A Traitor to Memory
A Traitor to Memory book cover

A Traitor to Memory

Mass Market Paperback – August 27, 2002

Price
$7.85
Publisher
Bantam
Publication Date
ISBN-13
978-0553582369
Dimensions
4.18 x 1.36 x 6.89 inches
Weight
15.2 ounces

Description

"This can only add to her growing reputation as doyenne of English mystery novelists. ... [S]ome particularly moving moments."— Publishers Weekly "A superbly paced, all-consuming treat.... George has the ability to display and then dissect her characters in a painfully realistic way. If dogged police work is what you demand from mysteries, hit the sidewalk with these complicated British detectives."— USA Today "Wrenching ... George still stands several rungs up the ladder from her more superficial rivals."— Kirkus Reviews From the Inside Flap Davies is killed by a driver on a quiet London street, her death is clearly no accident. Someone struck her with a car and then deliberately ran over her body before driving off, leaving nothing behind but questions. What brought Eugenie Davies to London on a rainy autumn night? Why was she carrying the name of the man who found her body? Who among the many acquaintances in her complicated and tragic life could have wanted her dead? And could her murder have some connection to a twenty-eight-year-old musical wunderkind, a virtuoso violinist who several months earlier suddenly and inexplicably lost the ability to play a single note?For Detective Inspector Thomas Lynley, whose own domestic life is about to change radically, these questions are only the first in an investigation that leads him to walk a fine line between personal loyalty and professional honor. Assigned to the case by his superior, Superintendent Malcolm Webberly, Lynley learns that Webberly's f Elizabeth George’s first novel, A Great Deliverance , was honored with the Anthony and Agatha Best First Novel Awards and received the Grand Prix de Littérature Policière. Her third novel, Well-Schooled in Murder , was awarded the prestigious German prize for suspense fiction, the MIMI. A Suitable Vengeance, For the Sake of Elena, Missing Joseph, Playing for the Ashes, In the Presence of the Enemy, Deception on His Mind, In Pursuit of the Proper Sinner, A Traitor to Memory , and I, Richard were international bestsellers. Elizabeth George divides her time between Huntington Beach, California, and London. Her novels are currently being dramatized by the BBC. Excerpt. © Reprinted by permission. All rights reserved. MAIDA VALE, LONDON FAT GIRLS can do. Fat girls can do. Fat girls can do and do and do.As she trod the pavement towards her car, Katie Waddington used her regular mantra in rhythm with her lumbering pace. She said the words mentally instead of aloud, not so much because she was alone and afraid of seeming batty but rather because to say them aloud would put further demands on her labouring lungs. And they had trouble enough to keep going. As did her heart which, according to her always sententious GP, was not intended to pump blood through arteries that were being fast encroached upon by fat.When he looked at her, he saw rolls of flesh, he saw mammae hanging like two heavy flour sacks from her shoulders, he saw a stomach that drooped to cover her pubis and skin that was cratered with cellulite. She was carrying so much weight on her frame that she could live for a year on her own tissues without eating, and if the doctor was to be believed, the fat was moving in on her vital organs. If she didn't do something to curb herself at table, he declared each time she saw him, she was going to be a goner."Heart failure or stroke, Kathleen," he told her with a shake of his head. "Choose your poison. Your condition calls for immediate action, and that action is not intended to include ingesting anything that can turn into adipose tissue. Do you understand?"How could she not? It was her body they were talking about and one couldn't be the size of a hippo in a business suit without noticing that fact when the opportunity arose to have a glimpse at one's reflection.But the truth of the matter was that her GP was the only person in Katie's life who had difficulty accepting her as the terminally fat girl she'd been from childhood. And since the people who counted took her as she was, she had no motivation to shed the thirteen stone that her doctor was recommending.If Katie had ever harboured a doubt about being embraced by a world of people who were increasingly buffed, toned, and sculpted, she'd had her worth reaffirmed this night as it was every Monday, Wednesday, and Friday when her Eros in Action groups met from seven till ten o'clock. There, the sexually dysfunctional populace of Greater London came together for solace and solution. Directed by Katie Waddington--who'd made the study of human sexuality her lifelong passion--libidos were examined; erotomania and -phobia were dissected; frigidity, nymphomania, satyrism, transvestitism, and fetishisms were admitted to; erotic fantasies were encouraged; and erotic imagination was stimulated."You saved our marriage," her clients gushed. Or their lives, or their sanity, or frequently their careers.Sex is commerce was Katie's motto, and she had nearly twenty years of approximately six thousand grateful clients and a waiting list of two hundred more to prove this true.So she walked to her car in a state that was somewhere between self-satisfaction and absolute rapture. She might be anorgasmic herself, but who was to know as long as she had success in consistently promoting happy orgasm in others? And that's what the public wanted, after all: guilt-free sexual release upon demand.Who guided them to it? A fat girl did.Who absolved them of the shame of their desires? A fat girl did.Who taught them everything from stimulating erogenous zones to simulating passion till passion returned? A terminally hugely preposterously fat girl from Canterbury did and did and did.That was more important than counting calories. If Katie Waddington was meant to die fat, then that was the way she'd die.It was a cool night, just the way she liked it. Autumn had finally come to the city after a beastly summer, and as she trundled along in the darkness Katie relived, as she always did, the high points of her evening's group session.Tears. Yes, there were always tears as well as hand wringing, blushing, stammering, and sweating aplenty. But there was generally a special moment as well, a breakthrough moment that made listening to hours of repetitious personal details finally worthwhile.Tonight that moment had come in the persons of Felix and Dolores (last names withheld) who'd joined EiA with the express purpose of "recapturing the magic" of their marriage after each of them had spent two years--and twenty thousand pounds--in exploring their individual sexual issues. Felix had long since admitted seeking satisfaction outside the realm of his wedding vows, and Dolores had herself owned up to enjoying her vibrator and a picture of Laurence Olivier as Heathcliff far more than the marital embrace of her spouse. But on this night, Felix's ruminations on why the sight of Dolores's bare bum brought on thoughts of his mother in her declining years was too much for three of the middle-aged women in the group who attacked him verbally and so viciously that Dolores herself sprang passionately to his defence, apparently flooding away her husband's aversion to her backside with the sacred water of her tears. Husband and wife subsequently fell into each other's arms, lip-locked, and cried out in unison, "You've saved our marriage!" at the meeting's conclusion.She'd done nothing more than give them a forum, Katie admitted to herself. But that's all some people really wanted, anyway: an opportunity to humiliate themselves or their beloved in public, creating a situation from which the beloved could ultimately rescue or be provided rescue.There was a genuine gold mine in dealing with the sexual dilemmas of the British population. Katie considered herself more than astute to have realised that fact.She yawned widely and felt her stomach growl. A good day's work and a good evening's work meant a good meal as a reward to herself followed by a good wallow with a video. She favoured old films for their nuances of romance. Fading to black at the crucial moment got her juices flowing far more efficiently than close-ups of body parts and a sound track filled with heavy breathing. It Happened One Night would be her choice: Clark and Claudette and all that delicious tension between them.That's what's missing in most relationships, Katie thought for the thousandth time that month. Sexual tension. There's nothing left to the imagination between men and women any longer. It's a know-all, tell-all, photograph-all world, with nothing to anticipate and even less left secret.But she couldn't complain. The state of the world was making her rich, and fat though she was, no one gave her aggro when they saw the house she lived in, the clothes she wore, the jewellery she bought, or the car she drove.She approached that car now, where she'd left it that morning, in a private car park across the street and round the corner from the clinic in which she spent her days. She found that she was breathing more heavily than usual as she paused on the kerb before crossing. She put one hand on a lamppost for support and felt her heart struggling to keep to its job.Perhaps she ought to consider the weight loss programme her doctor had suggested, she thought. But a second later, she rejected the idea. What was life for if not to be enjoyed?A breeze came up and blew her hair from her cheeks. She felt it cooling the back of her neck. A minute of rest was all she needed. She'd be fit as ever when she caught her breath.She stood and listened to the silent neighbourhood. It was partly commercial and partly residential, with businesses that were closed at this hour and houses long ago converted to flats with windows whose curtains were drawn against the night.Odd, she thought. She'd never really noticed the quiet or the emptiness of these streets after dark. She looked round and realised that anything could happen in this sort of place--anything good, anything bad--and it would be solely left to chance if there was a witness to what occurred.A chill coursed through her. Better to move on.She stepped off the kerb. She began to cross.She didn't see the car at the end of the street till its lights switched on and blinded her. It barreled towards her with a sound like a bull.She tried to hurry forward, but the car was fast upon her. She was far too fat to get out of its way. GIDEON16 AUGUST I WANT to begin by saying that I believe this exercise to be a waste of my time, which, as I attempted to tell you yesterday, is exactly what I do not have to spare just now. If you wanted me to have faith in the efficacy of this activity, you might have given me the paradigm upon which you are apparently basing what goes for "treatment" in your book. Why does it matter what paper I use? What notebook? What pen or what pencil? And what difference does it make where I actually do this nonsensical writing that you're requiring of me? Isn't the simple fact that I've agreed to this experiment enough for you?Never mind. Don't reply. I already know what your answer would be: Where is all this anger coming from, Gideon? What's beneath it? What do you recall?Nothing. Don't you see? I recall absolutely nothing. That's why I've come.Nothing? you say. Nothing at all? Are you sure that's true? You do know your name, after all. And apparently you know your father as well. And where you live. And what you do for a living. And your closest associates. So when you say nothing, you must actually be telling me that you remember--Nothing important to me. All right. I'll say it. I remember nothing that I count as important. Is that what you want to hear? And shall you and I dwell on what nasty little detail about my character I reveal with that declaration?Instead of answering those two questions, however, you tell me that we'll begin by writing what we do remember--whether it's important or not. But when you say we, you really mean I'll begin by writing and what I'll write is what I remember. Because as you so succinctly put it in your objective, untouchable psych... Read more

Features & Highlights

  • When Eugenie Davies is killed by a driver on a quiet London street, her death is clearly no accident. Someone struck her with a car and then deliberately ran over her body before driving off, leaving nothing behind but questions. What brought Eugenie Davies to London on a rainy autumn night? Why was she carrying the name of the man who found her body? Who among the many acquaintances in her complicated and tragic life could have wanted her dead? And could her murder have some connection to a twenty-eight-year-old musical wunderkind, a virtuoso violinist who several months earlier suddenly and inexplicably lost the ability to play a single note?For Detective Inspector Thomas Lynley, whose own domestic life is about to change radically, these questions are only the first in an investigation that leads him to walk a fine line between personal loyalty and professional honor. Assigned to the case by his superior, Superintendent Malcolm Webberly, Lynley learns that Webberly's first murder investigation as a DI over twenty years ago involved Eugenie Davies and a sensational criminal trial. Yet what is truly damaging is what Webberly already knows and no doubt wants Lynley to keep concealed.Now the pressure is on Lynley to find Eugenie Davies' killer. For not only is he putting his own career into jeopardy, but he is also attempting to safeguard the careers of his longtime partners Barbara Havers and Winston Nkata. Together, they must untangle the dark secrets and darker passions of a family whose history conceals the truth behind a horrific crime.
  • From the Hardcover edition.

Customer Reviews

Rating Breakdown

★★★★★
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Most Helpful Reviews

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What a disappointment!

I have been an Elizabeth George fan for a long time, and I've come to expect certain things from her. This book did not deliver on most of them.

My biggest gripe is the ending. Don't worry, I'm not going to give it away here; but I would be remiss if I didn't describe my reaction of frustration and annoyance. I almost didn't make it to the end, and after the concerted effort that was required to do so, I felt extremely cheated.

This book is much too long, and there are way, WAY too many side characters and subplots. The narrative labors along like an overloaded freight train, weighted down as it is with all the excess baggage the author has piled on it. Its glacial pace is slowed even more by the frequent interjection of first person segments narrated by a character called Gideon, who is possibly the most singularly annoying individual I've ever encountered between the covers of a book.

Lynley and Havers pop in here and there, but their parts in this drama don't amount to much more than cameo appearances, in my opinion. Winston Nkata plays a larger role than either of them, and fond as I have come to be of him, this did not begin to make up for seeing so little of Tommy and Barbara. Ms. George needs to realize that we Lynley/Havers fans pick up one of her books out of a desire to read about Lynley and Havers, not an assortment of uninteresting and most unsavory secondary characters.

In my opinion, any Lynley fan dedicated enough to put up with such hardships to stay with this book all the way to the end is entitled to a payoff in the form of a satisfying conclusion. But sadly, the ending George provided only added to my frustration. My reaction could be summed up as follows: "THIS is what I suffered through all that for?"

I can't recommend this book to anyone except diehard Lynley fans like myself, who want to follow the whole series. If you do choose to read it, don't say I didn't warn you!
13 people found this helpful
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What happened to you, Ms George?

I say it up front - I didn't manage to finish this book. I fought my way through page 424 but by then was so incredibly bored and annoyed that I just couldn't go on any further. This is a big leap from times when I basically devoured each Elizabeth-George-novel. The main problems of the book are these:

- Way too much room is given to all kinds of side characters. If they were at least interesting, I could live with it, but their stories are so long-winded and boring. A large part of the book is devoted to the rantings of Gideon (not really a side character, though), in the form of a written report to his psychiatrist. I hated this technique when George used it in "Playing for the Ashes" with Olivia's diary and I hated it even more here. After Gideon needs 10 pages to describe the fact that he started up violin lessons, I skipped the Gideon parts.

- There are too many side characters. Constantly new character appear, each one with a full background story, much room dedicated to his/her thoughts, no matter how uninteresting and unimportant they are. All these new people make the read really confusing.

- Hardly any Lynley and Havers. I personally buy the Lynley/Havers series books because I want to read about Lynley and Havers solving a case. Here, they make a few appearances, far too little to support a Lynley/Havers book. Even worse, the scenes with them are uncharacteristically boring. On some pages I was wondering whether it was really Elizabeth George who wrote this book. What ever happened to Havers' being feisty? And since when is she on friendly-teasing terms with Helen? This made no sense at all and was just not the Havers I "know". The development between Lynley and Helen was not welcome to me at all and didn't fit with their characters either.

- The murder case and investigation were tedious and not gripping. The early Elizabeth George books, which had just a fraction of the volume of her later books, were absolute page turners. Everything was interesting, one was dying to know who the killer was and one was gripped by every minute of the investigation. Later books became more tedious and paid too much attention to the family history of victims, suspects and about everybody else (Missing Joseph and Playing for the Ashes were worst, In Pursuit of the Proper Sinner was marginally better). This book dives so deeply into family history that I just didn't care anymore who the murder was. There was just so much stuff around the story and so many long-winded scenes that reading was no fun.

I wish Elizabeth George would get back to her earlier crisp and thrilling style of writing. I know writers develop and have to develop, but her books just seem to get longer, more side-tracked and far away from the points that made reading the Lynley/Havers series so much fun. A real pity and a great disappointment.
9 people found this helpful
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A Really Good Bad Mystery

This is actually the first Elizabeth George mystery I have read, so I am relieved to read so many other reviews telling me this is one of her weakest works. The ending to this one was quite disappointing. Until I got there, however, the story was doing a fine job of holding my attention and interesting me in its many well-drawn characters.

It was because those characters were so well-drawn that I was so angered by the last few pages of this book. I felt that one character does something very startlingly stupid near the end. It was not at all in keeping with any of her previous behavior and it resulted in a stunningly grim ending to the story. That ending seemed like it had been tacked on because some marketing department determined that shocking and bleak equals highbrow and arty. Sometimes shocking and bleak just comes across as forced and irritating.
8 people found this helpful
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A long way across the street; Mind the step; Look right

This is a true story. I am in Italy, 10 - 12 years ago, on business. I'm in Bari. I forget what for. The center of the Saracen power in the ninth century. That's all I recall.

I am delayed, and contrary to my travel rules, I'm out of books. I think I packed three Spencers forgetting I would be through them in 2 days. One was finished before I was through the queue at Detroit Metro. So I spy a bookstore across the street. But it sells only Italian books, at least so I am told by the angry youth behind the counter who never looks up from his Soccer mag. But in the corner there is a small section for books written in english. And the only one in a small selection of Danielle Steeles that stands out is Elizabeth George and "Missing Joseph." I had never read her, but saved by the bell. It was brilliant. So I've been a fan for many years. And she rarely lets me down. However . . . .

Once in awhile, for which she is critiqued, here and elsewhere, she gets long winded. I suppose from a publisher's perspective, if she's selling the books and the lira is coming in, it doesn't make sense to sort the old girl, eh? What? Right.

But once in awhile you want to say, 'Bollicks! Where's the bloody editor? In the loo?

And this is one of those trips. "A Traitor . . ." isn't a poor novel. It's actually quite good. I found it so, at least. Bloody Hell! All of Ms. George's novels are brilliant. But this one is a tad too long. Maybe 300 pages too long. It's over 700 pages. Where's the red pencil, mum?

Anyhow, everyone knows the story so it won't be repeated here. But the other point is Havers. She's become a strong point. Perhaps she is the major strong point as are the characters around her, like that pretentious teacher from Pakistan neighbor and his daughter to which even Mother Teresa would have said WOULD YOU PLEASE SHUT UP! And her food eating which by American teenage standards is an abomination. And the cigarettes. Even Lynley chides 'must you?'

But Barbara and Lord Lynley make a limited appearance here. They might have saved it from 3 stars. But nothing was going to save it from its ponderous, relentless, "are we here yet, Daddy" length. Larry Scantlebury
7 people found this helpful
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Get a Life

I've read and enjoyed other Elizabeth George mysteries and I like the smart but pathetic and hopelessly unfashionable detective Barbara Havers. However, after struggling through the interminable interior monologue of a 3-year old violin player that opens this book, I thought: why in the world am I reading an over-stuffed mystery novel that is 700 pages long? Don't I have something better to do with my time? Well, I do -- I'll read a biography of Jesse James who was at least a real person and a criminal of some note.

Take this review as a protest against 700 page mystery novels. A mystery should be brief and tight -- capable of being read and enjoyed in a day or two.

Smallchief
7 people found this helpful
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A doorstopper

I really should give this 2.5 stars-- George's skill at unraveling the mystery is balanced out by the book's bloatedness.I've enjoyed this series in the past, but my problem with this book is that I simply didn't like any of these people. The violinist, the father, the pregnant girlfriend, the voyeur old bookshop owner. Too many characters are 2-d , given only a crass character trait for development. Also, George refuses to be kind to Havers, her own heroine, whose fashion faux pas are played for low comedy. That said, the key revelations are planted with great subtlety and skill. For hard core fans only...
5 people found this helpful
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Loved the story--disappointed & confused at ending

This review may give away too much of the plot if you haven't read it yet. A Traitor to Memory was such an absorbing novel that I didn't mind the 1000+ pages--more to look forward to! But I was also puzzled by some of the character twists. For example, Gideon seems to be a somewhat mature person with redeeming qualities in that he continues to probe for the truth about the original murder. He is seeking help not just to resume his playing but to really figure out what is going on (a sign of some insight and maturity). And this, despite his lifetime of living in his father's world of deceit and dominated by a single pursuit. But in the end, Gideon reverts back to the maturity level of that spoiled child when he reacts to Libby's surprise. And Libby herself seems to do a complete reversal of her character with her destructive choice at the end. I really wish more loose ends were tied up at the end. What happened with Malcomb? Was Jill's pregnancy normal? What happened between Katya and Gideon? And Raphael's role seemed to promise more than was ultimately delivered. What about his son? Was there ever any real hope for a relationship between Gideon and Libby? It seemed like the book ended in the middle of a chapter. I'm hoping that subsequent novels will clear up some of these questions. I'm still a huge fan of George, and have the rest of her novels stacked next to my bed waiting for their turn.
4 people found this helpful
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The 1,024 page souffle

That sounds like an oxymoron, I know, but it's the truth. You wonder how a book this laboriously dense can ultimately amount to so little. I have yet to read the latest George novel, and having read them in order (it was a REAL struggle to continue after "A SUITABLE VENGEANCE" and "MISSING JOSEPH") -- and after the near-contemptuous description of Australians in "I, RICHARD" -- not to mention the stunningly predictable "surprise" endings, I don't know wheter I'll persevere. If this is a trend, well -- there are bettter things to read, really.
I read the British edition of this book, and it should have tipped me off just reading the blurb -- the fact that it gave a lead-in to the Gideon sections of the book, and then the Lynley/Havers section, and neither seemed (from the way the blurb was phrased) remotely related; just, apparently, two separate books in one volume. And in many respects, it is. (And that introductory passage that really never gets chased up -- there's another tip-off.)
I will say this now: if the first two or so Gideon entries don't hold your interest, you really shouldn't bother reading the rest, since the other sections of the book tended to recap the journal entries a lot -- and (fortunately) in a far less whining, irritating manner.
The rest of the book was more like a typical George novel -- endless subplots, the usual quota of hard-core porn (with lesbians this time; ooh-er!), the stilted British dialogue (as I just included), a mocking of Havers which is really going into overkill now -- she dresses dowdy! Stop beating us over the head with it! -- more pregancy-related woes . . . although I should point out that as for subplots, Havers' possibly burgeoning relationship with her Pakistani neighbor (whose name I can't remember right now) isn't really continued, unlike the previous novel ("IN PURSUIT OF THE PROPER SINNER"). At least that was a storyline vaguely comprehendible. And might I add that the whole British spelling thing is wearing a little thin -- if it's supposed to add to the flavor of the text, as George says it should, why can't the text -- the descriptions of settings -- the characters -- do so alone?
So, the novel could have been about half its present length -- or less, if the Gideon sections had been reduced, or just taken out altogether.
But above all, if the plot didn't have to be so long -- and such an effort to drag yourself through -- it could have been more cohesive. If the book is a mystery, it's supposed to reach a satisfactory ending -- which is, as it stands, the real traitor of the book.
(Oh, and a final note -- the glowing reviews on the covers of George's books constantly draw [unfair, IMO] comparison to P.D. James and Ruth Rendell. Has anyone ever noticed how _their_ detective novels are only 200-300 pages long? But George's . . .)
3 people found this helpful
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Hmmmmm......

When I finished Traitor, I wondered if Ms. George was referring to the author. I finished the book last night and couldn't wait to see the reviews. I haven't read them all, but so far, they pretty much echo my sentiments. I'm fairly bright and I was in grey-matter shock over what I was beginning to believe were MY inadequacies. I love detail and more detail, so that was fine. I love Great Big Books. Fine. I love dabblings in the human mind. Fine. But I also like good research and while Ms. George made few errors, they WERE there. I'll be buying her next book -- except for I, Richard, which is merely a duplicate of the same book with a different title -- but this latest novel needed HELP -- and to think I have the hardcover......
3 people found this helpful
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Good to the last drop

I've found very few novels of this length to be enjoyable from beginning to end. James Clavell's Shogun and Whirlwind, come to mind, as does George R. R. Martin's A Storm of Swords. Most mystery thrillers that run over 400 pages become repetitious and tedious, and I find myself skimming rapidly to the end.

Elizabeth George's A Traitor to Memory is one of those rare novels whose story justifies its length. This book grabbed me from the first page and held my interest until the very end. I did not find it slow or dull at any time. I stopped watching TV for the few days I read it.

I should point out that this was the first book of George's that I've read, so I was unfamiliar with the series characters. In this story, George changes the pace: Lynley and Havers are role players, almost relegated to the sidelines of the story, which focuses on a complex family mystery.

So far I've gone back to read three earlier volumes in the series, and I still like this one the best. It's the most multi-layered and absorbing, more like the work of Ruth Rendell at her best than a conventional British detective novel. The love quadrangle between Lynley, St. James, Lady Helen and Deborah does not interest me as much as the new characters developed here.

And the ending is perfect.

There are some minor details that aren't completely clear, but this novel is more about family secrets than about "who-dunnit." I'm continuing to read the earlier books, but I'm still waiting for the series to get up to this level.

If you're a longtime series fan, you may be disappointed in this one, as there's not much about Lynley and Havers. But for me, it was one of the most memorable reads of the last two years, and made me an enthusiastic Elizabeth George fan.
2 people found this helpful