate to Grace as a character and as a person. And that is precisely because she is NOT a person with a "normal" personality profile. While it may be difficult to find commonality and to relate to her, she is still immensely interesting as a character, and, to me, completely believable.

I have thoroughly enjoyed each of Jonathan Kellerman's books. They are a pleasure to read, totally engrossing, and take me away from my day to day routine. That is exactly what I want in a book, and this one does not disappoint. I really hope they are testing the waters to see if this book has the popularity to become the first in a new series. That would be wonderful. If you have not read Kellerman and enjoy this genre, then by all means, read this book. If you already enjoy the work of JK, then this book will make you very happy. Enjoy!
65 people found this helpful
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Run, do not walk, away from this thing

The review made me choose adjectives for plot ( "full of surprises") and characters ("complex") but I did not have the options "full of ridiculous surprises" or "complex in a way that would never happen in a real human being." Grace Blades is a clinical psychologist who is lauded as a brilliant healer of the traumatized. She is such a brilliant sociopath that even as she fakes all emotions and suppresses all feelings in her personal life she is somehow empathetic and caring enough to save those who are lost. But! She is also a sexual huntress who goes out on the prowl and picks up strangers for sex. During one of these encounters she becomes entangled with a figure from her past and then has to solve some kind of mystery involving a cult, adoptions, various universities in California (and of course also Harvard because She.Is. Brilliant.) a former case worker turned attorney, a property scam, a deaf woman, and I don't know what else. During her investigation she drives around California in an Aston Martin and various rental vehicles, and eats a lot of turkey jerky and orders a lot of food we are told she doesn't eat, why this is important I never figured out. Yes, the sainted Dr. Delaware makes a cameo. I thought this was the worst Kellerman I'd read but I seem to recall one in the Delaware series where they stumble across some mutant mole people at the end? Which are never referred to again in the next book. I think that was equally bad. Do not buy this book or even get it from the library, it was awful.
44 people found this helpful
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It must just be me, but I hated it.

ARC/Thriller: I have listened to many Kellerman books with the great narration of John Rubinstein (had to throw that in). I knew coming into this book that it was not part of the Alex Delaware series, but I figured that he was make a cameo, which he did. Delaware books are done in first person, which I enjoy so much. This is done in third, so I was disappointed at first. Then after reading the first 80 pages, I was glad it was not in first person. Our main character, Grace, is an antihero and I never want to get in her mind.

Going into this book, it loses one star because of the title. I think these books regurgitating the Hangman’s Daughter title are too pretentious.

I usually don’t have spoilers in advanced reader copies, but I cannot recommend this book, so one may slip out. Kellerman is a good writer and his books are usually edited well. I let him get away with a lot as far as plot because I love his characters, (Alex, Milo, and even characters from his non-Delaware books). His plots are usually off the wall and all of reality is thrown out the window. I don’t usually care. I guess part of my dislike is due to the Lisa Scottoline book I recently listen to that had a similar plot. (That time, it was a judge who had a secret taboo sex life and then a body hits the floor). Another part is that Grace is a sociopath. She’s in Dexter territory. She has everything paid for and still works listening to people and faking empathy. I’ll be honest and say after 100 pages, I found myself skimming through a lot of the plot devices to make me like Grace simply because I didn’t care. Her life with the foster family and Malcolm did nothing for me. Then after Grace inherits the money, I really stopped caring. By the time she has her “Unbreakable” hero moment, I cared even less.
25 people found this helpful
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Very disappointed in one of my favorite authors

I have read every single book Jonathan Kellerman has written so I eagerly awaited this book, even though I found "Motive" a little tedious and not the Kellerman read I learned to enjoy so much. But this was just kind of empty. Some of the situations just didn't make a lot of sense. Why did we have to know she masturbated as a child instead of sucking her thumb? A lot of the sexual things seemed like an author trying to be edgier just for the sake of pulling in readers who won't read a book if it isn't full of soft porn. For me, Grace was not a very likable or interesting person. The police officer on the original case? Where'd she go?? She was written in a way that made it seem she would be a central character. Then she was never mentioned again. There didn't really seem to be a reason that Grace would not go to the police when she killed the intruder. Kellerman tried to make it seem like Grace was afraid of being a suspect, but it was all kind of lifeless. The ending left me wondering what in the world I had just read. I was very very disappointed.
24 people found this helpful
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Solid Effort, but not Fun

My guess is that Jonathan Kellerman isn't really feeling the spark he felt when he first started writing. His earlier books had an edge of urgency and personality that kept them vital and suspenseful. This book isn't quite gripping enough to be called suspenseful. I felt like picking it up to see what was going to happen next was what I should do, and not what I wanted to do. When reading becomes a chore for me I know that the author has lost me, and The Murderer's Daughter stopped being fun for me at about page 35. I never got caught up in the story or the lives of the characters, and while the book itself was technically fine, it simply wasn't fun. I want fun when I read.
9 people found this helpful
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I give this an F

This was a huge disappointment. What a poorly constructed story with no real ending and no real plot. We are left wondering why the villain wanted Grace dead or killed his brother. We are left hanging as to what happens to the baby, deaf sister and wife. We are left to wonder exactly what is so mysterious about casual sex and exactly how we are to believe that a young woman who is essentially devoid of any ability to feel love would choose to become a psychotherapist and not only heal people but be a phenom at it. Its pulled by the hair. It feels written by a ghost writer and as though the author had a book due in and just put this thing together. Since I am a huge fan of his, you can imagine what a massive let down this book is.
7 people found this helpful
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Did not Thrill me at all

Full Disclosure: I gave up with this before I was half way through.

I am hard-pressed to believe this book was written by the same person who wrote the super Alex Delaware thrillers.

The `brilliant, deeply dedicated psychologist Grace Blades' is just annoying and I couldn't have cared less about her and her `harrowing past'.

The `plot' is sloppy and Grace Blades needs to see Dr. Delaware.

Alternate plot: Grace Blades commits murder and Dr. Delaware and Milo are on the case. That I would have read.
6 people found this helpful
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fast read, OK plot

The Murderer's Daughter is my introduction to Jonathan Kellerman. I have read his son Jesse before and enjoyed it, so I thought I would give this a try.

It is merely OK. Dr. Grace Blades is a wonderful psychologist. She is young too, her early 30s (she got her PhD in her 20s because she's a genius). Her parents orphaned her in a murder/suicide. This made her a survivor (and maybe a little too into risky behavior). She meets men to have sex with (calling it a one night stand is inappropriate as even that would seem to give it more relationship than is deserved). And even though she is a renowned therapist, she tends to care for no one. She is so cold and separate it is difficult to feel sympathy for her. She gets tangled up in a murder, and decides to investigate it herself. Luckily, she is a genius with survival skills, self-defense training (more like military training), guns, 2 weeks of vacation off from work, but not yet booked, so she can traipse around California playing detective. Oh, and she is filthy rich. (I have read an astounding number of thrillers with this formula lately, is there nothing else?)

Her story is told dynamically as chapters flip from present to her upbringing. We learn in tandem, which makes this a suspenseful read. It really keeps you moving. Which is helpful, as the story stalls towards the end.

The story is interesting, but I think the coldness of Grace and the lack of details and closure for the mystery leave me feeling flat. It's just ok. I don't think I would read the next if this was a series.

Also, there is graphic descriptions of sex and anatomy, but even that seemed clinical, more provocative than pornographic.
5 people found this helpful
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Pass

I hated this book. I did not like the main character and there is no explanation for why things happened, why she is doing what she is doing or even how things turn out in the end. I don't think I will read anymore of this author's books.
3 people found this helpful