The Woman in Black: A Ghost Story
The Woman in Black: A Ghost Story book cover

The Woman in Black: A Ghost Story

Paperback – Day to Day Calendar, October 18, 2011

Price
$13.99
Format
Paperback
Pages
176
Publisher
Vintage
Publication Date
ISBN-13
978-0307950215
Dimensions
5.2 x 0.53 x 7.96 inches
Weight
6.2 ounces

Description

"A rattling good yarn, the sort that chills the mind as well as the spine." — The Guardian "Excellent.... magnificently eerie.... compulsive reading." — Evening Standard "The most brilliantly effective spine chillder you will ever encounter." — The Daily Telegraph "[A] highly efficient chiller.... Nerve shredding." — The Daily Express SUSAN HILL has been a professional writer for over fifty years. Her books have won the Whitbread, the John Llewellyn Prize, and the W. Somerset Maugham Award, and have been shortlisted for the Booker Prize. Her novels include Strange Meeting , I'm the King of the Castle and A Kind Man , and she has also publishedxa0collections of short stories and two autobiographies.xa0Her ghost story, The Woman in Black , has been running in London’s West End since 1988. Susan is married with two adult daughters and lives in North Norfolk. Excerpt. © Reprinted by permission. All rights reserved. Christmas Eve It was nine-thirty on Christmas Eve. As I crossed the long entrance hall of Monk’s Piece on my way from the dining room, where we had just enjoyed the first of the happy, festive meals, toward the drawing room and the fire around which my family were now assembled, I paused and then, as I often do in the course of an evening, went to the front door, opened it and stepped outside.xa0 I have always liked to take a breath of the evening, to smell the air, whether it is sweetly scented and balmy with the flowers of midsummer, pungent with the bonfires and leaf-mold of autumn, or crackling cold from frost and snow. I like to look about me at the sky above my head, whether there are moon and stars or utter blackness, and into the darkness ahead of me; I like to listen for the cries of nocturnal creatures and the moaning rise and fall of the wind, or the pattering of rain in the orchard trees, I enjoy the rush of air toward me up the hill from the flat pastures of the river valley.Tonight, I smelled at once, and with a lightening heart, that there had been a change in the weather. All the previous week, we had had rain, chilling rain and a mist that lay low about the house and over the countryside. From the windows, the view stretched no farther than a yard or two down the garden. It was wretched weather, never seeming to come fully light, and raw, too. There had been no pleasure in walking, the visibility was too poor for any shooting and the dogs were permanently morose and muddy. Inside the house, the lamps were lit throughout the day and the walls of larder, outhouse and cellar oozed damp and smelled sour, the fires sputtered and smoked, burning dismally low.My spirits have for many years now been excessively affected by the ways of the weather, and I confess that, had it not been for the air of cheerfulness and bustle that prevailed in the rest of the house, I should have been quite cast down in gloom and lethargy, unable to enjoy the flavor of life as I should like and irritated by my own susceptibility. But Esmé is merely stung by inclement weather into a spirited defiance, and so the preparations for our Christmas holiday had this year been more than usually extensive and vigorous.I took a step or two out from under the shadow of the house so that I could see around me in the moonlight. Monk’s Piece stands at the summit of land that rises gently up for some four hundred feet from where the little River Nee traces its winding way in a north to south direction across this fertile, and sheltered, part of the country. Below us are pastures, interspersed with small clumps of mixed, broadleaf woodland. But at our backs for several square miles it is a quite different area of rough scrub and heathland, a patch of wildness in the midst of well-farmed country. We are but two miles from a good-sized village, seven from the principal market town, yet there is an air of remoteness and isolation which makes us feel ourselves to be much further from civilization.I first saw Monk’s Piece one afternoon in high summer, when out driving in the trap with Mr. Bentley. Mr. Bentley was formerly my employer, but I had lately risen to become a full partner in the firm of lawyers to which I had been articled as a young man (and with whom, indeed, I remained for my entire working life). He was at this time nearing the age when he had begun to feel inclined to let slip the reins of responsibility, little by little, from his own hands into mine, though he continued to travel up to our chambers in London at least once a week, until he died in his eighty-second year. But he was becoming more and more of a country-dweller. He was no man for shooting and fishing but, instead, he had immersed himself in the roles of country magistrate and churchwarden, governor of this, that and the other county and parish board, body and committee. I had been both relieved and pleased when finally he took me into full partnership with himself, after so many years, while at the same time believing the position to be no more than my due, for I had done my fair share of the donkey work and borne a good deal of the burden of responsibility for directing the fortunes of the firm with, I felt, inadequate reward—at least in terms of position.So it came about that I was sitting beside Mr. Bentley on a Sunday afternoon, enjoying the view over the high hawthorn hedgerows across the green, drowsy countryside, as he let his pony take the road back, at a gentle pace, to his somewhat ugly and over-imposing manor house. Itxa0 was rare for me to sit back and do nothing. In London I lived for my work, apart from some spare time spent in the study and collecting of watercolors. I was then thirty-five and I had been a widower for the past twelve years. I had no taste at all for social life and, although in good general health, was prone to occasional nervous illnesses and conditions, as a result of the experiences I will come to relate. Truth to tell, I was growing old well before my time, a somber, pale-complexioned man with a strained expression—a dull dog.I remarked to Mr. Bentley on the calm and sweetness of the day, and after a sideways glance in my direction he said, “You should think of getting yourself something in this direction—why not? Pretty little cottage—down there, perhaps?” And he pointed with his whip to where a tiny hamlet was tucked snugly into a bend of the river below, white walls basking in the afternoon sunshine. “Bring yourself out of town some of these Friday afternoons, take to walking, fill yourself up with fresh air and good eggs and cream.”The idea had a charm, but only a distant one, seemingly unrelated to myself, and so I merely smiled and breathed in the warm scents of the grasses and the field flowers and watched the dust kicked up off the lane by the pony’s hooves and thought no more about it. Until, that is, we reached a stretch of road leading past a long, perfectly proportioned stone house, set on a rise above a sweeping view down over the whole river valley and then for miles away to the violet-blue line of hills in the distance.At that moment, I was seized by something I cannot precisely describe, an emotion, a desire—no, it was rather more, a knowledge, a simple certainty , which gripped me, and all so clear and striking that I cried out involuntarily for Mr. Bentley to stop, and, almost before he had time to do so, climbed out of the pony trap into the lane and stood on a grassy knoll, gazing first up at the house, so handsome, so utterly right for the position it occupied, a modest house and yet sure of itself, and then looking across at the country beyond. I had no sense of having been here before, but an absolute conviction that I would come here again, that the house was already mine, bound to me invisibly.To one side of it, a stream ran between the banks toward the meadow beyond, whence it made its meandering way down to the river.Mr. Bentley was now looking at me curiously, from the trap. “A fine place,” he called.I nodded, but, quite unable to impart to him any of my extreme emotions, turned my back upon him and walked axa0 few yards up the slope from where I could see the entrance to the old, overgrown orchard that lay behind the house and petered out in long grass and tangled thicket at the far end. Beyond that, I glimpsed the perimeter of some rough-looking, open land. The feeling of conviction I have described was still upon me, and I remember that I was alarmed by it, for I had never been an imaginative or fanciful man and certainly not one given to visions of the future. Indeed, since those earlier experiences I had deliberately avoided all contemplation of any remotely nonmaterial matters, and clung to the prosaic, the visible and tangible.Nevertheless, I was quite unable to escape the belief—nay, I must call it more, the certain knowledge—that this house was one day to be my own home, that sooner or later, though I had no idea when, I would become the owner of it. When finally I accepted and admitted this to myself, I felt on that instant a profound sense of peace and contentment settle upon me such as I had not known for very many years, and it was with a light heart that I returned to the pony trap, where Mr. Bentley was awaiting me more than a little curiously.The overwhelming feeling I had experienced at Monk’s Piece remained with me, albeit not in the forefront of my mind, when I left the country that afternoon to return to London. I had told Mr. Bentley that if ever he were to hear that the house was for sale, I should be eager to know of it.Some years later, he did so. I contacted the agents that same day and hours later, without so much as returning to see it again, I had offered for it, and my offer was accepted. A few months prior to this, I had met Esmé Ainley. Our affection for one another had been increasing steadily, but, cursed as I still was by my indecisive nature in all personal and emotional matters, I had remained silent as to my intentions for the future. I had enough sense to take the news about Monk’s Piece as a good omen, however, and a week after I had formally become the owner of the house, traveled into the country with Esmé and proposed marriage to her among the trees of the old orchard. This offer, too, was accepted and very shortly afterward we were married and moved at once to Monk’s Piece. On that day, I truly believed that I had at last come out from under the long shadow cast by the events of the past and saw from his face and felt from the warmth of his handclasp that Mr. Bentley believed it too, and that a burden had been lifted from his own shoulders. He had always blamed himself, at least in part, for what had happened to me—it had, after all, been he who had sent me on that first journey up to Crythin Gifford, and Eel Marsh House, and to the funeral of Mrs. Drablow.But all of that could not have been further from my conscious thought at least, as I stood taking in the night air at the door of my house, on that Christmas Eve. For some fourteen years now Monk’s Piece had been the happiest of homes—Esmé’s and mine, and that of her four children by her first marriage, to Captain Ainley. In the early days I had come here only at weekends and holidays but London life and business began to irk me from the day I bought the place and I was glad indeed to retire permanently into the country at the earliest opportunity.And, now, it was to this happy home that my family had once again repaired for Christmas. In a moment, I should open the front door and hear the sound of their voices from the drawing room—unless I was abruptly summoned by my wife, fussing about my catching a chill. Certainly, it was very cold and clear at last. The sky was pricked over with stars and the full moon rimmed with a halo of frost. The dampness and fogs of the past week had stolen away like thieves into the night, the paths and the stone walls of the house gleamed palely and my breath smoked on the air.Upstairs, in the attic bedrooms, Isobel’s three young sons—Esmé’s grandsons—slept, with stockings tied to their bedposts. There would be no snow for them on the morrow, but Christmas Day would at least wear a bright and cheerful countenance.There was something in the air that night, something, I suppose, remembered from my own childhood, together with an infection caught from the little boys, that excited me, old as I was. That my peace of mind was about to be disturbed, and memories awakened that I had thought forever dead, I had, naturally, no idea. That I should ever again renew my close acquaintance, if only in the course of vivid recollections and dreams, with mortal dread and terror of spirit, would have seemed at that moment impossible.I took one last look at the frosty darkness, sighed contentedly, called to the dogs, and went in, anticipating nothing more than a pipe and a glass of good malt whisky beside the crackling fire, in the happy company of my family. As I crossed the hall and entered the drawing room, I felt an uprush of well-being, of the kind I have experienced regularly during my life at Monk’s Piece, a sensation that leads on naturally to another, of heartfelt thankfulness. And indeed I did give thanks, at the sight of my family ensconced around the huge fire which Oliver was at that moment building to a perilous height and a fierce blaze with the addition of a further great branch of applewood from an old tree we had felled in the orchard the previous autumn. Oliver is the eldest of Esmé’s sons, and bore then, as now, a close resemblance both to his sister Isobel (seated beside her husband, the bearded Aubrey Pearce) and to the brother next in age, Will. All three of them have good, plain, open English faces, inclined to roundness and with hair and eyebrows and lashes of a light chestnut brown—the color of their mother’s hair before it became threaded with gray.At that time, Isobel was only twenty-four years old but already the mother of three young sons, and set fair to produce more. She had the plump, settled air of a matron and an inclination to mother and oversee her husband and brothers as well as her own children. She had been the most sensible, responsible of daughters, she was affectionate and charming, and she seemed to have found, in the calm and level-headed Aubrey Pearce, an ideal partner. Yet at times I caught Esmé looking at her wistfully, and she had more than once voiced, though gently and to me alone, a longing for Isobel to be a little less staid, a little more spirited, even frivolous.In all honesty, I could not have wished it so. I would not have wished for anything to ruffle the surface of that calm, untroubled sea. Read more

Features & Highlights

  • The classic ghost story from the author of
  • The Mist in the Mirror
  • : a chilling tale about a menacing spectre haunting a small English town.
  • Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip he anticipated quickly takes a horrifying turn when he finds himself haunted by a series of mysterious sounds and images—a rocking chair in a deserted nursery, the eerie sound of a pony and trap, a child’s scream in the fog, and, most terrifying of all, a ghostly woman dressed all in black. Psychologically terrifying and deliciously eerie,
  • The Woman in Black
  • is a remarkable thriller of the first rate.
  • The basis for the major motion picture starring Daniel Radcliffe.

Customer Reviews

Rating Breakdown

★★★★★
30%
(362)
★★★★
25%
(302)
★★★
15%
(181)
★★
7%
(84)
23%
(278)

Most Helpful Reviews

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a deliciously creepy little book!

One of my very favorite books, it's just what a ghost story should be. A book to be read with all the lights on, or better yet, all the candles lit.
2 people found this helpful
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The Woman in Black

Easily up to the standard of Susan Hill's prior works. What a writer, plot builder - one could be in just such a village in Yorkshire! Great read.
2 people found this helpful
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Great Ghost Story!

I love a good ghost story and this is not an easy genre to pull off. Very creepy and atmospheric. I highly recommend. The author really takes you "there." I felt like I was standing at the window in Eel Marsh House and gazing out at the salt flats at sunset. I felt the night coming on and the rising feeling of dread that came with it. Just an excellent tale! Quick read too. Haunting as it should be. Very close to the movie that I also highly recommend.
1 people found this helpful
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Great

It was great for my high school students
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A Great Classic Read!

I love this classic ghost story. The writing is strong with good character build up, the plot is very good & in my personal opinion better then the movie (sorry Daniel Radcliffe!). The movie is very different to the novel & is definitely just inspired by rather than basing off of.
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Ghost story very creepy

Okay. A rather strange story of loss and revenge
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Very happy

Good book
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Too slow to get into the main story; otherwise a great tale.

THE WOMAN IN BLACK, by Susan Hill, is a slow-burn atmospheric, ghost story. We meet our main character, Arthur Kipps, years after the . . . experience . . . in question had happened and changed his outlook so dramatically.

". . . what is perhaps remarkable, is how well I can remember the minutest detail of that day . . . "

While I normally love Gothic tales, I had a very difficult time getting into this one. I believe much of that has to do with the fact that a good portion of the beginning was told AFTER the events, and didn't give us a clue as to what actually occurred. This may have been intended to increase the suspense, but sadly, it had the complete opposite effect on me. After the first couple of chapters, I was very impatient to get to the real story.

". . . I had been left in no doubt that there was some significance in what had been left unsaid."

Once we finally get to where Arthur mentally goes back to his trip to Eel Marsh--where he was sent as his firm's solicitor to take care of the affairs of the deceased Mrs. Alice Drablow--the novel finally gives us that eerie, Gothic feeling. There were parts that were honestly chilling, but sadly, not enough of them to make up for the inaction of the beginning.

". . . It is remarkable how powerful a force simple curiosity can be . . ."

The actual story behind the woman in black was laced with malicious intent, and showed that a ghost can be portrayed as truly evil, in the hands of a good writer.

". . . innocence, once lost, is lost forever."

Overall, I was disappointed in this story. Even though the "main event" was as chilling as I could have hoped for, the majority of the book just felt like unnecessary filler, to me--particularly the first several chapters. If the tale had been told with less preamble, and perhaps more attention to the ghost, herself, I believe I would have enjoyed this much more.

"They asked for my story. I have told it . . ."
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A good and quick ghost story!

In Susan Hill's novel, "The Woman in Black," she puts a small twist on an urban legend that is widely known to most - - - 'the lady in white,' which if you haven't heard of it, it's a spectral woman that is seen throughout the world, dressed all in white, only to show up in places of tragic events. This novel only has one main character, Arthur Kipps, a 23-year-old young man who is a lawyer in late 1800's England. He usually takes care of the conveyance of property leases, but one day, when his boss, Mr. Bentley, hands over a case and responsibility of finding a newly deceased's Last Will and Testament for their lawfirm, Kipp graciously accepts the new adventure without knowing that what is ahead will haunt him the rest of his life.

As Kipp soon finds out after traveling to the town just outside of the deceased's home, there is more to this woman, Alice Drablow, than just an old hermit- - - anytime her name is mentioned, people fall silent; the same goes for her home: Eel Marsh House. Kipp doesn't allow this to put him off from doing his job, but when he finds out about the marshes the house lives on, he is told that there are only certain times of the day that he can cross before the marshes become too flooded to cross. 'The Woman in Black' has spine-chilling moments and great descriptive details to make this a quick ghost story to be enjoyed.

Before Kipp heads off to the Eel Marsh House, he must attend Mrs. Drablow's funeral; he is accompanied by a man named Mr. Jerome, an agent that had dealt with Mrs. Drablow's property and land business while she was alive. While at the church, only one other person turns up for the funeral: a woman dressed all in black. Kipp takes note that this woman does not look well and, being the gentleman that he is, tells himself that he will offer his arm to her for stability after the funeral, but when they are leaving the church yard, the woman is suddenly gone. Kipp brings this up to Mr. Jerome, but he merely states that they were the only ones at the funeral.

The best scene to come is Kipp's first night at Eel Marsh House, where he experiences his first real scare in the ruins close by the house that is a dilapidated cemetery. " Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave, and walk briskly back to the house, where I intended to switch on a good many lights and even light a small fire if it were possible, before beginning my preliminary work on Mrs. Drablow's papers. But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. She was at the far end of the plot, close to one of the few upright headstones, and she wore the same clothing and bonnet, but it seemed to have slipped back so that I could make out her face a little more clearly. "

Over the entire course of the book, Kipp only visits the house one more time after this incident. The book has a good story, but it isn't flawless; first, there is the overuse of the word 'estuary,' which is practically used on every page whenever Kipp is at the Eel Marsh House or discussing it. It gets very tiresome. There is also instances of bad writing, where I feel that Hill could have delivered the scenes better than she did: Kipp changing his mind the very next sentence (if you read my reviews pretty regularly, you will realize that I can't stand it when a character contradicts themselves within a page or two), and then Kipp saying he can't do something, than directly after, does it. When you read this book, you will realize that Kipp is not the type of character that would change his mind on a whim.

Kipp is also an interesting character for a male set in this era. Most men in the late 1800's were stoic and refused to show an ounce of emotion in public, but Kipp is not afraid to have other men see him fall apart, and he is also very considerate of other people. There isn't much of a backstory on where Kipp came from or how his parents raised him, but it wasn't really needed for this story. Yet, we meet Kipp's step-children and his first and second wife, without too much of a story about them, so when certain things happen (to not give a spoiler), it doesn't really leave an impression.

There isn't much I can say that wouldn't give away what makes this story enjoyable to read. Overall, this is a good and quick ghost story that may cause shivers for some, but even if it doesn't, the Woman in Black is a must-read for lovers of the paranormal. To me, this seems like a good book to read while traveling because it's easy to pick up and set down without getting lost as to what was going on.
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Good old fashioned ghost story

The Woman in Black by Susan Hill begins with Arthur Kipps telling the reader about how good his life has been, but we soon find out that something terrible and terrifying happened to him years prior. After an incident with his family, he decides to write it down to try to come to terms with it and get it out of his system once and for all.

Kipps takes us back when he was just a young London solicitor, who is sent to Crythin Gifford, a distant town in the salt marshes beyond Nine Lives Causeway. There he has to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. At the end of the causeway lies Mrs. Drablow’s house. It is covered by a thick fog much of the time and is cut off from the rest of town when the tide comes in. Unbeknownst to Kipps, is the tragic past of the inhabitants of the house, although it is clear that the townspeople know about them and most distance themselves from Kipps as soon as they find out where he is headed.

Soon Kipps begins to see a strange sickly woman and frightening things happen when he is at the Eel Marsh House alone. Yet, he is determined to do his job and try to figure out the mystery of the house. But by the end, he only hopes to return home alive.

I really enjoyed this book. It had a very a creepy atmosphere and eerie occurrences happen throughout. I liked the character of Kipps and was invested in his outcome. Unfortunately, I had seen the movie version first, which I enjoyed, but I was expecting more to happen in the book, since the movie strays a bit. Yet, the last page still managed to unnerve me and upset me greatly. I highly recommend this book for readers that enjoy a good old fashioned ghost story.