Witches: The Absolutely True Tale of Disaster in Salem

I have no idea why so many reviewers are tagging this as fiction. This is not fiction folks this is true and hard facts, the witch trials happened and it was a very horrible time in our history, hopefully never to be repeated. With that being said I must admit, knowing that this a true event that actually happened to these actual people that lived...........it was rough and brought out many emotions from my home-schooled daughter. I never hide the truth from her though so history, as bloody and disturbing as it sometimes is, must be explored so as to not repeat. This book has brought on more research and in depth conversations on the topic then would have been possible if I had just presented to her a timeline of glossed over facts as is so often done. All in all, though rough, I would say this does a very good job of chronicling a very tragic period in our country's early history.

Sometimes I wish I could sit down with my 10-year-old self and have a conversation. We'd chat about the improvements that will come to fashion someday (I think 10-year-old me would really appreciate knowing that 1988 was America's low point), the delight to be found in School House Rock and eventually I'd turn the conversation to books. From there we'd give praise to good Apple paperbacks like [[ASIN:1442421703 The Girl with the Silver Eyes]] or pretty much anything with a ghost in it (does anyone even remember [[ASIN:0590434438 Ghost Cat]]?) but eventually I'd have to start pushing myself. "So what," I might say, "would it take to get you to read nonfiction?" Even from a distance of twenty-three years I can feel the resistance to such a notion. Nonfiction? You mean like the latest edition of [[ASIN:0440423104 Guinness World Records]], right? Nope. I mean like straight up facts about a moment in history. And not any of those Childhood of Famous Americans books either, missy thang. Then I'd pull out my secret weapon: Witches!: The Absolutely True Tale of Disaster in Salem. The cover? Enticing. The subject? Not off-putting. The overall presentation? Enthralling.

When 9-year-old Betty Parris and 11-year-old Abigail Williams began to twist and turn in the home of the Reverend Samuel Parris there was only one possible reason for it: witchcraft. And why not? This was Salem, Massachusetts where the Puritan populace knew anything was possible. What they didn't know was that the afflicted girls would be joined by fellow accusers and launch the town, and even parts of the state, into a series of witch trials the land of America had never seen before. Rosalyn Schanzer tells it like it is, recounting many of the details, giving information on what happened to all the players when the dust settled and things got back to normal. Notes, a Bibliography, an Index, and a Note From the Author explaining how she abridged, updated, and clarified some of the original texts follow at the end.

I'll admit it. I'm not ashamed. Here I am, thirty-three years of age with a Masters degree to my name and if you had asked me to recount exactly what happened during the Salem Witch Trials I'd have been hard pressed to come up with anything I didn't just learn from Arthur Miller's [[ASIN:0142437336 The Crucible]]. Okay . . . so I'm a little ashamed. And I didn't even know how much I didn't know until I started reading Schanzer's book. The author lays out her book chronologically. It's like watching an episode of Law & Order. You see the "crime", the characters, and the endless strange courtroom scenes (Note: Teacher's wishing to spice up their history presentations should definitely make Law & Order-like videos of the Witch Trials).

And Schanzer's choice of presentation is fascinating. Ordinarily a book like this would start with an Introduction that would sum up everything that happened lickety split. Not this one. There's a preface, sure as shooting, but the author makes the executive decision to start off with the most interesting aspect of this story: witches. "Anyone could be a witch - your own mother or father, your best friend, your tiny baby brother, or even your dog. And you might never know who was in league with the Devil until it was too late." From the get-go Schanzer is asking the reader, without being obvious about it, to walk in the shoes of a Puritan. To understand exactly where it was they were coming from. I know books for adults that have a hard time doing this, so to find it here in a title for the under 21-set is admirable to say the least. The book begins with an explanation that when the Puritans immigrated to America they brought with them "a stowaway from their former home." That would be an idea that the Invisible World was just as tangible as the Natural World. It sets the stage for what is to come, and if it does not excuse the actions of the characters, it at least gives their reasoning, however weak.

I was particularly impressed with the way in which Schanzer chose to refrain from inserting our contemporary views and theories into the text. When you at last reach the end you find a chapter called "The End is Here" which addresses some questions folks have had about the trials. Even then, the author doesn't lay down the law and say "this definitely happened" or "we have no doubt of that". Theories come and go. The idea that the grain in Salem had a mold in it may be trendy one day and then dismissed the next. By giving equal weight to various theories, Schanzer ensures that the book won't be dating itself any time soon.

When we think of nonfiction images, particularly those found in books published by companies like National Geographic, we think of photographs. And if we happen to be dealing with a point in history that came before the birth of the F-stop then we expect to see public domain images of the time. Usually paintings or prints made after the fact (and with scant attention to historical accuracy, but that's neither here nor there). To incorporate original art into a book for tweens and teens is more acceptable now that graphic novels have reached a kind of grudging acceptance from the mainstream. And what art! Little wonder that the book has already garnered the prestigious Gold Medal for Best Illustrated Book of 2011 from the Society of Illustrators Original Art Exhibition. Schanzer (who both wrote and illustrated the book, believe it or not) uses the Ampersands Scratchboard medium for this particular work. Black and white with the occasional use of bloody red (the endpapers are a nice touch) Schanzer illustrates both the true facts of the case as well as the wild suppositions poised by the accusers. The pictures actually lighten the tone of the book a bit. Some of this stuff is pretty bleak, but Schanzer's pictures have a bit of drollery to them (the dogs help). I was also taken with the font (not usually my area of expertise), which is listed as Caslon Antique and P22 Franklin Caslon. It makes the book look as if it was written in the past on an ancient printing press. Nice touch.

So if you're a librarian, teacher, or parent and you need to do a bit of booktalking with a work of historical nonfiction, Witches! is the answer to your prayers. Boy is it easy to talk up. I think all you'd have to do would be to recount one or two of the accusations to get the kids alert and awake. Then mention this fact to them: In a witch-hunt nobody is safe. It's the immediacy of the material that makes this story all the scarier. If you're looking for some straight history to entrance the kids, Witches! makes for a fantastic addition. Even my 10-year-old self would be forced to agree.

For ages 10 and up.

This book is amazing! I had no idea how much a part of daily life the belief in witches was for people in Colonial America. This author really made me feel how scared everyone was and how people could get caught up in the craziness so much that they accused their own mothers and other friends and relations of being witches! The pictures are incredible, too. Buy this book! You will not be sorry!

I actually bought this as one of many books to research the Salem Witch Trials for my latest novel. It states it's written for kids, but I find the writing not only intelligent but great for adults. It's a wonderful book with fun pictures.

[[VIDEOID:6bf400280527c77a97f823885180906c]]

This is a great book for upper elementary and middle school students with an interest in history.

Schanzer has outdone herself once again. Her illustrations in a different medium show the depth of her talent. My seven year old granddaughter loves reading our collection of her books with me and asks tons of questions about history she hasn't even touched on so far in school.

What a great book for kids! Age appropriate, but well written and smart! A great addition to any child's library. A rare treat--a serious discussion of a historical tragedy, presented in an accurate, entertaining narrative. Books like this make learning fun, and keep kids reading. I highly suggest it, and Ms. Schanzer's other works as well. She does US history like no other!

Three years ago, I borrowed this book from my local library. I was engrossed by this short account of the Salem witch trials. I was also impressed by Schanzer's art.

I received the copy of the book I purchased yesterday; I'm happy to report that the illustrations are even more impressive than I had remembered.

In Witches! The Absolutely True Tale of Disaster in Salem (winner of Sibert Honor Award for Nonfiction), Schanzer’s straightforward text and stunning illustrations will captivate middle grade readers. The narrative is non-stop craziness – revealing how beliefs can drive a community to foolishness and the devastation of members’ lives.

CAUTION: You may need to help launch students’ reading of this text. The first couple of pages are dense in vocabulary and the content is worthy of close reading and careful discussion. Schanzer describes the beliefs of the Puritans – in two worlds – the natural world of humans and “the Invisible World swarming with shadowy apparitions and unearthly phantoms of the air” p. 14. (BTW – chapter one starts on page 13. I’d do a close reading of pages 13-15.) Students have to “get” this idea in order to understand the rest of the book and deepening their understanding at this point may serve to deepen their understanding of the rest. No doubt, there are students out there who may not need this support especially if they have been in a unit of study on this period in American history. Just something to consider.

Schanzer’s writing is strong – she doesn’t “make up” what happened; her writing is straight forward. For example, when describing how a former minister in Salem village was accused of being a wizard, she writes “Burroughs was examined…” – in other words, she doesn’t turn it into a drama. You can tell she’s relying on primary and authoritative secondary sources and careful not to embellish.

I don’t know enough about art to comment well on her illustrations – but they set the tone for the book and are worthy of close reading/viewing and discussion by students. I appreciated that at the beginning of the book, she included a two-page layout of portraits of the “accused” with their names and who they were and another two-page layout of the “accusers.” This made for easy referencing if I needed clarity for who the players were at certain points in the narrative.

I’d definitely have this in my middle school classroom library and even encourage pairs or small groups of students to read and discuss. There could be some powerful discussion and essays written in response to questions like, “How does a person’s beliefs drive his/her actions? Why is this important to consider?” These are questions that can serve as lenses for reading other informational texts as well.