The Score (Parker)
The Score (Parker) book cover

The Score (Parker)

Paperback – April 15, 2009

Price
$14.00
Format
Paperback
Pages
224
Publisher
University of Chicago Press
Publication Date
ISBN-13
978-0226771045
Dimensions
5.25 x 1.1 x 8 inches
Weight
12 ounces

Description

“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.” -- H. J. Kirchoff ― Globe and Mail Published On: 2009-04-17 “Perhaps this, more than anything else, is what I admire about these novels: the consistent ruthlessness of an unapologetic bastard. And so if you’re a fan of noir novels and haven’t yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you’ve been searching for.” -- John McNally ― Virginia Quarterly Review “Parker is refreshingly amoral, a thief who always gets away with the swag.” -- Stephen King ― Entertainment Weekly “Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.” -- William Grimes ― New York Times “Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.” -- Elmore Leonard“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.” -- John Banville ― Bookforum “Parker is a true treasure. . . . The master thief is back, along with Richard Stark.” -- Marilyn Stasio ― New York Times Book Review “Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.” ― Washington Post “Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.” ― Los Angeles Times “Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.” -- Lawrence Block“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.” -- Anthony Boucher ― New York Times Book Review "Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past." -- Luc Sante ― New York Review of Books "I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written." -- Terry Teachout ― Commentary "The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it." -- Josef Braun ― Vue Weekly "Whether early or late, the Parker novels are all superlative literary entertainments."—Terry Teachout, Weekly Standard -- Terry Teachout ― Weekly Standard “Fiercely distracting . . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding.” -- John Hodgman ― "Parade" Richard Stark wa s one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.

Features & Highlights

  • It was an impossible crime: knock off an entire town—a huge plant payroll, all the banks, and all the stores—in one night. But there was one thief good enough to try—Parker. In
  • The Score
  • , Parker takes on his biggest job yet. All he needs are the right men, the right plan, and the right kind of help from Lady Luck. But as everyone knows, you can never count on that last one. This chilling caper could either be the perfect crime… or a set-up that would land him in jail — for life.

Customer Reviews

Rating Breakdown

★★★★★
30%
(135)
★★★★
25%
(112)
★★★
15%
(67)
★★
7%
(31)
23%
(104)

Most Helpful Reviews

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The ultimate anti-hero

Master thief and anti-hero Parker is getting antsy and bored. So when the call comes offering him a chance to head up to Jersey City to hear about a potential job he takes it. And what a job it is - the plan is to immobilize an entire small North Dakota town and rob it blind. Even for somebody like Parker, who has ice water in his veins, this is an audacious plan. Can a dozen men really take out an entire town and get away with the loot? This was another exciting fast-paced Parker adventure, Stark (aka Donald Wastlake) takes us through the planning, the heist and then the moment it all goes pear-shaped. Parker is such a refreshing character because he has no pretenses or morals that get in the way of the crackling plot. The plot is fast paced and the dialogue is sharp and fun. It's easy to see how the series lasted as long as it did, with the wealth of detail and Stark's mastery of the form.
5 people found this helpful
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The Shape of Character

Parker is a brilliant character. He is focused, acts without emotion, and always for a purpose connected with getting information and fulfilling the mission. Like knocking over a bank or armored car. The Score is one of the few Parker novels that doesn't live up to the high expectations created by the series. There were too many characters given the length of the story. Parker became more of a traffic cop who directed traffic, or a football coach sending in plays to the players. Also it was disappointing that Parker succumbed to sentimentality. The handling of the girlfriend of one of the gang who accidentally tagged along wasn't what one would have expected of Parker.
4 people found this helpful
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Parker Ignores Some Instincts, and Takes on a Much Bigger Caper

As other reviewers have noted, this is like watching a classic B&W movie filmed in the 1960s with no mobile phones, Internet, high-tech weapons or video cameras anywhere.

About Parker: Parker lives in the moment like any good sales person. Not the past. Not the future. He respects only dependable people he has worked with in the past. Bozzo’s and other undependable types get written off or killed. Mess with drugs, alcohol, or women during a job means you are a Bozzo and are undependable. Parker also plans financially. He pays income taxes to establish legitimacy, stashes cash everywhere like a squirrel, and only “works” enough to replenish his cash. The smart criminal.

About the Story, The Score, 5th in the Series: Parker considers a new job mainly out of boredom…and a much larger take even after expenses and more mouths to feed. The caper is to rob an entire town in North Dakota. Example of expenses: 3 highly illegal Thompson submachine guns bought for $350 from usual supplier on the black market. [Imagine that cost today, so make adjustments when you read the story today.] The job doesn’t feel right to Parker: too many people, too many moving parts, and some amateur partners whom he doesn’t know. If you read the Parker series, you know that these doubts are enough to kill Parker’s interest.

Still, with lot of money at stake and agreement that Parker runs the show, Parker takes on the caper.

Planning involves the usual Parker preparations. No detail is too small to check out. Even when everyone else is satisfied, Parker isn’t. He’s cautious. Insists that details are checked out.

Death is nothing to celebrate for Parker. But it is not to be avoided either if necessary to eliminate any loose ends. Parker goes about killing methodically--not rushed and never emotionally involved. Age or gender makes no difference.

Despite the best laid plans, The Score has unforeseen double-crossings and hidden agendas. These twists and turns make the Westlake Parker-series a delightful read and mystery story.

It is a quick read: finished one long plane ride.
3 people found this helpful
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Solid Parker Novel

The Score was one of my favorite Parker novels as I read the series for the first time. On my first journey through the series I read what the local library had. Some of the early and later books, and not that many of them. Then I started to purchase the novels and really enjoyed this one because of the audacity of attempting to rob the all the major business in a small town. The planning and coordination to pull the heist off drew me into the book. Of course, being a Parker novel, something goes wrong but the crew still does rather well. I am now reading the series in order and I still think the story is solid and still one of my favorites.
2 people found this helpful
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Procedural

Quote
You can steal in this country, you can rape and murder, you can bribe public officials, you can pollute the morals of the young, you can burn your place of business down for the insurance money, you can do almost anything you want, and if you act with just a little caution and common sense you will never even be indicted. But if you don't pay your income tax, you will go to jail.
Unquote
Page 73. First published 1964.
Richard Stark/Donald Westlake has written a whole series of crime procedurals around Parker, the man without a first name. Not police procedurals, but robbery procedurals, written from the perspective of the perpetrator. This is all highly immoral and very entertaining.
In the Score, volume 5 of the series, Parker robs a whole little mining town in North Dakota. The job isn't what he normally does. It is larger and more complex and involves more people. What you get with this novel is a guideline for project team organization. If you are into industrial project management, you can learn something here, besides the entertainment.
On the other hand, while the job is more complex, the novel is fairly straightforward and uncomplex, hence I would rate it a bit lower than some of the others in the series.
2 people found this helpful
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Parker's the best

I welcome these re-releases of the Parker series and hope they will continue. With Donald Westlake's (Richard Stark) recent passing, it only adds to the allure. Most of the Parker series is hard to come by, so...
Parker is the most ruthless of the toughguys, but he kills only when it can't be avoided. His concentration is legendary, and he has a code of honor that is uniquely his own.
But most of all he's a likeable dude. Wouldn't mind at all to hook up with him, have a cup of joe, smoke some cigarettes, and then pull a heist with him. I just hope all twenty-five are to be re-printed.
2 people found this helpful
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The Score Doesn't quite score

The Score is Richard Stark's fifth novel in the Parker series and his first misstep in what has been a tremendously entertaining series of books.

The story is intriguing enough; Parker and score of men descend on a remote town to loot the bank and various business; but the set up portion of the book, where the plans for the heist come together is so dull I found myself thinking about how boring the book was while I was reading. Not a good sign for any crime novel, especially for a book as short as this one.

There are some fun parts though. The ending makes it is worth wading through the cumbersome middle; with plenty of action, double-crossing and things not going according to plan; and the opening sequence is fun too. It is a Parker novel after all. We are also introduced to Alan Grofield, who spins of into four novels of his own, also by Richard Stark.

Again, I have to express my disappointment with these terribly drab editions from University of Chicago press. The cover artwork is awful, and the cheap collage work is unimpressive compared to some very innovative book covers coming from other publishers. Painter cover art would have been much more in line with the content of the book rather than the early 90's style blandness for which we are charged $14.

Check out the cover for Duane Swierczynski's novel "Severance Package", with excellent artwork by comic book artist Tom Coker, or "Lemons Never Lie" also by Stark, to see what could have been.
1 people found this helpful
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The Best

This is the best Richard Stark novel, period; to me anyway. No other Parker novel I've checked out didn't have many passages that simply made me cringe; the only thing close to "cringeful" in this novel was an early flashback chapter, when Parker is still in Miami. This is the only Stark that met all the expectations I had when I first learned of Stark's Parker.

And where I first learned of Parker was the first chapter of The Hunter: only to be disappointed, "cringing" all over the place, for the remainder of the novel. The only thing, in fact, that The Score lacks is the kind of content one finds in the first chapter of The Hunter. For me, neither the remainder of The Hunter, nor any other Parker novel I've read (except for The Score), lives up to the expectations of that first chapter.

So, as a personal solution, I dissected the first chapter of Hunter from its covers and now use it as a makeshift Prologue to The Score. The "Prologue" shows us who Parker is, and The Score shows us what Parker does.
1 people found this helpful
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Great series

I won’t tell you about the story but in fact the series themselves.
Very cool thief. I know it’s not cool to say that but it’s a story after all. Entertaining and tough. Parker is the character that Lee Marvin portraits in the movie Point Blank. He’s a tough guy. Is Parker his first name or last? I don’t think anyone knows. The series start with Hunter very roughly and violently and it slowly matures into 24 books. I am on book 3 now and they are fast reads. If you like vintage crime or noir stories then you’d enjoy these. If you like politically correct stories look elsewhere and don’t blame me for this review.
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Read all the Stark you can find

The book was in good shape, and came quickly, but forget all that. Richard Stark is a pen name for Donald Westlake, and much darker than his humorous crime novels. His work as Stark is dark, funny, quick paced, if remarkably short for a novel, and a joy to read. The anti-hero, Parker has no redeeming qualities whatsoever. He is passionless greed and the threat of violence incarnate, and as such is one of my favorite villains. Take out a second mortgage, take out a 15th credit card, sell the kids, but read every Parker novel you can get your hands on.