The Widower's Tale: A Novel

From Publishers Weekly Starred Review. Percy Darling, 70, the narrator of Glass's fourth novel, takes comfort in certitudes: he will never leave his historic suburban Boston house, he is done with love (still guilty about his wife's death 30 years ago), and his beloved grandson Robert, a Harvard senior, will do credit to the family name. But Glass (Three Junes) spins a beautifully paced, keenly observed story in which certainties give way to surprising reversals of fortune. Percy is an opinionated, cantankerous, newly retired Harvard librarian and nobody's "darling," who decides to lease his barn to a local preschool, mainly to give his daughter Clover, who has abandoned her husband and children in New York, a job. Percy's other daughter is a workaholic oncologist in Boston who becomes important to a young mother at the school with whom Percy, to his vast surprise, establishes a romantic relationship. Meanwhile, Percy's grandson, Robert, falls in with an ecoterrorist group. Glass handles the coalescing plot elements with astute insights into the complexity of family relationships, the gulf between social classes, and our modern culture of excess to create a dramatic, thought-provoking, and immensely satisfying novel. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine In The Widower's Tale , Glass continues to explore the intricate ties of family and friendship that have become her trademark. Some critics felt the novel was just as evocative, timely, and emotionally gratifying as Three Junes , and they enjoyed the novel's different voices and timely issues. Others, however, couldn't get past the inauthentic dialogue and overuse of clichés, such as the droll gay couple who also love whipping up gourmet cuisine. Additionally, several reviewers felt overwhelmed by the sheer number of issues introduced, from health insurance and gay rights to illegal immigration and ecoterrorism, and felt that Glass may have better succeeded at examining just a few of these more deeply. To sum it up, perhaps a trip to the public library may be a less risky venture than a hardcover purchase. From Booklist *Starred Review* Glass' fourth novel is a capacious family drama with as many brimming rooms and secret nooks and crannies as the historic Massachusetts home of Percy Darling, an acerbic patriarch, penitential widower, and former librarian at Harvard's Widener Library. Percy's coveted property includes a large pond and a spacious old barn, once his late wife's dance studio, now an upscale preschool. A mischievous and erudite curmudgeon, Percy only agrees to this intrusion in the hope that his floundering daughter, Clover, will finally secure a job that makes her happy. Not that she'll ever catch up to her sister, a legendary oncologist. Masterfully omniscient and spellbinding, National Book Award winner Glass creates glimmering descriptions, escalating conflicts, and intriguing characters, such as Percy's oldest grandson, Robert, a premed student at Harvard, and his ecowarrior roommate, Arturo; Sarah, a stained-glass artist and uninsured adoptive single mother; Ira, a preschool teacher who lost a previous position when parents objected to his being gay; and Celestino, an illegal Guatemalan immigrant with high ideals and ambitions. Elaborately plotted and luxuriously paced, Glass' inquisitive, compassionate, funny, and suspenseful saga addresses significant and thorny social issues with emotional veracity, artistic nuance, and a profound perception of the grand interconnectivity of life. --Donna Seaman Praise for The Widower’s Tale “A satisfyingly cleareyed and compassionate view of American entitlement and its fallout. . . The family is society’s most inescapable institution, but in Glass’s hands it’s also the most shifting and vulnerable. And in The Widower’s Tale she approaches the ties of kinship with the same joyfully disruptive spirit that animated her previous books.”—Maria Russo, The New York Times Book Review “An enchanting story of familial bonds and late-life romance. Expect to be infatuated with Glass’s protagonist, 70-year-old Percy Darling, he of generous soul, dry wit, and courtly manners.” — Oprah “Glass effortlessly ping-pongs between three dramas to show how everyday love and lies can make—or completely destroy—a life. This one’s perfect for when you’ve got the night all to yourself and want to keep thinking long after the last page is turned.”xa0 — Redbook “Tremendously engaging . . . It's a large, endearing cast, bursting with emotional and social issues, and Glass slips effortlessly between their individual and enmeshed dramas. As she well proved in her National Book Award-winning Three Junes , Glass crafts dense and absorbing reads that are as charming as they are provocative.” —Karen Valby, Entertainment Weekly “Both funny and heartbreaking, [Glass’s] fourth novel will eave readers examining their own choices and priorities . . . One of the most remarkable aspects of Glass’s novel is that she writes convincingly from multiple points of view, classes and stations in life.” — Bookpage “Alluring descriptions, along with discerning characters, intricate plot lines, and the tackling of several complex issues offers an empathetic yet lively read.”— New York Journal of Books “Glass spins a beautifully paced, keenly observed story in which certainties give way to surprising reversals of fortune . . . Glass handles coalescing plot elements with astute insight into the complexity of family relationships, the gulf between social classes, and our modern culture of excess to create a dramatic, thought-provoking, and immensely satisfying novel.” — Publishers Weekly, starred reviewxa0“Glass’s perfect plot gives each character his or her due, in an irresistible pastoral tragicomedy that showcases the warmth and wisdom of one of America’s finest novelists, approaching if not already arrived at her peak.” — Kirkus, starred review “Elaborately plotted and luxuriously paced, Glass’s inquisitive, compassionate, funny, and suspenseful saga addresses significant and thorny social issues with emotional veracity, artistic nuance, and a profound perception of the grand interconnectivity of life.”— Booklist (starred review) Praise for I See You Everywhere “Rich, intricate, and alive with emotion . . . An honest portrait of sister-love and sister-hate—interlocking, brave, and forgiving.” —The New York Times Book Review “One doesn’t read so much as sink into a Julia Glass novel, lulled into an escapist reverie by her mastery . . . A novel that begins as sophisticated diversion [becomes] a haunting dissection of human fragility.” — People Praise for The Whole World Over “[Glass’s] second novel is even finer than her first . . . Her characters are enticingly complex, their predicaments are provocative and significant . . . Her love for animals, feel for landscape, and ardor for language itself feed the freshness, sensuousness, and compassion that make this such a nourishing and pleasurable read.” — Chicago Tribune “Beautiful and satisfying, chock-full of the gorgeous, heartbreaking stuff that makes life worth living.” — Rocky Mountain News Praise for Three Junes “Enormously accomplished . . . Rich, absorbing, and full of life.” —The New Yorker “Brilliantly rescues, then refurbishes, the traditional plot-driven novel . . . Glass has written a generous book about family expectations—but also about happiness.”— The New York Times Book Review Julia Glass is the author of Three Junes, winner of the 2002 National Book Award for Fiction; The Whole World Over; and I See You Everywhere, winner of the 2009 Binghamton University John Gardner Book Award. She has received fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and the Radcliffe Institute for Advanced Study. Her short fiction has won several prizes, and her personal essays have been widely anthologized. She lives in Massachusetts with her family. Excerpt. © Reprinted by permission. All rights reserved. 1 "Why, thank you. I’m getting in shape to die.” Those were the first words I spoke aloud on the final Thursday in August of last summer: Thursday, I recall for certain, because it was the day on which I read in our weekly town paper about the first of what I would so blithely come to call the Crusades; the end of the month, I can also say for certain, because Elves & Fairies was scheduled, that very evening, to fling open its brand-new, gloriously purple doors— formerly the entrance to my beloved barn—and usher in another flight of tiny perfect children, along with their preened and privileged parents. xa0I was on the return stretch of my route du jour, the sun just gaining a vista over the trees, when a youngster who lives half a mile down my street gave me a thumbs-up and drawled, “Use it or lose it, man!” I might have ignored his insolence had he been pruning a hedge or fetchxading the newspaper, but he appeared merely to be lounging—and smokxading a cigarette—on his parents’ hyperfastidiously weed-free lawn. He wore tattered trousers a foot too long and the smile of a bartender who wishes to convey that you’ve had one too many libations. xa0I stopped, jogging in place, and elaborated on my initial remark. “Because you see, lad, ” I informed him, huffing rhythmically though still in control, “I have it on commendable authority that dying is hard work, requiring diligence, stamina, and fortitude. Which I intend to maintain in ample supply until the moment of truth arrives.” xa0And this was no lie: three months before, at my daughter’s Memorial Day cookout, I’d overheard one of her colleagues confide to another, in solemn Hippocratic tones, “Maternity nurses love to talk about how hard it is to be born, how it’s anything but passive. They explain to all these New Age moms that babies come out exhausted from the work they do, how they literally muscle their way toward the light. Well, if you ask me, dying’s the same. It’s hard work, too. The final stretch is a marathon. I’ve seen patients try to die but fail. Just one more thing they didn’t bother to tell us in med school.” (Creepy, this talk of muscling one’s way toward the dark. Though I did enjoy the concept of all those babies toiling away, lives on the line, like ancient Roman tunnel workxaders, determined to complete their passage.) xa0As for the youngster with trousers slouched around his bony ankles, my homily had its intended effect. When I finished, he hadn’t a syllable at his service; not even the knee-jerk “Whatever” that members of his generation mutter when conversationally cornered. As I went on my way, energized by vindication, I had a dim notion that the youngster’s name was Damien. Or Darius. I put him at fifteen, the nadir point of youth. Had he been a boy of his age some twenty years ago, I would have known his name without a second thought, not just because I would have known his parents but because in all likelihood he would have mowed my lawn or painted my barn (gratefully!) for an hourly wage appropriate to a teenage boy’s modestly spendthrift habits. Nowaxaddays, teenage boys with wealthy parents do not mow lawns or paint houses. If they stoop to any sort of paid activity, they help seasoned citizens learn to navigate the baffling world of computers and enter xadtainment modules, charging an hourly wage more appropriate to the appallingly profligate habits of a drug dealer in the Bronx. xa0Damius or Darien might indeed have been the one to coach my own seasoned self through the use of my new laptop computer (a retirement gift that spring from my daughters), and to fleece me accordingly, had I not been the fortunate grandfather of a very intelligent, very kind, adexadquately well-mannered boy of twenty who was, at the time, an honors student at Harvard. A “good boy,” as parents no longer dare to say, cowed by advice from some celebrity pediatrician who’s probably fathered two or three litters with a sequence of abandoned wives. But that’s what Robert was, to me (and still is, or is again, despite everything that’s happened): a Good Boy, on the verge of becoming a solid, producxadtive citizen. “My grandson is a very good boy,” I used to say, with pride and confidence, especially within earshot of his mother. xa0Robert had inherited his mother’s passion for science, and I had begun to assume, with mixed feelings, that he planned to follow in her professional footsteps. A successful oncologist in Boston, Trudy has become marginally famous as a media source whenever some new Scanxaddinavian study pops up to hint at anything approaching a cure. One day, watching her as she explained a controversial drug to that life-size Ken doll on the six o’clock news, it occurred to me that my younger daughxadter entered my living room more often as a guest of NBC than as my flesh-and-blood offspring. I saw Robert far more frequently. xa0Robert stayed in close touch with me as contractors, carpenters, plumbers, and electricians jacked up and tore apart my barn so that it could become the new home of Elves & Fairies, Matlock’s favorite proxadgressive nursery school. (Simply to look out my back windows that sumxadmer felt like spying on the public humiliation of a loyal friend, an ordeal I had engineered.) When these callow strangers—few of whom spoke English by choice—were not perpetrating their mutilations, buttressxadings, and vigorous eviscerations upon that stately structure, they treated my entire property like an amusement park. During breaks, they would kick a soccer ball back and forth by the pond, and while there were plenty of other shady spots in which to lounge, they ate their lunch on the steps of my back porch, their laughter and indecipherable chitchat echoing throughout my house. I could not even identify the language they shared. It might have been Tagalog or Farsi. xa0Fortuitously, despite my protests, Robert had insisted on setting up an e-mail account when he tutored me on the use of my laptop. After decades at a job where the King Kong shadow of technology loomed ever larger and darker over the simple work I loved, I had fantasies of a quasi-Luddite retirement: I would revel in the pages of one obscurely significant novel after another, abandoning the world of gigabytes and hard drives. Cursed be the cursors; farewell to iEverything and all its pertly nicknamed apps. xa0In a word, ha. xa0That summer, as it turned out, I found my sleek, alarmingly versatile computer a blessing—chiefly because it meant that I heard regularly from Robert, who was working at a coastal conservation outfit up in Maine. He kept me sane by sympathizing with my fury about everything from the cigarette butts and gum wrappers I found in the forsythia bushes to the dozens of alien soda-pop cans I had to haul, along with my own recycling, to the transfer station. Most insulting was the altered view from my desk: my copper beech so rudely upstaged by a large blue closet concealing a toilet. xa0That Thursday, finally, the blue john was carted away. The workmen were gone. My good deed was coming to fruition, and I was determined to put myself in a positive frame of mind. Yes, I was irritated by the youth in the baggy trousers and all that he personified—but he was just one sign among many that the world was changing its colors without my permission. Yes, I was apprehensive about the looming loss, possibly permanent, of certain privileges I had long taken for granted: peace, privacy, and (my daughter Clover had recently informed me) swimming naked in the pond before dark. But I had been led to expect these vexations. And I was excited to learn, from Robert’s latest e-mail, that he was now back in Cambridge, preparing to start his junior year. xa0So when I came downstairs after showering, reading two chapters of Eyeless in Gaza, and shooting an e-missive to my grandson inviting him to lunch, I was almost completely happy to find my elder daughter in my kitchen. Almost. xa0There she sat, at the same table where she’d started each day for the first seventeen years of her life, eating a bowl of yogurt sprinkled with what looked like birdseed, drinking tea the color of algae, and paging through my copy of the Grange. For the past year, she’d been renting part of a house across town, yet she continued to make herself at home without announcing her presence. I knew that I ought to feel an instinctual fatherly joy—here she was, safe and hopeful at the very least, possixadbly even content—yet most of the time I had to suppress a certain resentment that she had made such a wreck of her life and then, on top of that, made me feel responsible for her all over again. xa0Like her younger sister, Clover hadn’t lived under my roof since a summer or two during college—unless one were to count the recent period (though one would like to have forgotten it) during which she had languished here after the histrionic collapse of her marriage. For six months, until I helped her move across town and convinced my friend Norval to give her a job at his bookstore, she had gone back and forth between my house and her sister’s. xa0“Hey, Daddy.” Clover beamed at me. “How was your run?” xa0“Made it to the Old Artillery,” I said. (Wisely, she paid me no condescending compliments.) xa0She stood. “Can I make you a sandwich?” xa0“Thank you,” I said. xa0“Turkey? Peanut butter? Egg salad?” xa0“Thank you.” xa0Clover laughed her deceptively carefree laugh. At an early age, my daughters learned that I do not like unnecessary choices, yet they tease me with them all the same. My favorite restaurants—if any such remain— are the ones where you’re served a meal, no questions asked (except, perhaps, what color wine you’d prefer). You can carry on a civilized conversation without being forced to hear a litany of the twenty dressxadings you may have on your salad or to pretend you care what distant lake engendered your rainbow trout. xa0As Clover assembled my lunch, she told me in meticulous detail about the last-minute touches she and her new colleagues were putting on the barn to prepare for the open house that night. I sometimes wondered if she could appreciate the depth of the sacrifice I was making—all of it for her. xa0While she twittered on about the final visit from the fire marshal, how she’d held her breath as he peered upward yet again at all those hundred-year-old rafters, my attention wandered to the newspaper, open to the police log. In any given week, the most notable incident in Matlock might be Loud voices reported 2 a.m. on Caspian Way or Pearl earring found under bench at train depot. But then there were such delectably absurd items as Woman apprehended removing lady’s slippers from woods off Mallard Lane or Caller on Reed St. complained wild turkeys blocked access to garage. A recent standout was “Bonexadhead driver” reported at food co-op transfer site. That week, our fearless enforcers had coped valiantly with a Shetland pony wandering free behind the public library, a 911 hang-up, the report of a weird man on a bike riding along a perfectly public road, a complaint about extensive paper detritus blowing across a hayfield, and a car left idling for twenty minutes at Wally’s Grocery Stop. But then I came to the listings for the previous Saturday, a day of the week that, in the police log, tends to be dominated by reckless driving at the cocktail hour. This time, however, the first entry for Saturday read, Motor vehixadcle vandalized and filled with vegetable refuse reported at 24 Quarry Rd. at 6:05 a.m. I burst out laughing. Clover stopped talking and turned from the counter to face me. “You find vaccination records a source of amusement?” xa0I tapped the paper. “This is priceless. Did you read this?” xa0She struggled not to look annoyed. Carrying a plate on which she’d placed a sandwich made with burlap bread, she looked over my shoulder. I read the item aloud. “ ‘Vegetable refuse’? Now there’s something new.” xa0“You didn’t hear about that?” said Clover. xa0“How would I? I’m no longer on the soirée circuit. I’ve been branded the town curmudgeon.” xa0“You have not. In fact, you are the town savior, in the opinion of seventy-three parents arriving to see their children’s fabulous new school this evening.” xa0“Until someone’s precious little Christopher Robin breaks a toe on the flagstone walk or falls off that fancy jungle gym.” xa0Clover uttered a noise of exasperation, but she spared me the usual dose of her newfound philosophy about the magnetic effects of negative thinking. xa0“But this.” I pointed to the paper again. “This wins a prize.” xa0She sat down across from me and told me that some fellow named Jonathan Newcomb had awakened to find his brand-new Hummer filled with corn husks. “Like, jam-packed with the stuff. And there was this big sign pasted over the entire windshield, and it said, ETHANOL, ANYONE? And they put it on with the kind of glue you can’t get off— in New York, they use it to glue on notices when you don’t move your car for the street cleaner.” xa0“Who is ‘they’?” xa0“The police, Daddy.” xa0“No, I mean the ‘they’ who filled that car with corn.” xa0“Just the husks. Nobody knows.” xa0I laughed loudly. I might even have clapped my hands. “That’s the most creative prank I’ve heard of in ages.” xa0Clover did not partake in my amusement. “Well, Jonathan is on the warpath. He made sure they fingerprinted everything in sight. Like even the hubcaps. He missed a plane, too. His company had an important meeting.” xa0“Wait. Quarry Road? Isn’t Newcomb the fellow who put down three acres of turf where all that milkweed used to grow like blazes? The field where I used to take you and Trudy to see the butterflies? You know that scoundrel?” xa0“He’s a dad, ” said Clover. xa0I was baffled by this non sequitur until I realized she was referring to E & F. No doubt Newcomb paid the full, five-figure tuition. Probably times two, for a brace of hey-presto fertility twins. xa0“Can you imagine,” she said, sounding deeply concerned, “getting all that corn silk out of the upholstery?” xa0“No. I cannot imagine that.” I used my napkin to conceal my smile. Read more