Black Hills
Black Hills book cover

Black Hills

Mass Market Paperback – May 25, 2010

Price
$5.98
Publisher
Berkley
Publication Date
ISBN-13
978-0515148046
Dimensions
4.11 x 1.19 x 6.72 inches
Weight
8 ounces

Description

“A thrilling love story.”— Midwest Book Review “This premier storyteller proves an ordinary love story can still win your heart, and even an inevitable confrontation may scare you silly.”— Publishers Weekly “Another Roberts masterpiece...Once again, she creates compelling characters and produces a story that grabs your attention and doesn’t let go until the last pages.”— McClatchy-Tribune News Service “As in previous Roberts novels, well-fleshed-out characters add emotional punch to the action. The juxtaposition of animal and human predators eloquently points out where true viciousness lies. Twin love stories are beautifully woven throughout the gripping suspense. This is one of Roberts' best!”— RT Book Reviews Nora Roberts is the #1 New York Times bestselling author of more than 200 novels. She is also the author of the bestselling In Death series written under the pen name J. D. Robb. There are more than 500 million copies of her books in print. Excerpt. © Reprinted by permission. All rights reserved. 1 south dakota June 1989 Cooper Sullivan's life, as he'd known it, was over. Judge and jury-in the form of his parents-had not been swayed by pleas, reason, temper, threats, but instead had sentenced him and shipped him off, away from everything he knew and cared about, to a world without video parlors or Big Macs. The only thing that kept him from completely dying of boredom, or just going wacko, was his prized Game Boy. As far as he could see, it would be him and Tetris for the duration of his prison term-two horrible, stupid months-in the Wild freaking West. He knew damn well the game, which his father had gotten pretty much right off the assembly line in Tokyo, was a kind of bribe. Coop was eleven, and nobody's fool. Practically nobody in the whole U. S. of A. had the game, and that was definitely cool. But what was the point in having something everybody else wanted if you couldn't show it off to your friends? This way, you were just Clark Kent or Bruce Wayne, the lame alter egos of the cool guys. All of his friends were back, a zillion miles back, in New York. They'd be hanging out for the summer, taking trips to the beaches of Long Island or down to the Jersey Shore. He'd been promised two weeks at baseball camp in July. But that was before. Now his parents were off to Italy and France and other stupid places on a second honeymoon. Which was code for last-ditch effort to save the marriage. No, Coop was nobody's fool. Having their eleven-year-old son around wasn't romantic or whatever, so they'd shipped him off to his grandparents and the boondockies of South holy crap Dakota. Godforsaken South Dakota. He'd heard his mother call it that plenty of times-except when she'd smiled and smiled telling him he was going to have an adventure, get to know his roots. Godforsaken turned into pristine and pure and exciting. Like he didn't know she'd run off from her parents and their crappy little farm the minute she'd turned eighteen? So he was stuck back where she'd run from, and he hadn't done anything to deserve it. It wasn't his fault his father couldn't keep his dick in his pants, or his mother compensated by buying up Madison Avenue. Information Coop had learned from expert and regular eavesdropping. They screwed things up and he was sentenced to a summer on a horseshit farm with grandparents he barely knew. And they were really old. He was supposed to help with the horses, who smelled and looked like they wanted to bite you. With the chickens who smelled and did bite. They didn't have a housekeeper who cooked egg white omelets and picked up his action figures. And they drove trucks instead of cars. Even his ancient grandmother. He hadn't seen a cab in days. He had chores, and had to eat home-cooked meals with food he'd never seen in his life. And maybe the food was pretty good, but that wasn't the point. The one TV in the whole house barely got anything, and there was no McDonald's. No Chinese or pizza place that delivered. No friends. No park, no movie theaters, no video arcades. He might as well be in Russia or someplace. He glanced up from the Game Boy to look out the car window at what he considered a lot of nothing. Stupid mountains, stupid prairie, stupid trees. The same view, as far as he could tell, that had been outside the window since they'd left the farm. At least his grandparents had stopped interrupting his game to tell him stuff about what was outside the window. Like he cared about a lot of stupid settlers and Indians and soldiers who hung around out here before he was even born. Hell, before his prehistoric grandparents had been born. Who gave a shit about Crazy Horse and Sitting Bullshit. He cared about the X-Men and the box scores. The way Coop looked at it, the fact that the closest town to the farm was called Deadwood said it all. He didn't care about cowboys and horses and buffalo. He cared about baseball and video games. He wasn't going to see a single game in Yankee Stadium all summer. He might as well be dead, too. He spotted a bunch of what looked like mutant deer clomping across the high grass, and a lot of trees and stupid hills that were really green. Why did they call them black when they were green? Because he was in South crappy Dakota where they didn't know dick about squat. What he didn't see were buildings, people, streets, sidewalk vendors. What he didn't see was home. His grandmother shifted in her seat to look back at him. "Do you see the elk, Cooper?" "I guess." "We'll be getting to the Chance spread soon," she told him. "It was nice of them to have us all over for supper. You're going to like Lil. She's nearly your age." He knew the rules. "Yes, ma'am." As if he'd pal around with some girl. Some dumb farm girl who probably smelled like horse. And looked like one. He bent his head and went back to Tetris so his grandmother would leave him alone. She looked sort of like his mother. If his mother was old and didn't get her hair done blond and wavy, and didn't wear makeup. But he could see his mother in this strange old woman with the lines around her blue eyes. It was a little spooky. Her name was Lucy, and he was supposed to call her Grandma. She cooked and baked. A lot. And hung sheets and stuff out on a line in back of the farmhouse. She sewed and scrubbed, and sang when she did. Her voice was pretty, if you liked that sort of thing. She helped with the horses, and Coop could admit, he'd been surprised and impressed when he'd seen her jump right on one without a saddle or anything. She was old-probably at least fifty, for God's sake. But she wasn't creaky. Mostly she wore boots and jeans and plaid shirts. Except for today she'd put a dress on and left the brown hair she usually braided loose. He didn't notice when they turned off the endless stretch of road, not until the ride turned bumpier. When he glanced out he saw more trees, less flat land, and the mountains roughed up behind them. Mostly, it looked like a lot of bumpy green hills topped over with bare rock. He knew his grandparents raised horses and rented them at trailheads to tourists who wanted to ride them. He didn't get it. He just didn't get why anybody would want to sit on a horse and ride around rocks and trees. His grandfather drove along the more-dirt-than-gravel road, and Coop saw cattle grazing on either side. He hoped it meant the drive was nearly over. He didn't care about having dinner at the Chance farm or meeting dumb Lil. But he had to pee. His grandfather had to stop so his grandmother could hop out to open a cattle gate, then close it again when they'd gone through. As they bumped along his bladder began to protest. He saw sheds and barns and stables, whatever they were didn't matter. It was, as far as it went out here, a sign of civilization. Something was growing in some fields, and horses were running around in others like they didn't have anything better to do. The house, when it came into view, didn't look that different from the one his grandparents lived in. Two floors, windows, a big porch. Except the house was blue and his grandparents' was white. There were a lot of flowers around the house, which somebody who hadn't had to learn to weed the ones around his grandparents' house might think were okay to look at. A woman came out on the porch and waved. She wore a dress, too. A long one that made him think of the pictures of hippies he'd seen. Her hair was really dark and pulled back in a ponytail. Outside the house sat two trucks and an old car. His grandfather, who hardly said anything, stepped out of the car. "'Lo, Jenna." "It's good to see you, Sam." The woman gave his grandfather a kiss on the cheek, then turned to give his grandmother a big hug. "Lucy! Didn't I say don't bring a thing but yourselves?" she added when Lucy turned and took a basket from the car. "I couldn't help it. It's cherry pie." "We sure won't turn that down. And this is Cooper." Jenna held out a hand as she would to an adult. "Welcome." "Thank you." She dropped a hand on his shoulder. "Let's go on in. Lil's been looking forward to meeting you, Cooper. She's finishing up some chores with her dad, but they'll be right along. How about some lemonade? I bet you're thirsty after the drive." "Um. I guess. May I use the bathroom?" "Sure. We have one right in the house." She laughed when she said it, with a teasing look in her dark eyes that made the back of his neck hot. It was like she knew he'd been thinking how old and dumpy everything looked. She led him through, past a big living room, then a smaller one, and into a kitchen that smelled a lot like his grandmother's. Home cooking. "There's a washroom right through there." She gave his shoulder a careless pat, which added to the heat on the back of his neck. "Why don't we have that lemonade out on the back porch and visit awhile?" she said to his grandparents. His mother would have called it a powder room. He relieved himself with some gratitude, then washed his hands at the tiny sink fixed in the corner. Beside it pale blue towels with a little pink rose hung on a rod. At home, he mused, the powder room was twice as big, and fancy soaps sat in a crystal dish from Tiffany. The towels were a lot softer, too, and monogrammed. Stalling, he poked a finger at the petals of some white daisies standing in a skinny wood pot thing on the sink. At home there would've been roses probably. He hadn't really noticed that kind of thing until now. He was thirsty. He wished he could take a gallon of lemonade, maybe a bag of Cheetos, and stretch out in the back of the car with his Game Boy. Anything would be better than being forced to sit with a bunch of strange people on the porch of some old farmhouse for probably hours. He could still hear them talking and fooling around in the kitchen, and wondered how long he could stall before going back out. He peeked out the little window, decided it was the same shit. Paddocks and corrals, barns and silos, dumb farm animals, weird-looking equipment. It wasn't as if he'd wanted to go to Italy and walk around looking at old stuff, but at least if his parents had taken him, there might be pizza. The girl came out of the barn. She had dark hair like the hippie woman, so he figured it had to be Lil. She wore jeans rolled up at the cuffs, and high-top sneakers, and a red baseball cap over the hair done in two long braids. She looked scruffy and stupid, and he immediately disliked her. A moment later a man came out behind her. His hair was yellow, and worn in a long tail that enforced the hippie conclusion. He, too, wore a ball cap. He said something to the girl that made her laugh and shake her head. Whatever it was had her starting to run, but the man caught her. Coop heard her squeal with laughter as the man tossed her in the air. Had his father ever chased him? Coop wondered. Ever tossed him in the air, then swung him in giddy circles? Not that he could remember. He and his father had discussions-when there was time. And time, Cooper knew, was always in short supply. Country bumpkins had nothing but time, Cooper thought. They weren't under the demands of business like a corporate lawyer of his father's repute. They weren't third-generation Sullivans like his father, with the responsibilities that came with the name. So they could toss their kids around all day. Because it made something hurt in his stomach to watch, he turned away from the window. With no other choice, he went out to be tortured for the rest of the day. Lil giggled as her father gave her another dizzying swing. When she could breathe again, she tried to give him a stern look. ÒHe is not going to be my boyfriend.Ó "That's what you say now." Josiah Chance gave his girl a quick tickle along the ribs. "But I'm going to keep my eye on that city slicker." "I don't want any boyfriend." Lil gave a lofty wave of her hand with her expertise as an almost-ten-year-old. "They're too much trouble." Joe pulled her close, rubbed cheeks. "I'm going to remind you of that in a few years. Looks like they're here. We'd better go say hello, and get cleaned up." She didn't have anything against boys, Lil mused. And she knew how to mind her manners with company. But still . . . "If I don't like him, do I have to play with him?" "He's a guest. And he's a stranger in a strange land. Wouldn't you want somebody your own age to be nice to you and show you around if you dropped down in New York City?" She wrinkled her narrow nose. "I don't want to go to New York City." "I bet he didn't want to come here." She couldn't understand why. Everything was there. Horses, dogs, cats, the mountains, the trees. But her parents had taught her that people were as different as they were the same. "I'll be nice to him." At first, anyway. "But you won't run off and marry him." "Dad!" She rolled her eyes just as the boy came out on the porch. Lil studied him as she might any new specimen. He was taller than she'd expected, and his hair was the color of pine bark. He looked . . . mad or sad, she couldn't decide which. But neither was promising. His clothes said city to her, dark jeans that hadn't been worn or washed enough and a stiff white shirt. He took the glass of lemonade her mother offered and watched Lil as warily as she watched him. He jolted at the cry of a hawk, and Lil caught herself before she sneered. Her mother wouldn't like it if she sneered at company. Read more

Features & Highlights

  • In this #1
  • New York Times
  • bestseller, Nora Roberts takes readers deep into the rugged hills of South Dakota, where the shadows keep secrets, hunters stalk the land, and a friendship matures into something more....
  • Cooper Sullivan spent the summers of his youth on his grandparents’ South Dakota ranch, sharing innocent games and stolen kisses with the neighbor girl, Lil Chance. Now, twelve years after they last walked together hand in hand, fate has brought them back to the Black Hills.Though the memory of Coop’s touch still haunts her, Lil has let nothing stop her dream of opening the Chance Wildlife Refuge, but something—or someone—has been keeping a close watch. When small pranks and acts of destruction escalate into a heartless attack on Lil’s beloved cougar, memories of an unsolved murder have Coop springing to action to keep Lil safe. Both of them know the natural dangers that lurk in the wild landscape of the Black Hills. But a killer of twisted and unnatural instincts has singled them out as prey....

Customer Reviews

Rating Breakdown

★★★★★
60%
(6.5K)
★★★★
25%
(2.7K)
★★★
15%
(1.6K)
★★
7%
(753)
-7%
(-753)

Most Helpful Reviews

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Great!...until page 76, and then downhill from there

Cooper Sullivan and Lil Chance are childhood best friends, sweethearts, and lovers. The first chapters are classic Nora Roberts, great setting, wonderful secondary characters, depictions of rural farm life and the bonds formed between friends and family beautifully illustrated.

And then they grow up. The most important events of this book -- Coop and Lil's heart-breaking separation, Lil's ex-boyfriend, Coop's motivation for leaving NYPD -- are retold only in conversation, so the reader never gets to truly experience, gut-level, what these events mean to the characters. As a result, the entire story rings false, contrived and superficial. The antagonist, stalking Lil and her wildlife refuge, appears out of nowhere. His motivation for attacking Lil is based on his own psychosis and idealism, rather than any actual attachment to Lil herself. Therefore, the entire scenario seems outrageous and, again, contrived.

The back of the book blurb was misleading, too. At the words "beloved cougar", I thought Baby was going to die the entire time, but not one of the animals who had a lasting relationship with Lil was ever killed. I'm not preaching for brutality here, I'm just saying, it was a bad marketing choice, and in the end, when Baby not only survived but defied all scientific arguments about nature-vs.-nurture and learned behavior by one-upping Coop in the final showdown, I felt cheated of an emotional shock that I'd been braced for the entire story.

In addition to the plot failings of this book, the romance was forced, awkward, and selfish. Here are two adults who had once been madly in love, forging a sexual relationship, while Coop is content to twiddle his thumbs until Lil sees the light and Lil is too stubborn to move on from past hurts. Lil comes across not as a woman who is afraid of emotional vulnerability, but a cold-hearted bitch. She wasn't the least bit sympathetic or likeable.

I made the mistake of buying this book. It was a waste of money and a waste of the afternoon I spent reading it. The secondary characters were acceptable, but the secondary romance seemed to be a ploy to extend the page-count total. The "suspense", if you could call it, fell flat because the antagonist's motivations weren't strong enough, and the relationship between Lil and the antagonist was so fake you could smell it. The first 76 pages are the only reason I didn't give this a 1.
4 people found this helpful
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Author needed to do more research

As a native of the Black Hills, I believe the author needed to do more research. Deadwood is not near any farm that grows corn and soybeans. It is more likely near a ranch, which is unlikely to grow crops given the terrain. If a hiker got lost hiking Crow Peak, they are the worst hiker ever, and if they got lost and made it all the way to near Deadwood, it would have taken a very long time. On Crow Peak's trail it is impossible to get lost. The actual wildlife sactuary is above Spearfish, not Deadwood, and Spearfish is near Crow Peak, but you still cannot get lost on the Crow Peak trail and end up near the sanctuary. It would be more likely that you would get lost on Big Hill Trails, and end up near the sanctuary, but still a stretch. There are NO WOLVES in the Hills, with the exception of the wildlife sanctuary. There are coyotes. Bison are also not found wondering around the Northern Hills, as was suggested, unless a rancher owns them and you are on his land, they are found in the Southern Hills. Also, the sanctuary does not breed it's animals, as it was suggested the characters would do with the new big cat. As a native of the area, I found the description of the area and lack of geographical correctness very frustrating, as it didn't feel like the Black Hills at all.

However, the story seems to be fine. It was captivating enough to keep reading it, as long as I pretended I wasn't reading about my home. The main characters were a little frustrating as far as the anger that lingered, but that's what kept me reading, to see if it would be resolved.
3 people found this helpful
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Good Book But The Heroine Drove Me A Bit Nuts

Reading this felt like a blast from the past. I always loved the books that spent time on the characters as kids and then showed them when they were older. This style doesn't always work for me, but this author has a way with it and I always enjoy it. The last couple books I've read by this author haven't been in this style (which isn't a bad thing) but I really enjoyed revisiting it.

Getting to know Lil and Cooper when they were young made a nice start to the novel. There wasn't a huge chunk of the book spent in this period which kept it short and sweet.

The beginning of this novel was great and the end was great, but the middle dragged a bit. It's like the book lost steam for a bit before it finally got back on track. I liked all the information we had about the refuge and the wildlife there. I love how most of this author's characters have such different careers. It's nice to get a peek into the intricacies of some of the jobs.

I didn't really enjoy the secondary romance. I felt we only got a shallow view and not really enough to be interesting.

I think my biggest problem with this book was Lil. I thought she was beating a dead horse with the way she held on to her grudge. I'm going to rant at fictional Lil here for a bit... So, Cooper has told you why he broke up with you years ago. It may be a harsh reason, but I think it's a pretty good one all things considered. You keep him dancing on a string because you just can't believe him 100 percent. But you keep sleeping with him and you keep expecting him to bend over backwards for you. You seem bitter and like you need to get over yourself. There, I feel better now.

Even with those irritating details, I really enjoyed this book. I look forward to reading the next one she puts out.
3 people found this helpful
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Cougar lover

Nora Roberts delivers in her usual style. This book takes place in South Dakota at a wildlife refuge run by a woman with a special love of cougars. She is being threatened for reasons that are unclear. Her childhood love, who left South Dakota to make his home permanently in New York, comes home for good and gets involved with the investigation of the threat....and the old sparks start flying again. This is a solid installment in the Nora Roberts genre, fast-paced and with all the elements you look for in a good romance novel.
2 people found this helpful
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Generally Very Good

This was a book that I couldn't put down and was read within a few days. I wanted to read more to find out what happened next, and it was structured well to create this effect. The storyline and writing style brought out a variety of emotions: I felt very upset and angry when the mass murderer shot the cat in the cage and could feel the anxiety of certain situations, such as when Lil had the get the lion back in the enclosure before it could attack anyone. I also appreciated how the book alternated between Lil's and the murderer's perspectives, because it showed us what he was thinking and what he planned to do next, which caused concern.

Maybe the writer gave away who the murderer was a little early. At times, Lil's speech and the dialogue between her and her friend irritated me - at times, (only at times), it seemed a little silly and false...and annoying! Maybe this was exacerbated by the fact that Lil always seemed to talk about Coop and how much she couldn't get over him leaving years ago to go to New York. I found the fact that she was willing to sleep with him whilst also constantly telling him that 'they would talk...when they had time...at a later date...after she had done the dishes...after she had returned from where she was going'...blaady blaady blah a little unrealistic. It seemed more unrealistic because it was a little drawn out. However, the portrayal of her ambivalent emotions regarding Coop was mostly successful.

Apart from this, it was a really great read: 4/5.
1 people found this helpful
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One of the most exciting

They first met during a summer where a resentful Cooper Sullivan was banished to his grandparents' farm while his parents made one last effort to save their marriage. Lillian Chance had been the closest neighbor his own age, a girl more interested in baseball than the New Kids on the Block.

They came back together shortly after just as adulthood loomed. Lil was heading to college, Coop joining the police department back east. But love didn't last through the separations. Now it is twenty years later and they are both home again. Lil is back from her travels to continue working her wildlife refuge while Coop is helping out on the farm after his grandfather badly broke his leg.

Coop is trying to convince Lil that he still loves her, has no desire to leave her again, but first they have to deal with a serial killer who wants to prey on Lil.

Loved this one, larger than many of Roberts' other books, it entertained and educated. The reasons behind their separation made perfect sense. I even enjoyed the secondary romance as well as all the characters within. The thing that I like about Roberts is that her characters have families, they have friends. Too many times you'd think the hero and/or heroine were sprung from Zeus' skull, all alone in the world. Her characters can speak to each other as well as to their family and friends regarding their relationship. It's something that I appreciate it. 4.5 out of 5

Her description of the relationship between Lil and the wild animals in her compound really resonated with me. As a child growing up in Florida, there was a small zoo of sorts behind a favorite orange store that we would visit frequently during season. They had cougars and wolves and other other exotic animals that had been bought and raised as pets until they became too big or dangerous. While my parents spoke to the owners of the grove, I would go back alone to visit the animals. I still remember sitting there for long periods, talking to them and, although I wouldn't recommend this to anyone today, sticking my hand through the cages to pet them. This was long before small zoos were pushed to either make the environment more animal friendly or close down. The owners treated the animals well, but they didn't have places to run, their homes were metal and concrete. As a animal lover from childhood, one who has a strange love/hate relationship with zoos in general, it made me sad even then to visit. But the ability to scratch a wolf's ears and tickle a cougar's belly are memories that will always stay with me.

Once you complete reading this book, consider donating to a rescue agency such as described here. Even if it is $5 or $10, it can help enormously. Some worthy groups are out there, doing whatever they can with what little monies they can scrounge.
1 people found this helpful
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Just ok

I normally really like Nora Roberts. The concept was interesting, but the story was really drawn out. So... entertaining, but not one of her best.
1 people found this helpful
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The Eyes have Hills!

Lillian Chance knew two constants...the Black Hills and Cooper (Coop) Sullivan. From the time she was 10, Lil has known that she has been in love with Coop and that she wanted to build a Wildlife Preserve. When they met, they shared a love of baseball, eventually a kiss, a sexual experience and even the discovery of the body of a female who was murdered in the Black Hills. So when he ignores their connection and breaks her heart, she is even more determined to obtain her goals. Ten years later, Lil returns home having accomplished all that she set out to do. She has traveled the world studying wild animals and even tried unsuccessfully to find love. Now a Wildlife Biologist and proud owner of Chance Wildlife Reserve, she is tasked with rescuing orphaned and abused animals especially large cats, including the cougars that have always been a part of her life, much like Coop. Now he is back, having returned from making his way in the world, first as a police detective, then as a private investigator...and now he is helping his grandparents run their business and wants Lil back and will settle for no less. With threats against Lil's life, Coop is determined to make her forgive and love him again. His main goal has become keeping her safe and repairing their relationship. There is a serial killer who thinks he's a descendant of Crazy Horse and who has become fixated on Lil because he feels she has dishonored the land and her people. As Lil tries to decide if she is willing to risk her heart again, she must also face constant danger.

This was a wonderful story of suspense and romance. There were other storylines that pushed the story along (For example, Lil's college roommate's budding relationship with the helper Farley. Or even the dynamics between her parents and Coop's grandparents.), as well as a satisfying (although anti-climatic) conclusion. Overall, I really enjoyed this story and would recommend it to those that enjoy Nora Roberts.
1 people found this helpful
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Major Disappointment

I've been a huge fan of Nora for a long time, but the last few years her books don't read like Nora wrote them, same goes for her J D Robb books.

I used to sit and start one of her books and get mad if I had to put it down before I finished it. Now, Black Hills has taken me well over two weeks and I'm only at chapter 21. It's boring. The characters aren't interesting; the first ten chapters should have been dumped, it's all backstory referenced to when the real story finally appears. They were so hard to read. It's like having a person sit down and write what they can recall as far back as they can recall. It's a hit and miss memory lane. No one scene is complete, sometimes the scene jumps ahead and your head is swimming with confusion until you learn it's been years. And there are too many people with a point of view. I'm used to her mixing the point of views of the main characters and love it, but geese - what is there, at least six point of views. It causes the story to drag on and on.

I'm sorry, it's not a good read. I expect better of Nora. If she can't write like she used to, she needs to retire.

And the research, or lack of. Moose in the Black Hills? None. I don't recall ever hearing about wolves. Antelope are everywhere, yet there is no mention of them. The whole deal about her little animal reserve sounds like a spin off of Bear Country. We lived there from 1986-1994.
1 people found this helpful
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Nora! What happened?

took me 2 weeks to read this book as opposed to the big gulp 2 nights usually reserved for Nora Roberts. Characters were one dimensional, even the seoondary, which can be even more fun than the main characters in Nora's books. Plot was boring, even the dialogue, which for me is the best part of a Nora Robert's book, was stilted. Color me sad
1 people found this helpful