About the Author Oscar de Muriel was born in Mexico City and moved to the UK to complete his PhD. He is a chemist, translator and violinist who now lives and works in Manchester. The Loch of the Dead is his fourth novel, following A Mask of Shadows, A Fever of the Blood and The Strings of Murder.Oscar de Muriel was born in Mexico City and moved to the UK to complete his PhD. He is a chemist, translator and violinist who now lives and works in Manchester. The Loch of the Dead is his fourth novel, following A Mask of Shadows, A Fever of the Blood and The Strings of Murder.
Features & Highlights
'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin A spellbinding concoction of crime, history and horror - perfect for fans of Sherlock Holmes and Jonathan Creek. The First Case for Frey & McGray. Edinburgh, 1888. A violinist is murdered in his home. The dead virtuoso's maid swears she heard three musicians playing in the night. But with only one body in the locked practice room - and no way in or out - the case makes no sense. Fearing a national panic over another Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss, Detective 'Nine-Nails' McGray, actually believes in such supernatural nonsense. McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next... * * * 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch.' Manda Scott 'A great cop double-act ... It's the pairing of the upright Frey and the unorthodox McGray that notches up the stars for this book. Like de Muriel, they're going places.' Sunday Sport 'One of the best debuts so far this year - a brilliant mix of horror, history, and humour. Genuinely riveting ... with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written - The Strings Of Murder is everything you need in a mystery thriller.' Crime Review
Customer Reviews
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Most Helpful Reviews
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5.0
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Dark, Realistic, But Plenty of Humor in the Right Spots
I love crime and mysteries; I read tons of them, and this was top-notch.
Inspector Frey is such a fussbudget, but there's enough humor to keep him from being annoying, so he works fine as a narrator.
Frey and MacGray are not Holmes and Watson; they are far from infallible. They make mistakes, but they seem like real people. And the fact that the former is a racist Englishman and the latter is an English-hating Scot makes them a funny team in an otherwise fairly dark story. Most of the side characters were well-developed as well.
The setting was also really good. Edinburgh is described extremely well. I liked that, as there are so many books set in Scotland that take waaay too many liberties with historical realities.
My one complaint is that I had to order this from the UK; it's not available in the US. Why? It's so GOOD!
I've downloaded the novella sequel and eagerly await the next in the series (which comes out in a few days) -- even though I'll have to order it from the UK again.
2 people found this helpful
★★★★★
2.0
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Two Stars
I didn't like the book all that much. However, I did receive Amazon's usual exemplary service.e
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4.0
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Music and The Savage Beast
It’s hard to believe now but the Waltz was once perceived as being a shocking, evil dance, and the interval known as “the flatted fifth” was banned by the Catholic Church. Musicians of unusual virtuosity, such as Niccolo Paganini were rumored to have sold their souls to the devil in exchange for their gifts. I mention all of this because The Strings of Murder is not only a thriller, but it is also a book that is steeped in music and musical lore. It’s no surprise to find out that the Author, Oscar de Muriel is a violinist.
By 1888 most beliefs were dismissed as superstitious claptrap, but when a virtuoso violinist is found brutally murdered inside of his locked practice room, his blood splashed everywhere and mystic symbols scrawled on the walls, it’s no wonder that the authorities are stumped. Afraid that the nation will fear another Jack the Ripper is on the loose Scotland Yard dispatches one of their best, Inspector Ian Frey, to investigate under the pretense of joining a fake department that specializes in investigating the occult. The department’s leader, and Frey’s new boss, Adolphus “Nine-Nails” McGrey believes in the mission of his department. Somehow he and Frey must find a way to work together to solve this crime. They have barely started before bodies start dropping like flies, in more and more mysterious circumstances, and the only link seems to be music and violins. The tension only increases when Frey’s younger brother, Elgie, a violinist suddenly appears in Edinboro, with no place to stay.
After a fairly slow beginning this novel’s pace picks up, and for the most part doesn't slow down until the last twist is revealed. The plot isn’t always the most clever, and a few time I figured things out before the detectives did, but there are enough red herrings scattered about that I was kept off balance. Mr. de Muriel makes up for the occasional plot gaffe with a relentless pace and plenty of narrative drive. The main character’s are solid, if nothing special, and they bicker and insult each other to no end, but like the leads in any buddy novel they come to share a grudging respect. Where Mr. de Muriel shines is in his creation of this world. The smaller characters all are well rounded, and the author clearly did his research, as he brings the time and place to life with well-placed details. I could feel the difference between the fog of metropolitan London and the smoky coal-filled air of Edinboro. Each locale, from the most grimey pub to the stately homes of the rich felt real. Mr. de Muriel’s love of Victorian fiction also comes through as he uses several tropes of the genre to solid effect. More impressively, Mr de Muriel accomplished this without burying me in details.
Equally evident was the author’s love of music, and musical lore and traditions. The life of musicians, and the people who make their instruments and all detailed with care and grace. Without giving away too much I can say that music plays a key role in every facet of how and why these crimes were committed, as well as providing the detectives with several key clues that keep their investigation from failing. It’s refreshing to see an author grasp and utilize a facet of a novel to such effect, and makes The Strings of Murder worth your time.
Review by: Mark Palm
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