Careless in Red
Careless in Red book cover

Careless in Red

Price
$14.99
Format
Hardcover
Pages
544
Publisher
Harper
Publication Date
ISBN-13
978-0061160875
Dimensions
6 x 1.44 x 9 inches
Weight
2.1 pounds

Description

From Publishers Weekly Starred Review. At the start of bestseller George's stellar new suspense novel, the grieving Thomas Lynley, a Scotland Yard detective who left the force after the murder of his pregnant wife, Helen, in With No One as Witness (2005), is filling his days with a long trek in his native Cornwall. During his ramble, Lynley stumbles on the body of teenager Santo Kerne, who apparently fell from a cliff onto some rocks, though it soon becomes evident that someone tampered with Kerne's climbing gear. As the first on the scene, Lynley himself comes under suspicion, despite his lack of history with the victim, by the investigating officer, the capable but crusty Det. Insp. Bea Hannaford. Lynley fittingly plays a secondary role in the homicide inquiry as he continues to struggle to find a reason for living after his devastating loss. The plausible resolution of the crime leaves enough ambiguity to satisfy readers who prefer psychologically sophisticated plots and motivations. 10-city author tour. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist You can’t keep a good detective down. George has put longtime series hero Detective Superintendent Thomas Lynley of New Scotland Yard through quite a bit lately: in her last novel, With No One as Witness (2005), Lynley’s much-loved wife was shot to death on the street, reducing him to a grief-stricken shell andxa0leading to his resignation from the Yard. How to resurrect him? George uses a pretty klunky (but familiar to all mystery fans) deus ex machina device. Lynley has embarked on a walk along the coastal path in Cornwall; his rationale is that if he doesn’t keep moving, despair will overtake him. Sure enough, on day 43 of his walk, he spots, far below, what seems to his trained eye to bexa0the vivid red and crumpled shape of a man who has plunged to his death. The machine creaks into place, with Lynley (whose walk has made him appear like a homeless man) being treated as a suspect, then with grudging respect from the local, bumbling constabulary, and finally as someone his old associate Barbara Havers of New Scotland Yard seeks to restore to his post. Despite the obvious restoration device, George delivers, once again, a mystery imbued with psychological suspense and in-depth characterization. --Connie Fletcher “One of the most powerful, beautifully nuanced and honest novels to appear in ages. . . . A portrayal of love and loss and secrets and family . . . I didn’t want it to end. When it does, this time most readers will be smiling.” — Plain Dealer (Cleveland) “Will make new readers instant fans who will then be tempted to read all of George’s Lynley novels.” — USA Today “One of George’s best books in years. . . . George plays the cross-eddies of a dozen or so characters, making each so vivid. . . . The return is to be immersed in a small village in Cornwall in which everyone’s life becomes an open book.” — Daily News (New York) “A tale of fathers and son, of revenge served cold, and perhaps, of the perfect crime. But at its heart, it’s a meditation on the importance of fighting every day for even a single, tiny scrap of redemption.” — Times-Picayune (New Orleans) “Readers who value writing that is intelligent, surprising, sexy, funny, compassionate and wise should find Careless in Red a delight.” — Washington Post “As is her wont, George will wrench your heart and return it enriched.” — Richmond Times-Dispatch “Stick with Careless in Red for the deftly drawn local characters, the alluring descriptions of Cornish country and custom, and for a fiendishly clever surprising ending.” — News & Observer (Raleigh) “Elizabeth George’s Careless in Red is a mystery wrapped in a psychological enigma, which has become true to form for Ms. George....the classic scene of her favorite detective team probing the whys and hows of violent death, yet she has put a twist in that trail....It’s a chaotic and fascinating mix of the kind of which Ms. George excels and she manages to tantalize the reader....Ms. George has outdone herself.” — Washington Times “ Careless in Red is no mere whodunnit. Everyone in this novel has something to hide and something to admit....George lifts us up again. There is hope of renewal, if only we are strong enough to accept it.” — St. Petersburg Times “Intricate, deeply satisfying.” — Strand magazine “As readers of George’s top-notch mysteries have come to expect, the plotlines are dense, the characters complex, and there are enough dark secrets to fill Pandora’s box.” — Christian Science Monitor In her most eagerly anticipated novel yet, Elizabeth George brings back Scotland Yard's Thomas Lynley to investigate a ruthless crime. After the senseless murder of his wife, Detective Superintendent Thomas Lynley retreated to Cornwall, where he has spent six solitary weeks hiking the bleak and rugged coastline. But no matter how far he walks, no matter how exhausting his days, the painful memories of Helen's death do not diminish. On the forty-third day of his walk, at the base of a cliff, Lynley discovers the body of a young man who appears to have fallen to his death. The closest town, better known for its tourists and its surfing than its intrigue, seems an unlikely place for murder. However, it soon becomes apparent that a clever killer is indeed at work, and this time Lynley is not a detective but a witness and possibly a suspect. The head of the vastly understaffed local police department needs Lynley's help, though, especially when it comes to the mysterious, secretive woman whose cottage lies not far from where the body was discovered. But can Lynley let go of the past long enough to solve a most devious and carefully planned crime? Elizabeth George is the New York Times bestselling author of sixteen novels of psychological suspense, one book of nonfiction, and two short story collections. Her work has been honored with the Anthony and Agatha awards, the Grand Prix de Littérature Policière, and the MIMI, Germany's prestigious prize for suspense fiction. She lives in Washington State. Read more

Features & Highlights

  • “Exceptional. . . . Intelligent, surprising, sexy, funny, compassionate and wise.”—
  • Washington Post
  • From #1
  • New York Times
  • bestselling author Elizabeth George
  • ,
  • a stunning mystery featuring Detective Inspector Thomas Lynley that explores the perfect crime.
  • After the senseless murder of his pregnant wife, Detective Superintendent Thomas Lynley hands in his badge and walks out of Scotland Yard. He goes home to Cornwall. The only way he can deal with his painful memories is to hike the trails over the cliffs of the Cornish coast. There, on the forty-third day of his walk, he finds the lifeless body of a young man, dead from a fall.
  • Thus begins a quest to unmask a clever and ruthless murderer. But this time, Lynley’s not in charge. He’s a witness—and possibly even a suspect. The vastly understaffed local copper in charge of the investigation soon figures out that Lynley can help. So can his former associate Barbara Havers, whom Scotland Yard sends to Cornwall, ostensibly to assist in the investigation, but unofficially to keep an eye on Lynley and maybe lure him back to his job.

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.1K)
★★★★
25%
(889)
★★★
15%
(534)
★★
7%
(249)
23%
(818)

Most Helpful Reviews

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A Disappointment, Though Not Without Some Merits

I've been a fan of Elizabeth George since 1988, when I read her first novel, "A Great Deliverance." Unfortunately, she has now and then produced a book that I've found rather tedious, largely it is heavily populated with secondary characters who have been of little real interest to me. These books, in my opinion, have included "In Pursuit of the Proper Sinner" and "A Place of Hiding."

Sadly, "Careless in Red" falls into that category. The premise is that Thomas Lynley, in dazed mourning after the violent death of his wife, Lady Helen, just weeks earlier, and having resigned (he thinks) from New Scotland Yard, is hiking the Cornish coastline when he stumbles across the murder of a young man. Naturally, he is recruited by the investigating officer to assist, particularly by looking into the background of a female suspect, while around him swirl intrigue and conflict involving the family of the dead man and several other people associated with him. As is usual in a George novel, these many characters have secrets -- some decades-old -- along with sexual/marital problems, parent/child problems, hatreds, resentments, and neuroses, which are examined at great length.

Normally, George's large casts of dysfunctional characters add depth and psychological interest. Here, however, the cast had me rolling my eyes in boredom. Perhaps I've read too many George books, so that her approach and self-consciously very studied prose style have begun to pall; or perhaps the surfing/rock climbing theme just didn't excite me; or perhaps I felt that the setting, a relatively isolated area of Cornwall, felt a little claustrophobic. (I tend to prefer George's London-based novels over those that take us to rural locations.) Whatever was irritating me, the reality is that I WAS irritated and grimly urging the author to "just get on with it, please."

The novel sparkles to life, not surprisingly, whenever Barbara Havers appears. There can be no doubt that Havers is George's most appealing and imaginative creation, given that the other regulars -- Lynley, and Simon and Deborah St. James, who do not play roles here -- tend to be a bit two-dimensional and repetitive in terms of their personalities and ongoing relationship crises. Havers crackles with energy in this book and manages to drag it out of the Slough of Despond in which everyone else is wallowing. George may once have been enchanted by the romantic and unlikely notion of a belted earl who is also a homicide detective, but she has clearly found that Havers offers considerably more scope for character development. If it hadn't been for Barbara in her rumpled clothes, puffing away on her ever-present cigarettes and puncturing the pretensions of everyone around her, I might well have chosen, for the very first time, not to finish a book by Elizabeth George.

But I did finish, and I'm not sorry. "Careless in Red" picks up a bit towards the end, which is laden with ambiguity -- not a fault, in my view, though some readers may experience frustration. And because the novel is undeniably well-written and thoughtful, I don't feel entirely negative about it and recognize that it simply didn't address my personal tastes. I can't fully recommend it, but there may well be some readers who will find it a considerably more enjoyable experience than I did.
155 people found this helpful
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penned in purple

One of the earlier reviewers suggests that this novel is over-written, with passages meant, perhaps, to be poetic, but seeming instead over-literary. While I agree, I'd suggest another phrase.

Bad. The writing is bad. It's what college comp teachers used to call Purple Prose.

Elizabeth George is a writer I've always admired. Her prose is generally intelligent, literate, and vivid. Either she's now trying to win a Booker Prize (give it up, honey, you're an American) or her laptop has acquired a dire virus, because this book oozes with infelicitous constructions. An ugly grocery store is "sprawled like a nasty thought" at a crossroads; a pathologist is "thin as an ageing spinster's marital hopes;" a girl's collarbones protrude "like the excrescent evidence of dutch elm disease on the bark of a tree." (_What?_)

Please. This prose is trying too hard.

While these phrases certainly leap off the page, they don't do anything to advance the plot or theme or to provide fresh mental images - indeed, some don't even scan, so to speak -- and good prose shouldn't call such raucous attention to itself.

Then there are the names. No one doubts that Ms George does her homework on settings. Indeed, some of her books have sunk under the sheer weight of geographic and historic detail. Here she adds hard-to-remember names to the mix, lest we miss that everyone is in Cornwall. There's Selevan Penrule, Cadan Angarrack, Daidre Trahair, Ione Soutar, Benesek, Santo, and Dellan Kerne, and Aladara Pappos, a Greek, thrown in for good measure. George would, of course, scorn giving us a Greek named Maria or Daphne. (As a passing thought, I pray that the series never takes Ms George to Wales.) Here, I virtually wept with relief at the local DI's name: Beatrice Hannaford. I did, however, like the parrot named Pooh -- until I learned it was for excrement, not Winnie.

Elizabeth George specializes in miserable families. Since all her readers know that, it's probably unfair to complain, but the misery here is virtually unrelieved. The theme of fathers failing to know their children is older than the Lear plot, but that doesn't make it any the less depressing.

We don't hear Barbara Havers' voice until page 227, and she doesn't appear for another eighty pages. I'm a Havers fan, and she's barely present. Sadly, this long-awaited novel reminds me of A Place of Hiding, my least-favorite entry in the series.
83 people found this helpful
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penned in purple

One of the earlier reviewers suggests that this novel is over-written, with passages meant, perhaps, to be poetic, but seeming instead over-literary. While I agree, I'd suggest another phrase.

Bad. The writing is bad. It's what college comp teachers used to call Purple Prose.

Elizabeth George is a writer I've always admired. Her prose is generally intelligent, literate, and vivid. Either she's now trying to win a Booker Prize (give it up, honey, you're an American) or her laptop has acquired a dire virus, because this book oozes with infelicitous constructions. An ugly grocery store is "sprawled like a nasty thought" at a crossroads; a pathologist is "thin as an ageing spinster's marital hopes;" a girl's collarbones protrude "like the excrescent evidence of dutch elm disease on the bark of a tree." (_What?_)

Please. This prose is trying too hard.

While these phrases certainly leap off the page, they don't do anything to advance the plot or theme or to provide fresh mental images - indeed, some don't even scan, so to speak -- and good prose shouldn't call such raucous attention to itself.

Then there are the names. No one doubts that Ms George does her homework on settings. Indeed, some of her books have sunk under the sheer weight of geographic and historic detail. Here she adds hard-to-remember names to the mix, lest we miss that everyone is in Cornwall. There's Selevan Penrule, Cadan Angarrack, Daidre Trahair, Ione Soutar, Benesek, Santo, and Dellan Kerne, and Aladara Pappos, a Greek, thrown in for good measure. George would, of course, scorn giving us a Greek named Maria or Daphne. (As a passing thought, I pray that the series never takes Ms George to Wales.) Here, I virtually wept with relief at the local DI's name: Beatrice Hannaford. I did, however, like the parrot named Pooh -- until I learned it was for excrement, not Winnie.

Elizabeth George specializes in miserable families. Since all her readers know that, it's probably unfair to complain, but the misery here is virtually unrelieved. The theme of fathers failing to know their children is older than the Lear plot, but that doesn't make it any the less depressing.

We don't hear Barbara Havers' voice until page 227, and she doesn't appear for another eighty pages. I'm a Havers fan, and she's barely present. Sadly, this long-awaited novel reminds me of A Place of Hiding, my least-favorite entry in the series.
83 people found this helpful
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Death In Cornwall

Lynley's back! If this news thrills you, then you've already discovered the wonderful novels of Elizabeth George. If you haven't yet encountered the titled Englishman/police detective and his marvelous colleague, Barbara Havers, it's high time you did.

Mourning the recent loss of his wife, Lynley is hiking the shorelines of his home county, Cornwall, when he discovers the body of a young man at the base of a cliff. Accident or murder? The local police chief sees Lynley as a witness--and possibly a suspect. To help the police (and clear his own name), he lingers in the seaside town, meeting a vivid gallery of people with various connections to the victim. The grieving Lynley's reluctant entry into the investigation might just be his ticket back to the world of the living.

As ever, George's mystery is solid, her characters are brilliantly complex, and her writing style is as elegant as it is eloquent. This series is sheer pleasure, and CARELESS IN RED is an excellent new addition to it. Highly recommended.
61 people found this helpful
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Another disappointment--who cares about these people

I have been a fan of Elizabeth George for years in spite of some annoying elements--the mix-and-match interpersonal relationships of the core characters, the continual whining of Deborah (get a grip, girl); the fact that Barbara doesn't seem to be able to get into Marks and Spencer and buy a couple of tolerable outfits after all these years; people NEVER being able to open their mouths and say what they think; the overdone British slang in every sentence (please, no more "sorting"); and, oh yes, the incredibly irritating "With No One As a Witness." In spite of the last two books--I refused to buy "What Came Before He Shot Her"--I looked forward to this book. I am very sorry to say that it was a great disappointment. I really didn't give a damn about most of the new characters and their stupid relationships. What a tedious group of people! What bores most of them are! I don't care who they have sex with or who killed Santo. (What an odd bunch of names these characters have. I assume the names are supposed to be Cornish, but they seemed more like Star Wars to me and odd for the sake of odd.) It is always a disaster when authors become so successful that no one will tell them when a book doesn't really work before it is published. For me, this book didn't work.
49 people found this helpful
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Seeing Red

Having read everything Ms. George has written, fiction and nonfiction, I am a fan. I bought both the Kindle and the hardback editions of Careless in Red in order to read the new novel quickly and also to own a hardback for Ms. George to autograph when she comes to our small town for a writer's conference in late May.

I am not a fan of this new novel. Granted most characters are believable and in the case of DI Hannaford darn right laudable, but the characters I most wanted fleshed out were merely the bare bones Ms. George used to hook long time readers into a largely sociological study of adolescent angst and midlife crisis set amongst British surfers and oversexed matrons. Even the smattering of antiquated vocabulary did little to earn my interest. (Although I do tip my hat to Ms. George's literary recognition of her move to western Washington State.)

If readers want to delve again into the lives of Lynley and Havers or if they want a complex whodunit, they'll be disappointed by Careless in Red. I confess to feeling more cheated by this entry in the Lynley series than by its predecessor. What Came Before He Shot Her can stand alone and may be appreciated as a deserved writing detour for the author of an otherwise satisfying British mystery series. Careless in Red continues down a path away from the original series and readers who have waited patiently for the reappearance of the author's central characters will be left wondering if Ms. George has left Sir Thomas by the wayside for good and all.

Ms. George has written of the differences between her serial mysteries and those of Agatha Christie. Ms. George reveals on her website that she chose to write about the development of her characters rather than engage in a "mental game" with readers. Ms. Christie's characters are "frozen in time" whereas Ms. George's characters will grow and change. Perhaps that is why I have found this particular novel so lacking. Lynley has been frozen on that terrible doorstep for George's readers for years now. Nothing new is revealed in the current novel that couldn't have been easily imagined by any devoted reader. That is the real failure of this novel. Ms. George has departed once too often from her own style to suit the devoted fan.
29 people found this helpful
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What Has Happened to Elizabeth George?

Time was when a plunge into a Elizabeth George book pushed her fans to finish it in a few sessions, but "Careless in Red" is a slo mo study of dysfunctional families with so many secrets that they finally underwhelm the reader.

Yes, George still shows brilliance in portraying her adopted England, this time the rocky coast of Cornwall. She still is a mesmerizing writer and a meticulous researcher. This time she carefully details the technical aspects of cliff climbing which does in the teenage victim Santo Kerne whom we never get to know. She also delves into surfing, the central preoccupation of several characters in several seaside towns of Casvelyn, Pengelly Cove, Truro, Zennor, and Falmouth.

But for her fans, something is missing. It's not that her characters have grown and changed. According to George, that literary device sustains her interest in this popular series. Unlike her last novel "What Happened Before He Shot Her" (which I liked), Detective Superintendent Lynley immediately appears in the first scene, and his sidekick Barbara Havers shows up half way through. But George is so busy introducing new settings, characters, backgrounds, and motivations that nothing flows. A fragmentary quality keeps interrupting the story.

Sex is a motivating force with a a portrait of least four characters with insatiable "irregular" appetites for the beast with two backs. There's teenage pregnancy, a hint that Lynley's libido is returning, and Internet trawling for partners. Even that theme grows tiresome with multiple encounters and partners creating a ho-hum, almost unbelievable environment.

This is a plot with too many distractions (like an unrelated glimpse into the sordid world of today's "travellers" or gypsies). Also misleading are minor characters (like an anorexic child intent on joining an evil cult that's actually the Carmelite order). It's true that good mysteries take readers down wrong paths, but George takes us down too many. When we come to the final tributary, the culminating revelation seems rushed, holds little tension and is a major let down.

"Careless in Red" raises many red herrings and too many red flags. However, I, like many of her fans, shall remain loyal to this compelling author. Hopefully George is working on a sequel where Lynley & Havers along any new characters introduced in this book will return to more comfortable roles of transporting us to adventures that unfold in a more convincing, less frenetic pace.
23 people found this helpful
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Not one of her best

This book was a big disappointment; it's overlong and veers off into family and sexual histories of way too many characters it was impossible to care about. It took a really long time before anything advanced the plot along, and I found myself skipping entire pages of the interminable dialogue, which didn't impede my understanding of the plot. It was impossible to care about the murder victim or his nymphomaniac mom who dresses in red when she's on the prowl, or something...there is a teenage girl with a vocation to become a nun, thrown in for no reason I could figure out...there is way, way more here than than most people will ever want to know about surfing in Cornwall. This book is just a mess. I only give it more than one star because of the history of the series. I agree with another reviewer that George seems headed toward Patricia Cornwell implosion territory.
21 people found this helpful
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ugh - this book is not good

Like a lot of people, I eagerly awaited George's latest creation but this book is so b-o-r-i-n-g! The plot goes on and on, with many superfluous characters, not many of them likable, so by the time one is halfway through the book one has resorted to skimming. Who cares about Dellen? or Ben? or Santo? or Madlyn, etc. etc. Daidre was interesting. Her friend whose name I have already erased from my memory was not. I couldn't care less about most of the characters, they ALL deserved to fall off cliffs as far as I was concerned.
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Slipping a Bit

I've been reading George for years and have devoured every one of her novels but, lately, it seems like they haven't quite been up to snuff with some of her earlier efforts. This novel was a real case in point.

One of the reasons why I feel that George is such a superb author is because of her very literary style. However, there is a point at which this particular style can be carried too far, and George is crossing that line more and more. This novel contains some very long and meandering passages that have absolutely no impact on the plot of the novel. The effect of this is to make it sound like George is rambling and that is not good. She waxes at length about the Cornish coastline and I found myself thinking, "Enough, I get it already!" In fact, there is such a propensity for doing this in the novel that I found that I was losing the plot threads. How can I keep up with all the characters when George abandons them frequently for paragraph after paragraph of superfluous prose?

The variety of characters in the novel is interesting but keeping track of all of them is rather daunting at times. I consider it a strength that George presents the reader with multiple points of view rather than having a narrower focus. To me, it is interesting to get into the heads of the people who are touched by the crime, to find out what impact said crime has on them. The down side of this style is that, naturally, some characters are more interesting than others. I didn't think there were any particularly weak characters in the book, per se, but I was definitely more interested in some of them than I was in others. I also felt that, at times, their stories were being dragged out rather too much so that the merest crumbs were being offered to the reader. This seemed to particularly be the case with the characters of Alan and Kerra.

Lynley is a character that I do enjoy but it seems like he's grown a bit stagnant. It seems almost like Helen's murder was a way to try to give him some new facets or something. I wasn't quite sure I bought the way that he totally fell apart and then seemed to put himself back together rather quickly. At times, Lynley feels more like a cipher than a person and I can't help but wonder if maybe George has reached the limits of what she can do with his character. He is certainly likable but he's not all the compelling.

The character who is compelling is Havers. I found myself growing positively cheerful when she finally made her appearance in the novel. In Havers George has created one of the most unique and diverse characters in contemporary fiction. Havers seems so alive that it wouldn't surprise me if she were to walk off the page, which is more than can be said for Lynley. The appearance of Havers is what really saved the novel for me in the end. Once she was in the picture, the dialog became more sparkling and witty and there was someone to liven up what seemed to be a rather dull cast of characters.

The mystery itself was less than compelling, perhaps because the reader never gets a real sense of the victim. He is more or less dismissed as a playboy and it's hard to take any real interest in him. George would have been better served by making the victim a more multi-dimensional character as it would have given his death greater impact. As it was, the mystery seemed less about the death itself and more about how it inconvenienced other characters and brought out the various and assorted secrets they had been attempting to conceal. The revelation of the perpetrator was meant to shock but the killer's identity wasn't all that well concealed and so by the time it was revealed, I had already figured it out. Perhaps if the book had been more focused it would have been a good reveal and the killer's motives would have been more compelling. As it was, the ending was frankly anticlimactic.

Hopefully George will narrow her focus in her next novel and hopefully there will be a whole lot more of Havers. I've never quite been able to put my finger on why George will concentrate more on characters like Lynley and the St. Jameses than she does on Havers.
18 people found this helpful