The Summoning

“Teen readers might scream loud enough to raise the dead. ” — Kirkus Reviews (Starred review) “Suspenseful, well-written and engaging.” — Voice of Youth Advocates (VOYA) “...splendidly haunting, with hair-raising suspense, disturbing effects, and a running undercurrent of unease.” — Bulletin of the Center for Children’s Books When librarians finally granted Kelley Armstrong an adult card, she made straight for the epic fantasy and horror shelves. She spent the rest of her childhood and teen years happily roaming fantastical and terrible worlds, and vowed that someday she'd write a story combining swords, sorcery, and the ravenous undead. That story began with the New York Times bestselling Sea of Shadows and continues with Empire of Night . Armstrong's first works for teens were the New York Times bestselling Darkest Powers and Darkness Rising trilogies. She lives in rural Ontario with her husband, three children, and far too many pets. Excerpt. © Reprinted by permission. All rights reserved. The Summoning By Kelley Armstrong HarperCollins Publishers, Inc. Copyright © 2009 Kelley ArmstrongAll right reserved. ISBN: 9780061450549 Chapter One I bolted up in bed, one hand clutching my pendant, the other wrapped in my sheets. I struggled to recapture wisps of the dream already fluttering away. Something about a basement . . . a little girl . . . me? I couldn't remember ever having a basement—we'd always lived in condo apartments. A little girl in a basement, something scary . . . weren't basements always scary? I shivered just thinking about them, dark and damp and empty. But this one hadn't been empty. There'd been . . . I couldn't remember what. A man behind a furnace . . . ? A bang at my bedroom door made me jump. "Chloe!" Annette shrieked. "Why hasn't your alarm gone off? I'm the housekeeper, not your nanny. If you're late again, I'm calling your father." As threats went, this wasn't exactly the stuff of nightmares. Even if Annette managed to get hold of my dad in Berlin, he'd just pretend to listen, eyes on his BlackBerry, attention riveted to something more important, like the weather forecast. He'd murmur a vague "Yes, I'll see to it when I get back" and forget all about me the moment he hung up. I turned on my radio, cranked it up, and crawled out of bed. A half hour later, I was in my bathroom, getting ready for school. I pulled the sides of my hair back in clips, glanced in the mirror, and shuddered. The style made me look twelve years old . . . and I didn't need any help. I'd just turned fifteen and servers still handed me the kiddie menu in restaurants. I couldn't blame them. I was five foot nothing with curves that only showed if I wore tight jeans and a tighter T-shirt. Aunt Lauren swore I'd shoot up—and out—when I finally got my period. By this point, I figured it was "if," not "when." Most of my friends had gotten theirs at twelve, eleven even. I tried not to think about it too much, but of course I did. I worried that there was something wrong with me, felt like a freak every time my friends talked about their periods, prayed they didn't find out I hadn't gotten mine. Aunt Lauren said I was fine, and she was a doctor, so I guess she'd know. But it still bugged me. A lot. "Chloe!" The door shuddered under Annette's meaty fist. "I'm on the toilet," I shouted back. "Can I get some privacy maybe?" I tried just one clip at the back of my head, holding the sides up. Not bad. When I turned my head for a side view, the clip slid from my baby-fine hair. I never should have gotten it cut. But I'd been sick of having long, straight, little-girl hair. I'd decided on a shoulder-length, wispy style. On the model it looked great. On me? Not so much. I eyed the unopened hair color tube. Kari swore red streaks would be perfect in my strawberry blond hair. I couldn't help thinking I'd look like a candy cane. Still, it might make me look older . . . "I'm picking up the phone, Chloe," Annette yelled. I grabbed the tube of dye, stuffed it in my backpack, and threw open the door. I took the stairs, as always. The building might change, but my routine never did. The day I'd started kindergarten, my mother held my hand, my Sailor Moon backpack over her other arm as we'd stood at the top of the landing. "Get ready, Chloe," she'd said. "One, two, three—" And we were off, racing down the stairs until we reached the bottom, panting and giggling, the floor swaying and sliding under our unsteady feet, all the fears over my first school day gone. We'd run down the stairs together every morning all through kindergarten and half of first grade and then . . . well, then there wasn't anyone to run down the stairs with anymore. I paused at the bottom, touching the necklace under my T-shirt, then shook off the memories, hoisted my backpack, and walked from the stairwell. After my mom died, we'd moved around Buffalo a lot. My dad flipped luxury apartments, meaning he bought them in buildings in the final stages of construction, then sold them when the work was complete. Since he was away on business most of the time, putting down roots wasn't important. Not for him, anyway. This morning, the stairs hadn't been such a bright idea. My stomach was already fluttering with nerves over my Spanish midterm. I'd screwed up the last test—gone to a weekend sleepover at Beth's when I should have been studying—and barely passed. Spanish had never been my best subject, but if I didn't pull it up to a C, Dad might actually notice and start wondering whether an art school had been such a smart choice. Milos was waiting for me in his cab at the curb. He'd been driving me for two years now, through two moves and three schools. As I got in, he adjusted the visor on my side. The morning sun still hit my eyes, but I didn't tell him that. My stomach relaxed as I rubbed my fingers over the familiar rip in the armrest and inhaled chemical pine from the air freshener twisting above the vent. "I saw a movie last night," he said as he slid the cab across three lanes. "One of the kind you like." "A thriller?" "No." He frowned, lips moving as if testing out word choices. "An action-adventure. You know, lots of guns, things blowing up. A real shoot-'em-down movie." I hated correcting Milos's English, but he insisted on it. "You mean, a shoot-'em-up movie." He cocked one dark brow. "When you shoot a man, which way does he fall? Up?" I laughed, and we talked about movies for a while. My favorite subject. Continues... Excerpted from The Summoning by Kelley Armstrong Copyright © 2009 by Kelley Armstrong. Excerpted by permission. All rights reserved. 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