A Girl's Story
A Girl's Story book cover

A Girl's Story

Paperback – Deckle Edge, April 7, 2020

Price
$13.90
Format
Paperback
Pages
160
Publisher
Seven Stories Press
Publication Date
ISBN-13
978-1609809515
Dimensions
5.75 x 0.48 x 8.18 inches
Weight
6.4 ounces

Description

"The books are whittled down to an intense core—not a confession but a kind of personal epistemology. ...xa0One way to read Ernaux’s book is as an attempt to understand that opaque, painful, essential process of “becoming." —Madeleine Schwartz, The New Yorker "Since the 1970s, Ernaux has carved out a special place in the French literary pantheon for her ability not just to excavate individual memories, but to show the subtle ways they interact with the collective experience.....xa0Now, readers in English are catching on." —Laura Cappelle, The New York Times " A Girl's Story is a profound and beautiful examination of the impenetrable wall that time erects between the self we are, and the selves we once were. I know of no other book that so vividly illustrates the frustrations and the temptations of that barrier, and our heartache and longing in trying to breach it. Annie Ernaux is one of my favorite contemporary writers, original and true. Always after reading one of her books, I walk around in her world for months." —Sheila Heti, author of Motherhood and How Should a Person Be? “Another deeply felt, fearlessly honest exploration of female desire, shame, and intellectual passion from the incomparable Annie Ernaux.” —Sigrid Nunez, author of The Friend "Ernaux, one of France’s leading contemporary writers, mines her shame to good effect. There’s no hysteria or prurience in her writing; she approaches her history with precision, never sentimentality. ...xa0Revisiting painful periods is hardly new territory for writers, but Ernaux distills a particular power from the exercise. As she puts it, 'I am endowed by shame’s vast memory, more detailed and implacable than any other, a gift unique to shame.'” —Joumana Khatib, The New York Times Book Review "I came late to this French writer, who is becoming better known in English translation, and the shock of recognition has not subsided. Every so often you realise there is a great writer out there, a whole world you have yet to explore, and with someone this good, you want to take it slowly" — Anne Enright in The Irish Times "Written in 2013, although coming out a few years later, A Girl’s Story predates Me Too as a narrative genre, butxa0Ernaux’s body of work speaks to the simplest and possibly best thing Me Too offered women. It is her foundational exigency: how to remember politically, in collective form. . . . Across the ample particularities of over 40 years and 21 books, almost all short, subject-driven memoirs, Ernaux has fundamentally destabilized and reinvented the genre in French literature.xa0" —Audrey Wollen, The Nation "Annie Ernaux writes memoir with such generosity and vulnerable power that I find it difficult to separate my own memories from hers long after I’ve finished reading. In A Girl’s Story she detangles an adolescence rife with desire and shame, an era of both internal and external debasement. Ernaux wisely ventures into the gray areas of her memories; she doesn’t attempt to transcend their power, nor to even 'understand' them, but to press them firmly into this diamond of a book." —Catherine Lacey, author of Pew and The Answers "In this devastating yet deceptively simple work of autofiction, Annie Ernaux retraces the origins of her identity as an artist to the height of the Algerian War, and the loss of her innocence at the cusp of womanhood. Sifting through the wreckage of her memory, she queries its nature: whether we possess it, construct it, or view it like a photograph, or as a form of cinema; whether, long suppressed, it may be resurrected and reconstituted as narrative—and where, in such an act, the author ends and the character of the author begins. 'What is the belief that drives her, if not that memory is a form of knowledge?' xa0she asks. In A Girl’s Story , Ernaux cements her position as a writer of immense depth and grace." —Sarah Gerard, author of Sunshine State The author of some twenty works of fiction and memoir, ANNIE ERNAUX is considered by many to be France’s most important literary voice. She won the Prix Renaudot for A Man's Place and the Marguerite Yourcenar Prize for her body of work. More recently she received the International Strega Prize, the Prix Formentor, the French-American Translation Prize, and the Warwick Prize for Women in Translation for The Years , which was also shortlisted for the Man Booker International Prize. ALISON L. STRAYER is a Canadian writer and translator. She won the Warwick Prize for Women in Translation, and her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du livre de Montreal, the Prix littéraire France-Québec, and the Man Booker International Prize. She lives in Paris.

Features & Highlights

  • WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE
  • Another masterpiece of remembering from Annie Ernaux, the Man Booker International Prize–shortlisted author of
  • The Years
  • .
  • In
  • A Girl’s Story
  • , Annie Ernaux revisits the season 50 years earlier when she found herself overpowered by another’s will and desire. In the summer of 1958, 18-year-old Ernaux submits her will to a man’s, and then he moves on, leaving her without a “master,” bereft. Now, 50 years later, she realizes she can obliterate the intervening years and return to consider this young woman that she wanted to forget completely. And to discover that here, submerged in shame, humiliation, and betrayal, but also in self-discovery and self-reliance, lies the origin of her writing life.

Customer Reviews

Rating Breakdown

★★★★★
30%
(74)
★★★★
25%
(62)
★★★
15%
(37)
★★
7%
(17)
23%
(57)

Most Helpful Reviews

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A revealing and beautiful memoir

Annie Ernaux’s work shares a strong connective tissue with Frida Kahlo’s self-portraits. Both specialize in self-autopsy through an objective and often disturbing lens. Their work is womanist and revealing, evocative and vibrant.

In her latest work, A Girl’s Story (Seven Stories Press, 2020), Ernaux dissects an event that occurred when she was an eighteen year-old camp counselor and by her own admission, still a child. She becomes almost a third party observer to a romantic dalliance that quickly becomes a rape. She is a virgin at the time, and she subscribes to the idea that every first penetration is an act of violence. In this case, the boy in question forces himself on her, and only later does she discover that he had no intention of having a relationship with her after their encounter. She is left to find her way back from the shame and disappointment of the event and forge an identity that moves beyond the victim trope.

Ernaux captures so well the confusion of those teenage years in a time of sexual and gender oppression: 1958. The sexual revolution was a decade away, and girls who engaged in this kind of behavior at that time, even if unwilling participants, had their reputations tarnished. For boys, it was considered experience; for girls, it was devastating. Ernaux at first cannot understand his rejection of her. She thinks about him constantly, even tries to bend her strands of memory to wrap around the fantasy that there is some kind of connection between them post-assault. She suffers no physical injury beyond the torn hymen, but the psychic impact follows her all her life. The act changes her on a molecular level, and causes an eruption of questioning and self-analysis. Only now, at 79 years of age, can she write about it and find the distance to be objective and thorough in her examination.

This book is just one more work in Ernaux’s autoethnography—in her other books she has addressed her parents’ lives, her marriage, her abortion, Alzheimer’s disease and her breast cancer. All are written in an extremely close, first person point of view but with a clarity and conciseness that compares to examining oneself through a microscope. Sometimes, this requires her to adopt a third person point of view, as she did throughout her last book, The Years (Seven Stories Press, 2017). She utilizes that point of view occasionally in this book, jumping back and forth between first and third person. She is the girl in the situation, the aging woman who remembers, and an objective observer of the event and its aftermath. It all melds together for a complete and layered study.

Annie Ernaux’s writing is intense, provocative and concise, a style of prose poetry that stuns in its imaginative clarity. A Girl’s Story only adds to her evocative body of work. It is a beautiful and wrenching depiction of the end of childhood, and the events that shape whatever comes after.
19 people found this helpful
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FRS

156 pages of mostly philosophical renderings. Typical genre littéraire of the époque.
One has to question the reasons behind this discursive rambling book.
Vanity laced with guilt perhaps ? Inability to belong?
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Excellent

Fast delivery, great condition
✓ Verified Purchase

Excellent

Fast delivery, great condition